Rosemary's Baby (1968)

Director:

Roman Polanski

Writers:

Ira Levin (novel)
Roman Polanski (screenplay)

Release Date:

12 June 1968 (USA)

Genre:

Horror | Mystery | Thriller

Tagline:

Pray for Rosemary's Baby

Plot:

A young couple move into a new apartment, only to be surrounded by peculiar neighbors and occurrences. When the wife becomes mysteriously pregnant, paranoia over the safety of her unborn child begins controlling her life.

Plot Keywords:

Apartment | Neighbor | Dream | Pregnancy | Paranoia

Awards:

Won Oscar. Another 11 wins & 9 nominations

Cast

Mia Farrow	...	Rosemary Woodhouse
John Cassavetes	...	Guy Woodhouse
Ruth Gordon	...	Minnie Castevet
Sidney Blackmer	...	Roman Castevet
Maurice Evans	...	Edward 'Hutch' Hutchins
Ralph Bellamy	...	Dr. Abraham Sapirstein
Victoria Vetri	...	Terry Gionoffrio (as Angela Dorian)
Patsy Kelly	...	Laura-Louise McBirney
Elisha Cook Jr.	...	Mr. Nicklas (as Elisha Cook)
Emmaline Henry	...	Elise Dunstan
Charles Grodin	...	Dr. C.C. Hill
Hanna Landy	...	Grace Cardiff
Phil Leeds	...	Dr. Shand (as Philip Leeds)
D'Urville Martin	...	Diego
Hope Summers	...	Mrs. Gilmore

Runtime:

136 min

Country:

USA

Language:

English

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1

Sound Mix:

Mono

Certification:

Spain:18 (DVD rating) | Portugal:M/16 | Canada:18+ (Quebec) | South Korea:18 | Brazil:14 | India:A | Argentina:18 | Australia:M | Canada:18A | Finland:K-16 | Ireland:18 | Netherlands:16 | Norway:15 (re-rating) | Norway:16 (original rating) | Singapore:M18 | Sweden:15 | UK:18 (video rating) | UK:X (original rating) (cut) | USA:Approved | USA:R (re-rating) | West Germany:16

Filming Locations:

Dakota Hotel - 1 West 72nd St. at Central Park West, Manhattan, New York City, New York, USA

Company:

William Castle Productions

Trivia:

A scene was shot, but not used, of the characters attending an off-Broadway play. Mia Farrow's and Emmaline Henry's attend a performance of "The Fantasticks" and meet Joan Crawford and Van Johnson as themselves. Along with several other insignificant scenes, this was deleted to reduce the film's running time.

Goofs:

Continuity: When Rosemary begins putting the Scrabble tiles away, the wrong anagram (one Rosemary had already discarded) can be glimpsed to the side.

Quotes:

[First lines]
Mr. Nicklas: Are you a doctor?
Rosemary Woodhouse: He is an actor.
Mr. Nicklas: Oh! An actor! We're very popular with actors! Have I seen you in anything?
Guy Woodhouse: Well, I did "Hamlet" a while back, didn't I, Liz? Then we did "The Sandpiper"...
Rosemary Woodhouse: He's joking. He was in "Luther" and "Nobody Loves an Albatross" and a lot of TV plays and commercials.
Mr. Nicklas: That's where the money is, right? The commercials.
Guy Woodhouse: And the artistic thrill too!

Movie Connections:

Referenced in "Seinfeld: The Baby Shower (#2.10)" (1991)

Soundtrack:

Lullaby

A Landmark Horror film

"Rosemary's Baby" is one of the best horror films ever made. This isn't because it's going to scare the pants off you with a series of sensational jolts. This isn't the shallow, gimmicky kind of horror movie we mostly get these days, and it isn't the traditional old-fashioned horror film of an earlier era. This is a movie that came out during a period of transition in Hollywood. The old production codes were breaking down and films could suddenly be more true to life in the way they showed how people really lived, acted and talked. 1968s "Rosemary's Baby" is a more sophisticated, less elegant thriller of the kind that Alfred Hitchcock patented, but it displays much more class and intelligence than the horror movies that would come out in its wake. Popular '70s films such as "The Exorcist" and "The Omen" are the prodigy of "Rosemary's Baby," but offer far less nuance and much greater vulgarity. What we get here is a more naturalistic depiction of modern life, but without the crassness that would soon explode into American cinema.

Most of the credit for what makes "Rosemary's Baby" such a successful film goes to Roman Polanski. Polanski is a master at conveying to an audience not just a sense of the uncanny but a vivid depiction of it. His earlier films like "Knife in the Water," "Repulsion" and "Dance of the Vampires," display the talents that would come to such a controlled mastery in "Rosemary's Baby."

Polanski very faithfully adapts Ira Levin's novel to the screen so that the viewer is, just as the reader was, free to interpret the eerie events of the story as either reality or a depiction of an isolated woman's decent into madness. At the same time the picture can be taken as a black joke on the human male's fears of the changes a woman goes through during pregnancy, both physically and emotionally. But Polanski seems most interested in presenting a normal world, in this case Manhattan in the mid 1960s, and then through subtle cinematic techniques get an audience to actually believe that the hysterical, fantastic ravings of the heroine could be true. It is this tour de force exercise in suspension of disbelief that makes the film a classic. The horror films that have come since have had to ratchet up the shock effects in order to thrill more desensitized audiences, but this deliberately paced film reminds us of how much better it is to leave things to the imagination of the viewer. That is where films really come alive and remain so.

The Paramount DVD presents an excellent print of the movie that looks as if it were shot yesterday, along with extras that include new interviews with Polanski, executive producer Bob Evans and production designer Richard Sylbert, and a featurette from the time of the film's original release that really works as a good time capsule.