McCabe & Mrs. Miller (1971)

Director:

Robert Altman

Writers:

Edmund Naughton (novel)
Robert Altman (screenplay) ...

Release Date:

24 June 1971 (USA)

Genre:

Drama | Western

Tagline:

Name Your Poison.

Plot:

A gambler and a prostitute become business partners in a remote Old West mining town, and their enterprise thrives until a large corporation arrives on the scene.

Plot Keywords:

Madam | Whorehouse | Pacific Northwest | Fight | Female Nudity

Awards:

Nominated for Oscar. Another 2 nominations

Cast

Warren Beatty	...	John McCabe
Julie Christie	...	Constance Miller
Rene Auberjonois	...	Sheehan
William Devane	...	The Lawyer
John Schuck	...	Smalley
Corey Fischer	...	Mr. Elliot
Bert Remsen	...	Bart Coyle
Shelley Duvall	...	Ida Coyle
Keith Carradine	...	Cowboy
Michael Murphy	...	Eugene Sears
Antony Holland	...	Ernie Hollander
Hugh Millais	...	Butler
Manfred Schulz	...	Kid
Jace Van Der Veen	...	Breed (as Jace Vander Veen)
Jackie Crossland	...	Lily

Also Known As:

The Presbyterian Church Wager (USA) (working title)

Runtime:

120 min | Argentina:121 min

Country:

USA

Language:

English

Color:

Color (Technicolor)

Aspect Ratio:

2.35 : 1

Sound Mix:

Mono

Certification:

Singapore:M18 | UK:15 (1992) | UK:X (1971) | Portugal:M/12 | Germany:16 (DVD rating) | Spain:18 | Argentina:16 | Finland:K-16 | Sweden:15 | USA:R

Filming Locations:

British Columbia, Canada

Company:

David Foster Productions

Trivia:

At the beginning of the film, there is a shot of McCabe lighting a cigarette before crossing the bridge. According to Robert Altman, Stanley Kubrick loved that shot and called him up asking him: "How did you know you had it?"

Goofs:

Continuity: When the young man in the tall hat is leaving, he hugs each of the girls in turn. In the shot from the front, he the one girl and Ida Coyle is stepping up for her hug. The shot changes to the view from the left, where the hug of the first girl is repeated and Ida Coyle again steps forward.

Quotes:

[first lines]
John McCabe: [muttering to himself] I told you... Think I'm stupid?... S'exactly what I said. Six, six of 'em...

Movie Connections:

Featured in AFI's 10 Top 10 (2008) (TV)

Soundtrack:

Winter Lady

Altman Takes on the Wild West

Robert Altman puts his unique spin on the Western, and gives us a haunting and mournful film, and one of the best in his canon.

Warren Beatty buries himself underneath a bushy beard and an enormous fur coat to play McCabe, an opportunist who considers himself to have much more business savvy than he actually does. He appears in the ramshackle mining town of Presbyterian Church, somewhere in the wilds of Washington state at the turn of the 20th Century, and builds a whorehouse and saloon. Constance Miller (Julie Christie), also sporting her own mound of unkempt hair, arrives a little later and becomes McCabe's business partner. She knows much more about running a whorehouse at a profit, and it quickly becomes clear that she's the brains behind the operation. These two develop a timid affection for one another that's never overtly expressed, but their relationship doesn't have time to prosper, as a trio of hit men arrive to rub out McCabe after he refuses to sell his holdings to a corporation intent on buying him out.

Not surprisingly, considering the director, "McCabe & Mrs. Miller" is a strange film. There are virtually no scenes given to outright plot exposition or to showy acting. Much of the plot is conveyed through asides, casual glances and subtle nuances. Wilderness life is shown in all its unglamorous detail, and many of the normally familiar actors are unrecognizable behind their bad teeth, greasy hair and dirty faces. The harsh environment is a character itself, and few movies have a more memorable ending, with McCabe engaged in a most unconventional shoot out amid waist-high drifts of snow.

Altman is of course interested in debunking the usual Western myths. There are no heroes to be found here. McCabe is a decent enough guy, but he's a bit of a fool, and when the bad guys come calling, he runs and hides. The American frontier depicted here is not a sacred place waiting for brave and noble men to come and realize their dreams. Instead, it's a brutal and dangerous wasteland, in which only the craftiest can survive. The theme of corporate exploitation that pervades the film still rings resoundingly to a present-day audience.

But for all its harshness, "McCabe & Mrs. Miller" is a beautiful film to look at. Vilmos Zsigmond bathes everything in an ethereal light, and if there are images of icy starkness, there are also reverse images of rich warmth, notably those that take place in the whorehouse itself, which ironically becomes much more of a civilizing agent and cultural epicenter for the small town than the church that figures so prominently in other ways.

One of the best from Altman's golden period as a director, and one of the best films to emerge from any director in the 1970s.

Grade: A