When Ivan Reitman passed away on Feb. 12, 2022 at the age of 75, the Canadian producer, director, and screenwriter was justifiably remembered as one of the driving forces of cinematic comedy for more than four decades. After all, he produced National Lampoon’s Animal House–one of the classic farces of its time–in 1978, before moving on to direct a string of other well-remembered entries in the genre, including Meatballs (1979), Stripes (1981), Twins (1988), Kindergarten Cop (1990), and Dave (1993), while producing films such as Space Jam (1996), Private Parts (1997), and Old School (2003).
Of course Reitman is best remembered for directing Ghostbusters, the seminal 1984 film that spawned a franchise and has influenced an entire subgenre, the horror comedy, ever since its release.
Ghostbusters wasn’t Reitman’s only foray into horror territory, however. His second feature film as a director was a low-budget horror comedy called Cannibal Girls (released in 1973 and starring Eugene Levy and Andrea Martin!
Of course Reitman is best remembered for directing Ghostbusters, the seminal 1984 film that spawned a franchise and has influenced an entire subgenre, the horror comedy, ever since its release.
Ghostbusters wasn’t Reitman’s only foray into horror territory, however. His second feature film as a director was a low-budget horror comedy called Cannibal Girls (released in 1973 and starring Eugene Levy and Andrea Martin!
- 2/27/2022
- by Don Kaye
- Den of Geek
Exclusive: In an interesting international tie-up, UK sales firm Protagonist Pictures and Germany’s 7500 and Stowaway producer Augenschein are teaming up to co-represent worldwide rights on select English-language movies.
Protagonist will serve as executive producers on the films in the new partnership and work with Augenschein to source finance for the projects. The companies will invest a portion of the funds generated by the sales into the co-development of select projects, with the aim of building a co-production slate.
The strategic alliance is not fully exclusive and will not prevent either company from continuing to work with others.
This is a smart move to bolster prominence in a market in which the streamers are increasingly dominant. We’ve heard for a while about the potential for sellers and distributors teaming up to increase their pulling power and distribution footprints.
The first project under the new deal will be elevated survival...
Protagonist will serve as executive producers on the films in the new partnership and work with Augenschein to source finance for the projects. The companies will invest a portion of the funds generated by the sales into the co-development of select projects, with the aim of building a co-production slate.
The strategic alliance is not fully exclusive and will not prevent either company from continuing to work with others.
This is a smart move to bolster prominence in a market in which the streamers are increasingly dominant. We’ve heard for a while about the potential for sellers and distributors teaming up to increase their pulling power and distribution footprints.
The first project under the new deal will be elevated survival...
- 6/16/2021
- by Andreas Wiseman
- Deadline Film + TV
Normal 0 false false false En-us X-none X-none
By Todd Garbarini
The widespread Covid-19 pandemic which took hold at the end of 2019 has made its way around the globe and looks like the sort of thing one would expect to see in either a David Cronenberg or George A. Romero film. Mr. Cronenberg has made a career out of making films which essentially depict human beings experiencing their bodies revolting against themselves while the late Mr. Romero directed a series of zombie films wherein droves of flesh-eating, reanimated corpses, presumably brought back to life by radiation emitted from a space probe returning from Venus that blew up in Earth’s atmosphere, wreak havoc among the living. Both directors present simultaneously dark and comedic visions of humanity, and we all now find ourselves in a precarious scenario that one would equate to the nightmares conjured up by these filmmakers since the quarantine...
By Todd Garbarini
The widespread Covid-19 pandemic which took hold at the end of 2019 has made its way around the globe and looks like the sort of thing one would expect to see in either a David Cronenberg or George A. Romero film. Mr. Cronenberg has made a career out of making films which essentially depict human beings experiencing their bodies revolting against themselves while the late Mr. Romero directed a series of zombie films wherein droves of flesh-eating, reanimated corpses, presumably brought back to life by radiation emitted from a space probe returning from Venus that blew up in Earth’s atmosphere, wreak havoc among the living. Both directors present simultaneously dark and comedic visions of humanity, and we all now find ourselves in a precarious scenario that one would equate to the nightmares conjured up by these filmmakers since the quarantine...
- 11/10/2020
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
David Cronenberg was my first favorite director. Even before I knew what a director did, or before I’d seen more than a grand total of two of his films, I knew this to be true. Seeing his name above both The Fly and Videodrome was enough for me to realize that there was something special about this one, and every film I’d subsequently watch would only help enforce that, diving me deeper and deeper into nightmare worlds of body transformation and sexual obsession. But as my last Crypt entry discussed, every director has to start somewhere—and with Cronenberg, that “somewhere” is two brief feature films, micro-budget experimental movies that help lay the groundwork for some of the greatest works from one of cinema’s greatest artists.
His first feature, Stereo (1969), is something of an independent miracle. Running only a little over an hour, Stereo was made on...
His first feature, Stereo (1969), is something of an independent miracle. Running only a little over an hour, Stereo was made on...
- 11/3/2017
- by Perry Ruhland
- DailyDead
To celebrate the upcoming release of Marvel's Monsters Unleashed #1, launch parties will be hosted at local comic stores on January 18th. Look for exclusive items at these launch parties including a Monsters Unleashed sketchpad. Also: casting details for The Humanity Bureau, details on the Stanley Wiater horror auction, the Coffin Joe trilogy is coming to DVD, a look at the short film Trouser Snake, and Head of the Family Blu-ray release details.
Monsters Unleashed Launch Party, Sketchpad, and Variant: Press Release: "New York, NY—November 30th, 2016 — Run if you can! Hide if you must! Monsters have invaded the Marvel Universe! Nothing can prepare heroes across the globe for Monsters Unleashed! But you can be prepared! To coincide with the highly anticipated release of Monsters Unleashed #1, Marvel is bringing widescreen action and epic destruction to your local comic shops with Monsters Unleashed Launch Parties. Not only is your local comic shops...
Monsters Unleashed Launch Party, Sketchpad, and Variant: Press Release: "New York, NY—November 30th, 2016 — Run if you can! Hide if you must! Monsters have invaded the Marvel Universe! Nothing can prepare heroes across the globe for Monsters Unleashed! But you can be prepared! To coincide with the highly anticipated release of Monsters Unleashed #1, Marvel is bringing widescreen action and epic destruction to your local comic shops with Monsters Unleashed Launch Parties. Not only is your local comic shops...
