23 out of 27 people found the following comment useful :- Dated but great!, 17 February 2002
Author:
seanahalpin from Australia
True, the special effects aren't so special these days. True, the girl
with
the braces brings tears of laughter rather than terror. But nonetheless,
this movie remains a creepy gem from my young days... Everyone misses the
point that the real 'star' of the movie is the house! The building is both
attractive and sinister - truly gothic in the importance of the setting.
Whether the story is true or not, if you want a movie to snuggle on the
couch in the dark, eating popcorn, feeling the thrill of a ghost story
scare, this is one for you...
21 out of 26 people found the following comment useful :- S10 Reviews: The Amityville Horror (1979), 18 April 2005
Author:
suspiria10 from The Void
George and Kathy Lutz are looking for a place to anchor down and raise
a family. The Lutz's and their children (Kathy's from a previous
marriage) settle on an impossibly cheap, large and beautiful shore
house. But 28 days later the macabre and scary happenings force them to
leave leaving all their earthly possession behind. During the course of
those 28 days, the family goes through all kinds of hell a room full of
flies, demonic voices and a pig with glowing red eyes. What kind of
past does that house have that would make everything horribly wrong.
Based on a true story.
Real or hoax, you decide but "The Amityville Horror" has all the
trappings of an excellent haunted house story. Too bad that the
filmmakers falter a bit with a lack of character development that also
ends up stifling the actors in the film, that would have helped out
immensely. A creepy music score (the one rejected for "The Exorcist")
and several good set-pieces help out but the end of the second act kind
of gets stale. A good supernatural thriller.
26 out of 36 people found the following comment useful :- Yeah, it has problems, but I still love it, 7 April 2005
Author:
Brandt Sponseller from New York City
George (James Brolin) and Kathleen Lutz (Margot Kidder) buy a "dream
house" in Amityville, New York for a "dream price". Unfortunately, the
price was low because just a year before, the house was the location of
the Ronald DeFeo Jr. murders--he killed his entire family while they
were sleeping. As a priest, Father Delaney (Rod Steiger), blesses the
home, he realizes with horror that something evil is lingering there.
The dream house is turning into a nightmare.
Sometimes our affection for or aversion to an artwork that we've been
exposed to a number of times over the years is inextricably enmeshed
with our historical, emotional experiences, whether we admit this or
not. For example, I strongly dislike soap operas, or indeed any dramas
that resemble soap operas. This is probably due to the fact that for
years my only exposure to soap operas was when I was home sick from
school as a kid. These were the days before cable television and home
video. In the middle of a weekday afternoon, you either watched soap
operas or you didn't watch television. Subconsciously, I associate soap
operas with a feeling of illness.
Likewise, Jay Anson's Amityville Horror novel appeared when I was still
a teen. I loved it. I can still remember reading it in one long
sitting--something I rarely did--in the family car as we drove from
Florida to Ohio to visit relatives. I was excited when the film
appeared, and liked it a lot at the time.
So although I can see many faults with Amityville Horror now, I still
have a deep affection for it that triggers my brain to go into an
apologetic mode and defend the film. I just can't bring myself to give
it lower than an 8 out of 10, and even that seems low to me. But I can
easily see how audiences lacking a history with the film might dislike
it. It is relatively slow, uneventful and meandering--with a modern
perspective, the pacing and "subtlety" are reminiscent of some recent
Asian horror. At the same time, maybe paradoxically, scenery chewing
has only rarely had a greater ally.
Just a couple days ago MGM released newly remastered widescreen
versions of Amityville 1, 2 and 3. I haven't seen the film look this
good since seeing it in the theater in 1979, and it probably didn't
even look this good then. The first thing that struck me was how
incredible much of the cinematography is. Director Stuart Rosenberg had
an amazing knack for finding intriguing angles for shots and imbuing
them with beautiful colors.
Unlike recent trends, Rosenberg's colors are not narrowed down to a
single scheme. For example, in some shots, such as some of the
interiors of the famed Amityville house, we get fabulous combinations
of pale greens and yellows. In others, such as many exterior shots near
the house, we get intense combinations of fall foliage colors. There
are also a number of beautiful shots of the famed "eye window" exterior
of the house in differently tinted "negative" colors.
Rosenberg evidences a great eye for placing his cast in the frame and
shooting scenes to create depth and symbolism via objects that
partially block or surround the frame. He also has a knack for creating
winding, receding patterns of objects that enhance depth through
perspective. My affection for this aspect of the film has little
nostalgic attachment, as I didn't pay attention to such things as a kid
(I didn't start noticing them more until I started painting, far into
my adult years), and the positive aspects of the cinematography were
hardly discernible on the previous, ridiculously bad pan & scan VHS
release.
