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34 out of 47 people found the following comment useful :-
One Of The Funniest Comedies Of All Time!, 6 February 2005

Author: britishdominion from Las Vegas, NV

Crudeness doesn't come much more, well, crude, than 1980's sublime "Caddyshack". In fact, this crazy quilt takes the slob groundwork laid by "National Lampoon's Animal House" and one-ups that collegiate comedy classic by having a carelessly mean, anarchic spirit a mile wide and a foot deep.

It's little surprise that writer/director Harold Ramis and co-writer Douglas Kenney were also scribes on that 1978 John Belushi hit. As "Caddyshack" shows, there's gold in them 'thar poop jokes.

But this is not just a crass comedy, it's a HAPPILY crass comedy, that does just about whatever it wants as it casually wanders through it's 90-odd minutes. The DNA of "Caddyshack" resides somewhere in the cinematic in-between world of the aforementioned "Animal House" and a Three Stooges or W.C. Fields picture. There's a giddiness to its nose-thumbing, and a general pleasure in its coarse eagerness to offend.

The screenplay forms a functional spine for what actually amounts to a comedy collision course of witty asides, broad physical comedy, dirty jokes, varied comedic styles and big explosions.

But is there really a screenplay here? The film has such a loose and free-wheeling timbre to it that it would be hard not to fault the viewer in thinking that the film was largely improvised, or at least rewritten by committee on set, scene by scene.

This film was widely *rumoured* to be "under the influence" during shooting, but whatever the cast and crew were "using" seemed to work very much in favor of movie, as the flick turned out to be editorially messy and open-structured, yet well-paced and coherent enough to embrace the variety of comedic opinions squeezed into the picture. This is what you get - a smörgåsbord of laughs. You get a Chevy Chase doing his ironic bit, you have one Bill Murray essaying a bizarre-o mental case, good old Ted Knight going into slow-burn histrionics every scene, and Rodney Dangerfield stealing every scene with large chunks of his stand-up act. This shouldn't work, this mix - but it does. Very well.

Again, the looseness of the pace and tone of the film forgive some of the storytelling framework featuring young go-getter Michael O'Keefe's attempt to get a college scholarship during one crazy summer caddying for Bushwood Country Club's weirdest members. Instead, Ramis, Kenney and (Bill's brother) Brian Doyle Murray set each of these comedians up with sketch-like scenarios for some of their finest and funniest work.

The movie is mean in all the right places - It's the snobs against the slobs, as the advertising says. "Caddyshack" takes barbed pot-shots at the class system, at sex, at religion, at bodily functions. No joke is too risqué, no candy bar too gross to eat from the bottom of a empty pool. It has lots of swearing, nudity for nudity's sake, and insults for the pompous and pathetic. Even through its R-rated mean-spiritedness, it's hard to truly be turned off of the film's antagonistic spirit - it earns it's laughs because it's breathlessly paced and damned funny. This is the thematic mold that the Farrellys and Adam Sandler rarely get right.

"Caddyshack" is endlessly quotable, and surely if you sat around with a few friends anytime in the last 25 years, you could probably spend a good hour reciting lines and scenes that still hold all their glorious funny these many years later.

The movie's best scene? My award goes to the "Night Putting" sequence where Chevy Chase's Ty Webb and Bill Murray Carl the Greenskeeper finally meet up when Chase fires a Titleist through the window of Murray's lean-to shed-slash-residence. This never fails to get big laughs, and it's a real meeting of the minds. A great sequence for the Comedy Hall of Fame, I'd say.

Kenny Loggins' catchy songs ("I'm Alright" anyone?) and the jazzy Johnny Mandel (!) orchestral score add a unexpectedly lovely sheen that spit-shines the crudity of subject and filmmaker's style. They're nice touches.

You can put "Caddyshack" next to "Casablanca" or "Citizen Kane" - not just in the "C" section of your local video store, but as in "Classic". Comedies don't come much funnier than this.

BTW - skip "Caddyshack II". Everything that this one is, that one isn't.