- 12/1/2016
- by Tamika Jones
- DailyDead
Well, genre fans, November 15th is a rather quiet week on the home entertainment front, as there are only a few releases coming our way this Tuesday. Scream Factory has put together a stellar Collector’s Edition Blu-ray for David Cronenberg’s Dead Ringers, and Synapse Films is releasing their Collector's Edition steelbook of Dario Argento's Phenomena.
The sixth season of Game of Thrones makes its way home this week, too, and Star Wars fans can finally enjoy The Force Awakens in 3D from the comfort of their couches with a brand new set that arrives on Tuesday.
Dead Ringers: Collector’s Edition (Scream Factory, Blu-ray)
Claire Niveau (Genevieve Bujold) is in love with handsome Beverly. Or does she love Elliot? It’s uncertain because brothers Beverly and Elliot Mantle are identical twins sharing the same medical practice, apartment and women: including unsuspecting Claire.
In portrayals that...
The sixth season of Game of Thrones makes its way home this week, too, and Star Wars fans can finally enjoy The Force Awakens in 3D from the comfort of their couches with a brand new set that arrives on Tuesday.
Dead Ringers: Collector’s Edition (Scream Factory, Blu-ray)
Claire Niveau (Genevieve Bujold) is in love with handsome Beverly. Or does she love Elliot? It’s uncertain because brothers Beverly and Elliot Mantle are identical twins sharing the same medical practice, apartment and women: including unsuspecting Claire.
In portrayals that...
- 11/15/2016
- by Heather Wixson
- DailyDead
It's true that Kevin Feige has a huge amount of control over the movies that comprise the Marvel Cinematic Universe, even to the point where it's fair to call Marvel Studios' method of filmmaking a "producer-driven" model. But while the movies may share a visual vocabulary and cross over with each other, I think there's a large misconception among some fans that these films are almost connect-the-dots movies that don't allow individual filmmakers to put their stamp on them. There are three perfect examples that prove my point: The Avengers, Guardians of the Galaxy, and Iron Man 3 all fit into the confines of the producer-driven Marvel movie, but they're also very much showcases of the personalities and types of films made by directors Joss Whedon, James Gunn, and Shane Black. Those movies couldn't have been directed by just anyone — you can watch it and tell that they come from those specific filmmakers.
- 5/17/2016
- by Ben Pearson
- GeekTyrant
Coming off the success of "Creed," filmmaker Ryan Coogler has opted to dip his toe into the Marvel Studios universe with "Black Panther". So far the casting choices for the movie have been excellent, but even so there's various fans of his previous work who are worried that being a part of the Marvel machine will grind up the style, smarts and edge that made his previous two films so great.
That's not the case says Coogler. In an interview with Fast Company, Coogler says his film will be "his most personal movie yet" and the challenge of what's to come with the movie:
"It's a specific challenge. What Marvel's doing, and what you see a lot of studios doing now that Marvel has done it so successfully, is making content that exists in a particular universe, where the characters tie in and crossover, and I think that's a great...
That's not the case says Coogler. In an interview with Fast Company, Coogler says his film will be "his most personal movie yet" and the challenge of what's to come with the movie:
"It's a specific challenge. What Marvel's doing, and what you see a lot of studios doing now that Marvel has done it so successfully, is making content that exists in a particular universe, where the characters tie in and crossover, and I think that's a great...
- 5/17/2016
- by Garth Franklin
- Dark Horizons
Creating a movie within the Marvel Cinematic Universe is a unique endeavor. While each movie is made no differently than any other, they also have to fit within the greater universe that the previous films have created. Many view this is as a significant challenge to filmmakers. Do they have the freedom to create their own vision as a director with Marvel Studios watching what they.re doing at all times? Black Panther director Ryan Coogler doesn.t seem to be concerned. He says his new superhero movie can be part of the McU, while also being the most personal movie he.s ever made. Speaking with Fast Company, the director of Creed says that the challenge for him as the director for Black Panther is to make a personal film, while still making the Marvel film that both fans and the studio expect. The good news is that making...
- 5/17/2016
- cinemablend.com
What's ten times cooler than a regular arm? One that shoots out glitter. That's what 10-year-old Jordan Reeves designed as part of the Superhero Cyborgs 2.0 workshop in San Francisco. Reeves was born without her left forearm, and while she normally uses a regular prosthetic, she got the chance to build her dream arm at the workshop, which invites kids with upper limb differences to "create their own superpowers" and work with a 3-D designer to make a wearable device. Reeves said was thrilled to be able to join the workshop. "I was like, 'Wow, I can't believe I'm actually doing this,...
- 4/1/2016
- by Julie Mazziotta, @julietmazz
- PEOPLE.com
What's ten times cooler than a regular arm? One that shoots out glitter. That's what 10-year-old Jordan Reeves designed as part of the Superhero Cyborgs 2.0 workshop in San Francisco. Reeves was born without her left forearm, and while she normally uses a regular prosthetic, she got the chance to build her dream arm at the workshop, which invites kids with upper limb differences to "create their own superpowers" and work with a 3-D designer to make a wearable device. Reeves said was thrilled to be able to join the workshop. "I was like, 'Wow, I can't believe I'm actually doing this,...
- 4/1/2016
- by Julie Mazziotta, @julietmazz
- PEOPLE.com
There are two sides to every coin. I usually write the incredible passion fans have for Geek Culture. This week I’m thinking about Nerd Rage.
This term probably started as a way to describe frustrations in video gaming. But it is now generally used to describe the intense anger that arises when fans vehemently disagree with development plans or ongoing creative efforts for a brand, mythology or intellectual property with which they disagree.
You’ve seen many examples of Nerd Rage. During the yuletide release of the new Star Wars movie, it seemed as if the whole country waited with bated breath for the core fans’ judgment. There had been months of speculation prior to the debut. Would fans approve or shake their virtual fists with the fury of Nerd Rage?
Sports radio is, in many ways, founded on the concept of Nerd Rage, although they’d never call it that.
This term probably started as a way to describe frustrations in video gaming. But it is now generally used to describe the intense anger that arises when fans vehemently disagree with development plans or ongoing creative efforts for a brand, mythology or intellectual property with which they disagree.
You’ve seen many examples of Nerd Rage. During the yuletide release of the new Star Wars movie, it seemed as if the whole country waited with bated breath for the core fans’ judgment. There had been months of speculation prior to the debut. Would fans approve or shake their virtual fists with the fury of Nerd Rage?