Of course, most people aren't watching a film like this for the
aesthetics of the visual composition. This is one of the most famous
haunted house films, after all. The horror is handled somewhat
awkwardly, occasionally absurdly, but it still works well enough for
me, as understated as it is (I'm not referring to the acting, just the
horror "objects"). Aspects such as the ubiquitous flies reminded me of
similar motifs, such as water, in Hideo Nakata's horror films (such as
Ringu, 1998 and Dark Water, 2002). The beginning of the film, showing
the Defeo murders, still has a lot of shock value, despite its relative
post-Tarantino tameness. Most of the horror elements are more
portentous, but they're regular and interesting enough to hold your
attention, as long as you don't mind subtlety.
Subtlety, however, was the furthest thing from the cast's minds.
Brolin, Kidder and especially Steiger shout their lines more often than
they speak them. "Overacting" is not in their vocabularies. Kidder
comments on an accompanying documentary that the horror genre walks a
fine line between intensity and camp. That may or may not be true in
general, but in Amityville Horror, camp is frequently broached. For me,
it has a certain charm. I'm a fan of camp and "so bad it's good";
Amityville's performances often attain both.
The commentary on the new DVD is amusing given the 1970s publicity that
the book and film depicted a true haunting and the subsequent, thorough
debunking by persons such as Stephen Kaplan. Hans Holzer, a
parapsychologist who has been involved with the story since the early
days, and the author of a book upon which Amityville II was based,
provides the commentary. He presents himself as an academic, but he
obviously seems to have little concern for "objectivity" or skepticism.
He not only still talks about the story as true, he invents
supernatural excuses for the DeFeo murders and then some, barely
mentioning detractors such as Kaplan.
If you haven't seen the film yet, you should base your viewing decision
on whether you have a taste for deliberately paced horror as well as a
tolerance for extremely over-the-top performances. The film is
historically important in the genre, as well.
22 out of 30 people found the following comment useful :- Get out,indeed!, 26 April 2002
Author:
SmileysWorld from United States
I was but a timid lad of 14 when taken to a drive-in theater to see
this incredibly effective horror film.There is no better monster to
create a film around than the Devil himself.When Rod Steiger's
character,Father Delaney is in the process of blessing the house,and
was greeted by a resounding shout of "Get Out!",I almost took it
literally,it was that effective.The Devil is indeed one unwelcome
houseguest that is very hard to kick out,as you will see when you watch
this film.James Brolin and Margo Kidder head a young family who are the
new inhabitants of a home where brutal murders had taken place years
before.Soon,strange happenings begin to haunt the family,as the house
has trouble letting go of what had happened there.This movie is
definitely in my top 10 horror films that I have seen,and if you enjoy
being scared out of your wits,this film will do it for you.Give it a
look!
24 out of 34 people found the following comment useful :- OLD FASHIONED HORROR!, 16 December 2004
Author:
richard cavellero from NJ, U.S.A.
Excited about the remake I decided to go out and just but the original
Amityville Horror. Being a huge horror buff, I just had to and besides
I had only seen some of it's absurd sequels. hearing mixed reviews from
friends and critics from terrifying to hilarious I turned it on with my
boyfriend at the time and prepared myself for something scary. I must
say that I was quite impressed. And although slightly disappointed in
some of the films scenes ultimately I must say this is one old
fashioned scary flick! I can hugely recognize the appeal it had in it's
it's hey day. With the exception of Texas chainsaw Massacre, Evil Dead,
the Omen and some others I rarely see what people did in their horror
classics nowadays. Like The Exorcist, pretty damn boring and funny in
my opinion. But getting back to this film. It builds a creeping mood
filled with fright inducing suspense. The effects are simple but
effective and the performances are somewhat over the top but
necessarily wacky. The film's overall lasting appeal has little to do
with the film's apparent campiness. it has more to do with the real
terror inducing legend that inspired it. Like the Chainsaw remake the
new ones looks to amp up the horror and intensity which would be
greatly welcomed. Although a great horror classic Amityville's finale
is somewhat anti climactic and after a long and impressively scary
build-up it fails to deliver the end goods. But whoa some of the scenes
from the imaginary friend Jody flying out the window, to the visitor at
the door, to the voice in the house and just everything in the basement
this film is all about delivering some authentic chills. 8/10
21 out of 31 people found the following comment useful :- Excellent For it's time, 5 November 2004
Author:
tomewarden from New Jersey
This movie was based on the true story and it did a great job of
re-creating what actually happened. The creepy way the little girl
talks to the seemingly empty rocking chair and the 3:15 am horrifying
nightmares over and over again would make anyone feel a little freaked
out. The reaction of anyone who has anything to do with the church
should have been a sign to get out of this house. The flies, cold
spots, and eyes peering in and outside of the windows are all things
that actually happened inside that house in Amityville Long Island. I
recommend this movie to anyone who wants to enjoy a scary movie or for
anyone who has been freightened of a house before. This movie does the
trick without any fancy special effects.l
7 out of 8 people found the following comment useful :- Bizarre, Bad, Badly Bizarre, Bizarrely Fascinating!, 25 October 2004
Author:
curtis martin from Bothell, Washington, Land of Rain
*** This comment may contain spoilers ***
Stuart Rosenberg's "The Amityville Horror" should have catapulted him
to the throne of the King of the Surreal, because this disjointed,
shrill, and inexplicable flick is just as weird, if not weirder than,
the oddest work of current King David Lynch. I'm not sure what the hell
was going on in Rosenberg's life at the time, but this same year he
directed another weird, cartoonish-yet-lethargic genre film, the
Charles Bronson revenge vehicle, "Love and Bullets." Also both "Horror"
and "Bullets" share totally inappropriate and WAY over the top
performances by the great & unique Rod Steiger.
