2 out of 2 people found the following comment useful :- Third time unlucky!, 10 October 2001
Author:
Mazzarini from Gloucester, England
This film follows CODENAME WILDGEESE and COMMANDO LEOPARD. It is not as
good as either of those films, due mainly to the fact that the action
sequences lack the tight editing and loud sound effects of the two earlier
films. The acting is good, and far better than your average B movie. Fans
of these European films will get a kick out of the cast of B movie
favourites Collins, Van Cleef, Pleasence, Halsey, Lehmann, Puppo, Monty and
others. May director Margheriti continue to work, I for one will still
watch his films.
1 out of 1 people found the following comment useful :- Enervated, 24 May 2005
Author:
gridoon
OK, this is confusing. In 1984, the Italian director Anthony Dawson
(AKA Antonio Margheriti) made "Codename:Wildgeese", an action film
about a commando squad that goes to Southeast Asia to attack a drug
lord's stronghold. It starred Lewis Collins, Lee Van Cleef, Klaus
Kinski and Ernest Borgnine. In 1988, he made "The Commander", an action
film about a commando squad that goes to Southeast Asia to attack a
drug lord's stronghold. It starred Collins and Van Cleef again, but no
Kinski and Borgnine this time; in their place, there was Donald
Pleasence. To further confuse matters, the version of "The Commander" I
saw was actually titled "Commando:Wildgeese"! It took me about 10
minutes to realize that I wasn't watching the 1984 film! Anyway, all
you need to remember is that "The Commander" / "Commando:Wildgeese" is
a low-grade action film, to be avoided at all costs. A low point in the
careers of Van Cleef and Pleasence; all the others involved never had
much of a career to begin with. The only character who piqued my
interest was a beautiful female fighter, but she didn't get to do much.
(*)
1 out of 1 people found the following comment useful :- Excellent acting, good action scenes - well worth watching!, 18 September 2001
Author:
egd-1 from United Kingdom
*** This comment may contain spoilers ***
Warning! There are SPOILERS in this review. Warning!
I was pleasantly surprised by this film. I only bought the video because
Lee Van Cleef was in it and I had expected to find that he and Donald
Pleasence would be the only redeeming features of yet another bad action
film. I couldn't have been more wrong.
The plot was exciting and fast-paced, with the tension kept up throughout
the film. Particularly good was a scene where people keep getting shot as
they try to steal a 'floppy disk' (actually a CD-ROM). One character goes
into the room, blows the safe and gets the disk, only to be shot by
another
character, who then is shot by Mason (Manfred Lehmann). Suddenly the view
switches to another gun pointing in the room...
Another thing about this film is that it had the feel of a Leone Spaghetti
Western about it, with amoral characters ready to do just about anything
for
money. It didn't try to explain the characters -- a mistake many bad
films
make -- but let the actors and the action show us what manner of people
they
were. The dialogue was generally good, only flagging now and again,
particularly in the scene where Henry Carlson (Donald Pleasence) meets an
old colleague who is investigating whether he (Carlson) has links to the
drugs trade. The only bits that didn't quite come off were the scene
where
after Ling, a woman who Mason liked, died in battle, Mason started blindly
shooting and shouting 'Murderers' and a scene where a snake bit one of the
mercenaries who came with Colby. For some reason, I have never seen a
film
that has had a credible scene involving snakes. Snakes can be deadly,
certainly, but they are made out to be a bigger menace than they are. The
merc who found the snake in the back of the transport lorry should have
simply stood up because he should have been wearing good boots. He then
could have dropped a box on the snake. He could have even thrown his
shirt
on the snake and beat it with his rifle. I am surprised that the merc
panicked in the way he did. Also, snake venom doesn't work *that*
quickly.
The acting was generally good and, as expected, Lee Van Cleef and Donald
Pleasence shone through as the geniuses they were. Don't listen to those
who say that Lee Van Cleef was past his prime; his delivery and presence
were as perfect as ever. I was also very impressed by Lewis Collins. He
held his own with Lee Van Cleef and Donald Pleasence. I rarely watch
television and so had never seen Lewis Collins in 'The Professionals', but
after seeing him in this film, I will look for others in which he appears.
