1973 (USA) more
Jeff Randall and Marty Hopkirk are private detectives who specialize in divorce cases. Their long-running... more
Extremely Funny more (14 total)
| Mike Pratt | ... | Jeff Randall (26 episodes, 1969-1970) | |
| Kenneth Cope | ... | Marty Hopkirk (26 episodes, 1969-1970) | |
| Annette Andre | ... | Jeannie Hopkirk (25 episodes, 1969-1970) |
Series Directed by | |||
| Jeremy Summers | (7 episodes, 1969-1970) | ||
| Ray Austin | (6 episodes, 1969-1970) | ||
| Cyril Frankel | (6 episodes, 1969-1970) | ||
| Leslie Norman | (3 episodes, 1969-1970) | ||
Series Writing credits | ||
| Donald James | (11 episodes, 1969-1970) | |
| Tony Williamson | (8 episodes, 1969-1970) | |
| Dennis Spooner | (5 episodes, 1969-1970) | |
| Ralph Smart | (2 episodes, 1969) | |
| Gerald Kelsey | (2 episodes, 1970) | |
Series Produced by | |||
| Monty Berman | .... | producer (6 episodes, 1969-1970) | |
Series Original Music by | |||
| Edwin Astley | (3 episodes, 1969) | ||
Series Cinematography by | |||
| Brian Elvin | (14 episodes, 1969-1970) | ||
| Gerald Moss | (7 episodes, 1969-1970) | ||
| Frank Watts | (4 episodes, 1969-1970) | ||
| Eric Coop | (2 episodes, 1969) | ||
Series Film Editing by | |||
| Jack T. Knight | (6 episodes, 1969-1970) | ||
| John Ireland | (5 episodes, 1969-1970) | ||
| Harry Ledger | (5 episodes, 1969-1970) | ||
| Lee Doig | (3 episodes, 1969-1970) | ||
| Rod Nelson-Keys | (3 episodes, 1969) | ||
| Stephen Cross | (2 episodes, 1969-1970) | ||
Series Casting by | |||
| John Owen | (25 episodes, 1969-1970) | ||
Series Art Direction by | |||
| Charles Bishop | (26 episodes, 1969-1970) | ||
| Robert Cartwright | (5 episodes, 1969-1970) | ||
Series Makeup Department | |||
| Elizabeth Romanoff | .... | makeup artist (19 episodes, 1969-1970) | |
| Jeanette Freeman | .... | hairdresser (10 episodes, 1969-1970) | |
| Gerry Fletcher | .... | makeup supervisor (7 episodes, 1969-1970) | |
| Janet Wadeson | .... | hairdresser (6 episodes, 1969-1970) | |
| Henry Montsash | .... | hairdresser (3 episodes, 1969) | |
| Ramon Gow | .... | hairdresser (2 episodes, 1969-1970) | |
Series Production Management | |||
| Ronald Liles | .... | production supervisor (26 episodes, 1969-1970) | |
| Malcolm Christopher | .... | production manager (15 episodes, 1969-1970) | |
| Jack Morrison | .... | production manager (6 episodes, 1969-1970) | |
| Ernest Morris | .... | production manager (5 episodes, 1969-1970) | |
| Philip Aizlewood | .... | post-production supervisor (2 episodes, 1969) | |
Series Second Unit Director or Assistant Director | |||
| Jack Lowin | .... | second unit director (22 episodes, 1969-1970) | |
| Michael Meighan | .... | assistant director (14 episodes, 1969-1970) | |
| Ken Baker | .... | assistant director (6 episodes, 1969-1970) | |
| Gino Marotta | .... | assistant director (2 episodes, 1969-1970) | |
Series Art Department | |||
| A.J. Van Montagu | .... | scenic artist (26 episodes, 1969-1970) | |
| Peter Dunlop | .... | production buyer (25 episodes, 1969-1970) | |
| Bill Greene | .... | construction manager (25 episodes, 1969-1970) | |
| Sue Long | .... | set dresser (15 episodes, 1969-1970) | |
| Roger Christian | .... | set dresser (8 episodes, 1969-1970) | |
| Cliff Robinson | .... | set dresser (2 episodes, 1969) | |
Series Sound Department | |||
| Denis Porter | .... | sound recordist (26 episodes, 1969-1970) | |
| Guy Ambler | .... | sound editor (18 episodes, 1969-1970) | |
| Bill Rowe | .... | sound recordist (10 episodes, 1969-1970) | |
| Dennis Whitlock | .... | sound recordist (8 episodes, 1969-1970) | |
| Len Abbott | .... | sound recordist (5 episodes, 1969-1970) | |
| Peter Lennard | .... | sound editor (3 episodes, 1969-1970) | |
| Len Shilton | .... | sound recordist (3 episodes, 1969-1970) | |
| Rydal Love | .... | sound editor (3 episodes, 1969) | |
Series Stunts | |||
| Frank Maher | .... | stunt coordinator (6 episodes, 1969-1970) | |
Series Camera and Electrical Department | |||
| Gerald Moss | .... | photography: second unit (18 episodes, 1969-1970) | |
| Val Stewart | .... | camera operator (18 episodes, 1969-1970) | |
| Brian Elvin | .... | photography: second unit (5 episodes, 1969-1970) | |
| David Harcourt | .... | camera operator (3 episodes, 1969-1970) | |
| Stephen Dade | .... | photography: second unit (2 episodes, 1969) | |
| Harry Gillam | .... | camera operator (2 episodes, 1969) | |
Series Costume and Wardrobe Department | |||
| Laura Nightingale | .... | costume supervisor (26 episodes, 1969-1970) | |
Series Editorial Department | |||
| Philip Aizlewood | .... | post-production (3 episodes, 1969-1970) | |
Series Music Department | |||
| Alan Willis | .... | music editor (22 episodes, 1969-1970) | |
| Edwin Astley | .... | musical director (5 episodes, 1969-1970) | |
| Deveril Goodman | .... | music editor (4 episodes, 1969-1970) | |
Series Other crew | |||
| Sally Ball | .... | continuity (21 episodes, 1969-1970) | |
| Cyril Frankel | .... | creative consultant (6 episodes, 1969-1970) | |
| Dennis Spooner | .... | executive story consultant (6 episodes, 1969-1970) | |
| Elizabeth Wilcox | .... | continuity (3 episodes, 1969-1970) | |
My Partner the Ghost (USA)
more
60 min (26 episodes)
Elstree Film and TV Studios, Borehamwood, Hertfordshire, England, UK
The series was not a hit on its first transmission in Britain. It had no network slot and was moved to different times and days at will by the TV companies. Some regions had it competing against the BBC's highly successful "Paul Temple" (1969), and actually dropped R & H mid season due to the subsequent poor ratings. more
Revealing mistakes: In most of the shows with stunt and fight scenes, the stunt doubles are obvious to spot and never resemble the people they're doubling. more
Referenced in "Shameless: (#1.7)" (2004) more
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| Ghost | Gui si | The Hound of the Baskervilles | Stardust | Door Out of the Dark |
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The last time I've seen this show was on re-runs in the 70's, approximately 1977. Hard to forget the show. Great theme song, beautiful girl, fabulous 60's, and a unique situation. To others who couldn't see Marty, Jeff was often seen talking to himself, making for some hilarious moments. I would love to see, or own, the series again.