VERY MINOR POSSIBLE SPOILERS AHEAD(if such is possible with a movie
that makes no sense)
Nothing much happens in "Amityville Horror" until the climax, just a
lot of odd little things. But when that climax comes, and the movie
suddenly ends, you realize that it answered no questions and, more
importantly, made no sense at all! The film has no logic but dream
logic--perfect surrealism. Characters float about aimlessly in search
of some kind of coherent story, crying, screaming, chopping wood. The
secondary characters appear and disappear without having any impact on
the plot and without really doing anything, much the way characters in
a dream come and go, shift and change for no reason. A psychic has
visions--nothing comes of it. A cop has suspicions--he does nothing
with them. a child has an imaginary ghost friend who may be at the root
of it all--or not. A priest's life is ruined--because there were flies
on the window! And--there's an evil pig in the window! I'll repeat
myself--There's AN EVIL PIG IN THE WINDOW!! An EVIL PIG THAT DOES
NOTHING! Really, the film is fascinating--all the more so since it is
obvious that its fascinating qualities are entirely unintentional. A
CLASSIC!
3 out of 3 people found the following comment useful :- When not providing laughs, it's The Amityville Snore..., 23 May 2005
Author:
Poseidon-3 from Cincinnati, OH
*** This comment may contain spoilers ***
First presented in a best-selling "nonfiction" book, this is the story
of a family who buys a house on the coast of Long Island where,
previously, a young man killed his parents and four siblings. Shortly
after moving in, they experience various upsetting events and
phenomena, eventually having to run for their lives. The book was a
massive success, marketed as a true story, and the film came on the
heels of successful religious thrillers as "The Exorcist" and "The
Omen", and it attempted to join their ranks as a first-class horror
film. Unfortunately, the level of talent in the writing, editing and
acting wasn't even close to that of the other films and the story
itself was stuck in the mud, thanks to no one having been killed in the
"true story". (It's a little tough to sell the threat of evil when it's
a forgone conclusion in the tale that no one was harmed beyond a few
scratches and some vomiting.) A fairly vivid opening, in which the
murders are depicted, is followed by a rather creepy tour of the home
(which includes more graphic scenes of the killings.) Then tedium and
ridiculousness set in as the family is tormented by events in the home.
Brolin looks fairly deranged even at the beginning when he looks
through the gate of the boathouse. His only change, as he descends into
a type of possession, is that his hair gets more and more unattractive
and he is a bit more pale. Kidder attempts to give a down to earth
performance, but is undone by the cruddy script and by an
instantaneously preposterous approach to her hair and wardrobe. She, as
a divorced mother of three, wears a selection of schoolgirl get-ups and
wears her hair in ponytails (not to mention the instance when she,
bizarrely, sports ONE leg warmer while doing ballet moves in an
unbuttoned top!) The bratty kids are no help either, though at least
Ryan is unsettlingly strange. Worst (best?) of all is Steiger who does
the impossible. He actually tops his indulgent, hammy role in
"Waterloo" by portraying a feverish, troubled priest who runs into
significant trouble when attempting to bless the house. Dailey has a
small, but equally hammy, role as a nun who also heaves within moments
of setting foot inside. Would everything have been fine if the family
had been Baptist instead of Catholic?? Stroud (perhaps the least likely
candidate to portray a man of the cloth) is unconvincing in his sketchy
role. There are a few jolts sprinkled in amongst the dreariness and
Schifrin's score (along with the imposing house itself) adds some
atmosphere, but too often it's either preposterous or unintentionally
funny. By the time blood seeps out of the walls and Brolin is swimming
in black gunk, it's already lost what little sense it had. Perhaps
devoutly religious people may get more shock out of it all (though the
entire enterprise has since been revealed as a total hoax.) Brolin is
to be credited, however, with one extended scene in his tightie-whitie
briefs.