Sports radio is, in many ways, founded on the concept of Nerd Rage, although they’d never call it that.
- 2/29/2016
- by Ed Catto
- Comicmix.com
facebook
twitter
google+
Alien may be a sci-fi horror classic, but what about the movies that inspired it - including David Cronenberg’s debut, Shivers?
At first, they might look as different as night and day. One is the directorial debut from a maverick Canadian director, the other is a Hollywood movie funded by 20th Century Fox. One is set in deep space, the other in a luxury apartment block on terra firma. One had a decent amount of money to throw at the construction of sets and special effects, the other was made for a few thousand dollars.
Yet Alien, released in 1979 and triggering a franchise that is still growing and mutating today, has more in common with Shivers than at first meets the eye. Cronenberg made Shivers for approximately $130,000 in 1975. Could it be that this low-budget shocker inspired what is still considered to be the ultimate space horror movie?...
google+
Alien may be a sci-fi horror classic, but what about the movies that inspired it - including David Cronenberg’s debut, Shivers?
At first, they might look as different as night and day. One is the directorial debut from a maverick Canadian director, the other is a Hollywood movie funded by 20th Century Fox. One is set in deep space, the other in a luxury apartment block on terra firma. One had a decent amount of money to throw at the construction of sets and special effects, the other was made for a few thousand dollars.
Yet Alien, released in 1979 and triggering a franchise that is still growing and mutating today, has more in common with Shivers than at first meets the eye. Cronenberg made Shivers for approximately $130,000 in 1975. Could it be that this low-budget shocker inspired what is still considered to be the ultimate space horror movie?...
- 2/18/2016
- by ryanlambie
- Den of Geek
Step aside, Kim Kardashian, because Gwyneth Paltrow thinks she's responsible for breaking the Internet first. During an appearance at the Fast Company Innovation Festival in NYC on Tuesday, the Iron Man actress was refreshingly candid during an interview with Katie Couric and Goop CEO Lisa Gersh about the now-iconic "conscious uncoupling" phrase she used to describe the end of her marriage to Chris Martin. "Even if you look back at the time my husband and I were separating and the philosophy of 'conscious uncoupling,' we broke the f*cking Internet," she said. "Even though we did it in an inelegant way - because it was such an emotional time and we didn't give it as much context and didn't explain [that it] wasn't something that I was inventing - it was already an established theory." Gwyneth's appearance is just the latest time she's opened up about her ex. See what she...
- 11/11/2015
- by Quinn Keaney
- Popsugar.com
If she only knew then what she knows now! Gwyneth Paltrow brought "conscious uncoupling" to the public consciousness when she and Coldplay's Chris Martin announced their plans to divorce in a March 2014 Goop blog post. Yahoo's Katie Couric interviewed Paltrow and Lisa Gersh, CEO of Goop, at the Fast Company Innovation Festival in New York City Tuesday, and the Academy Award winner admitted she still can't believe the impact her breakup news had online. "Even if you look back at the time my husband and I were separating and the philosophy of 'conscious uncoupling,' we broke the f--king internet," the 43-year-old Iron Man 3 star said. "When you look back, you think, 'This is kind of a...
- 11/11/2015
- E! Online
Take that, Kim Kardashian! Gwyneth Paltrow is fully aware of the jokes surrounding her "conscious uncoupling" from Chris Martin. In fact, she thinks it broke "the f—king Internet." The One Hit Wonders actress joked about the divorce lingo during the Fast Company Innovation Festival in NYC on Tuesday, Nov. 10. Paltrow and the Coldplay frontman, 38 - who share daughter Apple, 10, and son Moses, 9 - announced in March 2014 that they were "consciously uncoupling" after 10 years of marriage. The term was first developed by [...]...
- 11/11/2015
- Us Weekly
When Wme | Img co-CEOs Ari Emanuel and Patrick Whitesell took the stage at Fast Company's Innovation Festival, they were joined by Wme client Dwayne "The Rock" Johnson. But the wrestler-turned-actor hasn't always been with Emanuel and Whitesell's agency, leaving CAA for Wme in 2011. He indicated Monday night in New York that the move wasn't so much due to his CAA agents balking at him wanting to return to wrestling as it was due to his "global ambitions" in TV, movies, digital and other areas. "I knew that I had to make a change because I
read more...
read more...
- 11/10/2015
- by Hilary Lewis
- The Hollywood Reporter - Movie News
David Cronenberg swaps his venereal ick-monsters for Samantha Eggar's mater furiosa, an annihilating female who commits her killings as would the villain of a Greek tragedy -- through her offspring. Oliver Reed is the new-age guru of 'Psychoplasmics,' who teaches Eggar to direct her rage in an utterly unique way. The disturbing concept sounds less preposterous when one finds out it was written in response to a brutal divorce experience. Hell hath no fury. The Brood Blu-ray The Criterion Collection 777 1979 / Color / 1:78 widescreen / 92 min. / available through The Criterion Collection / Street Date October 13, 2015 / 39.95 Starring Oliver Reed, Samantha Eggar, Art Hindle, Henry Beckman, Nuala Fitzgerald, Cindy Hinds, Susan Hogan, Gary McKeehan, Michael Magee, Robert Silverman, Felix Silla. Cinematography Mark Irwin Film Editor Alan Collins Original Music Howard Shore Special Makeup Jack Young, Dennis Pike Art Direction Carol Spier Produced by Claude Héroux Written and Directed by David Cronenberg
Reviewed by...
Reviewed by...
- 10/27/2015
- by Glenn Erickson
- Trailers from Hell
The Brood
Written and directed by David Cronenberg
Canada, 1979
Inspired by his own unpleasant divorce, and the subsequent liberation of his daughter just before his ex-wife was able to take the girl to a California cult, David Cronenberg’s The Brood is essentially an ugly, highly unorthodox custody battle. As the great Canadian filmmaker famously quipped, “The Brood is my version of Kramer vs. Kramer [also released in 1979], but more realistic.”
The Brood is Cronenberg’s sixth feature, coming just after the seemingly out of place Fast Company (1979)—not so very odd given the director’s love for automobile racing—and just before his more exemplary breakthrough, Scanners (1981). It is consummate Cronenberg, with a heady mixture of clinically twisted science and the deep psychological strain that inevitably mars said science with corporeal disfigurement.
