Amazon.com video review: The five films in the Planet of the Apes series are enjoyable as pure entertainment and yet substantial enough to inspire academic studies like Planet of the Apes as American Myth: Race, Politics, and Popular Culture.
Loosely adapted from the novel by French author Pierre Boulle, Planet of the Apes was released at the height of racial and political unrest in America, adding resonance to its story of a NASA astronaut (Charlton Heston) stranded on a planet where superior apes dominate inferior human slaves. The film's final image--in which a horrified Heston realizes the fate of humankind--remains one of the most indelible in all of science fiction cinema.
Beneath the Planet of the Apes (1970) continues the original's distant future scenario, pitting militant apes against mutant humans dwelling in the subterranean ruins of New York City. Its phenomenal success spawned Escape from the Planet of the Apes (1971), in which simian scientists Cornelius and Zira (Roddy McDowall and Kim Hunter, reprising their roles from Planet) travel backward in time, setting the stage for the ape supremacy of the first two films. McDowall returned in Conquest of the Planet of the Apes (1972) as Caesar, the son of Cornelius, leading an ape revolution that bridges the historical gap of the previous films. Battle for the Planet of the Apes (1973) ended the five-film cycle with McDowall again playing the chimpanzee leader Caesar, defeating gorillas and human mutants to establish the hierarchy introduced in the original film.
The Apes films present a classic what-if scenario that hasn't lost a bit of its potency. As if to prove its cultural endurance, the cycle returned to its origins with director Tim Burton's remake of Planet of the Apes--one of the most eagerly awaited films of 2001. --Jeff Shannon
Amazon.com Essentials: Many early science fiction films are now, quite inadvertently (and in most cases undeservedly), objects of camp attention: we laugh at the silly makeup, tin-can special effects, and the naive "high-tech" dialogue. Planet of the Apes is no such film. Its intelligent script, frightening costuming, and savagely effective conclusion (which needs no big-budget special effects to augment its impact) remain both potent and relevant. When Colonel George Taylor (the fabulous Charlton Heston) crash lands his spacecraft on what seems to be an unfamiliar planet, he is captured and held prisoner by a dominant race of hyperrational, articulate apes. However, the ape community is riven with internal dissention, centered in no small part on its policy toward humans, who, on this planet, are treated as mindless animals. Befriended and ultimately assisted by the more liberal simians, Taylor escapes--only to find a more terrifying obstacle confronting his return home. Heavy-handed object lessons abound--the ubiquity of generational warfare, the inflexibility of dogma, the cruelty of prejudice--and the didactic fingerprints of Rod Serling are very much in evidence here. But director Franklin Schaffner has a dark, pop-apocalyptic sci-fi vision all his own, and time has not dulled the monumental emotional impact of the film's climactic payoff shot. If you don't know what I'm talking about here, you owe it to yourself to check out this stone classic, and even if you do, see it with fresh eyes; and don't be surprised if you get the chills all over again... and again... and again. --Miles Bethany