3 out of 3 people found the following comment useful :- The House on Ocean Avenue, 16 April 2005
Author:
sol from Brooklyn NY USA
(Some Spoilers) "The Amityville Horror" would have been an average
"Hunted House" movie if it weren't for the fact that a real massacre
happened there back in 1974. Young 23 year-old Ronald "Butch" DeFeo
quietly went berserk as he calmly took a shotgun and shot to death his
entire family, six persons, some time after 3:15AM in the early morning
of November 13, 1974. The movie isn't really that much based on the
DeFeo killings but on the George Lutz, James Brolin, family who moved
into the Defeo home a year later. George and his wife Kathy, Margot
Kidder, and their three children lived in the Amityville "Horror" house
for just three weeks and then left, taking their pet dog Larry with
them, leaving everything behind but the clothes on their back and the
van that they drove out of there with and, in the movie at least, were
never seen or heard from again. The movie and book on the Lutz's
experience at that house was so effective that Ronald DeFeo's lawyer
tried to use the unprecedented defense that his client was demoniacally
possessed to get DeFeo off by using an insanity defense.
The movie has a number of shocking scenes but all and all it never
really takes off and leaves you wondering just what's happening on the
screen, is it real or is it the Lutz's imagination. We have the story
of the Lutz's little girl calming to see Jody all through the movie and
later Kathy even sees "Jody's" eyes in the night window that look like
a pair of glowing oranges. Later George actually sees Jody in the
window of his daughters room looking like a giant version of Porky Pig
but whats the bottom line about "Jody"? Is she real or just an
hallucination on the part of the Lutz's?
There are also a number of scenes of blood oozing out of the houses
walls and stairway thats so gross that it cause the Lutz's to slip and
fall trying to run out of it, is that also real or just their, the
Lutz's, imagination? The fact that the movie is said to be based on a
"True Story" makes you begin to wonder if these scenes, and many others
in the film, really happened.
Were also told later that the Amityville Horror House was built on a
sacred Indian burial ground by this Shawn Ketchum who was driven out of
Salem back in the 1690's and settled on long Island. It's there where
Ketchum used that site, that was a hidden red room in the houses
basement, to practice Whichcraft and Satanism and it's that reason that
the house was haunted all these years. Still up until the DeFeo
murders, some 300 years later, nothing worthwhile or newsworthy seemed
to have happened there?
Besides what the Lutz's went through in the movie regarding the
"Amityville Horror" poor Father Delaney, Rod Steiger, went through a
lot more and he didn't even live there. Going to the house, at Kathy's
insistence, to bless it Father Delaney gets attacked, after being
locked in a room in the house, by an awful odor from thousands of flies
who magically appearer out of nowhere! Getting back to his church
Father Delaney tries to call the Lutz's to tell them to leave the house
as soon as possible only to have his hand badly burned by the
telephone!
Trying to get his superiors in the church to believe him, and have a
possible exorcism on the house, Father Delaey is told by Father Ryan,
Murray Hamilton, to go take a long vacation and forget to come back.
The poor man in a last act of desperation tries to pray for help at his
church only to freak out and hallucinate a vision of the church
collapsing on top of his head. We last see Father Delaney sitting on a
bench in the park, a broken and beaten man, with his assistant Father
Bolen, Don Stroud, trying to cheer him up by telling him about how
great the sunset is which only will upset him even more since he lost
his sight during his traumatic experience in the church where he
thought that the world came to an end and in a way it did, for Father
Delany.
5 out of 7 people found the following comment useful :- Another scary film from the 70's, 24 August 1999
Author:
Dan Grant (dan.grant@bell.ca) from Toronto, Ontario
*** This comment may contain spoilers ***
When Haunted Houses are done right, they are down right scary. When they
are special effects laden, the suck. Amityville Horror is done right. This
film has lots of atmosphere and the dark hallways, creepy voices and strange
happenings make it quite chilling. The camera work is very well done too.
Although I have to admit that I would agree with Eddie Murphy when he did
his standup routine about this film. I would have been out of there as soon
as the blood came out of the taps. I have seen too many horror films by now
and that would just be a dead give away.