With his wife, Nola (Samantha Eggar), undergoing treatment at a facility known as the Somafree Institute of Psychoplasmics (a Cronenbergian...
Written and directed by David Cronenberg
Canada, 1979
Inspired by his own unpleasant divorce, and the subsequent liberation of his daughter just before his ex-wife was able to take the girl to a California cult, David Cronenberg’s The Brood is essentially an ugly, highly unorthodox custody battle. As the great Canadian filmmaker famously quipped, “The Brood is my version of Kramer vs. Kramer [also released in 1979], but more realistic.”
The Brood is Cronenberg’s sixth feature, coming just after the seemingly out of place Fast Company (1979)—not so very odd given the director’s love for automobile racing—and just before his more exemplary breakthrough, Scanners (1981). It is consummate Cronenberg, with a heady mixture of clinically twisted science and the deep psychological strain that inevitably mars said science with corporeal disfigurement.
With his wife, Nola (Samantha Eggar), undergoing treatment at a facility known as the Somafree Institute of Psychoplasmics (a Cronenbergian...
- 10/19/2015
- by Jeremy Carr
- SoundOnSight
With Netflix, Amazon, Hulu and more all competing to carry the most content possible, mixing old favorites and original programming, Mubi has carved out a distinct corner for itself. The streaming service, which leans more independent, foreign, and classic than their competitors, curates a carefully selected batch of thirty titles for their seven million users each month. This approach has earned them fans among cinephiles, one of them being Paul Thomas Anderson, who decided to debut his new and fantastic documentary, "Junun," on the service. "PTA was one of those 7 million people on the platform watching movies and really liking the experience. One day I got an email from him and we began a wonderful conversation [about 'Junun']. This was a very personal project for him and he wanted to show it to a discerning audience," Mubi CEO Efe Cakarel told Fast Company. In fact, the Mubi crowd is so discerning, Cakarel...
- 10/13/2015
- by Kevin Jagernauth
- The Playlist
As The Walking Dead has shown over the years, there's no dearth of methods for vanquishing a zombie. You can smash them, slice them, tear them to pieces, blow them away, or do some overly-gratuitous tasteful combination of all the above. As a reminder, Fast Company decided to compile the most inventive (read: cringeworthy) of the show's kills thus far. Warning: What follows is definitely not for the fainthearted. If you can, enjoy (and I guess take notes — yes, you can totally used another zombie's head as a mallet! — if you believe this kind of apocalypse is inevitable):...
- 10/9/2015
- by Sean Fitz-Gerald
- Vulture
Ten years ago, Comedy Central debuted the cult-favorite sketch show Stella, created by comedy trio Michael Ian Black, Michael Showalter, and David Wain. Ten episodes later, the show was canceled. In honor of the show's "cancelversary," Fast Company recently brought the troupe back together for a formal oral history to discuss the origin of the show, its cancellation, and the possibility of a revival.
From co-creator and star Michael Ian Black:
"We were open to anything, but the sensibility was the sensibility and that wouldn’t have changed. I definitely think we could have done much more given the opportunity. I would still love to revisit it at some point."
Since the cancellation of Stella, all three have participated in numerous projects, high among them the Netflix revival series of the film Wet Hot American Summer, which premiered on July 31.
In the oral history,...
From co-creator and star Michael Ian Black:
"We were open to anything, but the sensibility was the sensibility and that wouldn’t have changed. I definitely think we could have done much more given the opportunity. I would still love to revisit it at some point."
Since the cancellation of Stella, all three have participated in numerous projects, high among them the Netflix revival series of the film Wet Hot American Summer, which premiered on July 31.
In the oral history,...
- 10/6/2015
- by TVSeriesFinale.com
- TVSeriesFinale.com
In the world of fantasy and sci-fi movies there are lots of things for adults and children of all ages to get excited about. The magical special effects. The immersive stories. The awesomely imaginative on-screen weapons. But, possibly most of all, everyone gets excited about the toys. Now that Star Wars: The Force Awakens is quickly rounding the corner to being in theaters children (and their penny-pinching parents) are eagerly waiting for the toy mayhem to commence. But, according to an interview in Fast Company with Hasbro's Star Wars design director, the producers of the new movie would like to avoid spoiling the story by releasing certain items at the wrong time. Star Wars is such a great movie, that the director and Lucasfilm, quite rightly so, want to keep the surprises for the fans controlled. The filmmakers have decided on a carefully staggered approach to letting the public...
- 9/29/2015
- cinemablend.com
Wikimedia
David Cronenberg is one of the most fascinating film-makers in the world, and he is undoubtedly Canada’s most influential and critically-lauded director. His work has covered a remarkably wide range of styles, drawing on gangster movies, psychological dramas, historical biopics, cyberpunk thrillers and, of course, his trademark: body horror. Few directors nowadays merit the label of “auteur”, but he is absolutely one of them.
Of course, in his many years as a director (45, to be exact) he hasn’t always hit the lofty heights that is so frequently expected of him. Some of his films just don’t match up to his very best work. His 21 films vary just as much in terms of consistency as they do in genre. There’s probably, actually, a fair number of his weaker films that few other than the most diehard Cronenberg fan has seen.
There’s his bizarre foray into a racing movie,...
David Cronenberg is one of the most fascinating film-makers in the world, and he is undoubtedly Canada’s most influential and critically-lauded director. His work has covered a remarkably wide range of styles, drawing on gangster movies, psychological dramas, historical biopics, cyberpunk thrillers and, of course, his trademark: body horror. Few directors nowadays merit the label of “auteur”, but he is absolutely one of them.
Of course, in his many years as a director (45, to be exact) he hasn’t always hit the lofty heights that is so frequently expected of him. Some of his films just don’t match up to his very best work. His 21 films vary just as much in terms of consistency as they do in genre. There’s probably, actually, a fair number of his weaker films that few other than the most diehard Cronenberg fan has seen.
There’s his bizarre foray into a racing movie,...
- 8/26/2015
- by Michael Waugh
- Obsessed with Film
She received plenty of static for announcing her divorce from Chris Martin with the words “conscious uncoupling,” and Gwyneth Paltrow clarifies the whole situation in her new interview with Fast Company.
The “Sliding Doors” dame shares, “When I announced that I was separating on the website, [Editorial Director] Elise Loehnen titled the piece Conscious Uncoupling and I had no idea. When something like that happens, I think everybody is like, 'Oh, s***.' I just tell them that I think we are creating interesting discussions.”