The action scenes were also generally well done. This film managed to
capture some of the chaos of war: the best laid plans being undone as soon
as the battle begins. Further, there were no Hollywood-style scenes in
which the 'hero' pulls off some impossible bit of action in battle,
rescuing
someone or even everyone or in which someone dies 'heroically'. All but
one
of the people who went with Colby died, and only a few of those deaths
were
even vaguely heroic. For instance, Ling died because she looked down at a
companion who had just been shot instead of keeping her attention on the
battle. That's exactly the sort of way one would expect to find someone
dying in battle. There were a few things that didn't come off right,
though. One was the nuclear explosion: I don't care that it was a
'mini-nuke', it still should have had more kick than that. The other was
the sound of the pistols; they sounded like starting pistols. As well,
the
actors looked too clean after having been out in the field at least one
night and having been in battle. Go out in a muddy field for only a few
hours and you won't look that clean. This is, however, a common failing
of
films. In low budget films, it is probably easier to deal with continuity
issues if the actors remain clean.
The cinematography was very good; it captured the atmosphere of everywhere
from a drug lord's house to a jungle very nicely. The music was just
right:
low-key and slightly exotic, not dominating the film or being used as
substitute for acting or action.
All in all, I would recommend this film to anyone who likes action, amoral
characters, and good acting. It is well worth it.
Around Christmas I had watched COMMANDO LEOPARD (1985), a passable
low-brow German-Italian war flick; that film was the middle part of a
trilogy and, back then, I had expressed a wish to check out the
remaining two entries – CODENAME: WILDGEESE (1984) and THE COMMANDER
(1988). I now happened upon the latter, but the result was even less
rewarding! Lewis Collins is once again the hero and, as ever, producer
Erwin C. Dietrich manages to assemble a fair line-up of actors in
support: Lee Van Cleef, Donald Pleasence, Manfred Lehmann and John
Steiner (both from COMMANDO LEOPARD), Paul Muller (as Van Cleef’s smart
butler!) and Brett Halsey.
The convoluted plot involves an Asian dictator, a consignment of drugs
and an all-important incriminating “floppy disk” (but which looks more
like a CD!). The band of gung-ho mercenaries this time around also
includes a native girl but, with much of the action being relegated to
the second half, it’s mostly by-the-numbers stuff – until the explosive
climax (which only Collins and Lehmann survive…though one member had
expired early on from the bite of a cobra!). However, there’s a nice
twist at the end regarding the characters of Van Cleef (fitted with a
silly pirate-like earring throughout!) and Pleasence (alternating
between hysteria and sarcasm and, finally, campily turning up as a
tourist-photographer) – as they prove exact opposites to what they’d
been played up to be!
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Commander, Der (1988)
2 out of 2 people found the following comment useful :-
Third time unlucky!, 10 October 2001
Author: Mazzarini from Gloucester, England
This film follows CODENAME WILDGEESE and COMMANDO LEOPARD. It is not as good as either of those films, due mainly to the fact that the action sequences lack the tight editing and loud sound effects of the two earlier films. The acting is good, and far better than your average B movie. Fans of these European films will get a kick out of the cast of B movie favourites Collins, Van Cleef, Pleasence, Halsey, Lehmann, Puppo, Monty and others. May director Margheriti continue to work, I for one will still watch his films.
1 out of 1 people found the following comment useful :-

Enervated, 24 May 2005
Author: gridoon
OK, this is confusing. In 1984, the Italian director Anthony Dawson (AKA Antonio Margheriti) made "Codename:Wildgeese", an action film about a commando squad that goes to Southeast Asia to attack a drug lord's stronghold. It starred Lewis Collins, Lee Van Cleef, Klaus Kinski and Ernest Borgnine. In 1988, he made "The Commander", an action film about a commando squad that goes to Southeast Asia to attack a drug lord's stronghold. It starred Collins and Van Cleef again, but no Kinski and Borgnine this time; in their place, there was Donald Pleasence. To further confuse matters, the version of "The Commander" I saw was actually titled "Commando:Wildgeese"! It took me about 10 minutes to realize that I wasn't watching the 1984 film! Anyway, all you need to remember is that "The Commander" / "Commando:Wildgeese" is a low-grade action film, to be avoided at all costs. A low point in the careers of Van Cleef and Pleasence; all the others involved never had much of a career to begin with. The only character who piqued my interest was a beautiful female fighter, but she didn't get to do much. (*)
1 out of 1 people found the following comment useful :-

Excellent acting, good action scenes - well worth watching!, 18 September 2001
Author: egd-1 from United Kingdom
*** This comment may contain spoilers ***
Warning! There are SPOILERS in this review. Warning!
I was pleasantly surprised by this film. I only bought the video because Lee Van Cleef was in it and I had expected to find that he and Donald Pleasence would be the only redeeming features of yet another bad action film. I couldn't have been more wrong.
