Quel maledetto treno blindato (1978)

Director:

Enzo G. Castellari

Writers:

Sandro Continenza (story) &
Sergio Grieco (story) ...
(more)

Release Date:

December 1981 (USA)

Genre:

Action | Adventure | Comedy | Drama | War

Tagline:

Whatever the Dirty Dozen did they do it dirtier!

Plot:

Set in Europe during WWII, a group of American soldiers are in the process of being shipped off to military prison for a variety of infractions...

Plot Keywords:

WWII | Prisoner | Murder | Escape | American

Cast

Bo Svenson	...	Lt. Robert Yeager
Peter Hooten	...	Tony
Fred Williamson	...	Pvt. Fred Canfield
Michael Pergolani	...	Nick
Jackie Basehart	...	Berle
Michel Constantin	...	Veronique
Debra Berger	...	Nicole
Raimund Harmstorf	...	Adolf Sachs
Ian Bannen	...	Col. Charles Thomas Buckner
Flavio Andreini
Peter Boom	...	German Officer on Train
Vito Fornari
Manfred Freyberger	...	SS Commander
Joshua Sinclair	...	The Sergeant (as John Loffredo)
Mike Morris	...	Colonel Hauser
Donald O'Brien	...	SS Commander (as Donald O'Brian)
Gerard Schwarz
Bryan Rostron		(as Rostron Brian Torquil)
Massimo Vanni	...	French Resistance Member
Bill Vanders	...	German General on Train (as William Vanders)
Mauro Vestri	...	French Resistance Member
rest of cast listed alphabetically:
Nick Alexander	...	Examination Corporal (voice: English version) (uncredited)
Enzo G. Castellari	...	German Officer (uncredited)
Larry Dolgin	...	Marshall / Sachs (voice: English version) (uncredited)
Rocco Lerro	...	German Gate Guard (uncredited)
Edward Mannix	...	Redneck Bastard (voice: English version) (uncredited)
Pietro Plinio Quinzi	...	(uncredited)
Franco Ukmar	...	American troop leader (uncredited)

Directed by
Enzo G. Castellari

Writing credits
Sandro Continenza		(story) &
Sergio Grieco		(story) &
Romano Migliorini		(story) &
Laura Toscano		(story) &
Franco Marotta		(story)
Sandro Continenza		(screenplay) &
Sergio Grieco		(screenplay) &
Romano Migliorini		(screenplay) &
Laura Toscano		(screenplay) &
Franco Marotta		(screenplay)
Sandro Continenza		(dialogue) &
Sergio Grieco		(dialogue) &
Romano Migliorini		(dialogue) &
Laura Toscano		(dialogue) &
Franco Marotta		(dialogue)
Alberto Piferi		(Italian dialogue)

Original Music by
Francesco De Masi

Cinematography by
Giovanni Bergamini		(director of photography)

Film Editing by
Gianfranco Amicucci

Production Design by
Pier Luigi Basile		(as Pierluigi Basile)
Aurelio Crugnola

Set Decoration by
Pier Luigi Basile		(as Pierluigi Basile)
Aurelio Crugnola

Costume Design by
Ugo Pericoli

Makeup Department
Giancarlo De Leonardis	....	hair stylist
Giovanni Morosi	....	makeup artist (as Gianni Morosi)

Production Management
Ennio Di Meo	....	unit manager
Pino Mangogna	....	unit manager
Roberto Sbarigia	....	production manager

Second Unit Director or Assistant Director
Mario Maffei	....	assistant director

Art Department
Enrico Sanchini	....	drapes

Sound Department
Nick Alexander	....	dubbing editor
Domenico Dubbini	....	sound recordist
Mario Ottavi	....	sound recordist

Special Effects by
Gino De Rossi	....	special effects

Stunts
Rocco Lerro	....	stunt coordinator
Angelo Ragusa	....	stunts
Clemente Ukmar	....	stunts
Franco Ukmar	....	stunts

Camera and Electrical Department
Gianfranco Massa	....	still photographer
Luciano Micheli	....	key grip
Silvano Michisanti	....	gaffer
Enrico Priori	....	assistant camera
Stefano Sbarigia	....	assistant camera
Otello Spila	....	camera operator
Gaetano Valle	....	camera operator

Costume and Wardrobe Department
Otello Polci	....	costumer

Editorial Department
Roberto Amicucci	....	second assistant editor
Cesarina Casini	....	first assistant editor

Music Department
Francesco De Masi	....	conductor

Other crew
Silvia Caperna	....	administrator
Gioia Donati	....	script supervisor
Armando Grilli	....	armorer
Egle Guarino	....	script supervisor
Alfonso Licata	....	administrator
Adalberto Spadoni	....	production accountant

Production Companies

• Film Concorde (as Film Concorde S.R.L.)

Distributors

• Capitol International (1978) (Italy) (theatrical)
• Alemannia-Filmverleih (1978) (West Germany) (theatrical) (cut)
• Universal Film Agency (1978) (Netherlands) (theatrical)
• Entertainment Film Distributors (1978) (UK) (theatrical)
• American Transcontinental (1981) (USA) (theatrical) (dubbed)
• Hokushin Audio Visual (1981) (UK) (VHS)
• Entertainment (1979) (UK) (theatrical)
• Valio-Filmi (1978) (Finland) (theatrical)
• Dutch FilmWorks (DFW) (2009) (Netherlands) (DVD)
• Firebox (2007) (Finland) (DVD)
• K & C Video (19??) (Australia) (VHS)
• Koch Media (2007) (Germany) (DVD)
• Madman Entertainment (2009) (Australia) (DVD)
• Severin Films (2008) (USA) (DVD) (3-disc explosive edition)
• Severin Films (2009) (USA) (DVD) (Blu-ray)
• Yleisradio (YLE) (2007) (2008) (Finland) (TV)

