Film editor who was nominated for an Oscar for Deliverance and sought to promote his father Jb Priestley’s writing
Tom Priestley, who has died aged 91, knew early on that he wanted a career in the arts. “But my father had covered so much territory, there wasn’t much left,” he said. He was the sixth child and only son of the playwright and novelist Jb Priestley.
The discipline he eventually chose, and excelled at, was film editing. He won a Bafta for Morgan: A Suitable Case for Treatment (1966), Karel Reisz’s dark comedy about conformity and rebellion, starring David Warner and Vanessa Redgrave. He was also nominated for an Oscar for John Boorman’s thriller Deliverance (1972), with Burt Reynolds and Jon Voight. It was adapted by James Dickey from his own novel about four friends who are terrorised by Appalachian locals while on a canoeing trip.
Tom Priestley, who has died aged 91, knew early on that he wanted a career in the arts. “But my father had covered so much territory, there wasn’t much left,” he said. He was the sixth child and only son of the playwright and novelist Jb Priestley.
The discipline he eventually chose, and excelled at, was film editing. He won a Bafta for Morgan: A Suitable Case for Treatment (1966), Karel Reisz’s dark comedy about conformity and rebellion, starring David Warner and Vanessa Redgrave. He was also nominated for an Oscar for John Boorman’s thriller Deliverance (1972), with Burt Reynolds and Jon Voight. It was adapted by James Dickey from his own novel about four friends who are terrorised by Appalachian locals while on a canoeing trip.
- 1/25/2024
- by Ryan Gilbey
- The Guardian - Film News
Vanessa Redgrave To Be Feted At European Film Awards
Vanessa Redgrave will be honored with a Lifetime Achievement Award at the 36th European Film Awards this December. Across six decades, the actress has ratcheted up more than 150 film and TV credits. Having first achieved fame as Rosalind in a 1961 a televized Royal Shakespeare Company performance of As You Like It, she broke out in cinema in Karel Reisz’s 1966 comedy Morgan: A Suitable Case For Treatment. Redgrave won Best Actress in Cannes for the role and was also Bafta and Oscar nominated. Other key early credits include Michelangelo Antonioni’s Blow Up, Reisz’s Isadora, Charles Jarrott’s Mary, Queen Of Scots, for which she won a Special David at the Italian David di Donatello Awards; Fred Zinnemann’s Julia, for which she won an Oscar and James Ivory’s The Bostonians and Howards End and James Gray’s Little Odessa.
Vanessa Redgrave will be honored with a Lifetime Achievement Award at the 36th European Film Awards this December. Across six decades, the actress has ratcheted up more than 150 film and TV credits. Having first achieved fame as Rosalind in a 1961 a televized Royal Shakespeare Company performance of As You Like It, she broke out in cinema in Karel Reisz’s 1966 comedy Morgan: A Suitable Case For Treatment. Redgrave won Best Actress in Cannes for the role and was also Bafta and Oscar nominated. Other key early credits include Michelangelo Antonioni’s Blow Up, Reisz’s Isadora, Charles Jarrott’s Mary, Queen Of Scots, for which she won a Special David at the Italian David di Donatello Awards; Fred Zinnemann’s Julia, for which she won an Oscar and James Ivory’s The Bostonians and Howards End and James Gray’s Little Odessa.
- 9/20/2023
- by Jesse Whittock and Melanie Goodfellow
- Deadline Film + TV
Award
British actor Vanessa Redgrave will receive the European Lifetime Achievement award for her outstanding body of work at the European Film Awards.
Hailing from an illustrious family of actors, Redgrave’s first lead in “Morgan: A Suitable Case for Treatment” (1966), by Karel Reisz, won her best actress at Cannes and scored BAFTA and Oscar nominations. She returned to Cannes in the following year as Jane, the mysterious woman in the park in “Blow Up” by Michelangelo Antonioni.
More Oscar nominations followed – in 1969 for her performance as Isadora Duncan in “Isadora” by Reisz, which again won her best actress at Cannes, and in 1972 for “Mary, Queen of Scots, by Charles Jarrott – which won her a special David at Italy’s David di Donatello Awards. Her performance in Fred Zinnemann’s “Julia” (1978) won her an Oscar, and she scored further nominations for James Ivory’s “The Bostonians” (1985) and “Howards End” (1993). In...
British actor Vanessa Redgrave will receive the European Lifetime Achievement award for her outstanding body of work at the European Film Awards.