The plot was exciting and fast-paced, with the tension kept up throughout the film. Particularly good was a scene where people keep getting shot as they try to steal a 'floppy disk' (actually a CD-ROM). One character goes into the room, blows the safe and gets the disk, only to be shot by another character, who then is shot by Mason (Manfred Lehmann). Suddenly the view switches to another gun pointing in the room...
Another thing about this film is that it had the feel of a Leone Spaghetti Western about it, with amoral characters ready to do just about anything for money. It didn't try to explain the characters -- a mistake many bad films make -- but let the actors and the action show us what manner of people they were. The dialogue was generally good, only flagging now and again, particularly in the scene where Henry Carlson (Donald Pleasence) meets an old colleague who is investigating whether he (Carlson) has links to the drugs trade. The only bits that didn't quite come off were the scene where after Ling, a woman who Mason liked, died in battle, Mason started blindly shooting and shouting 'Murderers' and a scene where a snake bit one of the mercenaries who came with Colby. For some reason, I have never seen a film that has had a credible scene involving snakes. Snakes can be deadly, certainly, but they are made out to be a bigger menace than they are. The merc who found the snake in the back of the transport lorry should have simply stood up because he should have been wearing good boots. He then could have dropped a box on the snake. He could have even thrown his shirt on the snake and beat it with his rifle. I am surprised that the merc panicked in the way he did. Also, snake venom doesn't work *that* quickly.
The acting was generally good and, as expected, Lee Van Cleef and Donald Pleasence shone through as the geniuses they were. Don't listen to those who say that Lee Van Cleef was past his prime; his delivery and presence were as perfect as ever. I was also very impressed by Lewis Collins. He held his own with Lee Van Cleef and Donald Pleasence. I rarely watch television and so had never seen Lewis Collins in 'The Professionals', but after seeing him in this film, I will look for others in which he appears.
The action scenes were also generally well done. This film managed to capture some of the chaos of war: the best laid plans being undone as soon as the battle begins. Further, there were no Hollywood-style scenes in which the 'hero' pulls off some impossible bit of action in battle, rescuing someone or even everyone or in which someone dies 'heroically'. All but one of the people who went with Colby died, and only a few of those deaths were even vaguely heroic. For instance, Ling died because she looked down at a companion who had just been shot instead of keeping her attention on the battle. That's exactly the sort of way one would expect to find someone dying in battle. There were a few things that didn't come off right, though. One was the nuclear explosion: I don't care that it was a 'mini-nuke', it still should have had more kick than that. The other was the sound of the pistols; they sounded like starting pistols. As well, the actors looked too clean after having been out in the field at least one night and having been in battle. Go out in a muddy field for only a few hours and you won't look that clean. This is, however, a common failing of films. In low budget films, it is probably easier to deal with continuity issues if the actors remain clean.
The cinematography was very good; it captured the atmosphere of everywhere from a drug lord's house to a jungle very nicely. The music was just right: low-key and slightly exotic, not dominating the film or being used as substitute for acting or action.
All in all, I would recommend this film to anyone who likes action, amoral characters, and good acting. It is well worth it.
THE COMMANDER (Antonio Margheriti, 1988) *1/2, 16 June 2008

Author: MARIO GAUCI (marrod@onvol.net) from Naxxar, Malta
Around Christmas I had watched COMMANDO LEOPARD (1985), a passable low-brow German-Italian war flick; that film was the middle part of a trilogy and, back then, I had expressed a wish to check out the remaining two entries – CODENAME: WILDGEESE (1984) and THE COMMANDER (1988). I now happened upon the latter, but the result was even less rewarding! Lewis Collins is once again the hero and, as ever, producer Erwin C. Dietrich manages to assemble a fair line-up of actors in support: Lee Van Cleef, Donald Pleasence, Manfred Lehmann and John Steiner (both from COMMANDO LEOPARD), Paul Muller (as Van Cleef’s smart butler!) and Brett Halsey.
The convoluted plot involves an Asian dictator, a consignment of drugs and an all-important incriminating “floppy disk” (but which looks more like a CD!). The band of gung-ho mercenaries this time around also includes a native girl but, with much of the action being relegated to the second half, it’s mostly by-the-numbers stuff – until the explosive climax (which only Collins and Lehmann survive…though one member had expired early on from the bite of a cobra!). However, there’s a nice twist at the end regarding the characters of Van Cleef (fitted with a silly pirate-like earring throughout!) and Pleasence (alternating between hysteria and sarcasm and, finally, campily turning up as a tourist-photographer) – as they prove exact opposites to what they’d been played up to be!
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