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IMDb > The Amityville Horror (1979)
The Amityville Horror
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The Amityville Horror (1979) More at IMDbPro »

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The Amityville Horror (1979) -- MattTrailer.com - Trailer (Flash)

Overview

User Rating:
5.8/10   9,742 votes
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Director:
Writers:
Sandor Stern (screenplay)
Jay Anson (book)
(more)
Contact:
View company contact information for The Amityville Horror on IMDbPro.
Release Date:
27 July 1979 (USA) more
Tagline:
"For God's Sake, Get Out!" more
Plot:
Newlyweds move into a house where a murder was committed, and experience strange manifestations which drive them away. full summary | full synopsis
Awards:
Nominated for Oscar. Another 3 nominations more
NewsDesk:
(19 articles)
Margot Kidder Writing a Morbid Chick Flick
 (From FilmSchoolRejects. 9 November 2009, 7:35 PM, PST)

Tortured Overtures: Horror Film Score Themes of the 1970s
 (From SoundOnSight. 3 November 2009, 12:12 PM, PST)

User Reviews:
Nice score with a side of bad film. more (243 total)

Cast

  (in credits order) (verified as complete)

James Brolin ... George Lutz

Margot Kidder ... Kathy Lutz

Rod Steiger ... Father Delaney
Don Stroud ... Father Bolen
Murray Hamilton ... Father Ryan
John Larch ... Father Nuncio
Natasha Ryan ... Amy
K.C. Martel ... Greg
Meeno Peluce ... Matt
Michael Sacks ... Jeff

Helen Shaver ... Carolyn
Amy Wright ... Jackie

Val Avery ... Sgt. Gionfriddo
Irene Dailey ... Aunt Helena
Marc Vahanian ... Jimmy
Elsa Raven ... Mrs. Townsend
Ellen Saland ... Bride
Eddie Barth ... Agucci
Hank Garrett ... Bartender
James Tolkan ... Coroner
Carmine Foresta ... Cop at the House
Peter Maloney ... Newspaper Clerk
Charlie Welch ... Carpenter
J.R. Miller ... Boy
Patty Burtt ... Girl
Michael Hawkins ... New York State Trooper
Richard Hughes ... 2nd New York State Trooper
James Dukas ... Neighbor (as Jim Dukas)
Baxter Harris ... Cop #2 at the House
Michael Stearns ... Policeman
Jack Krupnick ... Dead Father
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Directed by
Stuart Rosenberg 
 
Writing credits
Sandor Stern (screenplay)

Jay Anson (book)

George Lutz  story (uncredited)
Kathy Lutz  story (uncredited)

Produced by
Samuel Z. Arkoff .... executive producer
Elliot Geisinger .... producer
Ronald Saland .... producer
 
Original Music by
Lalo Schifrin 
 
Cinematography by
Fred J. Koenekamp (director of photography)
 
Film Editing by
Robert Brown  (as Robert Brown Jr.)
 
Casting by
Jane Feinberg 
Mike Fenton 
Judy Taylor 
 
Art Direction by
Kim Swados 
 
Set Decoration by
Robert R. Benton  (as Robert Benton)
 
Makeup Department
Stephen Abrums .... makeup artist
Christine Lee .... hair stylist
 
Production Management
Salvatore Billitteri .... post-production supervisor
Jere Henshaw .... executive in charge of production
Russell Saunders .... unit production manager (as Russ Saunders)
 
Second Unit Director or Assistant Director
Benjamin Rosenberg .... second assistant director
Edward E. Vaughan .... first assistant director (as Ed Vaughan)
 
Art Department
Donald B. Nunley .... property master (as Donald Nunley)
 
Sound Department
Stephen Hunter Flick .... sound effects editor
Robert W. Glass .... sound re-recording mixer
Maury Harris .... sound mixer
Bill Henderson .... sound re-recording engineer
Christopher Ramsey .... boom operator (as Chris Ramsey)
Richard Tyler .... sound re-recording mixer
John Wilkinson .... sound re-recording mixer (as John K. Wilkinson)
 
Special Effects by
Dell Rheaume .... special effects (as Delwyn Rheaume)
 
Visual Effects by
William Cruse .... visual effects
Allen Blaisdell .... visual effects (uncredited)
 
Stunts
Bruce Paul Barbour .... stunt driver
Brian Bruderlin .... stunt double
Roger Creed .... stunt coordinator
Conrad E. Palmisano .... stunt driver
Richard Seaman .... stunt driver (as Richard D. Seaman)
 