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22 out of 26 people found the following comment useful :-
"--Oh, there won't be any money, but on your deathbed, you will receive...total consciousness--", 7 July 2001

Author: jhclues from Salem, Oregon

`National Lampoon's Animal House' may have been one of the first comedies to evolve from the `Saturday Night Live' generation, but it could be argued that `Caddyshack,' directed by Harold Ramis-- and which features two SNL alumni, Chevy Chase and Bill Murray-- actually spawned the entire `SNL genre,' of films, because this is the one that seemed to lock in that formulaic irreverence toward all things, of which they are so indicative. The story here revolves around a young man named Danny Noonan (Michael O'Keefe), a caddy at the upscale Bushwood Country Club, who is bucking for a caddy scholarship to get him into college. Danny figures that the best shot he has at it is to volunteer for the assignment none of the other caddies want-- to caddy for the up-tight Judge Smails (Ted Knight), one of the executive directors of Bushwood, and `kiss up' a bit. Smails responds by letting Danny mow his lawn and attend a christening ceremony for his new yacht. But Danny is not one to be deterred, even when the good Judge tells him `The world needs ditch diggers, too.' He just goes on, keeping his eyes and his options open.

And it isn't long before Danny gets involved with Ty Webb (Chase), an independently wealthy goof-ball with a Zen/Chaplin philosophy of life, whose father was one of Judge Smails' partners in Bushwood. So Danny takes some advice from Ty while caddying for him; advice which just may ultimately have an effect on whether or not he gets his scholarship. Or maybe not. Words of wisdom like `Be the Ball,' and `A donut with no hole is a danish,' may not be what he needs to put him on the fast track to success. But then again, you never know; it's that kind of movie. And there's no getting around it, this is funny stuff.

The humor in this movie runs the gamut from broad to subtle, with at least two sight gags thrown in that identify it as belonging to the genre it helped create. At the time of it's theatrical release, in 1980, it was fairly on the cutting edge of comedy; by today's standards, though, it doesn't seem nearly as irreverent, especially given the digressive trend in the genre lately, which has spewed forth such fare as `Freddy Got Fingered,' and `Road Trip.' Then again, this one had Harold Ramis behind the camera, and Ramis has an acute sense of comedic timing, he knows what works, and he made the most of the basic screenplay (by Ramis, Brian Doyle-Murray and Douglas Kenney) and the terrific cast of comedians with which he had to work, all of whom fit so well into the pattern and fabric of this particular picture.

Rarely does a comedy (or any film for that matter) have so many actors who fit their characters so perfectly as in this film, beginning with Chevy Chase, who embodies the slightly skewed and off-center Ty Webb so well it's almost frightening. Webb is a guy who veritably floats through life in a perpetual Zen-like state of distraction, and it makes you realize that there probably really are characters like this walking around in the real world. But if the existence of a Ty Webb type is only highly probable, there's no doubt whatsoever about the fact that there are guys like Al Czervik amongst us.

Rodney Dangerfield plays Czervik, the obnoxious, fun-loving, high-rolling land developer with a specially made golf club and an eye on Bushwood. In Czervik, Dangerfield creates a character who is outrageous, droll, lacks any taste whatsoever, and is entirely hilarious. It is, without question, the best character and performance of Dangerfield's cinematic career, and -- like Chase-- it's almost scary the way he fits into the character so naturally and completely.

The real heart of this movie, however, is Bill Murray, who turns in what just may be the definitive Murray performance with his character, Carl Spackler, the Assistant Greenskeeper at Bushwood. Murray brings Carl, the socially and intellectually challenged man-with-a-plan, to life with subtle nuance and a flare of comedic genius. A lot of what he did in this film was improvised, including much of his two most memorable and hilarious scenes, one in which he's describing his encounter with the Dalai Lama, and the other being his soliloquy of the `Cinderella Boy' on the course at Atlanta. This is truly inspired, funny stuff, and it proves what can be done without resorting to banal vulgarity or crudeness (not that this film is entirely devoid of it, but at least it's tempered here somewhat-- not so overt and in-your-face like you'll often find in some of the more recent offerings of the genre). And there's a harmless shiftiness about Carl, who is about as deep as a pan pizza, and Murray plays it all beautifully.

O'Keefe gives a solid performance, as well, but he's basically the straight man here, the set-up guy for one funny situation after another. And he does it quite nicely.

Also giving memorable performances are Ted Knight, as the rigid, conservative Judge, and Brian Doyle-Murray as Lou Loomis, who oversees the caddies at Bushwood.

The supporting cast includes Sarah Holcomb (Maggie), Scott Colomby (Tony), Cindy Morgan (Lacey Underall), Dan Resin (Dr. Beeper), Henry Wilcoxon (The Bishop), Albert Salmi (Mr. Noonan), John F. Barmon Jr. (Spaulding Smails) and Lois Kibbee (Mrs. Smails). With this film, Ramis and company honed the formula for comedy that incorporated pop culture and contemporary sensibilities into it like never before. And `Caddyshack' is an example of it in it's purest form; you'll have to look long and hard to find anything out of this same mold today that can come close to the prototype. It's one of those movies that gets even better with age-- and funnier, too. It's the magic of the movies. I rate this one 10/10.

