Escape from New York (1981)

Director:

John Carpenter

Writers:

John Carpenter (written by) and
Nick Castle (written by)

Release Date:

10 July 1981 (USA)

Genre:

Action | Adventure | Sci-Fi | Thriller

Tagline:

The world's greatest leader is a hostage in the most dangerous place on Earth. Now only the deadliest man alive can save him.

Plot:

In 1997, when the US President crashes into Manhattan, now a giant max. security prison, a convicted bank robber is sent in for a rescue.

Plot Keywords:

Electronic Music Score | Cult Favorite | Snake | Presumed Dead | City Name In Title

Awards:

4 nominations

Cast

Kurt Russell	...	Snake Plissken
Lee Van Cleef	...	Police Commissioner Bob Hauk
Ernest Borgnine	...	Cabbie
Donald Pleasence	...	President of the United States
Isaac Hayes	...	The Duke of New York
Season Hubley	...	Girl in Chock Full O'Nuts
Harry Dean Stanton	...	Harold 'Brain' Helman
Adrienne Barbeau	...	Maggie
Tom Atkins	...	Rehme
Charles Cyphers	...	Secretary of State
Joe Unger	...	Taylor (scenes deleted)
Frank Doubleday	...	Romero
John Strobel	...	Cronenberg
John Cothran Jr.	...	Gypsy #1
Garrett Bergfeld	...	Gypsy #2

Also Known As:

John Carpenter's Escape from New York (USA) (complete title)

Runtime:

99 min

Country:

UK | USA

Language:

English

Color:

Color (Metrocolor)

Aspect Ratio:

2.35 : 1

Sound Mix:

Dolby

Certification:

Iceland:16 | Canada:AA (Ontario) | Germany:16 | Canada:PA (Manitoba) | Canada:13+ (Quebec) | Brazil:14 | UK:AA (original rating) | Finland:K-15 (DVD rating) | UK:15 (video rating) | Canada:R (Nova Scotia) | Canada:R (Manitoba) (director's cut) | Australia:M | Norway:15 | Norway:16 (original rating) | Sweden:15 | USA:R | West Germany:16 (w) | Singapore:PG

Filming Locations:

Chain of Rocks Bridge, St. Louis, Missouri, USA

Company:

AVCO Embassy Pictures

Trivia:

The wire-frame computer graphics on the display screens in the glider were not actually computer graphics. (Computers capable of 3D wire-frame imaging were way too expensive when this was made.) To generate the "wire-frame" images, they built a model of the city, painted it black, attached bright white tape to the model buildings in an orderly grid, and moved a camera through the model city!

Goofs:

Factual errors: When Snake lands on top of the World Trade Center tower, his altimeter indicates less than 200. The tower was over 1300 feet.

Quotes:

[Snake runs into Cabbie's taxi cab while being chased by the Crazies]
Cabbie: Bad neighborhood, Snake! You don't want to be walking from the Bowery to 42nd Street at night. I've been driving a cab here for 30 years and I'm telling you: you don't walk around here at night! Yes, sir! Those Crazies'll kill you and strip you in ten seconds flat! Usually I'm not down around here myself, but I wanted to catch that show. That stuff is like gold around here, you know.
[Cabbie casually lights a Molotov cocktail and throws it at approaching Crazies, which explodes in front of them, stopping them... and Cabbie speeds away with Snake in his taxi]

Movie Connections:

Referenced in Banlieue 13 (2004)

Soundtrack:

Everyone's Going to New York

Classic anti-hero

Snake Plissken is the classic anti-hero, ala Clint Eastwood's Man-with-no-name. Plissken is an ex-soldier turned criminal, recruited/blackmailed into rescuing a hostage president from the prison of New York City. Plissken is a walking ball of anger and a survival machine. He fought for his country but had everything taken from him, so he started taking back. Now, he has to rescue a man he doesn't care about, if only to survive long enough to take his revenge on Hauk and the government.