Brolin and Kidder are good in their roles. Brolin slowly disintegrates into
madness and it is his metamorphisis that is key to the film. We change
along with him as he discovers all the nasty things about the house. The
house has a personality of its own and it should be one the stars of the
movie.
Amittyville Horror is very creepy and it should be seen again after all
these years. From voices, to bugs, to "Judy" to madness, this film does an
excellent job of spooking us all out.
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The Amityville Horror (1979)
23 out of 27 people found the following comment useful :-

Dated but great!, 17 February 2002
Author: seanahalpin from Australia
True, the special effects aren't so special these days. True, the girl with the braces brings tears of laughter rather than terror. But nonetheless, this movie remains a creepy gem from my young days... Everyone misses the point that the real 'star' of the movie is the house! The building is both attractive and sinister - truly gothic in the importance of the setting. Whether the story is true or not, if you want a movie to snuggle on the couch in the dark, eating popcorn, feeling the thrill of a ghost story scare, this is one for you...
21 out of 26 people found the following comment useful :-

S10 Reviews: The Amityville Horror (1979), 18 April 2005
Author: suspiria10 from The Void
George and Kathy Lutz are looking for a place to anchor down and raise a family. The Lutz's and their children (Kathy's from a previous marriage) settle on an impossibly cheap, large and beautiful shore house. But 28 days later the macabre and scary happenings force them to leave leaving all their earthly possession behind. During the course of those 28 days, the family goes through all kinds of hell a room full of flies, demonic voices and a pig with glowing red eyes. What kind of past does that house have that would make everything horribly wrong. Based on a true story.
Real or hoax, you decide but "The Amityville Horror" has all the trappings of an excellent haunted house story. Too bad that the filmmakers falter a bit with a lack of character development that also ends up stifling the actors in the film, that would have helped out immensely. A creepy music score (the one rejected for "The Exorcist") and several good set-pieces help out but the end of the second act kind of gets stale. A good supernatural thriller.
26 out of 36 people found the following comment useful :-

Yeah, it has problems, but I still love it, 7 April 2005
Author: Brandt Sponseller from New York City
George (James Brolin) and Kathleen Lutz (Margot Kidder) buy a "dream house" in Amityville, New York for a "dream price". Unfortunately, the price was low because just a year before, the house was the location of the Ronald DeFeo Jr. murders--he killed his entire family while they were sleeping. As a priest, Father Delaney (Rod Steiger), blesses the home, he realizes with horror that something evil is lingering there. The dream house is turning into a nightmare.
Sometimes our affection for or aversion to an artwork that we've been exposed to a number of times over the years is inextricably enmeshed with our historical, emotional experiences, whether we admit this or not. For example, I strongly dislike soap operas, or indeed any dramas that resemble soap operas. This is probably due to the fact that for years my only exposure to soap operas was when I was home sick from school as a kid. These were the days before cable television and home video. In the middle of a weekday afternoon, you either watched soap operas or you didn't watch television. Subconsciously, I associate soap operas with a feeling of illness.
Likewise, Jay Anson's Amityville Horror novel appeared when I was still a teen. I loved it. I can still remember reading it in one long sitting--something I rarely did--in the family car as we drove from Florida to Ohio to visit relatives. I was excited when the film appeared, and liked it a lot at the time.
So although I can see many faults with Amityville Horror now, I still have a deep affection for it that triggers my brain to go into an apologetic mode and defend the film. I just can't bring myself to give it lower than an 8 out of 10, and even that seems low to me. But I can easily see how audiences lacking a history with the film might dislike it. It is relatively slow, uneventful and meandering--with a modern perspective, the pacing and "subtlety" are reminiscent of some recent Asian horror. At the same time, maybe paradoxically, scenery chewing has only rarely had a greater ally.
Just a couple days ago MGM released newly remastered widescreen versions of Amityville 1, 2 and 3. I haven't seen the film look this good since seeing it in the theater in 1979, and it probably didn't even look this good then. The first thing that struck me was how incredible much of the cinematography is. Director Stuart Rosenberg had an amazing knack for finding intriguing angles for shots and imbuing them with beautiful colors.
Unlike recent trends, Rosenberg's colors are not narrowed down to a single scheme. For example, in some shots, such as some of the interiors of the famed Amityville house, we get fabulous combinations of pale greens and yellows. In others, such as many exterior shots near the house, we get intense combinations of fall foliage colors. There are also a number of beautiful shots of the famed "eye window" exterior of the house in differently tinted "negative" colors.