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29 out of 42 people found the following comment useful :-
Flawless comedy, 27 December 2003

Author: Rick41 from West Chester, Pa

Old enough to be considered a classic. This is how the National Lampoon/SNL movies should work but rarely have. Snapshot of a few days at exclusive country club follows several divergent story lines leading to climatic golf match. Chevy's flaky Ty Webb and Murray's degenerate groundskeeper are unforgettable characters among a bevy of memorable parts. Followed eight years later by a sequel as utterly bad as this is good. 10/10

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22 out of 32 people found the following comment useful :-
CLASSIC, 13 June 2004
Author: jellyneckr

CADDYSHACK is one of the Top 5 funniest movies of all time. The show-stealer is obviously Rodney Dangerfield, who also happens to be the coolest old dude ever. His outrageous lines such as "Did somebody step on a duck?" are all knee-slappers. Another standout is Carl Spackler, played perfectly by Bill Murray. Carl is a goofy groundskeeper that is obsessed with killing a mischevious gopher. Some of the funniest parts in this movie are Murray's ad-libs. Unfortunately, the plotline of the caddies is overlooked by the outstanding performances by comedic stars such as Dangerfield, Murray, Chevy Chase, and Ted Knight. While CADDYSHACK is an absolute classic, CADDYSHACK 2 is a bomb and fails to live up to the hilarity of this one.

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23 out of 36 people found the following comment useful :-
One of the only early 80s comedies to stand the test of time, 2 August 2003

Author: funkyfry from Oakland CA

Yes, this one does hold up, perhaps because the action centers on the almost surreal (for a comedy) subject of golf, a topic that had not perhaps been so successfully spoofed since Eddie Cantor starred in "Kid Boots" (am I getting that one right?).

In the comedy contest between Murray, Chase, and Dangerfield, let me just say that Chase does not win. Dangerfield is at his best, delivering his classic lines ("this meat's so tough you can see where the jockey was riding it") with ultimate panache and actually playing his crazy character (reminiscent of Peter Sellars in "The Party") to the hilt. Murray is really the show-stopper, though, muttering his lines to give them emphasis (?) and racing around the course with what appears to be real mania.

A lot of the jokes fall flat, but when this movie is on, it's so on, that you can't help but call it a classic.

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17 out of 26 people found the following comment useful :-
Best "B" Movie Comedy of All Time, 24 March 2005

Author: kellyadmirer from New York City/Colorado Springs

*** This comment may contain spoilers ***

This is Ted Knight's movie. I know, I know, all anyone can talk about regarding "Caddyshack" is Bill Murray and Rodney Dangerfield and sometimes Chevy Chase. But Ted Knight makes this movie tick. I honestly think the man was one of the funniest actors of his day. Under-rated and typecast from the "Mary Tyler Moore Show," for sure, but a brilliant comedian. His slow burns, his raging outbursts, his comically pompous antics provide the perfect foil for everyone around him.

This film is a classic, for sure. The process of writing and filming the script must have been about as unusual as ever in the history of Hollywood. All you had to do was write, "Groundskeeper Spackler goes out at night with rifle to hunt gopher" and you didn't need to write any more - Bill Murray knew what to do with THAT kind of scene. Or "Al Czervik shows up at the snooty country club for the first time and ...." Well, you don't have to put in any dialog for Rodney Dangerfield, he knew what jokes would work there better than any screenwriter possibly could. He even gets in a line about getting no respect at one point.

You can think of "Caddyshack" as a contrast between fire and ice. There is the raging fire of Ted Knight and Rodney Dangerfield vs. the icy perfection of Chevy Chase and Bill Murray. Too much fire, and the movie would run completely off the tracks. Too much ice, and you would switch the channel. Just the right balance, and you have "Caddyshack."

Some of the scenes and bits are dated, such as the "Japanese tourist" send-up and the synchronized swimming parody. Other scenes have aspects that are just screaming for a modern update, such as the yachting scene - in my opinion, still one of the funniest in the movie - that has several shots of random passers-by being affected by the action that are, well, kind of inexplicable, to me at least. The whole underlying caddy story kind of gets lost at a certain point, but that's understandable given how completely Rodney Dangerfield and the others take over this movie. Still, it creates a kind of black hole that leaves you wondering at the end just what the heck actually happened to the caddies, anyway. That is, after you stop laughing.

