| Photos (see all 25 | slideshow) |
| Kris Kristofferson | ... | Rubber Duck aka Martin Penwald | |
| Ali MacGraw | ... | Melissa | |
| Ernest Borgnine | ... | Sheriff Lyle Wallace aka Cottonmouth | |
| Burt Young | ... | Pig Pen / Love Machine | |
| Madge Sinclair | ... | Widow Woman | |
| Franklyn Ajaye | ... | Spider Mike | |
| Brian Davies | ... | Chuck Arnoldi | |
| Seymour Cassel | ... | Governer Jerry Haskins | |
| Cassie Yates | ... | Violet | |
| Walter Kelley | ... | Federal Agent Hamilton | |
| Jackson D. Kane | ... | Big Nasty (as J.D. Kane) | |
| Billy Hughes | ... | Pack Rat (as Billy E. Hughes) | |
| Whitey Hughes | ... | White Rat | |
| Bill Coontz | ... | Old Iguana (as Bill Foster) | |
| Tommy J. Huff | ... | Lizard Tongue (as Thomas Huff) | |
| Larry Spaulding | ... | Bald Eagle | |
| Randy Brady | ... | Sneaky Snake | |
| Allen Keller | ... | Rosewell (as Allen R. Keller) | |
| Jim Burk | ... | Frick (as James H. Burk) | |
| Bob Orrison | ... | Officer Bookman (as Robert Orrison) | |
| Tommy Bush | ... | Chief Stacey Love (as Tom Bush) | |
| William C. Jones Jr. | ... | Fish | |
| Jorge Russek | ... | Sheriff Tiny Alvarez | |
| Tom Runyon | ... | Runyon | |
| Vera Zenovich | ... | Thelma | |
| Patrice Martinez | ... | Maria (as Patricia Martínez) | |
| Donnie Fritts | ... | Reverend Sloane (as Donald R. Fritts) | |
| Bobbie Barnes | ... | Jesus Freak | |
| Turner Stephen Bruton | ... | Jesus Freak (as Turner S. Bruton) | |
| Sammy Lee Creason | ... | Jesus Freak | |
| Cleveland Dupin | ... | Jesus Freak | |
| Jerry McGee | ... | Jesus Freak (as Gerald McGee) | |
| Terry Paul | ... | Jesus Freak | |
| Michael Utley | ... | Jesus Freak | |
| Wayne D. Wilkinson | ... | Jesus Freak | |
| Charles Benton | ... | Deke Thornton | |
| George Coleman | ... | Septic Sam | |
| Greg Van Dyke | ... | Silver Streak | |
| Edward Blatchford | ... | Roger (as Ed Blatchford) | |
| Paula Baldwin | ... | Samantha | |
| Herb Robins | ... | Mechanic Bob | |
| Robert J. Visciglia Sr. | ... | Ice Cream Seller | |
| Don Levy | ... | Senator Myers | |
| Spec O'Donnell | ... | 18 Wheel Eddie | |
| James R. Moore | ... | Motorcycle Cop | |
| James Edgcomb | ... | Doug (as Jim Edgecomb) | |
| John Gill | ... | Jack (as John R. Gill) | |
| Daniel D. Halleck | ... | Bart | |
| Stacy Newton | ... | Bubba | |
| Sabra Wilson | ... | Madge | |
| Pepi Lenzi | ... | News Crewman | |
| John Bryson | ... | Texas Governor | |
| rest of cast listed alphabetically: | |||
| Debbie Letteau | ... | Girl in the Bar (uncredited) | |
| Anne Lockhart | ... | Dispatcher (uncredited) | |
| Sam Peckinpah | ... | News crew director (uncredited) | |
| Sonny Skyhawk | ... | (uncredited) | |
Directed by | |||
| Sam Peckinpah | |||
Writing credits(in alphabetical order) | ||
| Bill L. Norton | writer (as B.W.L. Norton) | |
Produced by | |||
| Michael Deeley | .... | executive producer | |
| Robert M. Sherman | .... | producer | |
| Barry Spikings | .... | executive producer | |
| Michael Friedman | .... | associate producer (uncredited) | |
Original Music by | |||
| Chip Davis | |||
Cinematography by | |||
| Harry Stradling Jr. | |||
Film Editing by | |||
| Garth Craven | |||
| John Wright | |||
Casting by | |||
| Lynn Stalmaster | |||
Production Design by | |||
| Fernando Carrere | |||
Art Direction by | |||
| J. Dennis Washington | |||
Set Decoration by | |||
| Frank Lombardo | (as Francis Lombardo) | ||
Makeup Department | |||
| Stephen Abrums | .... | makeup artist (as Steve Abrums) | |
| James Lee McCoy | .... | makeup artist (as Jim McCoy) | |
| Marina Pedraza | .... | hair stylist | |
Production Management | |||
| Tom Shaw | .... | production manager | |
| Tony Wade | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Newt Arnold | .... | first assistant director (as Newton Arnold) | |
| James Coburn | .... | second unit director | |
| Clifford C. Coleman | .... | first assistant director (as Cliff Coleman) | |
| Walter Kelley | .... | second unit director | |
| Pepi Lenzi | .... | first assistant director | |
| John M. Poer | .... | first assistant director (as John Poer) | |
| Tom Shaw | .... | first assistant director | |
| Richard A. Wells | .... | first assistant director (as Richard Wells) | |
| Ron Wright | .... | second assistant director | |
Art Department | |||
| Donald R. Abblett | .... | painter (as Donald Abblett) | |
| Harry Jessen | .... | construction foreman | |
| Richard Lind | .... | construction foreman | |
| Frank Repola | .... | painter | |