Rosenberg evidences a great eye for placing his cast in the frame and shooting scenes to create depth and symbolism via objects that partially block or surround the frame. He also has a knack for creating winding, receding patterns of objects that enhance depth through perspective. My affection for this aspect of the film has little nostalgic attachment, as I didn't pay attention to such things as a kid (I didn't start noticing them more until I started painting, far into my adult years), and the positive aspects of the cinematography were hardly discernible on the previous, ridiculously bad pan & scan VHS release.
Of course, most people aren't watching a film like this for the aesthetics of the visual composition. This is one of the most famous haunted house films, after all. The horror is handled somewhat awkwardly, occasionally absurdly, but it still works well enough for me, as understated as it is (I'm not referring to the acting, just the horror "objects"). Aspects such as the ubiquitous flies reminded me of similar motifs, such as water, in Hideo Nakata's horror films (such as Ringu, 1998 and Dark Water, 2002). The beginning of the film, showing the Defeo murders, still has a lot of shock value, despite its relative post-Tarantino tameness. Most of the horror elements are more portentous, but they're regular and interesting enough to hold your attention, as long as you don't mind subtlety.
Subtlety, however, was the furthest thing from the cast's minds. Brolin, Kidder and especially Steiger shout their lines more often than they speak them. "Overacting" is not in their vocabularies. Kidder comments on an accompanying documentary that the horror genre walks a fine line between intensity and camp. That may or may not be true in general, but in Amityville Horror, camp is frequently broached. For me, it has a certain charm. I'm a fan of camp and "so bad it's good"; Amityville's performances often attain both.
The commentary on the new DVD is amusing given the 1970s publicity that the book and film depicted a true haunting and the subsequent, thorough debunking by persons such as Stephen Kaplan. Hans Holzer, a parapsychologist who has been involved with the story since the early days, and the author of a book upon which Amityville II was based, provides the commentary. He presents himself as an academic, but he obviously seems to have little concern for "objectivity" or skepticism. He not only still talks about the story as true, he invents supernatural excuses for the DeFeo murders and then some, barely mentioning detractors such as Kaplan.
If you haven't seen the film yet, you should base your viewing decision on whether you have a taste for deliberately paced horror as well as a tolerance for extremely over-the-top performances. The film is historically important in the genre, as well.
22 out of 30 people found the following comment useful :-

Get out,indeed!, 26 April 2002
Author: SmileysWorld from United States
I was but a timid lad of 14 when taken to a drive-in theater to see this incredibly effective horror film.There is no better monster to create a film around than the Devil himself.When Rod Steiger's character,Father Delaney is in the process of blessing the house,and was greeted by a resounding shout of "Get Out!",I almost took it literally,it was that effective.The Devil is indeed one unwelcome houseguest that is very hard to kick out,as you will see when you watch this film.James Brolin and Margo Kidder head a young family who are the new inhabitants of a home where brutal murders had taken place years before.Soon,strange happenings begin to haunt the family,as the house has trouble letting go of what had happened there.This movie is definitely in my top 10 horror films that I have seen,and if you enjoy being scared out of your wits,this film will do it for you.Give it a look!
24 out of 34 people found the following comment useful :-

OLD FASHIONED HORROR!, 16 December 2004
Author: richard cavellero from NJ, U.S.A.
Excited about the remake I decided to go out and just but the original Amityville Horror. Being a huge horror buff, I just had to and besides I had only seen some of it's absurd sequels. hearing mixed reviews from friends and critics from terrifying to hilarious I turned it on with my boyfriend at the time and prepared myself for something scary. I must say that I was quite impressed. And although slightly disappointed in some of the films scenes ultimately I must say this is one old fashioned scary flick! I can hugely recognize the appeal it had in it's it's hey day. With the exception of Texas chainsaw Massacre, Evil Dead, the Omen and some others I rarely see what people did in their horror classics nowadays. Like The Exorcist, pretty damn boring and funny in my opinion. But getting back to this film. It builds a creeping mood filled with fright inducing suspense. The effects are simple but effective and the performances are somewhat over the top but necessarily wacky. The film's overall lasting appeal has little to do with the film's apparent campiness. it has more to do with the real terror inducing legend that inspired it. Like the Chainsaw remake the new ones looks to amp up the horror and intensity which would be greatly welcomed. Although a great horror classic Amityville's finale is somewhat anti climactic and after a long and impressively scary build-up it fails to deliver the end goods. But whoa some of the scenes from the imaginary friend Jody flying out the window, to the visitor at the door, to the voice in the house and just everything in the basement this film is all about delivering some authentic chills. 8/10
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Excellent For it's time, 5 November 2004
Author: tomewarden from New Jersey
This movie was based on the true story and it did a great job of re-creating what actually happened. The creepy way the little girl talks to the seemingly empty rocking chair and the 3:15 am horrifying nightmares over and over again would make anyone feel a little freaked out. The reaction of anyone who has anything to do with the church should have been a sign to get out of this house. The flies, cold spots, and eyes peering in and outside of the windows are all things that actually happened inside that house in Amityville Long Island. I recommend this movie to anyone who wants to enjoy a scary movie or for anyone who has been freightened of a house before. This movie does the trick without any fancy special effects.l
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Bizarre, Bad, Badly Bizarre, Bizarrely Fascinating!, 25 October 2004
Author: curtis martin from Bothell, Washington, Land of Rain
*** This comment may contain spoilers ***
Stuart Rosenberg's "The Amityville Horror" should have catapulted him to the throne of the King of the Surreal, because this disjointed, shrill, and inexplicable flick is just as weird, if not weirder than, the oddest work of current King David Lynch. I'm not sure what the hell was going on in Rosenberg's life at the time, but this same year he directed another weird, cartoonish-yet-lethargic genre film, the Charles Bronson revenge vehicle, "Love and Bullets." Also both "Horror" and "Bullets" share totally inappropriate and WAY over the top performances by the great & unique Rod Steiger.