Gwyn also confessed that she’s reticent to dig too deep into her past- “My future self is always afraid when I look back. I had this the other day where somebody was asking me about [the movie Emma], that I did in England when I was 22. It was really my first starring role, an adaptation of Jane Austen’s Emma. And I remember at the time people saying, ‘Weren...
The “Sliding Doors” dame shares, “When I announced that I was separating on the website, [Editorial Director] Elise Loehnen titled the piece Conscious Uncoupling and I had no idea. When something like that happens, I think everybody is like, 'Oh, s***.' I just tell them that I think we are creating interesting discussions.”
Gwyn also confessed that she’s reticent to dig too deep into her past- “My future self is always afraid when I look back. I had this the other day where somebody was asking me about [the movie Emma], that I did in England when I was 22. It was really my first starring role, an adaptation of Jane Austen’s Emma. And I remember at the time people saying, ‘Weren...
- 8/3/2015
- GossipCenter
Gwyneth Paltrow popularized the idea of "conscious uncoupling" when she announced her plans to divorce Chris Martin after 10 years of marriage in March 2014. Today, however, she denies responsibility for taking it mainstream. "When I announced that I was separating on the website, [Goop editorial director Elise Loehnen] titled the piece 'Conscious Uncoupling,' and I had no idea," Paltrow, 42, tells Fast Company's September issue. However, the Oscar winner and devoted mother of two didn't distance herself from the phrase. In fact, she shared an article that detailed Dr. Habib Sadeghi and Dr. Sherry Sami's philosophy on Goop. Some people laughed at the notion of "conscious...
- 8/3/2015
- E! Online
Gwyneth Paltrow doesn't mind being the butt of a few jokes -- after all, she gets the last laugh. Speaking about her famed lifestyle company, Goop, in a new interview with Fast Company, the Iron Man 3 star said she actually welcomes the chatter about her brand, because it means people are reading and engaging with her ideas. "I always like it when there's a big response to something because it tells me, 'Oh we've touched a nerve here, this is really interesting,'" the Oscar winner, 42, [...]...
- 8/3/2015
- Us Weekly
About once a month, Cinelinx will chose one director for an in-depth examination of the “signatures” that they leave behind in their work. This week, we’re examining the trademark style and calling signs of David Cronenberg as director.
Cronenberg first became interested in film during college, where he self-taught himself the art before establishing a co-op to produce films. His first feature length films were art-house movies, Stereo (1969) and Crimes of the Future (1970). Shivers (1975) was his breakthrough. That film received a lot of attention because although people were talking about it, they were divided in regards to its vulgarity, especially considering the fact that it was funded by the Canadian government. Still, it was the most profitable film funded by the Canadian government up to that point. His follow up was Rancid (1977) which was commercially successful. His next movie took a break from body horror to explore his love of cars and racing.
Cronenberg first became interested in film during college, where he self-taught himself the art before establishing a co-op to produce films. His first feature length films were art-house movies, Stereo (1969) and Crimes of the Future (1970). Shivers (1975) was his breakthrough. That film received a lot of attention because although people were talking about it, they were divided in regards to its vulgarity, especially considering the fact that it was funded by the Canadian government. Still, it was the most profitable film funded by the Canadian government up to that point. His follow up was Rancid (1977) which was commercially successful. His next movie took a break from body horror to explore his love of cars and racing.
- 7/29/2015
- by feeds@cinelinx.com (G.S. Perno)
- Cinelinx
By now, you’ve probably noticed that the Spotify logo on your phone went from a muted, earthy green to a neon, Lisa Frank–esque greeeeen. It’s a relatively subtle change, but people hate it: Vulture reached out to Spotify for a comment about the backlash today, and a rep sent us two links: The first is a recent blog post from designer Tobias van Schneider, who writes that the update is part of the bigger brand refresh Spotify announced earlier this year at SXSW. He calls the old green a “dreary” “broccoli” that was “desperate for an upgrade.” The second is a Fast Company interview from earlier this year with Alexandra Tanguay, Spotify’s global brand director. Tanguay says the original green was chosen by founder Daniel Ek seven years ago because no one was using that particular shade at the time, and that the “slightly new” green...
- 6/26/2015
- by Lauretta Charlton
- Vulture
Like Doctor Strange and many other characters no doubt, Captain Marvel will be getting a post Secret Wars overhaul with a brand new issue #1 coming this Fall. Fan-favorite writer Kelly Sue DeConnick won't be sticking around, but taking over will be Agent Carter showrunners Tara Butters and Michele Fazekas, with Kris Anka on art duty. You can check out Anka's "slightly modified" designs for Carol Danvers below, and find out what Marvel editor Sana Amanat had to say to Fast Company about the plans for the new series. "Carol is really meant to be a soldier and a commander, and also a diplomat. We're really trying to build up this space complex and this space world. You'll really feel like there's an extension of the Avengers world into space, but not necessarily lost out in the Guardians of the Galaxy cosmos. It's rooted in Earth but also an extension into...
- 6/23/2015
- ComicBookMovie.com
Justine Ezarik (known to the internet masses as iJustine) has joined the ever-growing ranks of published YouTube authors. The vlogger, who has amassed a following of 2.2 million subscribers on her YouTube channel, released her first book I, Justine: An Analog Memoir on June 2, 2015.
Announced back in May 2014, Ezarik’s memoir provides readers a detailed behind-the-scenes look into the vloggers’ life behind the camera, and the pressures and craziness that come with being a digital celebrity. Ezarik also addresses themes like entrepreneurship, creativity, and the importance of being yourself.
In an interview with Fast Company, Ezarik said she actually considered naming her book something entirely different. “After so many years of doing so much online, I began to think, ‘You know what, I’ll just save that story for the book,’” Ezarik said. “It got to the point where I was tweeting things, but that wasn’t really what was going on.
Announced back in May 2014, Ezarik’s memoir provides readers a detailed behind-the-scenes look into the vloggers’ life behind the camera, and the pressures and craziness that come with being a digital celebrity. Ezarik also addresses themes like entrepreneurship, creativity, and the importance of being yourself.
In an interview with Fast Company, Ezarik said she actually considered naming her book something entirely different. “After so many years of doing so much online, I began to think, ‘You know what, I’ll just save that story for the book,’” Ezarik said. “It got to the point where I was tweeting things, but that wasn’t really what was going on.