Other Companies

• Cinecittà  sound post-production
• Vides Cinematografica  sound post-production (as Centro Cinematografico Vides)
• Elettronica Calpini  dubbing (as Sincronizzazione Elettronica Calpini)
• Società Attori Sincronizzatori (SAS)  dubbing collaboration
• Costumi d'Arte  wardrobe
• L.C.P.  footwear
• St. A.C.C.  weaponry
• Armando Grilli  weaponry
• Ditta Rancati  props (as Rancati)
• D'Angelo  props
• Set  props
• Sanchini  drapes (as Enrico Sanchini)
• Ditta Maggi  wigs (as Maggi)
• ATA  military vehicles furnished by (as A.T.A.)

Also Known As:

Bastardi senza gloria (Italy) (working title)
Counterfeit Commandos (USA) (reissue title)
Deadly Mission (USA) (video title)
G.I. Bro (USA) (recut version)
Hell's Heroes (USA) (video title)
The Dirty Bastard (Philippines: English title)
The Inglorious Bastards (USA)

Runtime:

99 min | UK:90 min (cut version) | Germany:76 min (cut version)

Country:

Italy

Language:

Italian | German | French | English

Color:

Color (Telecolor)

Aspect Ratio:

1.85 : 1

Sound Mix:

Mono

Certification:

Sweden:(Banned) | Iceland:16 | Netherlands:16 (US version) | Sweden:15 (video rating) | Norway:15 (uncut DVD version) (2007) | Singapore:M18 | Finland:K-18 (uncut) (2007) | Australia:M | Portugal:M/12 | Germany:18 (DVD rating) | West Germany:18 (nf) | France:U | UK:15 | Finland:K-16 (cut) (1978) | USA:R | Norway:16 (video) (1981) (unrated video version) | Norway:(Banned) (1978-2003) (cinema release)

Filming Locations:

Barbarano Romano, Viterbo, Lazio, Italy

Company:

Film Concorde

Trivia:

Fred Williamson is named as a co-writer on screenplay on deposit at the Library of Congress Copyright Office.

Goofs:

Continuity: When he steals a motorcycle you can see that it is an old opposed twin BMW. But for all the stunt riding it is clear to see that he is not on the same motorcycle, he is using a single cylinder dirt bike.

Quotes:

[first title card]
Title Card: FRANCE 1944

Movie Connections:

Referenced in Train Kept A-Rollin' (2008) (V)

Fun, dynamite stuff, straddling 'exploitation' and high-caliber film-making

I wasn't sure at first what to expect from director Enzo G. Castellari. I saw his film 1990: Bronx Warriors and it was a lot of fun, but in that way that comes with knowing a man made a no-holds-barred exploitation rip-off on the Warriors that, truth be told, was barely even shot in the Bronx. But, of course, movie-PHD Quentin Tarantino held up this man's work, particularly this film, to such high esteem he took the title (if not the skeleton of the subject matter) for his latest opus. Why not give a late 70s war movie a shot featuring Fred "The Hammer" Williamson, one of those unsung bad-asses, and Bo Svenson, an underrated actor-cum-star, a shot? Turns out, the shot was a big surprise. In the best possible way.

Inglorious Bastards is made by a real professional, not by some slacker just looking to slap together some used sets and flunky character folk for roles. This is the real deal; if it's not one of the very best war films, it's certainly one that is one of the best you haven't heard of (least until recently thanks to the aforementioned PHD-in-film-incarnate). It's one of those "guys-on-a-mission" movies where it features a tag-line "Whatever the Dirty Dozen did – they do DIRTIER!" and with, from the looks of the trailer, either very good or very shoddy fx and a lot of ammo. Basically, a bunch of US soldiers, on their way for court-martial/execution, somehow, escape after an incident, and go on the run... only to find themselves getting embroiled in a mission involving a train, a whole s***load of Nazi's, and perhaps a few casualties here and there – few dozen to few hundred give or take.

There's barely a line wasted in this flick, barely a scene that doesn't actually try and provide its actors like Svenson and Williamson – also other very good players like Peter Hooten and Jackie Basehart and Ian Bannen as the tricky Colonel Buckner – some good meaty dialog to chew on when they're not blowing stuff up to bits (written, and I was even more surprised by this than you, by five writers). Oh, sure, you could argue that it's violent, maybe needlessly so. But that is part of the point. It actually doesn't go *too* over-the-top, not as far as I expected given its Italian-cult credibility and that of Castellari's speckled career.

The action is shot and edited with the great ferocity possible when a crew gets enough money and enough verve to push buttons. It does get bloody, and there's a pile of bodies that reaches up to a small skyscraper. But it's also a lot of fun to watch it, and it even goes beyond being a guilty pleasure into being just plain awesome. You lose yourself with these guys on their mission, with Williamson gritting and showing off why he is "The Hammer", or how Svenson could be such a persuadable star in good hands. And, yes, it probably does crib from the likes of the Great Escape (motorcycle jumps, anyone) and Bridge on the River Kwai (bridge blow-up, anyone), and at the same time it holds its own as a legitimate effort.

I imagine that's what Tarantino saw in it, its own sense of paying tribute to so many other war pictures while holding its own for a bunch of dudes watching a bunch of dudes go to extreme in Nazi-occupied France. It's surprisingly tense, terrific genre film-making that doesn't force the Platoon treatment – it just asks you go just a little "Dirtier" with the flow of the average war flick, like Sam Fuller with a face full of pasta yelling out orders.