But you just don't get any better than Ted Knight's character yelling, "What are standing there for, get some glue!" after his boat's bow gets knocked off, or Bill Murray's Spackler summing up a memorable caddying experience with, "Big hitter, that Lama." And the dancing gopher who's smarter than the dimwit chasing him, now that's classic comedy. Or Murray skulking off the course after, well, blowing it up, as if maybe nobody will notice if he slinks off inconspicuously enough. Or the "Caddy's Day" sign that says that caddies are welcome to enjoy the amenities of the club that day - from 1:00 to 1:15, that is.

I know that Adam Sandler thinks this is one of the top 5 movies of all time. Maybe, maybe not. I do agree, though, that it was the best comedy of 1980 (yes, better than "Airplane,") and one of the top five of the 1980s (with "Ghostbusters," "Stripes," "Tootsie" and maybe "Airplane."). I know they technically didn't still make "B" movies in 1980, but this one fits the bill and is the best of its type, an almost underground comedy that just blew out the stops and made the film careers of Chase, Murray, Dangerfield, and Knight. Definitely worth your time if you want to laugh out loud.

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5 out of 5 people found the following comment useful :-
Slob Humor At Its Finest!, 20 July 2001
Author: (fandangonoir)

Ah, yes, Caddyshack. The king of low brow comedies. I remember working at my dad's San Leandro restaurant as a young jerk and loving the sound of the Kenny Loggins' "I'm Alright" theme song as they played Caddyshack on the big screen TV's in between sports games. That friggin' song made me wanna jump down and rock out, baby!

Caddyshack isn't so much a movie as it is an excuse for a bunch of one liners, gross outs, and stand-up comedy schtick. Chevy Chase, Bill Murray and Rodney Dangerfield were at their funniest in this movie.

In fact, this movie was made back when Chevy Chase WAS still funny. Remember those days? Man, was that a while ago. I read an article recently where a reporter asked Chevy, "What happened to your career?" And Chevy looked totally pained and wounded at that cruel question. Chevy's a great comic actor, he just needs to track down another decent script like the one in Caddyshack and get his comic chops back on track. But I dig everything about this film, the background music, the great comedy gags, the gopher, even the look of the ritzy, snob ridden country club setting! Freeze gopher!

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6 out of 7 people found the following comment useful :-
One of the funniest comedies of all time, 2 December 2002

Author: edmundmuskie from America

There are five movies Chevy Chase has done that were really good: Seems Like Old Times, Foul Play, National Lampoons Vacation, Fletch, and this icon of film comedy, Caddyshack. The plot is very simple and has often been imitated and the tone of the movie is said in its tagline: the snobs against the slobs. Who are the snobs? The men of Bushwood country club, the snobby Bishop, Dr. Beeper, who never seems to be at his office and the obnoxious leader of the pack Judge Smails, played by Ted Knight.

Who are the slobs? There is Ty Webb, a wealthy man who plays without keeping score. Carl Spackler is a groundskeeper that smokes a little too much. And of course the biggest snob of them all, developer Al Czervik, outspoken, obnoxious and completely out of place in a country club. Rodney Dangerfield plays him, Ty Webb is played by Chevy Chase and Bill Murray plays Carl Spackler.

These characters rub together uncomfortably in various forms to create all-time great comedy moments. What makes this movie so good is there is no star that dominates the movie. Everyone dominates the stage equally. They all have great lines and they work very well together.

This comedy is extremely dirty and raunchy even by today's standards. The raunchiness has worn off with time and some of the take-offs are not so obvious to future generations but some of these lines have become well known jokes among some. Part of the reason this movie works so well is the jokes are rapid fire. They just hit you with one line after another.

One thing I noticed watching this movie is that these characters pop out at you. These people are incredible snobs, incredible sluts, extremely insulting, or just weird. There are no really neutral characters. Every character in this movie does something that makes them stand out if not for a few seconds. This can be accredited to the great writing and directing by Harold Ramis one of the great comedians of our day despite the fact he is very underrated and is mostly these days behind the cameras.

Another thing about these characters is that they seem so real. Today a lot of characters in comedy films are cardboard characters. All of the characters here are written so nicely and believably and this is something very rare in modern comedy. And there are so many classic scenes in this movie. Among my favorites is the boating scene, the swimming pool scene, and when we see Rodney Dangerfield's golf bag phone.