- 6/5/2015
- by Bree Brouwer
- Tubefilter.com
It can be a pretty disappointing world out there. So often, our real word heroes stumble and reveal they are less than what they appeared to be. We see it all the time with politicians in whom we had once believed, celebrities we had once admired and even with high profile people who may have not even been on our radar until their fall from grace. “He really tweeted that?” “I can’t believe she said that to a parking attendant!” “Didn’t she know there was a camera recording it all?” These are just a few sentences we’ve recently uttered in exasperation around our household.
On the other hand, one of the cool things about fictional characters is that it’s unlikely that they’ll misbehave. It’s no secret in advertising that using a fictional spokesperson relieves a marketer of the fears of using a real-life spokesperson.
On the other hand, one of the cool things about fictional characters is that it’s unlikely that they’ll misbehave. It’s no secret in advertising that using a fictional spokesperson relieves a marketer of the fears of using a real-life spokesperson.
- 5/25/2015
- by Ed Catto
- Comicmix.com
This may not come as much of a surprise, but as it turns out, reviewing toys on YouTube can be quite a lucrative business. In a recent interview with Fast Company, the father of 9-year-old toy reviewer EvanTubeHD discussed his online video success. In particular, Evan’s father (who only revealed his first name, Jared) estimated that his family’s two channels pull in $1.3 million per year.
EvanTubeHD is one of YouTube’s prominent toy review channels. In new videos, which arrive at least once a week, Jared provides nine-year-old Evan and his six-year-old sister Jillian with new toys, which they play with on camera. The videos have proven enormously popular; since 2011, they have received more than 1.2 billion views. More recently, Jared and his family have added two secondary channels, one filled with vlogs and a second showcasing video games, to their online video presence.
Simply put, Evan’s viewership has brought in massive viewership,...
EvanTubeHD is one of YouTube’s prominent toy review channels. In new videos, which arrive at least once a week, Jared provides nine-year-old Evan and his six-year-old sister Jillian with new toys, which they play with on camera. The videos have proven enormously popular; since 2011, they have received more than 1.2 billion views. More recently, Jared and his family have added two secondary channels, one filled with vlogs and a second showcasing video games, to their online video presence.
Simply put, Evan’s viewership has brought in massive viewership,...
- 5/11/2015
- by Sam Gutelle
- Tubefilter.com
An interesting collision of an exquisite luxury brand, Chivas Regal (Pernod Ricard Scotch star) and a movement meant to bring light and investor dollars to start ups and entrepreneurs who see past their ‘bottom line’ noses happened this past Wednesday, May 6 at Sonos Studios space, underwritten by media giant, Fast Company.Bonus for all was that a newcomer to the Chivas family, Chivas Regal Extra, was paired with gourmet small bites of salmon, Brie and other delectable goodies. This is a new super-premium blend of rare malts made perfect, matured in Oloroso sherry casks thanks to master blender, Colin Scott, […]...
- 5/8/2015
- by April Neale
- Monsters and Critics
Crimes of the Future
Written and directed by David Cronenberg
Canada, 1970
A lot of even very excitable David Cronenberg fans have never seen his 1970 film Crimes of the Future: it seems to be seen as something of a curate’s egg and dark and imaginative, of course, like everything he does, but perhaps made too long ago now, and surely overshadowed by his later work. It was his second film, after Stereo in 1969. Stereo is a similarly short feature film dealing with telepathy, sexual exploration and, like Crimes of the Future, had its commentary added later: it also starts Ronald Mlodzik wearing black and looking terrifying. But where Stereo was both creepy and austere, Crimes of the Future gives its remarkable characters more room to breathe and, in their own weird way, to play, picking their way around a modernist compound and narrated retroactively by the main character. It is fascinating viewing,...
Written and directed by David Cronenberg
Canada, 1970
A lot of even very excitable David Cronenberg fans have never seen his 1970 film Crimes of the Future: it seems to be seen as something of a curate’s egg and dark and imaginative, of course, like everything he does, but perhaps made too long ago now, and surely overshadowed by his later work. It was his second film, after Stereo in 1969. Stereo is a similarly short feature film dealing with telepathy, sexual exploration and, like Crimes of the Future, had its commentary added later: it also starts Ronald Mlodzik wearing black and looking terrifying. But where Stereo was both creepy and austere, Crimes of the Future gives its remarkable characters more room to breathe and, in their own weird way, to play, picking their way around a modernist compound and narrated retroactively by the main character. It is fascinating viewing,...
- 4/11/2015
- by Juliette Jones
- SoundOnSight
[Youtube "IjF5wdY8zE0"] Did you receive an April Fool's Day gift from your friend Gordo? Do you even have a friend named Gordo? The Gift is a thriller starring Jason Bateman and Rebecca Hall. They play a couple that receives gifts and some unwanted scrutiny from someone claiming to be an old school friend, Gordo. And while The Gift doesn't hit theaters until July 31, a few writers, editors and other media types across the country have received gifts from Gordo. Writer Dan Solomon explained in an article for Fast Company that years ago, he made a joke about getting the vanity license plate...
- 4/2/2015
- by Drew Mackie, @drewgmackie
- PEOPLE.com
[Youtube "IjF5wdY8zE0"] Did you receive an April Fool's Day gift from your friend Gordo? Do you even have a friend named Gordo? The Gift is a thriller starring Jason Bateman and Rebecca Hall. They play a couple that receives gifts and some unwanted scrutiny from someone claiming to be an old school friend, Gordo. And while The Gift doesn't hit theaters until July 31, a few writers, editors and other media types across the country have received gifts from Gordo. Writer Dan Solomon explained in an article for Fast Company that years ago, he made a joke about getting the vanity license plate...
- 4/2/2015
- by Drew Mackie, @drewgmackie
- PEOPLE.com
Current Apple CEO Tim Cook once offered an ailing Steve Jobs a portion of his liver when the Apple co-founder was in desperate need of a transplant. But Jobs refused, yelling at Cook that he'd "never let [him] do that." The incident is described in the upcoming Becoming Steve Jobs biography by veteran technology reporter Brent Schlender and Fast Company executive editor Rick Tetzeli. The magazine excerpted a portion of the book, which comes out on March 24, in an article posted online. Read More CNN Orders W. Kamau Bell Series, Steve Jobs Doc for 2016 According to
read more...
read more...
