Boring and disappoiting work from shlockmeister Sergio Martino. Nothing much happens on the screen... Giallo specialist writer Ernesto GASTALDI was really tired this time. Elvire Audray is pretty but a terrible actress...Nice to see former sexy star of the italian adventure/action movies of the 60's Wandisa GUIDA but unfortunately she isn't doing much.
Cinematography is standard TV-like. You simply don't care about the plot, the actors but you will hate the awful muzak.
The fact Sergio Martino gave up on the anamorphic 2:35 format is, I think, a turning point in his career. He began with this "thing" (I hardly call that a movie)a long serie of disappointing and less radical movies especially aimed at a more US and european market (2019 AFTER THE FALL OF N.Y; ATOMIC CYBORG; AMERICAN RICKSHAW among others) where his visual style (weird camera angles, fast editing...) totally disappeared.
You'd rather avoid this easily forgettable ASSASSINIO AL CIMITERO ETRUSCO and prefer TUTTI I COLORI DEL BUIO or LA CODA DELLO SCORPIONE, his best works to me.
Cinematography is standard TV-like. You simply don't care about the plot, the actors but you will hate the awful muzak.
The fact Sergio Martino gave up on the anamorphic 2:35 format is, I think, a turning point in his career. He began with this "thing" (I hardly call that a movie)a long serie of disappointing and less radical movies especially aimed at a more US and european market (2019 AFTER THE FALL OF N.Y; ATOMIC CYBORG; AMERICAN RICKSHAW among others) where his visual style (weird camera angles, fast editing...) totally disappeared.
You'd rather avoid this easily forgettable ASSASSINIO AL CIMITERO ETRUSCO and prefer TUTTI I COLORI DEL BUIO or LA CODA DELLO SCORPIONE, his best works to me.