| Robert Visciglia Jr. | .... | propman | |
| Robert J. Visciglia Sr. | .... | property master | |
Sound Department | |||
| Fred J. Brown | .... | sound effects (as Fred Brown) | |
| Samuel C. Crutcher | .... | assistant sound editor (as Sam Crutcher) | |
| Jerelyn J. Harding | .... | dialogue editor (as Jerelyn Golding) | |
| Scott Hecker | .... | assistant sound editor | |
| Robert G. Henderson | .... | sound effects (as Robert Henderson) | |
| Robert J. Litt | .... | sound re-recording mixer (as Bob Litt) | |
| Steve Maslow | .... | sound re-recording mixer | |
| Donald O. Mitchell | .... | sound re-recording mixer (as Don Mitchell) | |
| Charles Randall | .... | boom operator | |
| William Randall | .... | production sound mixer (as Bill Randall) | |
| Norman B. Schwartz | .... | dialogue editor (as Norman Schwartz) | |
| Michele Sharp | .... | sound effects (as Michele Sharp Brown) | |
| Ross Taylor | .... | sound effects | |
| José Antonio Torres | .... | assistant sound editor (as Antonio Torres) | |
Special Effects by | |||
| Sass Bedig | .... | special effects | |
| Candy Flanagin | .... | special effects | |
| Marcel Vercoutere | .... | special effects | |
Stunts | |||
| Jophery C. Brown | .... | stunts (as Jophery Brown) | |
| Jim Burk | .... | stunts (as James Burk) | |
| Gary Combs | .... | stunt coordinator | |
| Jadie David | .... | stunts (as Jade David) | |
| Jerry Gatlin | .... | stunts (as Jerry J. Gatlin) | |
| Alan Gibbs | .... | stunts | |
| Bob Herron | .... | stunts (as Robert D. Herron) | |
| Tom Lupo | .... | stunts | |
| Gary McLarty | .... | stunts | |
| Karen McLarty | .... | stunts | |
| Alan Oliney | .... | stunts | |
| Regina Parton | .... | stunts | |
| Charles A. Tamburro | .... | stunts | |
| Glenn R. Wilder | .... | stunts | |
| Walter Wyatt | .... | stunts | |
| Gilbert B. Combs | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Armando Contreras | .... | best boy grip | |
| William Gereghty | .... | camera operator | |
| Ralph Gerling | .... | camera operator | |
| Robert B. Hauser | .... | additional photographer (as Robert Hauser) | |
| Clifford Hutchison | .... | gaffer (as Cliff Hutchison) | |
| Richard A. Kelley | .... | director of photography: second unit (as Richard Kelley) | |
| Gary B. Kibbe | .... | camera operator (as Gary Kibbe) | |
| John Kiser | .... | camera operator | |
| Steve Lydecker | .... | camera operator | |
| Tom May | .... | key grip (as Tommy May) | |
| John R. Shannon | .... | still photographer (as John Shannon) | |
| Robert Simson | .... | camera operator | |
| Joseph F. Valentine | .... | camera operator (as Joe Valentine) | |
| Richard Tim Vanik | .... | camera operator (as Tim Vanik) | |
| Gary R. Wostak | .... | gaffer (as Gary Wostak) | |
| Don E. FauntLeRoy | .... | assistant camera (uncredited) | |
| Richard Craig Meinardus | .... | assistant camera (uncredited) | |
Casting Department | |||
| Helen Conklin | .... | extras casting | |
| P.K. Strong | .... | location casting | |
Costume and Wardrobe Department | |||
| Carol James | .... | costumer | |
| Kent James | .... | costumer | |
Editorial Department | |||
| Graeme Clifford | .... | supervising editor | |
| Ed Fantl | .... | assistant film editor | |
| Ken Morrisey | .... | assistant film editor | |
| Ellen Ring | .... | assistant film editor | |
| Tim Tobin | .... | assistant film editor (as Timothy Tobin) | |
Music Department | |||
| Milt Bailey | .... | music production assistant | |
| Jackson Berkey | .... | music production assistant | |
| Roger Bowling | .... | composer: songs "Blanket on the Ground" and "Lucille" | |
| John Boyd | .... | score recordist | |
| Del Bryant | .... | composer: song "I Cheated on a Good Woman's Love" | |
| Eddie Burris | .... | composer: song "Okie from Muskogee" | |
| Hal Bynum | .... | composer: song "Lucille" | |
| Dan Carlin Sr. | .... | music editor (as Dan Carlin) | |
| A.P. Carter | .... | composer: song "Keep on the Sunny Side" | |
| Sonny Curtis | .... | composer: song "Walk Right Back" | |
| Bill Fries | .... | music supervisor | |
| Gary Garett | .... | composer: song "Keep on the Sunny Side" | |
| Merle Haggard | .... | composer: song "Okie from Muskogee" | |
| Dallas Harms | .... | composer: song "Cowboys Don't Get Lucky All the Time" | |
| Dave Henderson | .... | music production assistant | |
| Richard Leigh | .... | composer: song "Don't It Make Your Brown Eyes Blue" | |
| Allen Toussaint | .... | composer: song "Southern Nights" | |
