| Photos (see all 5 | slideshow) |
| Colin Firth | ... | Tom Birkin | |
| John Atkinsons | ... | Old Man on Train | |
| Jim Carter | ... | Ellerbeck | |
| Patrick Malahide | ... | Reverend Keach | |
| Kenneth Branagh | ... | James Moon | |
| Richard Vernon | ... | Colonel Hebron | |
| Tim Barker | ... | Mossop | |
| Vicki Arundale | ... | Kathy Ellerbeck | |
| Martin O'Neil | ... | Edgar Ellerbeck | |
| Natasha Richardson | ... | Alice Keach | |
| Tony Haygarth | ... | Douthwaite | |
| Eileen O'Brien | ... | Mrs. Ellerbeck | |
| Elizabeth Anson | ... | Lucy Sykes | |
| Barbara Marten | ... | Mrs. Sykes | |
| Kenneth Kitson | ... | Mr. Sykes | |
| Judy Gridley | ... | Mrs. Clough | |
| Lisa Taylor | ... | Emily Clough | |
| Andrew Wilde | ... | Shop Assistant | |
| David Gillies | ... | Milburn | |
| David Garth | ... | Old Birkin |
Directed by | |||
| Pat O'Connor | |||
Writing credits | ||
| J.L. Carr | (novel) | |
| Simon Gray | (writer) | |
Produced by | |||
| Dominic Fulford | .... | associate producer | |
| Johnny Goodman | .... | executive producer | |
| John Hambley | .... | executive producer (as John Hambly) | |
| Kenith Trodd | .... | producer | |
Original Music by | |||
| Howard Blake | |||
Cinematography by | |||
| Kenneth MacMillan | |||
Film Editing by | |||
| John Victor-Smith | |||
Casting by | |||
| Michelle Guish | |||
Production Design by | |||
| Leo Austin | |||
Art Direction by | |||
| Richard Elton | |||
Costume Design by | |||
| Judy Moorcroft | |||
Makeup Department | |||
| Carole Bennett | .... | hair stylist | |
| Jenny Shircore | .... | makeup artist | |
Production Management | |||
| Dominic Fulford | .... | production supervisor (uncredited) | |
Second Unit Director or Assistant Director | |||
| Bill Craske | .... | assistant director | |
Art Department | |||
| John Maher | .... | construction manager | |
Sound Department | |||
| Shep Dawe | .... | sound assistant | |
| Tony Dawe | .... | sound mixer | |
| Peter Horrocks | .... | sound editor | |
Camera and Electrical Department | |||
| Graham Day | .... | focus puller | |
| Steve Foster | .... | gaffer | |
| Mike Frift | .... | camera operator | |
| Nigel Seal | .... | clapper loader | |
Costume and Wardrobe Department | |||
| Keith Morton | .... | wardrobe master | |
Editorial Department | |||
| Liz Green | .... | editor trainee | |
Music Department | |||
| Howard Blake | .... | conductor | |
Other crew | |||
| Sarah Hayward | .... | continuity | |
| Bill Launder | .... | production associate | |
| Wayne McCoy | .... | location manager | |
| Richard Morrison | .... | title designer | |
| Pat Pennelegion | .... | production coordinator | |
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| Jane Eyre | Billy Liar | The Navigator: A Mediaeval Odyssey | Privilege | Shout at the Devil |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb UK section | Add this title to MyMovies |
I've just watched this haunting movie for the second time, after an interval of several years and having just read the book on which it's based. I feel as though the director,actors, cinematographer took a walk inside my head to pluck the images that lived there as I read the book. Of course, it was those images inside THEIR heads that have made this film the masterpiece that it is...to enrich the heart, restore the soul. Colin Firth brought the character, Tom Birkin, so fully into life, with his sensitivity, conflicts, process of restoration (both as a skilled worker and as a damaged human being) and yearnings one wonders why such roles as this haven't been offered him since. His brooding Mr Darcy in the TV version of "Pride and Prejudice" used some of these talents, but not nearly enough. Kenneth Branagh's fine understated playing of the equally war damaged archaelogist (and a closet homosexual) is amazing and brilliant, considering especially his over-the-top performances in later films. Lovely Natasha Richardson creates just the right tone of controlled longing of the unhappily married Alice Keagh. Jim Carter and the rest of the cast are splendid as well. This is a film to return to again and again for its visual and soulful beauty, simplicity and depth. What an antidote for the juvenile,frentic blockbuster fare we're offered for the most part by the movie "business."