- 3/13/2015
- by Hilary Lewis
- The Hollywood Reporter - Movie News
Last month Björk surprise-released her new album, Vulnicura, after it leaked online two months ahead of schedule. If you've gone to look for it on Spotify since then with no luck, Björk is now explaining why. In a new interview with Fast Company, she warns fans not to expect the album to turn up on the streaming service anytime soon. "A few months ago I emailed my manager and said, 'Guess what? This streaming thing just does not feel right. I don’t know why, but it just seems insane,'" she says. "To work on something for two or three years and then just, Oh, here it is for free. It’s not about the money; it’s about respect, you know? Respect for the craft and the amount of work you put into it."Björk does, however, admit that her Taylor Swift–esque opinions about Spotify may not last forever.
- 2/27/2015
- by Dee Lockett
- Vulture
David Cronenberg. From “Stereo” to “The Fly” to “Crash” (no, not that one, the one from 1996), to “A Dangerous Method” and beyond, it’s hard to argue that the (sometimes) writer, (more often) director has had an eclectic career. And with his first credited short nearly fifty years ago, perhaps that isn't surprising. Vimeo user Shaun Higgins (d.b.a. Hello Wizard) has paid homage to the uniquely varied director via a new seven-minute tribute supercut. The short splices shots from 21 of Cronenberg’s films together, lending some semblance to what defines a Cronenberg picture. In chronological order, going all the way back to 1969 and up through the present, Higgins includes: “Stereo,” “Crimes of the Future,” “Shivers” (a.k.a. “They Came From Within”), “Rabid,” “Fast Company,” “The Brood,” “Scanners,” “Videodrome,” “The Dead Zone,” “The Fly,” “Dead Ringers,” “Naked Lunch,” “M Butterfly,” “Crash,” “eXistenZ,” “Spider,” “A History of Violence,” “Eastern Promises,...
- 2/12/2015
- by Zach Hollwedel
- The Playlist
Sundance Institute has several independent short films it wants the internet to watch. The filmmaking organization will distribute nine selections from its recent Short Film Challenge across various digital platforms starting February 3, 2015.
The Sundance Institute Short Film Challenge was created to help inspire conversation around and generate solutions to global problems like poverty. Sundance asked creators to submit their completed film or story ideas based on this philanthropic idea on creative crowdsourcing platform Tongal. The Institute received 1,387 submissions from 89 different countries.
Out of these submissions, five winners were selected for the Short Film Challenge and awarded $10,000 as well as Sundance Festival attendance. All five films are set for digital distribution, starting with Man in the Maze, from U.S. creators Phil Buccellato and Jesse Ash, which will be released via the Arizona Daily Star.
Dropping In from South Africa’s Willem Van Den Heever will debut on Ryot.org, and...
The Sundance Institute Short Film Challenge was created to help inspire conversation around and generate solutions to global problems like poverty. Sundance asked creators to submit their completed film or story ideas based on this philanthropic idea on creative crowdsourcing platform Tongal. The Institute received 1,387 submissions from 89 different countries.
Out of these submissions, five winners were selected for the Short Film Challenge and awarded $10,000 as well as Sundance Festival attendance. All five films are set for digital distribution, starting with Man in the Maze, from U.S. creators Phil Buccellato and Jesse Ash, which will be released via the Arizona Daily Star.
Dropping In from South Africa’s Willem Van Den Heever will debut on Ryot.org, and...
- 1/30/2015
- by Bree Brouwer
- Tubefilter.com
Welcome back everyone for the final day of Daily Dead’s 2014 Holiday Gift Guide! Because it’s been an exceptional year for genre fans, we’re focusing today on recapping more books and films that would make for great gifts this holiday season and are perfect for all fans. We’ve also got another great find from over on Etsy and we’re celebrating a new subscription service from the fine folks over at Waxworks Records.
And be sure to check out today’s final Holiday Horrors trivia question below for your shot at winning some awesome merchandise from our fine sponsors at HorrorDecor.net, Scream Factory and Anchor Bay Entertainment.
Thanks so much for following along with our 2014 Holiday Gift Guide and I hope you guys had as much fun reading the series as I had putting it together!
Vendor Spotlight: Waxwork Records
Waxwork Records specializes in releasing horror,...
And be sure to check out today’s final Holiday Horrors trivia question below for your shot at winning some awesome merchandise from our fine sponsors at HorrorDecor.net, Scream Factory and Anchor Bay Entertainment.
Thanks so much for following along with our 2014 Holiday Gift Guide and I hope you guys had as much fun reading the series as I had putting it together!
Vendor Spotlight: Waxwork Records
Waxwork Records specializes in releasing horror,...
- 12/12/2014
- by Heather Wixson
- DailyDead
By Ernie Magnotta
These days, cinema buffs searching high and low for a lost, early work of a modern filmmaker is almost unheard of , as most everything is readily available on DVD or Blu-ray. However, back in the day, this was far from the case. Way back when, many early efforts from then current directorial masters were extremely hard to find. For example, throughout the 1980s, I can remember looking everywhere for a copy of George A. Romero’s third film Season of the Witch aka Hungry Wives (1972) as well as Martin Scorsese’s debut feature Who’s That Knocking at My Door? (1967) just to name a few. Another movie I always longed to see was a strange, little action film called Fast Company. The reason I use the word strange is because the movie was directed by the enormously talented, Canadian born David Cronenberg. Although he is now known...
These days, cinema buffs searching high and low for a lost, early work of a modern filmmaker is almost unheard of , as most everything is readily available on DVD or Blu-ray. However, back in the day, this was far from the case. Way back when, many early efforts from then current directorial masters were extremely hard to find. For example, throughout the 1980s, I can remember looking everywhere for a copy of George A. Romero’s third film Season of the Witch aka Hungry Wives (1972) as well as Martin Scorsese’s debut feature Who’s That Knocking at My Door? (1967) just to name a few. Another movie I always longed to see was a strange, little action film called Fast Company. The reason I use the word strange is because the movie was directed by the enormously talented, Canadian born David Cronenberg. Although he is now known...
- 12/9/2014
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
Tokyo FILMeX 2014 ended today with a lineup devoted to Canadian master David Cronenberg. The director's two earliest films, 1969's Stereo and 1970's Crimes of the Future, were shown before his latest, Maps To The Stars, closed the festival. Before the screening of the body-horror maestro's cutting Hollywood satire the festival's awards were announced by a jury headed by Chinese director Jia Zhang-ke. Grand PrixWinner - Crocodile Dir. Francis Xavier Pasion The PhilippinesDirector Francis Xavier Pasion won the Best Film Award at the Cinemalaya Philippine Independent Film Festival for his first film Jay before he went on to take part in FILMeX's own Next Tokyo Masters in 2010. Crocodile, his third film, follows mother Divina as she receives some terrible news; a crocodile has attacked...