| Ron Ubel | .... | score recordist | |
| Jim Wheeler | .... | score recordist | |
Transportation Department | |||
| Bill Hunt | .... | transportation | |
| Rudy Limauro | .... | transportation | |
| Greg Van Dyke | .... | transportation | |
| Billy Kaundart | .... | driver (uncredited) | |
Other crew | |||
| Mary Andrews | .... | editorial secretary | |
| Elie Cohn | .... | production assistant | |
| Ron Cook | .... | production executive | |
| Harry Harvey | .... | script supervisor | |
| Barbara Hogan | .... | script supervisor | |
| Ed Rich | .... | production accountant | |
| Binnie Ruben | .... | secretary to producers | |
| Dolores Rubin | .... | script supervisor | |
| Ann Shaw | .... | production coordinator | |
| Charles A. Tamburro | .... | helicopter pilot | |
| Sheila A. Warner | .... | production coordinator (as Shelia Warner) | |
| Sherrie Bradshaw | .... | assistant production accountant (uncredited) | |
| Corey Burton | .... | adr loop group (uncredited) | |
| Michael Davenport | .... | assistant: Sam Peckinpah (uncredited) | |
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The "Smokey and the Bandit" target audience never knew what hit them when they went to see "Convoy". Used to a diet of direct-to-drive-in films they had no conception of what could happen when Hollywood threw big bucks and a competent (if distracted) director at the genre. What they got was something that movie historians are still trying to classify. A movie based on a CB radio song that morphed into a poetic homage to machinery; where trucks are turned into mythological monsters and filmed cruising through the heat-radiating desert to a score of classical music.
Why Sam Peckinpah elected to take on this project has really never been explained, although that decision certainly supports those tales of substance abuse, and the final cut is bizarre enough to also fit that explanation. It is an amazing film as it wobbles between self-parody and self-importance to a degree never seen before and never seen again until "Apocalypse Now". I'm not sure how much attention and interest Peckinpah actually showed toward the making of "Convoy". It has the disjointed feel of multiple directors or of a Director of Photography filling in many times when Sam was not motivated to make an appearance on the set.
Kris Kristofferson is fine as trucker "Rubber Duck" although Earnest Borgnine pretty much steals the whole thing.
But "Convoy's real claim to fame is as the film where Ali MacGraw's career spectacularly crashed and burned. She did not just fade away but shattered into a million pieces. MacGraw got into acting in her late twenties but looked young enough to be believable as a college-age girl in her first two starring roles; the excellent "Goodbye Columbus" and the pathetic but hugely popular "Love Story". Her age worked to her advantage as her two characters (particularly "Goodbye's" Brenda) came off as poised, stylish, classy and smart. She picked up a huge following of male viewers who would have bought tickets to anything she was in and she was generally inoffensive to female viewers. She was nominated for the Best Actress Oscar, started fashion crazes, and made the cover of Time magazine. She also picked up the head of Paramount Studios (Robert Evans) as a husband dedicated to advancing her acting career. It was a done deal that she would get the lead in "Chinatown", a role that would fit her rather limited range (poised, classy, stylish). Her only obstacle was managing the transition to middle age in a way that her smitten fans could accept.
Unfortunately she dumped Evans for a short marriage (5 years) to Steve McQueen. Just how badly her image and career were managed after she left Evans is illustrated by her bad haircut in "Convoy". Just glance at the promotional poster and you may be able to hear the sounds of a million bubbles bursting in the minds of her male fans. The idea of "Brenda" playing a truck stop mama with short curly hair would have made it too painful to even contemplate seeing this movie. Her fan base literally melted away with the start of the film's promotion campaign. They never returned, the illusion had died. Ironically had they actually seen her horrible performance in "Convoy" they might have felt better, as the performance is so absurd it achieves a sort of surreal quality. But a couple years later they discovered replacement Jennifer Beals and moved on.
Then again, what do I know? I'm only a child.