Camera and Electrical Department
Mike Benson .... camera operator (as Michael Benson)
Edward Morey III .... camera assistant
John Murray .... key grip (as Johnny Murray)
Gene Stout .... gaffer (as Eugene Stout)
 
Costume and Wardrobe Department
Cynthia Bales .... wardrobe: women
Richard Butz .... wardrobe: men
 
Editorial Department
Bill Berry .... negative cutter
Dee D'Orazio .... additional editing (as Etter 'Dee' D'Orazio)
Stanley Frazen .... associate editor
Dennis Galling .... assistant editor
Barbara Gandolfo-Frady .... apprentice editor (as Barbara Gandolfo)
 
Music Department
Kenneth Hall .... music editor (as Ken Hall)
Aaron Rochin .... scoring mixer
 
Transportation Department
Johnny Dias .... transportation
 
Other crew
Susan Anker .... production secretary
Samuel Z. Arkoff .... presenter
Reverend Thomas Bermingham .... religious supervisor
Gary Gillingham .... production controller
Connie Greenwood .... unit controller
Karl Lewis Miller .... animal trainer
Mary Ann Newfield .... script supervisor
Barbara Pieters .... production coordinator
Steve Warner .... location auditor
 

Production CompaniesDistributorsOther Companies
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Additional Details

Runtime:
117 min
Country:
Language:
Color:
Aspect Ratio:
1.85 : 1 more
Sound Mix:
Certification:
Filming Locations:

Fun Stuff

Trivia:
Contrary to popular belief, Lalo Schifrin's score for this film was not the legendary rejected score composed for The Exorcist (1973). The rejected Exorcist score has subsequently been released on CD and is completely different in every respect. more
Goofs:
Continuity: The ball-shaped finial on the newel post at the bottom of the stairs (which is shown to fall off easily when the Lutz's are first being shown the house) appears, then disappears, then reappears between shots in one sequence. more
Quotes:
[first lines]
Cop at the House: Jesus Christ, it gets worse all the time.
more
Movie Connections:
Featured in "I Love the '70s: Volume 2" (2006) more

FAQ

How much sex, violence, and profanity are in this movie?
What was the red room?
Why was Kathy Lutz's face wrinkled and toothless in some of the scenes at the end of the movie?
more
1 out of 1 people found the following review useful.
Nice score with a side of bad film., 29 August 2003
Author: jaywriterXIII from USA

I watched the first two Amityville horrors films. No intention of seeing any more of the sequels. Honestly, I don't see how some films attain their status. I'm under the impression that anything horror-related out of the 70s is good by definition. This along with TCM and Last House really failed to move me. I find it very disappointing since I rent these films with the expectation of seeing something worthwhile, and I found Halloween and Exorcist to be quite the extraordinary experience. Amityville falls into the category of old school disappointments.

In a nutshell, the film is a series of unrelated freaky events supposedly based on a true story. How true is the story? That'll be debated for awhile to come by the people with a enough free time to care. Still though, Amityville had potential, and I don't feel it's necessarily a bad film. It's average at best and undeserving of the hype, that's all.

Strengths include an intriguingly delicate yet eerie, score provided by Lalo Schiffrin - quite easily the best aspect of the film. This is a dreamlike score that combines childlike innocence with a shadow hiding something. Very well crafted despite most the rest of Amityville not pulling its weight.

Other highlights - I liked the `demon eyes' windows, especially lit up at night. That aspect of the house came across as intimidating. Then later in the film when the father sees a red eyed bore inside the house sent a chill down my spine. Beyond that, though, Amityville didn't provide much in the way of narrative, characters, or visual style that really gripped me.

I'd comment on the acting, but any regular visitor to the horror section of their video store knows what I'm going to say so what's the point?

This film needed a stronger connection between events; it needed a sense of moving somewhere - either take liberties with the truth or drop the `based on a true story' banner. It needed more interesting characters, and it needed more imagery to match the quality of the music.

But as is, it's just `okay with a few good points.'

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Message Boards

Discuss this movie with other users on IMDb message board for The Amityville Horror (1979)
Recent Posts (updated daily)User
The Stupidest Scene in the Movie? jbartelone
So apparently they're remaking this... again... xantny84x
Is this whole thing real...or not.! kippylou16-1
About the Priests csgrambauer
would you have gone back for that damn dog? snapmcnasty
'Hidden' face in last scene perfectisboring
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