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Gene Roddenberry (television series Star Trek)
Harve Bennett (written by)
1 June 1984 (USA) more
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Admiral Kirk and his bridge crew risk their careers stealing the decommissioned Enterprise to return to the restricted Genesis planet to recover Spock's body. full summary | add synopsis
7 nominations more
Leonard Nimoy Won't Direct a Star Trek Sequel
(From ReelzChannel. 9 October 2009, 12:52 PM, PDT)
3 New Star Trek DVD Sets to Hit the DVD and Blu-ray Shelves on September 22nd
(From MovieWeb. 20 July 2009, 2:51 PM, PDT)
You Klingon bastards ! Kirk gets personal. more (143 total)
Directed by | |||
| Leonard Nimoy | |||
Writing credits | ||
| Gene Roddenberry | (television series Star Trek) | |
| Harve Bennett | (written by) | |
Produced by | |||
| Harve Bennett | .... | producer | |
| Gary Nardino | .... | executive producer | |
| Ralph Winter | .... | associate producer | |
Original Music by | |||
| James Horner | |||
Cinematography by | |||
| Charles Correll | |||
Film Editing by | |||
| Robert F. Shugrue | |||
Casting by | |||
| Mary Ann Barton | |||
| Elza Bergeron | |||
| Stuart Jensen | |||
Art Direction by | |||
| John E. Chilberg II | |||
Set Decoration by | |||
| Tom Pedigo | |||
Costume Design by | |||
| Robert Fletcher | |||
Makeup Department | |||
| Paul Abascal | .... | additional hair stylist | |
| Silvia Abascal | .... | hair stylist | |
| Barney Burman | .... | makeup effects lab technician | |
| Wes Dawn | .... | makeup artist | |
| Jim Kail | .... | makeup artist (as James Kail) | |
| James Lee McCoy | .... | key makeup artist | |
| Carol A. O'Connell | .... | additional hair stylist (as Carol O'Connell) | |
| Tom Woodruff Jr. | .... | special makeup effects artist | |
| Steve LaPorte | .... | special makeup effects artist (uncredited) | |
| Rick Stratton | .... | makeup artist (uncredited) | |
Production Management | |||
| Michael P. Schoenbrun | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| John Hockridge | .... | first assistant director | |
| Cynthia Riddle | .... | dga trainee | |
| Ken Stringer | .... | second assistant director | |
Art Department | |||
| William Apperson | .... | propmaker foreman | |
| Cameron Birnie | .... | set designer | |
| Ed Charnock | .... | paint foreman | |
| Ron Galloway | .... | swing gang | |
| Scott Goodale | .... | construction foreman | |
| Ron Greenwood | .... | assistant property master | |
| Dennis Ivanjack | .... | stand-by painter | |
| Jerry Kobold | .... | lead man | |
| Thomas W. Lay Jr. | .... | illustrator (as Tom Lay) | |
| Joe Longo | .... | property master | |
| Clarence Lynn Price | .... | construction coordinator (as Lynn Price) | |
| Blake Russell | .... | set designer | |
| Charlie Russo | .... | swing gang | |
| Mark Siegel | .... | sculptor | |
| Louis Zamora | .... | labor foreman | |
Sound Department | |||
| Pamela Bentkowski | .... | foley editor | |
| Raul A. Bruce | .... | boom operator | |
| Gene S. Cantamessa | .... | sound mixer | |
| Robert W. Glass Jr. | .... | sound re-recording mixer | |
| Cecelia Hall | .... | supervising sound editor | |
| Sean Hanley | .... | adr editor | |
| Ellen Heuer | .... | foley artist | |
| Ron Horwitz | .... | sound editor | |
| Alan Howarth | .... | special sound effects | |
| David J. Hudson | .... | sound re-recording mixer | |
| Tom Johnson | .... | additional sound effects | |
| John Leveque | .... | sound effects editor | |
| Dan O'Connell | .... | foley artist | |
| Bruce Richardson | .... | sound effects editor (as Paul Bruce Richardson) | |
| Frank Serafine | .... | special sound effects | |
| Randy Thom | .... | additional sound effects | |
| George Watters II | .... | supervising sound editor | |
| Ray West | .... | sound re-recording mixer | |
| Jack Woods | .... | sound effects editor | |
Special Effects by | |||
| Gary D. Bierend | .... | special effects technician | |
| Bob Dawson | .... | special effects | |
| Rocky Gehr | .... | special effects | |
| Bill George | .... | spacecraft and prop designer | |
| Thomas R. Homsher | .... | special effects | |
| John McLeod | .... | special effects technician | |
| Dennis Petersen | .... | special effects | |
| Tony Vandenecker | .... | special effects | |
Visual Effects by | |||
| Craig Barron | .... | matte cameraman | |