VERY MINOR POSSIBLE SPOILERS AHEAD(if such is possible with a movie that makes no sense)
Nothing much happens in "Amityville Horror" until the climax, just a lot of odd little things. But when that climax comes, and the movie suddenly ends, you realize that it answered no questions and, more importantly, made no sense at all! The film has no logic but dream logic--perfect surrealism. Characters float about aimlessly in search of some kind of coherent story, crying, screaming, chopping wood. The secondary characters appear and disappear without having any impact on the plot and without really doing anything, much the way characters in a dream come and go, shift and change for no reason. A psychic has visions--nothing comes of it. A cop has suspicions--he does nothing with them. a child has an imaginary ghost friend who may be at the root of it all--or not. A priest's life is ruined--because there were flies on the window! And--there's an evil pig in the window! I'll repeat myself--There's AN EVIL PIG IN THE WINDOW!! An EVIL PIG THAT DOES NOTHING! Really, the film is fascinating--all the more so since it is obvious that its fascinating qualities are entirely unintentional. A CLASSIC!
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When not providing laughs, it's The Amityville Snore..., 23 May 2005
Author: Poseidon-3 from Cincinnati, OH
*** This comment may contain spoilers ***
First presented in a best-selling "nonfiction" book, this is the story of a family who buys a house on the coast of Long Island where, previously, a young man killed his parents and four siblings. Shortly after moving in, they experience various upsetting events and phenomena, eventually having to run for their lives. The book was a massive success, marketed as a true story, and the film came on the heels of successful religious thrillers as "The Exorcist" and "The Omen", and it attempted to join their ranks as a first-class horror film. Unfortunately, the level of talent in the writing, editing and acting wasn't even close to that of the other films and the story itself was stuck in the mud, thanks to no one having been killed in the "true story". (It's a little tough to sell the threat of evil when it's a forgone conclusion in the tale that no one was harmed beyond a few scratches and some vomiting.) A fairly vivid opening, in which the murders are depicted, is followed by a rather creepy tour of the home (which includes more graphic scenes of the killings.) Then tedium and ridiculousness set in as the family is tormented by events in the home. Brolin looks fairly deranged even at the beginning when he looks through the gate of the boathouse. His only change, as he descends into a type of possession, is that his hair gets more and more unattractive and he is a bit more pale. Kidder attempts to give a down to earth performance, but is undone by the cruddy script and by an instantaneously preposterous approach to her hair and wardrobe. She, as a divorced mother of three, wears a selection of schoolgirl get-ups and wears her hair in ponytails (not to mention the instance when she, bizarrely, sports ONE leg warmer while doing ballet moves in an unbuttoned top!) The bratty kids are no help either, though at least Ryan is unsettlingly strange. Worst (best?) of all is Steiger who does the impossible. He actually tops his indulgent, hammy role in "Waterloo" by portraying a feverish, troubled priest who runs into significant trouble when attempting to bless the house. Dailey has a small, but equally hammy, role as a nun who also heaves within moments of setting foot inside. Would everything have been fine if the family had been Baptist instead of Catholic?? Stroud (perhaps the least likely candidate to portray a man of the cloth) is unconvincing in his sketchy role. There are a few jolts sprinkled in amongst the dreariness and Schifrin's score (along with the imposing house itself) adds some atmosphere, but too often it's either preposterous or unintentionally funny. By the time blood seeps out of the walls and Brolin is swimming in black gunk, it's already lost what little sense it had. Perhaps devoutly religious people may get more shock out of it all (though the entire enterprise has since been revealed as a total hoax.) Brolin is to be credited, however, with one extended scene in his tightie-whitie briefs.