Hailing from an illustrious family of actors, Redgrave’s first lead in “Morgan: A Suitable Case for Treatment” (1966), by Karel Reisz, won her best actress at Cannes and scored BAFTA and Oscar nominations. She returned to Cannes in the following year as Jane, the mysterious woman in the park in “Blow Up” by Michelangelo Antonioni.
More Oscar nominations followed – in 1969 for her performance as Isadora Duncan in “Isadora” by Reisz, which again won her best actress at Cannes, and in 1972 for “Mary, Queen of Scots, by Charles Jarrott – which won her a special David at Italy’s David di Donatello Awards. Her performance in Fred Zinnemann’s “Julia” (1978) won her an Oscar, and she scored further nominations for James Ivory’s “The Bostonians” (1985) and “Howards End” (1993). In...
- 9/20/2023
- by Naman Ramachandran
- Variety Film + TV
Award will be presented at European Film Awards in Berlin on December 9.
The European Film Academy is to present Dame Vanessa Redgrave with its European Lifetime Achievement Award at the 36th European Film Awards in Berlin on December 9.
Redgrave’s first lead film role was in Morgan: A Suitable Case For Treatment (1966) by Karel Reisz which won her the best actress award in Cannes saw her nominated both the BAFTAs and the Oscars.
Redgrave returned to Cannes the following year as Jane, the mysterious woman in the park in Blow Up by Michelangelo Antonioni.
She won best actress again at...
The European Film Academy is to present Dame Vanessa Redgrave with its European Lifetime Achievement Award at the 36th European Film Awards in Berlin on December 9.
Redgrave’s first lead film role was in Morgan: A Suitable Case For Treatment (1966) by Karel Reisz which won her the best actress award in Cannes saw her nominated both the BAFTAs and the Oscars.
Redgrave returned to Cannes the following year as Jane, the mysterious woman in the park in Blow Up by Michelangelo Antonioni.
She won best actress again at...
- 9/20/2023
- by Tim Dams
- ScreenDaily
Oscar-winning actress and longtime activist Vanessa Redgrave will be honored this year with the European Film Academy’s Lifetime Achievement Award. Redgrave will receive the honor at the 36th European Film Awards in Berlin on Dec. 9.
An acting icon who has deftly straddled theater, film and television in a career that has spanned more than six decades, Redgrave first made her name on the stage as a member of the Royal Shakespeare Company, before breaking into film work in 1966 with Karel Reisz’ Morgan: A Suitable Case for Treatment. The role, which won her the best actress prize in Cannes, launched her international career. A multitude of acting prizes have followed since including another best actress prize in Cannes, two Emmys, a Tony, two Golden Globes and two BAFTAs.
She has been nominated for an Academy Award six times — for performances in Morgan: A Suitable Case for Treatment (1966), Isadora (1968), Mary, Queen of Scots...
An acting icon who has deftly straddled theater, film and television in a career that has spanned more than six decades, Redgrave first made her name on the stage as a member of the Royal Shakespeare Company, before breaking into film work in 1966 with Karel Reisz’ Morgan: A Suitable Case for Treatment. The role, which won her the best actress prize in Cannes, launched her international career. A multitude of acting prizes have followed since including another best actress prize in Cannes, two Emmys, a Tony, two Golden Globes and two BAFTAs.
She has been nominated for an Academy Award six times — for performances in Morgan: A Suitable Case for Treatment (1966), Isadora (1968), Mary, Queen of Scots...
- 9/20/2023
- by Scott Roxborough and Abid Rahman
- The Hollywood Reporter - Movie News
The Specials will release an album of cover songs, Protest Songs – 1924-2012, on September 24th. The release will include 12 new versions of protest songs by artists like Bob Marley, Leonard Cohen, and Frank Zappa.
The British group has previewed the album with a rendition of “Freedom Highway,” a song by the Staple Singers that was written for the civil rights marches from Selma to Montgomery in 1965.
“The beginning of 2020 saw us all together making a reggae record before we each fell ill with Covid-19 and had to put the album on ice,...
The British group has previewed the album with a rendition of “Freedom Highway,” a song by the Staple Singers that was written for the civil rights marches from Selma to Montgomery in 1965.
“The beginning of 2020 saw us all together making a reggae record before we each fell ill with Covid-19 and had to put the album on ice,...
- 8/17/2021
- by Emily Zemler
- Rollingstone.com
Bcdf Pictures and Clair de Lune Entertainment’s family drama “To Leslie” will make its market debut at this year’s Marché du Film Online, sold internationally by Mister Smith Entertainment, which shared details of the film’s now-finished casting with Variety.
Jonathan Tucker, Andre Royo and Owen Teague will join previously announced cast members Andrea Riseborough, Allison Janney and John Hawkes.