And there are many great small parts by people like Albert Salmi, who plays Danny Noonan's father, Brian Doyle-Murray, who plays Lou Loomis, Scott Colomby who plays a troublemaking Caddy named Tony D'Annunzio, and Sarah Holcombe plays Maggie O'Hooligan, Noonan's girlfriend, Cindy Morgan plays the niece of Judge Smails, Lacey Underall, Henry Wilcoxon plays a rather bigoted Bishop Fred Pickering, Dan Resin plays a rather uncaring Dr. Beeper and there are many other great small parts. All of these small parts are very good. But one thing to notice is all of the ironic names like Lacey Underall, Maggie O'Hooligan, Dr. Beeper and plenty of other funny names.

The movie is a bit dated. Everyones hair is very long, the segway music seems heavily disco influenced, there are a lot more people wearing plaid, and there are jokes about people like Dick Cavett when so few people today know who he is. I love some of the more pointed humor in this movie, but I like the effect of the age of the movie. The movie makes some rich people look like callous uncaring bigoted fools and has some not too king rich people talk very bluntly (such as Smails' nephew say he knows some drugs are good because he got it from a Negro) Be forewarned this could be an offensive movie to some.

My hat is off to the two leads, Rodney Dangerfield and Chevy Chase. Bill Murray is funny too but his part is very small and this is not the best showcase of his talents. But Chase is goofy to no end. In this part he always manages to say the most off the wall comments that are hysterical. Dangerfield uses his patented rich obnoxious out-spoken character and make it fit this movie so perfectly. His insults are classic.

Unfortunately after this movie Chevy Chase made few quality movies. These days he prefers to do mostly family oriented movies that are mostly not funny. It is sad he has chosen to do so few straight comedies. He has essentially been a comedy legend based on some raunchy movies like this one and Vacation but chooses not to star in these kinds of movies anymore. It is sad. He is one of the funniest people in my generation and he probably could have been even funnier.

And I love the soundtrack. The song by Kenny Loggins, I'm Alright is great and more songs by Eddie Cochran and Earth Wind and fire are great as well. And who could forget that little gopher? He was actually created by George Lucas. Some of the funniest scenes in the movie involve that little gopher. Overall this is a funny movie that has withstood the test of time and will probably be funny to future generations as well.

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5 out of 6 people found the following comment useful :-
Best movie about golf ever made., 12 April 2000
Author: Jeff (spoonjef@aol.com) from L.A. CA

When you watch Caddyshack, you think to yourself that this is rather lowbrow. Then you disregard that part of your brain and settle down for some lowbrow fun. Chevy Chase has top billing, and he's very good. He's very calm, very funny, and quick witted. But the ones who nearly steal the show are Ted Knight and Bill Murray. Ted Knight and Rodney Dangerfield play off each other nicely. Knight gets flustered and starts stammering, and you can see every vein on his neck! Dangerfield counters with a crack at Knight's expense and it gets better from there. Bill Murray is great as Carl, the groundskeeper with a vendetta against that gopher. He mumbles things to himself, watches old ladies play golf and develops his own grass that can be smoked after playing golf on it. And always remember Ty Webb's words of wisdom: "A flute with no holes is not a flute, and a donut with no holes is a danish."

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17 out of 30 people found the following comment useful :-
Absolute Comedy Classic, 14 November 2000

Author: Shawn Watson (gator_macready@yahoo.com) from The Underverse

Every single scene in this movie rocks big-time. It's hard to say which of the actors steal the show as Chase, Knight, Dangerfield and Murray try their best to run away with the movie. But if I had to make a decision I would have to say that this IS Dangerfield's movie. His sleazy, friendly, insulting, buffoonish and graciously tipping character is the centrepiece of this movie, which pre-dates the Airplane-style humor of visual gags and jokes.

There ain't much plot but there is still more than there is in the standard comedy modern movies. The film cuts to about 5 different sub-plots at regular intervals. The funniest of which being Murray's ever ridiculous attempts to catch a pesky gofer. I love those scenes. The gopher looks so fake and so cute, he's literally a stuffed toy being moved by hand off-camera.

Ted Knight's Judge Smails is a hoot. The pompous and self-important arrogance mixes well with his cluelessness of how to be gentlemanly towards people and his clumsiness. He is bull-headed, acting without thinking and always letting his rage get the better of him. This is a perfect personification of the majority of courtroom Judges.

Chase does a good job as hedonistic playboy golfer Ty Webb and his ONLY scene with Bill Murray is THE best pure dialogue scene in film history. The total crap that they talk is funny as hell. And so is the whole movie. Forget the sequel. See this movie when you get the chance.

The DVD is in 1.78:1 anamorphic widescreen with Dolby Mono sound.

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