| Photos (see all 16 | slideshow) |
| Sophia Loren | ... | Jennifer Rispoli Chamberlain | |
| Richard Harris | ... | Dr. Jonathan Chamberlain | |
| Martin Sheen | ... | Robby Navarro | |
| O.J. Simpson | ... | Haley | |
| Lionel Stander | ... | Max, the Train Conductor | |
| Ann Turkel | ... | Susan | |
| Ingrid Thulin | ... | Dr. Elena Stradner | |
| Lee Strasberg | ... | Herman Kaplan | |
| Ava Gardner | ... | Nicole Dressler | |
| Burt Lancaster | ... | Col. Stephen Mackenzie | |
| Lou Castel | ... | Swedish Terrorist | |
| John Phillip Law | ... | Major Stark | |
| Ray Lovelock | ... | Tom | |
| Alida Valli | ... | Mrs. Chadwick | |
| Stefano Patrizi | ... | Terrorist | |
| Thomas Hunter | ... | Captain Scott (as Tom Hunter) | |
| Fausta Avelli | ... | Katherine | |
| Angela Goodwin | ... | Nun | |
| rest of cast listed alphabetically: | |||
| Carlo De Mejo | ... | Faux Patient (uncredited) | |
| John P. Dulaney | ... | Harmonica player (uncredited) | |
| Renzo Palmer | ... | Train station ticket collector (uncredited) | |
| Michael Staudt | ... | Marine Guard (uncredited) | |
| Adam Strasberg | ... | Child (uncredited) | |
| David Strasberg | ... | Child (uncredited) | |
| Thomas Williams | ... | Marine Guard (uncredited) | |
Directed by | |||
| George P. Cosmatos | (as George Pan Cosmatos) | ||
Writing credits | ||
| Robert Katz | (story) and | |
| George P. Cosmatos | (story) (as George Pan Cosmatos) | |
| Tom Mankiewicz | (screenplay) & | |
| Robert Katz | (screenplay) and | |
| George P. Cosmatos | (screenplay) (as George Pan Cosmatos) | |
Produced by | |||
| Giancarlo Pettini | .... | executive producer | |
| Carlo Ponti | .... | producer | |
| Lew Grade | .... | producer (uncredited) | |
Original Music by | |||
| Jerry Goldsmith | |||
Cinematography by | |||
| Ennio Guarnieri | (director of photography) | ||
Film Editing by | |||
| Roberto Silvi | |||
| Françoise Bonnot | (uncredited) | ||
Production Design by | |||
| Aurelio Crugnola | |||
Set Decoration by | |||
| Mario Liverani | |||
Costume Design by | |||
| Adriana Berselli | |||
Makeup Department | |||
| Giuseppe Banchelli | .... | makeup artist | |
| Adalgisa Favella | .... | hairdresser (as Gisa Favella) | |
| Ada Palombi | .... | hairdresser | |
| Marisa Tilly | .... | makeup artist (as Marisa Tilli) | |
| Mario Van Riel | .... | makeup artist | |
Production Management | |||
| Maria Blasetti | .... | production supervisor | |
| Cristina Luescher | .... | production manager: Switzerland | |
| Jean Pieuchot | .... | production manager: France | |
Art Department | |||
| Maria-Teresa Barbasso | .... | assistant art director (as Maria Teresa Barbasso) | |
Sound Department | |||
| Fausto Ancillai | .... | mixer | |
| Giorgio De Vincenzo | .... | assistant sound editor | |
| Piero Fondi | .... | sound recordist | |
| Leslie Hodgson | .... | sound editor | |
| Vernon Messenger | .... | sound editor | |
| Carlo Palmieri | .... | sound recordist | |
Special Effects by | |||
| Aldo Gasparri | .... | special effects | |
| Roberto Pignotti | .... | special effects | |
Visual Effects by | |||
| Aurelio Crugnola | .... | models supervisor | |
Camera and Electrical Department | |||
| Cesare Allione | .... | camera operator | |
| Roberto Biciocchi | .... | stillman | |
| Amilcare Cuccoli | .... | gaffer | |
| Ron Goodman | .... | aerial sequences photographer | |
| Ennio Picconi | .... | chief grip | |
| Sergio Salvati | .... | additional photographer | |
| Tazio Secchiaroli | .... | stillman | |
Costume and Wardrobe Department | |||
| Fabrizio Caracciolo | .... | assistant costume designer | |
Editorial Department | |||
| Cesare D'Amico | .... | assistant editor | |
Music Department | |||
| Claudio M. Cutry | .... | music editor (as Claudio Cutry) | |
| Jerry Goldsmith | .... | conductor: the Symphonic Orchestra UNIONE MUSICISTI DI ROMA | |
| Jerry Goldsmith | .... | orchestrator (uncredited) | |
Other crew | |||
| Gunter Ammann | .... | chief pilot (as Günter Ammann) | |
| Lew Grade | .... | presenter: for Associated General Films (as Sir Lew Grade) | |
| Marion Mertes | .... | continuity | |
| Carlo Ponti | .... | presenter: for Associated General Films | |
| Achille Strani | .... | back projectionist | |
| Jose Villaverde | .... | dialogue coach (as Jose' Villaverde) | |
| Amy Werba | .... | assistant to director (as Emy Werba) | |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb UK section | Add this title to MyMovies |
Cassandra Crossing, The (1977)
*** (out of 4)
Sophia Loren, Richard Harris, Martin Sheen, O.J. Simpson, Lee Strasberg, Ava Gardner and Burt Lancaster pick up paychecks in this 70's disaster film that seems to have been forgotten over the years. Three terrorists try to blow up a hospital in Geneva but things go even worse when one comes into contact with a Bubonic Plague and escapes capture. The sick man then jumps on board a train and soon a government man (Lancaster) isn't going to let anyone off. A doctor (Harris) and his ex-wife (Loren) try to help those on board but things take an even bigger turn when they learn they have to cross a bridge that won't hold the weight of the train. It seems this film hasn't the reputation of some of the more popular disaster films, which is a little surprising because this here is a pretty good movie in its own right. Perhaps the government propaganda gets in the way for some but this was only one minor issue in the film. For the most part it featured some pretty fun performances, a tense story and an ending that I didn't see coming. Simpson as a preacher was pretty funny before the twist as was Sheen playing the boy-toy to Gardner. Gardner seems to be having the time of her life playing the diva and barking orders to the younger man. Both Loren and Harris turn in fine performances and I thought their melodrama actually worked pretty well. Lancaster plays a guy you really love to hate and he too delivers a fine performance. The film certainly deserves its R-rating as we also get some pretty graphic violence along the way so be sure you're not watching the edited down PG version. In the end I'm really not sure why this film seems to have been forgotten but fans of the genre will certainly want to check it out. While it's certainly more political than some of the films that came before it, there's still plenty here to enjoy.