St. Elmo's Fire (1985)

User Rating:

5.9/10   

Director:

Joel Schumacher

Writers:

Joel Schumacher (written by) &
Carl Kurlander (written by)

Release Date:

28 June 1985 (USA)

Genre:

Drama | Romance

Tagline:

The passion burns deep.

Plot:

A Group of friends, just out of college, struggle with adulthood. Their main problem is that they're all self-centered and obnoxious. |

Plot Keywords:

College | Virgin | Extramarital Affair | Coming Of Age | Infidelity

Awards:

1 win & 1 nomination

US TV Schedule:

Sun. July 12	1:30 AM	AMC
Sun. July 12	6:30 AM	AMC

Cast

Emilio Estevez	...	Kirby Keger
Rob Lowe	...	Billy Hicks
Andrew McCarthy	...	Kevin Dolenz
Demi Moore	...	Jules
Judd Nelson	...	Alec Newbary
Ally Sheedy	...	Leslie Hunter
Mare Winningham	...	Wendy Beamish
Martin Balsam	...	Mr. Beamish
Andie MacDowell	...	Dale Biberman
Joyce Van Patten	...	Mrs. Beamish
Jenny Wright	...	Felicia
Blake Clark	...	Wally
Jon Cutler	...	Howie Krantz
Matthew Laurance	...	Ron Dellasandro
Gina Hecht	...	Judith

Runtime:

110 min | Canada:108 min (Ontario)

Country:

USA

Language:

English

Color:

Color (Metrocolor)

Aspect Ratio:

2.35 : 1

Sound Mix:

Dolby

Certification:

Canada:18A (Ontario) | Australia:M | Iceland:L | Canada:13+ (Quebec) | Canada:PG (Manitoba) | Argentina:13 | Finland:K-12 | Sweden:11 | UK:15 | USA:R | West Germany:12 | Singapore:NC-16

Filming Locations:

Georgetown, Washington, District of Columbia, USA

Company:

Columbia Pictures Corporation

Trivia:

Andrew McCarthy's character has several witty lines that are lifted directly from Ian Shoales, a fictional pop-culture critic created by Merle Kessler of the Duck's Breath Mystery Theater. Ian Shoales appeared on NPR's "All Things Considered," as well as MTV's "The Cutting Edge" (1983). The "St. Elmo's Fire" credits give "special thanks" the Duck's Breath Mystery Theater.

Goofs:

Continuity: In the cafeteria scene when Jules, Leslie and Wendy are in line getting their food, the food on the plates changes spots.

Quotes:

Billy: Jules, y'know, honey... this isn't real. You know what it is? It's St. Elmo's Fire. Electric flashes of light that appear in dark skies out of nowhere. Sailors would guide entire journeys by it, but the joke was on them... there was no fire. There wasn't even a St. Elmo. They made it up. They made it up because they thought they needed it to keep them going when times got tough, just like you're making up all of this. We're all going through this. It's our time at the edge.

Movie Connections:

Referenced in "Dawson's Creek: Reunited (#2.20)" (1999)

Soundtrack:

LOVE THEME FROM ST. ELMO'S FIRE

The only illusion that's worth it…St. Elmo's Fire

I think Joel Schumacher gets a bad rap. Sure Batman & Robin is possibly the worst movie ever made, and it did kill a multi-million dollar franchise, but is that truly all we think about on the mention of his name? I myself will admit to keeping a stigma of hack whenever Schumacher is talked about, however, along with some decent films of late, his track record in the 80's was full of pure, nostalgic gems. I finally got the opportunity to check out one of my mother's favorite films, St. Elmo's Fire. Made at the height of Brat Pack fame, this film really gets the angst of college graduation and the life of responsibility and work that waits in the future right. While not as quotable or memorable as say The Breakfast Club, Schumacher still is able to take a moment in the youth of society and make something meaningful out of it. Maybe I can relate to it having just graduated from college two years ago, but I think that it would be relevant later on as well. Even if not, it is an accomplishment to last over twenty years and still be relatable to someone in that same position in the present day.

So the film is chock full of stereotypes and clichés, does that make it not true? We have our striver for fame and notoriety at the expense of his ideals, the girlfriend who wants to make a career before settling down as a stay at home mother, the troubled artist who can't leave school behind for a real life, the self-obsessed flirt who would rather self-destruct than ruin the façade she has worked so hard to build, the love-struck indecisive one stalking a past love and changing himself to try and win her over, and the confused souls not quite sure what they want to do with their new independence. We have the drug use, the sleeping around, the comradery, and the heartbreak. Through it all, though, you can really buy into it and see moments in your own life that mirror the events on screen almost perfectly. I think a lot of this has to do with the times and the ability to use actors that are actually the age of the characters they are playing. This is a film about 23 year olds trying to find themselves, and the authenticity of having people that age, going through those things in their real lives, helps the performances to be truthful. Nowadays this would have been changed to a post- high school story with the 18 year olds played by actors 25 or older. It's the vulnerability and the childlike appearance that makes you buy into the story and want to follow it to the end to see if the friendships can remain intact.

The star-filled cast does a great job throughout, and a film like this makes you wonder where these guys have gone. An actress like Ally Sheedy, who had the talent and the looks, pretty much fell off the map once the 80's came to a close. It is her and Andrew McCarthy that really carry the film. He is another that disappeared after Weekend at Bernie's. It is always nice to see this troupe of acting talent and what they were capable of in their prime. Emilio Estevez, Demi Moore, and Judd Nelson are all pitch-perfect in their roles along with Mare Winningham playing the friend that is so totally different from everyone else in the group, yet believable because we all have a friend like that. The only weak spot, in my opinion, is Rob Lowe, who at many times seems a bit out of his element as the drunk, party guy cracking jokes and getting into trouble. I don't discount his performances totally, though, because when he has moments of clarity, like when he talks Moore down after her total collapse, he is really excellent.

Everyone goes through a moment of time in his/her life like the characters on screen in St. Elmo's Fire. Schumacher should be given credit for giving us a poignant study into the lives of those souls on the cusp of a new chapter in life and the decisions that need to be made to continue forward without regrets for what is left behind. The dialogue is realistic and it all ends in a conclusion that makes sense in the scheme of the character's evolutions. Your friends will always be there for you, through thick and thin, however, as you grow older, the roles each play in your life changes. Getting older doesn't mean severing ties to the past, but instead a restructuring of it to keep you strong and moving towards the future.