IMDb user comments for
Escape from New York (1981)

advertisement

Filter:

Best Chronological Prolific Authors Loved It Hated It Hide Spoilers:

Page 1 of 19:

[1] [2] [3] [4] [5] [6] [7] [8] [9] [10] [11]

Index

182 comments in total

---

30 out of 35 people found the following comment useful :-
Classic anti-hero, 17 December 2003
Author: grendelkhan from Xanadu

Snake Plissken is the classic anti-hero, ala Clint Eastwood's Man-with-no-name. Plissken is an ex-soldier turned criminal, recruited/blackmailed into rescuing a hostage president from the prison of New York City. Plissken is a walking ball of anger and a survival machine. He fought for his country but had everything taken from him, so he started taking back. Now, he has to rescue a man he doesn't care about, if only to survive long enough to take his revenge on Hauk and the government.

John Carpenter's film is a masterpiece of dark humor, suspense, and great characters. The film channels the anger and distrust of the post-Vietnam/Watergate era, as well as the then-current Iranian Hostage crisis. Plissken represents, in a fashion, the Vietnam vets who did their job, even if they didn't agree with or understand their war, but came back to nothing. The film's novelization explores these themes better than the movie, but it is hinted at in Hauk's briefing. It also depicts a fascist police state, one that some would say is not too far from reality.

Kurt Russell is excellent in what was a breakout performance for him. Up to this point, Russell had been stuck in low budget comedies, following the end of his Disney days. This performance, coupled with another collaboration with Carpenter, Elvis, led to bigger and better roles. Russell channels Clint Eastwood to give Snake a menacing, if laconic quality. Much like a real serpent, Snake watches and strikes when he is ready; with speed and impact. Russell is able to say a lot with little dialogue, through his body language and facial expressions.

The supporting cast is wonderful. Adrienne Barbeau is the beautiful, but deadly Maggie. She is partnered with the intelligent, but slimy Brain. Their's is a symbiotic relationship; each provides something the other needs. Harry Dean Stanton, a great character actor, presents a Brain that is smart, but ruthless, and more than a bit cowardly. Isaac Hayes is The Duke, ruler of the prison. Hayes is a bit uneven, as he wasn't an experienced actor (he had at least one movie before this) but he is a charismatic performer and ultra-cool. Donald Pleasance is the consummate politician, a big man in his controlled environment, but lost in a world outside his; one he had a hand in creating. Ernest Borgnine is tremendous as Cabby, the answer man and link between Snake and the rest of the cast, as well as to the past of New York. Finally, Lee Van Cleef brings some of that Angel Eyes magic as Hauk, the prison Warden. Hauk is an ex-soldier and identifies with Snake. The difference is, Snake rebelled against the system that betrayed him; Hauk joined it. This was Van Cleef's last good role, before he was saddled with mediocrity in his tv series, the Master, and became the butt of jokes on MST3K.

The film moves at a brisk pace and the dark lighting carries the sense of mystery, isolation, and destruction. Carpenter is able to convincingly hide the fact that he shot this film in St. Louis and LA, and make you believe it is New York. Although there are gaps in logic and missing information, the pace doesn't let you dwell on it. There is a constant feeling of the race against time. If there is any complaint, it's that the budget sometimes holds back some of the action, but characterization makes up for it. Also, the dark lighting is sometimes too dark, and details are obscured.

The new special edition dvd brings a treat to long-time fans: the deleted opening bank robbery and capture of Snake Plissken. Since I had read the novelization before seeing the film, I had long wondered what this sequence had looked like. Although it does explain why Plissken is on his way to the prison when Hauk intercepts him, it doesn't really work in context with the rest of the film. The sequence worked well in the book because of Snake's inner monologue and memories of his mission in Leningrad and the loss of his parents to government action. We understand Snake's hatred of the government and his nihilistic nature. In the sequence, as shot, we don't really get a sense of who Plissken is; just that he has apparently committed a crime and is on the run. We don't really get a feel for his relationship with his partner, which affects the emotional impact at the end of the sequence. Ultimately, the film works better without this footage.

A note on the commentary track: Ox Baker was not seven feet tall. He is probably closer to the 6'6" to 6'7" range, although he was over 300 pounds. His bulk makes him appear larger than he really is, especially in a wrestling ring.

