The Shootist (1976)

User Rating:

7.7/10   

Director:

Don Siegel

Writers:

Glendon Swarthout (novel)
Miles Hood Swarthout (screenplay) ...

Release Date:

20 August 1976 (USA)

Genre:

Drama | Western

Tagline:

He's got to face a gunfight once more to live up to his legend once more. To win just one more time.

Plot:

A dying gunfighter spends his last days looking for a way to die with a minimum of pain and a maximum of dignity.

Plot Keywords:

Gunfighter | Dignity | Marshal | Death | Room

Awards:

Nominated for Oscar. Another 3 nominations

Cast

John Wayne	...	J.B.Books aka John Bernard Books
Lauren Bacall	...	Bond Rogers
Ron Howard	...	Gillom Rogers
James Stewart	...	Dr. E.W. Hostetler
Richard Boone	...	Mike Sweeney
Hugh O'Brian	...	Jack Pulford (faro dealer at Metropole Saloon)
Bill McKinney	...	Jay Cobb (owner, Cob's Creamery)
Harry Morgan	...	Carson City Marshal Walter Thibido
John Carradine	...	Hezekiah Beckum (undertaker)
Sheree North	...	Serepta (Books' ex-girlfriend)
Rick Lenz	...	Dan Dobkins (reporter, 'Morning Appeal') (as Richard Lenz)
Scatman Crothers	...	Moses Brown (liveryman)
Gregg Palmer	...	Burly man
Alfred Dennis	...	Barber
Dick Winslow	...	Streetcar driver

Runtime:

100 min

Country:

USA

Language:

English

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1

Sound Mix:

Mono

Certification:

Singapore:PG | Australia:PG | West Germany:16 (f) | USA:TV-PG (cable rating) | Finland:K-16 | France:U | Norway:16 | Spain:13 | Sweden:15 | UK:PG | USA:PG

Filming Locations:

Carson City, Nevada, USA

Company:

Dino De Laurentiis Company

Trivia:

John Wayne was great to the Carson City locals while he was staying at the Ormsby House Hotel during the filming. He signed autographs for young people readily, including one signed for future famed Nevada Opera lead mezzo soprano Mary Anna Replogle.

Goofs:

Continuity: After he discharges Dobkins setting a foot on his buttock, and Dobkins stretchs out on the ground, Books throws away his hat which falls on his feet. When Dobkins picks it up still lying, it is on his right side almost about his hip.

Quotes:

Carson City Marshal Walter Thibido: Hey, Books; did you hear what happened at the Metropole last night? Faro dealer, Pulford, shot a man clean through the heart at eighty paces. Maybe you should go to the Metropole, let Pulford deal you a game of cards.

Movie Connections:

Referenced in Who Killed 'Winter Kills'? (2003) (V)

Soundtrack:

Willow, Tit Willow

You Really Should See This Film

John Wayne is an icon, and so many viewers seem to use his work as a referendum on the larger geo-political issues of our time. I find that distasteful, as this isn't a political movie, and one that doesn't even have an oppressed indigenous person in it. This is a personal story of a man who "has outlived his time", who is dying of cancer, and yet is determined to die with dignity. John Wayne really was dying of cancer when he made this movie... he gathered old friends around him--the widow of Humphrey Bogart, Jimmy Stewart, John Carradine, and addressed the topic of how legends die. (Selling the rights for his corpse to be displayed by the undertaker for $50 cash in advance was a particularly interesting idea.) I am viewing this film 27 years after it was made, and there is 'something' it had which is absent from movies today. It is a film addressing mature themes for one thing, but it had a pacing, and made time for it's dialouge--it was never dull, never slow, but proceeded towards it's climax with the sort of gravitas you very rarely see in today's cinematic roller coaster rides, which have become little more than special effects vehicles. There is another reason to see this film--it looks back at 1901 with a loving vision. I was impressed with the historical accuracy in which it was filmed--it was impressive to see the town, from the horsedrawn street car and the Stanley Steamer, to little things like the flour dispenser in the kitchen. (Wondered where it was filmed--perhaps the old Old Tucson Studio before it burned down and was rebuilt to be a tourist attraction?) Anyway, this was a lovingly crafted film--I don't know if Hollywood could still pull this off "as real" in 2003. So, for big reasons and small, "The Shootist" is worth your time. It is deeper than it looks.