55
Metascore
15 reviews · Provided by Metacritic.com
- 100Slant MagazineSlant MagazineThe film’s indisputable centerpiece is the protracted werewolf transformation sequence.
- 89Austin ChronicleMarjorie BaumgartenAustin ChronicleMarjorie BaumgartenThis movie presented a radical melange of genuine horror and self-aware comic touches, not to mention the fabulous Rick Baker special effects.
- 80EmpireKim NewmanEmpireKim NewmanCarnivorous lunar activities rarely come any more entertaining than this.
- 75ReelViewsJames BerardinelliReelViewsJames BerardinelliThe transformation sequences on their own are disturbing enough to upset sensitive viewers (even though the first one doesn't occur until an hour into the 97 minute film, making the first two-thirds of the movie relatively tame, with the exception of a few appearances by Jack, who looks like a "walking meatloaf").
- 60The New York TimesJanet MaslinThe New York TimesJanet MaslinWhen the movie backfires, which it finally does, it's because too much grisly footage has been used too lightly. Mr. Landis's comic detachment, which has been fascinating throughout much of the movie, is something he holds on to even when a deeper response is needed. Eventually it becomes less comic than callow.
- 60Time OutTime OutIn the cold light of day, it must be admitted that Landis leans too heavily on the shock effects provided by Rick Baker's lycanthropic transformation make-up.
- 50Chicago Sun-TimesRoger EbertChicago Sun-TimesRoger EbertSeems curiously unfinished, as if director John Landis spent all his energy on spectacular set pieces and then didn't want to bother with things like transitions, character development, or an ending.
- 30Chicago ReaderDave KehrChicago ReaderDave KehrIt's a failure, less because the odd stylistic mix doesn't take (it does from time to time, and to striking effect) than because Landis hasn't bothered to put his story into any kind of satisfying shape.