| William Beck | .... | model maker | |
| David Berry | .... | optical line up | |
| Dave Carson | .... | visual effects art director (as David Carson) | |
| Sean M. Casey | .... | model maker (as Sean Casey) | |
| Terry Chostner | .... | still photographer | |
| Donald Clark | .... | optical camera operator | |
| Peter Daulton | .... | visual effects assistant camera | |
| Don Dow | .... | visual effects cameraman (as Donald Dow) | |
| Selwyn Eddy | .... | visual effects cameraman (as Selwyn Eddy III) | |
| Christopher Evans | .... | matte artist (as Chris Evans) | |
| Scott Farrar | .... | special visual effects cameraman | |
| Warren Franklin | .... | visual effects production supervisor | |
| Michael Fulmer | .... | model maker | |
| Steve Gawley | .... | supervising model maker | |
| Ray Gilberti | .... | visual effects assistant camera | |
| Ralph Gordon | .... | optical line up | |
| Caroleen Green | .... | matte artist: ILM | |
| John Haggar | .... | visual effects editor | |
| David Hanks | .... | visual effects assistant camera (as Dave Hanks) | |
| Toby Heindel | .... | visual effects assistant camera | |
| Robert Hill | .... | visual effects assistant camera | |
| Jay Ignaszewski | .... | visual effects editor | |
| Randy Jonsson | .... | assistant camera: ILM (as Randy Johnson) | |
| Ira Keeler | .... | model maker | |
| Bill Kimberlin | .... | chief visual effects editor | |
| James Lim | .... | optical camera operator | |
| Jeff Mann | .... | model maker | |
| Patrick McArdle | .... | visual effects assistant camera | |
| Ted Moehnke | .... | miniature pyrotechnics | |
| Michael Moore | .... | assistant visual effects editor: ILM | |
| Charlie Mullen | .... | animation supervisor (as Charles Mullen) | |
| Phillip Norwood | .... | visual effects animator | |
| Frank Ordaz | .... | matte artist | |
| Michael Pangrazio | .... | matte painting supervisor | |
| Ken Ralston | .... | visual effects supervisor (as Kenneth Ralston) | |
| Nilo Rodis-Jamero | .... | visual effects art director (as Nilo Rodis) | |
| Kenneth Smith | .... | optical photography supervisor (as Kenneth F. Smith) | |
| Thomas G. Smith | .... | general manager: ILM (as Tom Smith) | |
| David Sosalla | .... | creature supervisor | |
| Laurie Vermont | .... | visual effects production coordinator | |
| Bruce Walters | .... | visual effects animator | |
Stunts | |||
| Steve Blalock | .... | stunts | |
| David Burton | .... | stunts | |
| Phil Chong | .... | stunts | |
| Jean Coulter | .... | stunts | |
| Eddy Donno | .... | stunts | |
| Kenny Endoso | .... | stunts | |
| James M. Halty | .... | stunts | |
| Chuck Hicks | .... | stunts | |
| Jeff Jensen | .... | stunts | |
| Al Jones | .... | stunt double: Christopher Lloyd | |
| Don McGovern | .... | stunts (as Don Charles McGovern) | |
| John Meier | .... | stunt double: William Shatner | |
| Tom Morga | .... | stunts | |
| Alan Oliney | .... | stunts | |
| Chuck Picerni Jr. | .... | stunts | |
| Danny Rogers | .... | stunts | |
| R.A. Rondell | .... | stunt coordinator | |
| Frank James Sparks | .... | stunts | |
| Ron Stein | .... | stunt coordinator | |
| David Zellitti | .... | stunts | |
| Lightning Bear | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Ed Cooper | .... | best boy (as Ed 'Big Ed' Cooper) | |
| Clarence Ebert | .... | second company grip | |
| Jon Falkengren | .... | dolly grip | |
| Ray Gilberti | .... | assistant camera | |
| Norman Glasser | .... | gaffer (as Norm Glasser) | |
| Dennis Harper | .... | key grip | |
| Hal Landaker | .... | video supervisor | |
| David B. Nowell | .... | camera operator (as David Nowell) | |
| Norman Parker | .... | second assistant camera: second camera | |
| Ed Reilly | .... | best boy | |
| Randall Robinson | .... | first assistant camera | |
| Peter Santoro | .... | second assistant camera | |
| Tom Sawyer | .... | dolly grip | |
| Michael Scott | .... | second camera operator | |
| Alfredo Sepulveda | .... | second assistant camera | |
| John R. Shannon | .... | still photographer (as John Shannon) | |
| Robert A. Torres | .... | first assistant camera | |
Casting Department | |||
| Barbara Harris | .... | casting: voice-over | |
Costume and Wardrobe Department | |||
| Dan Bronson | .... | wardrobe | |
| Agnes G. Henry | .... | wardrobe supervisor: women | |
| James Linn | .... | wardrobe supervisor: men | |