One used to wonder what this film would have looked like with a bigger budget. Carpenter sort of answered that with the sequel, Escape from LA. It was essentially the same film, with better effects and a West Coast sensibility; but, it doesn't hold a candle to the original. The lower budget caused the cast and crew to be more creative and they succeeded far better here. It would be good to see Snake again, but in a new environment, with a different plot. Russell's age could be an asset, as Carpenter could examine an older Snake, who must rely more on cunning than physical skills.

---

29 out of 37 people found the following comment useful :-
A rough and enjoyable film built on a great character in Snake and a great performance from Russell, 13 April 2004
Author: bob the moo from Birmingham, UK

On his way to an important conference that will determine the fate of America, Air Force One is crashed into Manhattan island - leaving the President and vital information trapped within the single largest prison in the world. With very little time and no way to mount a full on attack, Chief Hauk forces the newly captured ex-war hero Snake Plisskin to launch a covert rescue mission - adding the extra incentive of timed bombs implanted in his body. Snake, with little other choice, accepts the mission to save his own neck (literally). If the remake had any value, hopefully it's value was in bringing a new audience to the original film and watching it for the first time. The film opens with that very distinctive electronic theme music that gives it such a cool feel from the very getgo. This is followed up by a great rough energy as we are introduced to this future (which is now the past!). This story continues quite well but, once all the main players have been introduced, the film falls back on the expected series of 'running away' and fighting. This is not to say that it still isn't quite fun and cool because it is. The effects, music and even the use of tapes make this film feel very old and dated but it actually goes hand in hand with the very rough feel that Carpenter gave to several of his films at the time (whether deliberately or budget influenced I don't know). The plot is full of silly moments and sheer gaps in logic but, if you buy into the mood of the film, you can get by these and enjoy it - though I define you to call this a 'great' film, maybe good. The casting of Kurt Russell is a major thing. He is iconicly cool and his performance and his character are the two main things that have kept this film well known down the years. He looks tough and talks tough and is a great homage to the Clint Eastwood character from the old westerns (a fact made clearer in the sequel). Cleef is a good foil for him as he is tough too but lacks screen time for the majority. It is very clear what Barbeau brings to the party - and the costume selected for her makes no secret of it! I am a man and I'm not proud of it, but she is very easy on the eye here - just a shame that that's all I remember about her performance. Borgnine and Stanton are both good and, along with Hayes, all serve to increase the cult appeal of the film to this day. Overall this is a cult film that looks cheap, has dated effects and a plot that starts to crumble after the first half. However it is cool fun with some great tough dialogue. However, beyond all this it is the iconic character of Snake and the great performance from Russell that will mean that this film continues to get cool points with new audiences.

---

18 out of 21 people found the following comment useful :-
SF action classic!, 8 July 2002
Author: Infofreak from Perth, Australia

'Escape from New York' ties with 'Assault On Precinct 13' as my second favourite John Carpenter movie (#1 being 'The Thing'. Of course.) I find it hard to be objective about this movie. Like 'The Omega Man' you either love it or you don't. Kurt Russell rocks as Snake Plissken, a cross between Roger Zelazny's Hell Tanner and Clint Eastwood's Man With No Name. He is one cool dude. Spaghetti western favourite Lee Van Cleef is well cast as Snake's nemesis, and b-grade fave Tom Atkins ('Maniac Cop') and Carpenter semi-regular Charles Cyphers ('The Fog') are excellent as his sidekicks. The rest of the cast is equally impressive, and includes cult legend Harry Dean Stanton ('Repo Man'), veterans Ernest Borgnine ('The Wild Bunch') and Donald Pleasance ('Halloween'), soul singer Isaac Hayes, and the buxom Adrienne Barbeau ('Two Evil Eyes') to name a few. 'Escape from New York' is an SF action classic from an era when ideas and character were more important than big budget FX. Personally I'd take this over the Star Wars series any day of the week. Beware the sequel though, it's a major disappointment...

---

26 out of 38 people found the following comment useful :-
"Call me Snake...", 13 January 2003

Author: grolt from Canada

"Escape From New York" is a solid action noir by John Carpenter, although it lacks the punch of Carpenter's other three previous features ("The Fog", "Halloween", "Assault on Precinct 13"). Kurt Russell became famous for his Snake Plissken, and rightfully so, although the character seems to be only a more gritty version of Napoeleon Wilson in "Assault". What makes this film the cult classic it is is Carpenter's very apocalyptic and brash story. This is a very dark film, and it holds up especially well today when shown against the countless fluff films that Hollywood seems to be churning out.