[Read the whole post on twitchfilm.com...]...
[Read the whole post on twitchfilm.com...]...
- 11/29/2014
- Screen Anarchy
"Imagine the weight on my shoulders. How many male superhero movies fail? So now, we finally get Wonder Woman with a female director, imagine if it fails. And you have no control over marketing, over budget. So without any control, you carry the fucking weight of gender equality for both characters and women directors. No way."
That's Lexi Alexander on the subject of whether she would direct WB/DC's Wonder Woman. See, the director has cultivated some geek cred with films like Punisher: War Zone and Green Street Hooligans, and has received some groundswell support to direct Ww. But, alas, Alexander hasn't received an offer, nor would she accept it if it came, according to her.
That's not to say she's going to back away from making a big, action epic. "People always say, ‘Fuck Hollywood. Do your own thing.’ Or they say, ‘Women do so well in documentaries and independent film,...
That's Lexi Alexander on the subject of whether she would direct WB/DC's Wonder Woman. See, the director has cultivated some geek cred with films like Punisher: War Zone and Green Street Hooligans, and has received some groundswell support to direct Ww. But, alas, Alexander hasn't received an offer, nor would she accept it if it came, according to her.
That's not to say she's going to back away from making a big, action epic. "People always say, ‘Fuck Hollywood. Do your own thing.’ Or they say, ‘Women do so well in documentaries and independent film,...
- 11/12/2014
- by Mario-Francisco Robles
- LRMonline.com
Recently, Lexi Alexander was quoted as saying that she had heard a female director has been approached by Warner Bros. for Wonder Woman and that "everybody will be very happy, including me" if the mystery filmmaker agrees to helm the 2017 release starring Gal Gadot. Regardless of the gender of whoever ends up directing, it's not going to be an easy task to bring the character to the big screen in her own solo outing. NBC's TV pilot was a dud, and while Wonder Woman will be coming off the back of Batman v Superman: Dawn of Justice (and ahead of Zack Snyder's first Justice League movie), Warner Bros. still face what you have to imagine is a huge challenge when it comes to developing what is essentially the first female led superhero movie. Talking to Fast Company recently, Alexander is quoted as saying the following in regards to why...
- 11/12/2014
- ComicBookMovie.com
Lexi Alexander has said that she will not direct Wonder Woman.
The Punisher: War Zone director explained to Fast Company why she is not interested in the project.
"Imagine the weight on my shoulders," she said. "How many male superhero movies fail? So now, we finally get Wonder Woman with a female director - imagine if it fails.
"And you have no control over marketing, over budget. So without any control, you carry the f**king weight of gender equality for both characters and women directors. No way."
Alexander also confirmed rumours that Warner Bros is seeking a female director for the project.
"If she says yes, everybody will be very happy, including me," she said.
"Still, I don't see at this point why anyone would say yes. There is huge pressure... If [a female director] does fail, then all of a sudden it's 'all women suck at directing'."
Alexander is a former...
The Punisher: War Zone director explained to Fast Company why she is not interested in the project.
"Imagine the weight on my shoulders," she said. "How many male superhero movies fail? So now, we finally get Wonder Woman with a female director - imagine if it fails.
"And you have no control over marketing, over budget. So without any control, you carry the f**king weight of gender equality for both characters and women directors. No way."
Alexander also confirmed rumours that Warner Bros is seeking a female director for the project.
"If she says yes, everybody will be very happy, including me," she said.
"Still, I don't see at this point why anyone would say yes. There is huge pressure... If [a female director] does fail, then all of a sudden it's 'all women suck at directing'."
Alexander is a former...
- 11/12/2014
- Digital Spy
Just three weeks ago we learn that a Wonder Woman movie would be coming in 2017. A week later we learned that DC and Warner Bros. are looking for a female director to helm the movie. Then a week after that we learned that the Wonder Woman movie would be set in the 1920s. Late last week a rumor started to circulate that Lexi Alexander (Punisher: War Zone) was attached to direct. Those rumors have since been squashed by Alexander and not in a nudge and wink way, but a full on explanation of why she is not doing it.
Alexander via Fast Company:
"Imagine the weight on my shoulders. How many male superhero movies fail? So now, we finally get Wonder Woman with a female director, imagine if it fails. And you have no control over marketing, over budget. So without any control, you carry the fucking weight of...
Alexander via Fast Company:
"Imagine the weight on my shoulders. How many male superhero movies fail? So now, we finally get Wonder Woman with a female director, imagine if it fails. And you have no control over marketing, over budget. So without any control, you carry the fucking weight of...
- 11/11/2014
- by Free Reyes
- GeekTyrant
With the chorus becoming louder and louder for women to be given the same shot as their male counterparts when it comes participating in blockbuster filmmaking (not to mention in other industry roles long dominated by the boys' club), Lexi Alexander has proven to be one of the loudest voices pushing for change. Ranked on our 10 Female Directors Who Deserve More Attention From Hollywood, you might think the "Punisher: War Zone" filmmaker would be at least intrigued by the news that Warner Bros. are looking for a woman to helm their developing "Wonder Woman" picture. But Alexander has a different perspective on the matter. “Imagine the weight on my shoulders,” she told Fast Company. “How many male superhero movies fail? So now, we finally get Wonder Woman with a female director, imagine if it fails. And you have no control over marketing, over budget. So without any control, you carry...
- 11/11/2014
- by Kevin Jagernauth
- The Playlist
Since news broke that Warner Bros. was looking for a female director for its 2017 Wonder Woman movie, Lexi Alexander’s name has been mentioned a lot — understandably, considering that she already has experience with comic book movies following 2008’s Punisher: War Zone. But, as she explained in a recent interview, bringing DC’s Amazon princess to the big screen isn’t something she’s interested in. “Imagine the weight on my shoulders,” she told Fast Company. “How many male superhero movies fail? So now, we finally get Wonder Woman with a female director; imagine if it fails. And you have no
read more...
read more...
- 11/11/2014
- by Graeme McMillan
- The Hollywood Reporter - Movie News
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.