| Joseph Markham | .... | wardrobe | |
Editorial Department | |||
| Martin Chielens | .... | assistant editor (as Martin X. Chielens) | |
| Daniel F. Finnerty | .... | assistant editor | |
| Bruce Fortune | .... | assistant editor (as Bruce D. Fortune) | |
| John Haggar | .... | assistant editor (as John A. Haggar) | |
| Terry Haggar | .... | color timer (as Terry P. Haggar) | |
| Bob Noland | .... | color timer | |
Music Department | |||
| Bob Badami | .... | music editor | |
| Tommy Johnson | .... | musician: tuba soloist | |
| Greig McRitchie | .... | orchestrator | |
| Dan Wallin | .... | score mixer | |
| James Horner | .... | conductor (uncredited) | |
Transportation Department | |||
| Lynn Harman | .... | transportation captain | |
| Scott Jimerson | .... | driver | |
| Robert D. Mayne | .... | transportation coordinator | |
Other crew | |||
| Deborah Arakelian | .... | production assistant | |
| Barbara Arms | .... | assistant choreographer | |
| Steve Blalock | .... | stand-in | |
| Geoffrey de Valois | .... | production assistant | |
| Robin Kellick | .... | stand-in | |
| Lily La Cava | .... | script supervisor | |
| Alan Landaker | .... | chief engineer | |
| Joel Marston | .... | dialogue coach | |
| Marc Okrand | .... | dialog consultant: Klingon | |
| Gene Roddenberry | .... | executive consultant | |
| Kimberly L. Ryusaki | .... | stand-in | |
| Debbie Schwab | .... | assistant: Mr. Schoenbrun | |
| Mark Siegel | .... | creature maker | |
| Mark Siegel | .... | puppeteer | |
| Andre Tayir | .... | choreographer | |
| Philip Weyland | .... | stand-in (as Phil Weyland) | |
| Rick Whitfield | .... | video coordinator | |
| Leonard Nimoy | .... | additional writer (uncredited) | |
Star Trek III: Return to Genesis (USA) (working title)
more
105 min
Color (Metrocolor)
2.20 : 1 more
Dolby (35 mm prints) | 70 mm 6-Track (70 mm prints)
Italy:T | Iceland:10 | South Korea:12 | Brazil:Livre | New Zealand:G | Canada:G (Régie du Cinéma Québec) | Argentina:Atp | Australia:PG | Canada:PG | Finland:K-11 (DVD rating) | France:U | Netherlands:AL | Norway:11 (re-rerating) | Norway:12 | Singapore:PG | UK:PG | USA:PG | West Germany:12
As in the previous Star Trek film (Star Trek: The Wrath of Khan (1982)), the movie includes the famous "Space, the final frontier" monologue, spoken by Spock. As in the previous film, the words have been changed slightly, referring to seeking out "new life forms" instead of just "new life". This was the final use of this modified version of the monologue. more
Continuity: When Valkris, the Klingon spy, first approaches the freighter captain from behind, we can only see the bottom portion of her torso. We cannot see her face, but there definitely is something covering her front. However, when we see her face in the next shot, her face and torso are uncovered. more
[first lines]
[Spock's dying words, repeated from the previous film]
Captain Spock:
Don't grieve, Admiral. It is logical. The needs of the many outweigh...
Kirk:
...the needs of the few.
Captain Spock:
Or the one. I have been and always shall be your friend. Live long and prosper.
more
Referenced in "The Angry Video Game Nerd: Chronologically Confused About Sequel Titles (#1.15)" (2006) more
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| Star Trek: The Wrath of Khan | Star Trek VI: The Undiscovered Country | Star Trek IV: The Voyage Home | Star Trek V: The Final Frontier | Star Trek: First Contact |
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It is what it is folks, it's a good honest Star Trek story, it beats a real emotive heart and although some may decry the lack of blistering space battles, or end of the universe peril scenarios, it's an essential film for dealing with the protagonists we know and love.
Into the mix here we have our favourite alien enemies The Klingons {led by the oddly cast Christopher Lloyd}, Spocks father, Sarek, who adds grace to the story, and crucially Kirk gets an emotional kicker. While hardcore fans get a big surprise with the beloved Enterprise. It's merely a set up for the next {and delightfully great} instalment of Star Trek IV: The Voyage Home, but on its own terms it stands up as one of the better character pieces in the series. Due in no small part to having Leonard Nimoy directing it because he shows care and thought about a subject he obviously knows quite a bit about. 7/10