Carpenter made the most out of his meeger budget and created a very convincing New York City. Not only is the set design fantastic, but so are the typically strong performances. Russell, Hayes, Barbeau, Pleasence, Stanton, Atkins, Cyphers and Borgnine are all cult legends, and seeing them all work together makes Robert Altman's casts look feeble in comparison.

What limits this film from greatness is surprisingly lax direction by Carpenter. The film is not as tight as it should have been, and really fails to generate any sort of suspense during the action. Deaths just happen out of nowhere, with little to no build up, which is a shame. This movie could have really been amazing. The ending is perfect though, and easily makes up for the film's faults. See it for Kurt Russell and the great ending and you will come away a happy viewer. Watch "Escape From LA" though to see what this movie should have been.

---

17 out of 21 people found the following comment useful :-
"The name's Plissken.", 14 January 2002
Author: Backlash007 from Kentucky

First things first, Kurt Russel is just plain cool. That said, on to the review. Escape From New York is a classic action movie with a great horror cast, including Donald Pleasence, Tom Atkins, Charles Cyphers, and who could forget Buck Flower. Buck, who has one of the best scenes in the movie ("Sure, I'm the president!"), is hilarious. John Carpenter proves that he is a versatile director and can make a hell of a film outside the horror genre. In Carpenter's classic, Kurt Russell plays the immortal Snake Plissken, New York has become a prison state, and the president has just crash landed there. Enter Snake Plissken. Freshly captured and about to be incarcerated in New York, he must save the President (Pleasence, who isn't even American but pulls it off well) from the clutches of Isaac Hayes in order to regain his freedom. It's all great stuff and you can't stop watching as Snake fights his way from one famous landmark to another (he even has to wrestle Ox Baker). But it leaves me with one unanswered question: What did happen to Fresno Bob?

Note: A couple of the Duke's cronies are credited as Romero and Cronenberg. Also, Jamie Lee Curtis does the opening computer dialogue.

---

14 out of 18 people found the following comment useful :-
Cult monument with a dream cast!, 11 August 2005

Author: Coventry from the Draconian Swamp of Unholy Souls

Nearly 25 years and an endless amount of viewings later, John Carpenter's "Escape from NY" still ranks high among the chosen few, quintessential cult films of the 80's. This is, simply put, one of the coolest productions ever with legendary characters, ingenious plot and pitch-black humor. Kurt Russell, with eye patch and nihilistic 'you-don't-like-it-go-to-hell' attitude, plays the role of his life as anti-hero Snake Plissken, recruited by his authority-nemesis Bob Hauk to bring back the American president who crashed with his plane in New York. One problem though; ever since crime rose with 400% in 1987, New York has become one giant and demarcated prison where criminals determine their own "civilization". Offered no other choice, Snake infiltrates NY for his mission …and for a personal race against the clock. Especially the first sixty minutes of this movie are terrific, since there constantly is the introduction of new and imaginative characters. Class-A actors play all these utterly cool characters, which makes it even more memorable! Apart from Kurt Russell, "Escape from New York" also stars icons like Lee Van Cleef ("The Good, the Bad and the Ugly"), Isaac Hayes ("Truck Turner"), Donald Pleasance ("Halloween") and Harry Dean Stanton ("Repo Man"). Even the smaller supportive roles are well distributed, with the underrated Tom Atkins as Van Cleef's sidekick and Adrienne Barbeau in a very sexy part. The downfall of America's number one city is atmospherically portrayed and Carpenter's own music score creates an excellent mood of despair. The action sequences are impressively photographed and John Capenter professionally camouflages that his film is, in fact, and independent production. My only slightly negative remark is that the story should have had a better, more explosive climax. Particularly because the first hour is so great, the ending seems quite tame. But, what the hell, this movie is a must for every film lover! In 1996, Carpenter also made "Escape from L.A." and even though it's good entertainment, it can't compete with "NY".

---

14 out of 20 people found the following comment useful :-
One of the better action movies ever, 16 August 2005

Author: Philip Van der Veken from Tessenderlo, Belgium

Normally I'm not too much a fan of action movies and John Carpenter has never been on my list of favorite directors. In my opinion he only made one good movie, except for this one of course, and that's "Halloween". But as I already said before, even though I'm normally not a fan of this kind of movies or of the man's work, I must say that I'm glad to make an exception when it comes to this movie. "Escape from New York" may well be seen as one of the better action movies of all times and even after 25 years it still gives me a good time when watching it.

