Bright Lights, Big City (1988)

Director:

James Bridges

Writers (WGA):

Jay McInerney (novel)
Jay McInerney (screenplay)

Release Date:

1 April 1988 (USA)

Genre:

Drama

Plot:

A disillusioned young writer living in New York City turns to drugs and drinking to block out the memories of his dead mother and estranged wife.

Plot Keywords:

Estranged Wife | Dead Mother | Writer | New York City | Magazine

Awards:

1 nomination

Cast

Michael J. Fox	...	Jamie Conway
Kiefer Sutherland	...	Tad Allagash
Phoebe Cates	...	Amanda
Swoosie Kurtz	...	Megan
Frances Sternhagen	...	Clara
Tracy Pollan	...	Vicky
John Houseman	...	Mr. Vogel
Charlie Schlatter	...	Michael
David Warrilow	...	Rittenhouse
Dianne Wiest	...	Mother
Alec Mapa	...	Yasu Wade
William Hickey	...	Ferret Man
Gina Belafonte	...	Kathy
Sam Robards	...	Rich Vanier
Bernard Zette	...	Stevie (as Zette)

Runtime:

107 min

Country:

USA | Japan

Language:

English

Color:

Color (DuArt)

Aspect Ratio:

1.85 : 1

Sound Mix:

Dolby

Certification:

Iceland:L | UK:15 (video re-rating) (2003) | UK:18 (video rating) (1989) | UK:18 (original rating) | Sweden:15 | Australia:R | France:-16 | Canada:13+ (Quebec) | Finland:K-16 | USA:R | West Germany:16 | Norway:15

Filming Locations:

New York City, New York, USA

Company:

CST Telecommunications

Trivia:

The name of Michael J. Fox's character, Jamie Conway, is an anagram of author Jay McInerney's name. In the novel, the primary character's full name is never given, he is referred to as "Coach" by Tad, and in the second person ("you") in the narration.

Goofs:

Continuity: During Jamie's story of his relationship with Amanda to Megan his wineglass goes from half-full to empty in less than two seconds, while he's speaking.

Quotes:

Ferret Man: Wanna buy a ferret?
Jamie Conway: No, thanks.
Ferret Man: His name is Fred...

Movie Connections:

Referenced in "Freddy's Nightmares: The Light at the End of the Tunnel (#1.20)" (1989)

Soundtrack:

Bill

Better than you might think

I remember the ads for this film on TV when it came out, and it seemed appealing to me then, even though I did not see it until recently on video. I must say this is not a bad film by any means, and has quite a bit to say about the struggles of young adults trying to "find their place" in the world. It seems to me to be sort of the father of "Trainspotting" in several ways (drugs, youth struggling with identity in society, narration, etc.), although not nearly as elaborately produced, there are some pretty decent elements of style incorporated some of which work well, some not so well.

Frankly I was surprised this was a Hollywood picture. The subject matter is not something that one would think people would flock to see, but maybe the producers thought it might be a new kind of "Breakfast Club" type film. Who knows, but it was an interesting risk that didn't pan out, as I do not recall this being a very successful film at the box office, but I admire the attempt at bringing it to a wide audience.

Some of the scenes seem a bit awkward, like the opening of the film at the former, great, NYC club, The Paladium, and the ferrit scene towards the end, and the confrontations with Pheobe Kates. However one has to wonder if this was intentional, because of the film makers' apparent desire to show that in "reality" things are not always so comfortable.

Overall a film worth one's time, if you keep your mind open a little bit. This is not Hollywood fluff, but it isn't a Lions Gate release either. I think Michael J Fox also deserves a lot of credit for doing "Bright Lights, Bit City" because this was the height of his career and to take on such a risk and a challenging as an actor should be commended. The movie is a pretty good attempt at handling a subject that is a reality for many youth. I think this audience is the one who would have most use out of such a film so if you fit in that category, it's worth your time.