John Carpenter's film is a masterpiece of dark humor, suspense, and great characters. The film channels the anger and distrust of the post-Vietnam/Watergate era, as well as the then-current Iranian Hostage crisis. Plissken represents, in a fashion, the Vietnam vets who did their job, even if they didn't agree with or understand their war, but came back to nothing. The film's novelization explores these themes better than the movie, but it is hinted at in Hauk's briefing. It also depicts a fascist police state, one that some would say is not too far from reality.

Kurt Russell is excellent in what was a breakout performance for him. Up to this point, Russell had been stuck in low budget comedies, following the end of his Disney days. This performance, coupled with another collaboration with Carpenter, Elvis, led to bigger and better roles. Russell channels Clint Eastwood to give Snake a menacing, if laconic quality. Much like a real serpent, Snake watches and strikes when he is ready; with speed and impact. Russell is able to say a lot with little dialogue, through his body language and facial expressions.

The supporting cast is wonderful. Adrienne Barbeau is the beautiful, but deadly Maggie. She is partnered with the intelligent, but slimy Brain. Their's is a symbiotic relationship; each provides something the other needs. Harry Dean Stanton, a great character actor, presents a Brain that is smart, but ruthless, and more than a bit cowardly. Isaac Hayes is The Duke, ruler of the prison. Hayes is a bit uneven, as he wasn't an experienced actor (he had at least one movie before this) but he is a charismatic performer and ultra-cool. Donald Pleasance is the consummate politician, a big man in his controlled environment, but lost in a world outside his; one he had a hand in creating. Ernest Borgnine is tremendous as Cabby, the answer man and link between Snake and the rest of the cast, as well as to the past of New York. Finally, Lee Van Cleef brings some of that Angel Eyes magic as Hauk, the prison Warden. Hauk is an ex-soldier and identifies with Snake. The difference is, Snake rebelled against the system that betrayed him; Hauk joined it. This was Van Cleef's last good role, before he was saddled with mediocrity in his tv series, the Master, and became the butt of jokes on MST3K.

The film moves at a brisk pace and the dark lighting carries the sense of mystery, isolation, and destruction. Carpenter is able to convincingly hide the fact that he shot this film in St. Louis and LA, and make you believe it is New York. Although there are gaps in logic and missing information, the pace doesn't let you dwell on it. There is a constant feeling of the race against time. If there is any complaint, it's that the budget sometimes holds back some of the action, but characterization makes up for it. Also, the dark lighting is sometimes too dark, and details are obscured.

The new special edition dvd brings a treat to long-time fans: the deleted opening bank robbery and capture of Snake Plissken. Since I had read the novelization before seeing the film, I had long wondered what this sequence had looked like. Although it does explain why Plissken is on his way to the prison when Hauk intercepts him, it doesn't really work in context with the rest of the film. The sequence worked well in the book because of Snake's inner monologue and memories of his mission in Leningrad and the loss of his parents to government action. We understand Snake's hatred of the government and his nihilistic nature. In the sequence, as shot, we don't really get a sense of who Plissken is; just that he has apparently committed a crime and is on the run. We don't really get a feel for his relationship with his partner, which affects the emotional impact at the end of the sequence. Ultimately, the film works better without this footage.

A note on the commentary track: Ox Baker was not seven feet tall. He is probably closer to the 6'6" to 6'7" range, although he was over 300 pounds. His bulk makes him appear larger than he really is, especially in a wrestling ring.

One used to wonder what this film would have looked like with a bigger budget. Carpenter sort of answered that with the sequel, Escape from LA. It was essentially the same film, with better effects and a West Coast sensibility; but, it doesn't hold a candle to the original. The lower budget caused the cast and crew to be more creative and they succeeded far better here. It would be good to see Snake again, but in a new environment, with a different plot. Russell's age could be an asset, as Carpenter could examine an older Snake, who must rely more on cunning than physical skills.