| Photos (see all 19 | slideshow) |
| Martin Sheen | ... | Kit | |
| Sissy Spacek | ... | Holly | |
| Warren Oates | ... | Father | |
| Ramon Bieri | ... | Cato | |
| Alan Vint | ... | Deputy | |
| Gary Littlejohn | ... | Sheriff | |
| John Carter | ... | Rich Man | |
| Bryan Montgomery | ... | Boy | |
| Gail Threlkeld | ... | Girl | |
| Charles Fitzpatrick | ... | Clerk | |
| Howard Ragsdale | ... | Boss | |
| John Womack Jr. | ... | Trooper | |
| Dona Baldwin | ... | Maid | |
| Ben Bravo | ... | Gas attendant | |
| rest of cast listed alphabetically: | |||
| Terrence Malick | ... | Caller at rich man's house (uncredited) | |
Directed by | |||
| Terrence Malick | |||
Writing credits | ||
| Terrence Malick | (written by) | |
Produced by | |||
| Terrence Malick | .... | producer | |
| Edward R. Pressman | .... | executive producer | |
| Louis A. Stroller | .... | associate producer (as Lou Stroller) | |
| Jill Jakes | .... | co-producer (uncredited) | |
Original Music by | |||
| George Aliceson Tipton | (as George Tipton) | ||
Cinematography by | |||
| Tak Fujimoto | (photography) | ||
| Stevan Larner | (photography) | ||
| Brian Probyn | (photography) | ||
Film Editing by | |||
| Robert Estrin | |||
Casting by | |||
| Dianne Crittenden | (as Diane Derfner) | ||
Art Direction by | |||
| Jack Fisk | |||
Costume Design by | |||
| Rosanna Norton | (uncredited) | ||
Makeup Department | |||
| Dona Baldwin | .... | hair stylist | |
Production Management | |||
| Bill Scott | .... | production manager (as William Scott) | |
Second Unit Director or Assistant Director | |||
| John Broderick | .... | assistant director | |
| Carl Olsen | .... | assistant director | |
Art Department | |||
| Ken Hilton | .... | set dresser | |
| Joan Mocine | .... | art work | |
| Edward Richardson | .... | associate art director (as Ed Richardson) | |
| Erik L. Nelson | .... | property master (uncredited) | |
Sound Department | |||
| Doug Crichton | .... | boom operator | |
| Maury Harris | .... | production sound mixer | |
| Sam F. Shaw | .... | sound effects (as Sam Shaw) | |
| John Wilkinson | .... | sound re-recording mixer (as John Wilkenson) | |
| Sharron Miller | .... | sound editor (uncredited) | |
Stunts | |||
| George Fisher | .... | stunts | |
Camera and Electrical Department | |||
| Jack English | .... | gaffer | |
| Douglas Knapp | .... | best boy (as Doug Knapp) | |
| Anthony R. Palmieri | .... | assistant camera (as Tony Palmieri) | |
Costume and Wardrobe Department | |||
| Dona Baldwin | .... | wardrobe | |
Editorial Department | |||
| Marion Segal | .... | assistant editor | |
| Billy Weber | .... | associate editor (as William Weber) | |
Music Department | |||
| Erma E. Levin | .... | music editor (as Erma Levin) | |
| George Aliceson Tipton | .... | conductor (as George Tipton) | |
Other crew | |||
| Rich Cook | .... | production assistant | |
| Gary Littlejohn | .... | autos | |
| Paul Marcus | .... | production assistant | |
| Penny Richardson | .... | production secretary | |
| Connie Lee Stone | .... | production assistant | |
Thanks | |||
| Charlotte Jakes | .... | thanks | |
| Melvin James | .... | thanks | |
| Irvin Kershner | .... | thanks | |
| James Nelson | .... | thanks | |
| Arthur Penn | .... | thanks | |
| Bert Schneider | .... | thanks | |
| Wallace Wolf | .... | thanks | |
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| Wild at Heart | Freeway | The Fugitive | Down in the Valley | Wonderland |
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The serial killer genre is the most overdone in modern cinema, but director Terrence Mallick took a real life story to make his powerful debut, 'Badlands'. He even toned it down, his interest being not in presenting a picture of pure (and wholly artificial) evil but rather in portraying a wholly human story. Murder is depicted here in all its banality - people shot (off-screen) through locked doors, by a young man acting for wholly normal motives but without the customary restraints on behaviour that we term morals. The result is a haunting, though occasionally pretentious, study of individuals drifting beyond the bounds of civilisation, their physical location (America's still-wild west) symbolically matching their mental isolation. Sissy Spacek is particularly good as the ordinary girl just along for the ride. A fine film, 'Badlands' is also genuinely disturbing, in a way that Hannibal Lector could only dream of.