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The House on Ocean Avenue, 16 April 2005
Author: sol from Brooklyn NY USA
(Some Spoilers) "The Amityville Horror" would have been an average "Hunted House" movie if it weren't for the fact that a real massacre happened there back in 1974. Young 23 year-old Ronald "Butch" DeFeo quietly went berserk as he calmly took a shotgun and shot to death his entire family, six persons, some time after 3:15AM in the early morning of November 13, 1974. The movie isn't really that much based on the DeFeo killings but on the George Lutz, James Brolin, family who moved into the Defeo home a year later. George and his wife Kathy, Margot Kidder, and their three children lived in the Amityville "Horror" house for just three weeks and then left, taking their pet dog Larry with them, leaving everything behind but the clothes on their back and the van that they drove out of there with and, in the movie at least, were never seen or heard from again. The movie and book on the Lutz's experience at that house was so effective that Ronald DeFeo's lawyer tried to use the unprecedented defense that his client was demoniacally possessed to get DeFeo off by using an insanity defense.
The movie has a number of shocking scenes but all and all it never really takes off and leaves you wondering just what's happening on the screen, is it real or is it the Lutz's imagination. We have the story of the Lutz's little girl calming to see Jody all through the movie and later Kathy even sees "Jody's" eyes in the night window that look like a pair of glowing oranges. Later George actually sees Jody in the window of his daughters room looking like a giant version of Porky Pig but whats the bottom line about "Jody"? Is she real or just an hallucination on the part of the Lutz's?
There are also a number of scenes of blood oozing out of the houses walls and stairway thats so gross that it cause the Lutz's to slip and fall trying to run out of it, is that also real or just their, the Lutz's, imagination? The fact that the movie is said to be based on a "True Story" makes you begin to wonder if these scenes, and many others in the film, really happened.
Were also told later that the Amityville Horror House was built on a sacred Indian burial ground by this Shawn Ketchum who was driven out of Salem back in the 1690's and settled on long Island. It's there where Ketchum used that site, that was a hidden red room in the houses basement, to practice Whichcraft and Satanism and it's that reason that the house was haunted all these years. Still up until the DeFeo murders, some 300 years later, nothing worthwhile or newsworthy seemed to have happened there?
Besides what the Lutz's went through in the movie regarding the "Amityville Horror" poor Father Delaney, Rod Steiger, went through a lot more and he didn't even live there. Going to the house, at Kathy's insistence, to bless it Father Delaney gets attacked, after being locked in a room in the house, by an awful odor from thousands of flies who magically appearer out of nowhere! Getting back to his church Father Delaney tries to call the Lutz's to tell them to leave the house as soon as possible only to have his hand badly burned by the telephone!
Trying to get his superiors in the church to believe him, and have a possible exorcism on the house, Father Delaey is told by Father Ryan, Murray Hamilton, to go take a long vacation and forget to come back. The poor man in a last act of desperation tries to pray for help at his church only to freak out and hallucinate a vision of the church collapsing on top of his head. We last see Father Delaney sitting on a bench in the park, a broken and beaten man, with his assistant Father Bolen, Don Stroud, trying to cheer him up by telling him about how great the sunset is which only will upset him even more since he lost his sight during his traumatic experience in the church where he thought that the world came to an end and in a way it did, for Father Delany.
5 out of 7 people found the following comment useful :-

Another scary film from the 70's, 24 August 1999
Author: Dan Grant (dan.grant@bell.ca) from Toronto, Ontario
*** This comment may contain spoilers ***
When Haunted Houses are done right, they are down right scary. When they are special effects laden, the suck. Amityville Horror is done right. This film has lots of atmosphere and the dark hallways, creepy voices and strange happenings make it quite chilling. The camera work is very well done too. Although I have to admit that I would agree with Eddie Murphy when he did his standup routine about this film. I would have been out of there as soon as the blood came out of the taps. I have seen too many horror films by now and that would just be a dead give away.
Brolin and Kidder are good in their roles. Brolin slowly disintegrates into madness and it is his metamorphisis that is key to the film. We change along with him as he discovers all the nasty things about the house. The house has a personality of its own and it should be one the stars of the movie.
Amittyville Horror is very creepy and it should be seen again after all these years. From voices, to bugs, to "Judy" to madness, this film does an excellent job of spooking us all out.
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