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Edmund Naughton (novel)
Robert Altman (screenplay) ...
(more)
24 June 1971 (USA) more
Name Your Poison.
A gambler and a prostitute become business partners in a remote Old West mining town, and their enterprise thrives until a large corporation arrives on the scene. full summary | add synopsis
Nominated for Oscar. Another 2 nominations more
Robert Altman Dies
(From WENN. 22 November 2006)
Unique, perfect and thoroughly enjoyable. more (80 total)
| Warren Beatty | ... | John McCabe | |
| Julie Christie | ... | Constance Miller | |
| Rene Auberjonois | ... | Sheehan | |
| William Devane | ... | The Lawyer | |
| John Schuck | ... | Smalley | |
| Corey Fischer | ... | Mr. Elliot | |
| Bert Remsen | ... | Bart Coyle | |
| Shelley Duvall | ... | Ida Coyle | |
| Keith Carradine | ... | Cowboy | |
| Michael Murphy | ... | Eugene Sears | |
| Antony Holland | ... | Ernie Hollander | |
| Hugh Millais | ... | Butler | |
| Manfred Schulz | ... | Kid | |
| Jace Van Der Veen | ... | Breed (as Jace Vander Veen) | |
| Jackie Crossland | ... | Lily | |
| Elizabeth Murphy | ... | Kate | |
| Carey Lee McKenzie | ... | Alma | |
| Thomas Hill | ... | Archer (as Tom Hill) | |
| Linda Sorenson | ... | Blanche (as Linda Sorensen) | |
| Elisabeth Knight | ... | Birdie | |
| Janet Wright | ... | Eunice | |
| Maysie Hoy | ... | Maisie | |
| Linda Kupecek | ... | Ruth | |
| Jeremy Newson | ... | Jeremy Berg | |
| Wayne Robson | ... | Bartender | |
| Jack Riley | ... | Riley Quinn | |
| Robert Fortier | ... | Town Drunk | |
| Wayne Grace | ... | Bartender | |
| Wesley Taylor | ... | Shorty Dunn | |
| Anne Cameron | ... | Mrs. Dunn | |
| Graeme Campbell | ... | Bill Cubbs | |
| J.S. Johnson | ... | J.J. | |
| Joe Clarke | ... | Joe Shortreed | |
| Harry Frazier | ... | Andy Anderson | |
| Edwin Collier | ... | Gilchrist | |
| Terence Kelly | ... | Quigley | |
| Brantley Kearns | ... | Fiddler (as Brantley F. Kearns) | |
| Don Francks | ... | Buffalo | |
| Rodney Gage | ... | Sumner Washington | |
| Lili Francks | ... | Mrs. Washington | |
| Joan Tewkesbury | ... | Townswoman (as Joan Maguire) | |
| Harvey Lowe | ... | Townsman | |
| Eric Schneider | ... | Townsman | |
| Milos Zatovic | ... | Townsman | |
| Claudine Melgrave | ... | Townswoman | |
| Derek Keurvorst | ... | Townsman (as Derek Deurvorst) | |
| Alex Diakun | ... | Townsman (as Alexander Diakun) | |
| Gordon Robertson | ... | Townsman |
Directed by | |||
| Robert Altman | |||
Writing credits | ||
| Edmund Naughton | (novel "McCabe") | |
| Robert Altman | (screenplay) and | |
| Brian McKay | (screenplay) | |
Produced by | |||
| Mitchell Brower | .... | producer | |
| Robert Eggenweiler | .... | associate producer | |
| David Foster | .... | producer | |
Cinematography by | |||
| Vilmos Zsigmond | |||
Film Editing by | |||
| Lou Lombardo | (as Louis Lombardo) | ||
Casting by | |||
| Graeme Clifford | |||
Production Design by | |||
| Leon Ericksen | |||
Art Direction by | |||
| Al Locatelli | |||
| Philip Thomas | |||
Makeup Department | |||
| Edwin Butterworth | .... | makeup artist (as Ed Butterworth) | |
| Robert Jiras | .... | makeup artist | |
| Phyllis Newman | .... | makeup artist | |
| Barry Richardson | .... | hair stylist | |
Production Management | |||
| James Margellos | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Lou Lombardo | .... | second unit director (as Louis Lombardo) | |
| Irby Smith | .... | second assistant director | |