Due to huge crime rates in 1997, the US government has changed New York into a maximum security prison where the toughest criminals are put away for life. All the bridges have been mined, a huge wall has been built around the city and a large police force army is stationed near the statue of liberty. Inside this prison it's the survival of the fittest. There are no rules or regulations, except for those made up by the prisoners themselves, making this one of the most dangerous places to be in. When Air Force One, with the President on board, is taken over by a terrorist and crashed into a building, the President is able to escape by ejecting in a pod. But he has landed in the middle of New York and someone needs to get him out of there soon. That's where Snake Plissken comes in. He's an ex-soldier and a new prisoner who is asked to save the President and to find a tape with some important information. In return his sentence will be canceled and Plissken will be a free man again. He agrees, but to make sure that he will return on time, they inject him with a small but powerful explosive that will only be destroyed if his mission is successful. So now he does not only have to take care of the President and try to stay alive in between all those criminals, he also has a lot of time pressure...

I must say that this movie reminded me a lot of the Australian "Mad Max"-movies, especially the second one. In case you are wondering if that is a good or a bad thing: I liked those movies and yes I like this one as well. Despite the fact that it was made in 1981, this movie still feels quite futuristic. OK, we know that 1997 wasn't like this, but that doesn't really matter this time. If they had set the date to 2097, this would still have been the same movie and then we wouldn't have know that this was impossible. And the fact that some details show the real age of the movie isn't a bad thing either. Take for instance the computers. They used a lot of flashing lights and stuff like that, but those are only some small details which shouldn't spoil your fun. The acting in this movie is OK as well. This may well have been one of Kurt Russell's best performances and I really loved Ernest Borgnine as Cabbie. I even appreciated Lee Van Cleef in this movie, despite the fact that I'm normally not a fan of the man. I guess I must say that all actors did a good job.

As a conclusion I would like to say that a good and still futuristic looking story, some good acting, several interesting action scenes,... make this movie more than just worth a watch. I really like it and that's why I give it a 7/10.

---

17 out of 27 people found the following comment useful :-
The definition of a good B Movie, 27 November 2001

Author: Daniel (TERMINATOR180) from United States

Although not as fast-paced or well-lit as its sequel, Escape from LA, this movie works on the level that it is futuristic, without being TOO futuristic, and the main character is likeable, while being tough at the same time. Whether you like Kurt Russell or not, it seems that he was made for the part of Snake Plissken. One of its highest points is its theme song. It really gets your adrenaline going, and that is one of the most important factors of movies. Available on DVD. Sequel, Escape from LA, filmed 15 years after the original also available on DVD.

---

11 out of 18 people found the following comment useful :-
SNAKE RULES, 17 April 1999

Author: Shawn Watson (gator_macready@yahoo.com) from The Underverse

He's the best anti-hero in the history of cinema and ALWAYS has the last laugh. He just doesn't care. All Americans wish they could feel this way but Snake...he's just conscience free. The only person he looks out for or cares about is himself. And he's an ex-soldier too. The action scenes in this film are few and far between but it has a strange feel to it. It's gritty film-making. Much better than the cheesy(but still good) sequel. Check this out whenever you can.

---

16 out of 28 people found the following comment useful :-
Grungy, Dated But Entertaining, 5 June 2006

Author: ccthemovieman-1 from Lockport, NY, United States

"Grungy" and 'entertaining" are two words that perhaps might best describe this John Carpenter-directed box-office success from 1981. Kurt Russell made himself into a macho movie star by putting a patch over his eye and playing "Snake Plissken." His job is to get into New York City ,which in the "distant" year of 1997 was turned into a maximum security prison, and rescue the President of the U.S. who had crashed there.

The whole atmosphere of this is sleazy except for one character: a cab driver, played by Ernest Borgnine. Adrienne Barbeau is in here strictly to be eye candy. The grungy characters even included the President of the United States in a very unrealistic portrayal by Donald Pleasance.

This was somewhat "cool" when it came out but the special-effects are so bad the film is laughable right now. It almost looks a like a "B" sci-fi film from the '50s. The Manhattan skyline is a cardboard cutout! Oh, well, the story is still very interesting, so if you can overlook things it's still an enjoyable 99 minutes.

---

---

Page 1 of 19:

[1] [2] [3] [4] [5] [6] [7] [8] [9] [10] [11]

Add another comment

---

Related Links

Plot summary	Plot synopsis	Amazon.com summary
Ratings	Awards	Newsgroup reviews
External reviews	Official site	Plot keywords
Main details	Your user comments	Your vote history