| Photos (see all 34 | slideshow) |
| Steve McQueen | ... | Michael Delaney | |
| Siegfried Rauch | ... | Erich Stahler | |
| Elga Andersen | ... | Lisa Belgetti | |
| Ronald Leigh-Hunt | ... | David Townsend | |
| Fred Haltiner | ... | Johann Ritter | |
| Luc Merenda | ... | Claude Aurac | |
| Christopher Waite | ... | Larry Wilson | |
| Louise Edlind | ... | Mrs. Anna Ritter | |
| Angelo Infanti | ... | Lugo Abratte | |
| Jean-Claude Bercq | ... | Paul-Jacques Dion | |
| Michele Scalera | ... | Vito Scaliso | |
| Gino Cassani | ... | Loretto Fuselli | |
| Alfred Bell | ... | Tommy Hopkins | |
| Carlo Cecchi | ... | Paolo Scadenza | |
| Richard Rüdiger | ... | Bruno Frohm | |
| Hal Hamilton | ... | Chris Barnett | |
| Jonathan Williams | ... | Jonathan Burton | |
| Peter Parten | ... | Peter Wiese | |
| Conrad Pringle | ... | Tony Elkins | |
| Erich Glavitza | ... | Josef Hauser | |
| Peter Huber | ... | Max Kummel | |
| rest of cast listed alphabetically: | |||
| Jocelyne Jeanssen | ... | (uncredited) | |
| Karine Lafabrie | ... | Second reporter (uncredited) | |
| Jacques Mayar | ... | Third reporter (uncredited) | |
| Alan Rossett | ... | First reporter (uncredited) | |
| Nathalie Vernier | ... | (uncredited) | |
Directed by | |||
| Lee H. Katzin | |||
Writing credits | ||
| Harry Kleiner | (writer) | |
Produced by | |||
| Alan Levine | .... | associate producer | |
| Jack N. Reddish | .... | producer | |
| Robert E. Relyea | .... | executive producer | |
Original Music by | |||
| Michel Legrand | |||
Cinematography by | |||
| René Guissart Jr. | |||
| Robert B. Hauser | |||
Film Editing by | |||
| Ghislaine Desjonquères | |||
| Donald W. Ernst | |||
| John Woodcock | (as John M. Woodcock) | ||
Casting by | |||
| Lynn Stalmaster | |||
Production Design by | |||
| Phil Abramson | |||
Costume Design by | |||
| Phil Abramson | |||
| Ray Summers | |||
Makeup Department | |||
| Emile LaVigne | .... | makeup supervisor | |
| Marie-France Seyrat | .... | hair stylist | |
Production Management | |||
| Hubert Fröhlich | .... | production manager (as Hubert Foehlich) | |
| Robert L. Rosen | .... | executive in charge of production | |
| Peter Samuelson | .... | assistant production manager | |
Art Department | |||
| Nikita Knatz | .... | visual designer | |
| Donald B. Nunley | .... | property master (as Don Nunley) | |
Sound Department | |||
| David Dockendorf | .... | sound re-recording mixer | |
| Jack A. Finlay | .... | supervising sound editor (as Jack) | |
| John W. Mitchell | .... | sound mixer | |
| Jim Bullock | .... | sound editor (uncredited) | |
| Richard Oswald | .... | sound effects editor (uncredited) | |
Special Effects by | |||
| Sass Bedig | .... | special effects | |
Visual Effects by | |||
| Nikita Knatz | .... | visual effects designer (uncredited) | |
Camera and Electrical Department | |||
| René Astarie | .... | key grip | |
| Alex Barbey | .... | camera operator | |
| Michel Bouyer | .... | camera operator | |
| Christian de Cortanze | .... | camera operator | |
| André Marc Delourmel | .... | still photographer | |
| Elie Fontanille | .... | gaffer | |
| Claude Mousset | .... | camera operator | |
| Gaylin P. Schultz | .... | camera mounts (as Gaylin Schultz) | |
| Mel Traxel | .... | still photographer | |
| François About | .... | assistant camera (uncredited) | |
| Yves Agostini | .... | first assistant camera (uncredited) | |
| Ronnie Fox Rogers | .... | camera operator (uncredited) | |
Costume and Wardrobe Department | |||
| Shelly Levine | .... | costumer: men (uncredited) | |
Music Department | |||
| Gene Feldman | .... | supervising music editor | |
| Michel Legrand | .... | musical director (uncredited) | |
Other crew | |||
| Andrew Ferguson | .... | head of racing department | |
| John Franco | .... | script supervisor | |
| Michael Parkes | .... | racing consultant | |
| Vincent Tubbs | .... | unit publicist | |
| Ralph M. Leo | .... | production accountant (uncredited) | |
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| The Last Chase | Bullitt | The Great Race | The Cannonball Run | Days of Thunder |
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This film has excellent footage of the Porsche 917's that made some fine racing history in the early 1970's. The car did what cars never did before. This film had the best edited work I have seen. The plot was slow and buried in the flow of the race drama. The slow motion crash scenes of this film were ultra-entertaining. It was sad that Actor Steve McQueen went bankrupt creating this film and had to sell off his interests in this film to climb out of debt. Some scenes from this film have been borrowed for use in other high speed entertainment, such as Hardcastle & McCormik.
The Porsche 917's were tops in their day. Only McLaurens F-1's approach the caliber of the 917 in performance. Here are the 917 car's stats: H-12 turbocharged; 1100 BHP; 0-60 in 2.3 seconds; 0-100 in 4.3 seconds, and a top speed exceeding 238 mph - right out of Guinness Book of world records-1971/2. If you would like to discover racing and see how racing teams are coached, and high speed competition is managed, this film is for you.