| Tommy Thompson | .... | assistant director | |
Art Department | |||
| Sidney H. Greenwood | .... | property master (as Syd Greenwood) | |
Sound Department | |||
| John W. Gusselle | .... | sound | |
| Barry Jones | .... | sound mixer (as Barry P. Jones) | |
| William Thompson | .... | sound (as William A. Thompson) | |
| Sergio Reyes | .... | additional sound re-recording mixer (uncredited) | |
Special Effects by | |||
| Marcel Vercoutere | .... | special effects | |
Camera and Electrical Department | |||
| Rod Parkhurst | .... | photographer: second unit | |
| James O. Blair | .... | gaffer (uncredited) | |
Costume and Wardrobe Department | |||
| Ilse Richter | .... | wardrobe | |
Music Department | |||
| Leonard Cohen | .... | composer: songs "The Stranger Song", "Sisters of Mercy", "Winter Lady" | |
Transportation Department | |||
| Grant McCracken | .... | driver (uncredited) | |
Other crew | |||
| Anthony Goldschmidt | .... | title designer | |
| Ross Levy | .... | assistant to producer | |
| Anne Sidaris-Reeves | .... | researcher (as Anne Sidaris) | |
| Joan Tewkesbury | .... | continuity (as Joan Maguire) | |
| Don Carmody | .... | production assistant (uncredited) | |
| Joan Tewkesbury | .... | script supervisor (uncredited) | |
The Presbyterian Church Wager (USA) (working title)
more
120 min | Argentina:121 min
Color (Technicolor)
2.35 : 1 more
Singapore:M18 | UK:15 (1992) | UK:X (1971) | Portugal:M/12 | Germany:16 (DVD rating) | Spain:18 | Argentina:16 | Finland:K-16 | Sweden:15 | USA:R
Many of the people playing small parts, bit roles, and extras were allowed to create their own characters for the movie. more
Continuity: In the saloon, McCabe plays cards and Sheeran lights the lamp while they talk to each other about the bottle of whiskey price. At one point McCabe is shown, from behind, taking the cigar out of his mouth with his left hand and, subsequently, shown from the front, holding the cigar in his mouth with his right hand. more
[first lines]
John McCabe:
[muttering to himself] I told you... Think I'm stupid?... S'exactly what I said. Six, six of 'em...
more
Featured in Easy Riders, Raging Bulls: How the Sex, Drugs and Rock 'N' Roll Generation Saved Hollywood (2003) more
Winter Lady more
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I was led to this movie in 1972 via the Academy nomination of Julie Christie for her remarkable performance and the small trailer used to highlight her. This was enough to get my attention.
Since then I have recommended it to any movie lover- whether a "student of film" or not. I am constantly surprised at the numbers of people who haven't seen this masterpiece. I've lived with it's haunting scenes for a quarter of a century and, as with anything of depth, constantly find new charms in my old love.
From the evocative lyrics of the opening score to it's sudden chilling and deadly encounters, this movie lives in your mind long after the final blizzard cloaks the frame.
If one is a contrarian I would guess the only thing to do after seeing this for perhaps the fiftieth time is to begin looking for that moment where someone, anyone has put a foot wrong in this production. From gaffers to grips, actors to designers, continuity to props it is so pure as to be a documentary in it's granular clarity- there may be a wrong note in there somewhere but until then do yourself a favor and give yourself up to as rich a cinematic experience as you are ever likely to find.
There are few movies I love- I love this movie.