Claude Dal Farra and Brian Keady from Bcdf are producing alongside Kelsey Law of Clair de Lune Entertainment. Michael Morris will direct from Ryan Bianco’s screenplay. UTA Independent Film Group is selling domestic rights to the drama.
Based on events from Bianco’s mother’s life, “To Leslie” turns on a single mother in West Texas (Riseborough) who wins the lottery but almost immediately squanders the money and her relationship with her son. Having burned many bridges, the film picks up as Leslie attempts to rebuild her...
Jonathan Tucker, Andre Royo and Owen Teague will join previously announced cast members Andrea Riseborough, Allison Janney and John Hawkes.
Claude Dal Farra and Brian Keady from Bcdf are producing alongside Kelsey Law of Clair de Lune Entertainment. Michael Morris will direct from Ryan Bianco’s screenplay. UTA Independent Film Group is selling domestic rights to the drama.
Based on events from Bianco’s mother’s life, “To Leslie” turns on a single mother in West Texas (Riseborough) who wins the lottery but almost immediately squanders the money and her relationship with her son. Having burned many bridges, the film picks up as Leslie attempts to rebuild her...
- 6/22/2020
- by Jamie Lang and John Hopewell
- Variety Film + TV
In this rereleased comic drama, Hayley Mills and Hywel Bennett play a couple plagued by a wedding-night disaster and the neighbours’ wagging tongues
‘It’s life, lad. It might make you laugh at your age, but one day it’ll make you bloody cry.” After 54 years, this British movie from the Boulting brothers flares like a struck match with broad comedy, fierce sentimentality and a strange dark sense of life’s painfulness – and it’s an amazingly vivid time capsule of Britain in the 1960s. The Family Way, rereleased on digital platforms, is based on a stage play by Bill Naughton, itself developed from his Armchair Playhouse TV script, and directed by Roy Boulting and produced by John Boulting, with a musical score from Paul McCartney, arranged by George Martin.
Hywel Bennett brings his discontented-cherub presence to the role of Arthur Fitton, a young cinema projectionist in Bolton. Arthur is getting married to Jenny Piper,...
‘It’s life, lad. It might make you laugh at your age, but one day it’ll make you bloody cry.” After 54 years, this British movie from the Boulting brothers flares like a struck match with broad comedy, fierce sentimentality and a strange dark sense of life’s painfulness – and it’s an amazingly vivid time capsule of Britain in the 1960s. The Family Way, rereleased on digital platforms, is based on a stage play by Bill Naughton, itself developed from his Armchair Playhouse TV script, and directed by Roy Boulting and produced by John Boulting, with a musical score from Paul McCartney, arranged by George Martin.
Hywel Bennett brings his discontented-cherub presence to the role of Arthur Fitton, a young cinema projectionist in Bolton. Arthur is getting married to Jenny Piper,...
- 4/30/2020
- by Peter Bradshaw
- The Guardian - Film News
From the writer of Night Watch comes the highly-anticipated new film from director Sergey Mokritskiy, Rough Draft coming this January. Written by Sergei Lukianenko, author of Russian blockbuster Night Watch, and directed by Protest Day director Sergey Mokritskiy, Rough Draft is set in and around the concept of open world video gaming, following a man …
The post Rough Draft – Visionary new film from the creators of Night Watch, “Rough Draft” coming January 14 appeared first on Hnn | Horrornews.net.
The post Rough Draft – Visionary new film from the creators of Night Watch, “Rough Draft” coming January 14 appeared first on Hnn | Horrornews.net.
- 1/16/2020
- by Adrian Halen
- Horror News
Vanessa Redgrave Photo: Richard Mowe
Vanessa Redgrave received her first award in Cannes for Morgan: A Suitable Case For Treatment in 1966. Last year she was in attendance for a restored copy of Howard’s End in Cannes Classics. Now she has returned again to make her debut as a director at the age of 80 with Sea Sorrow, a documentary about the refugee crisis, directed by her son Carlo Nero. It features such star performers as Ralph Fiennes and Emma Thompson and a key agitator in Parliament for helping the plight of refugees, Lord Alf Dubs.
Q: What was the impetus for making Sea Sorrow at this particular time?
"It became obvious that it would be her film and she would have to direct it" - Carlo Nero Photo: Richard Mowe
Vanessa Redgrave: The refugees started having a hard time escaping a long time ago because the wars have been going for ages.
Vanessa Redgrave received her first award in Cannes for Morgan: A Suitable Case For Treatment in 1966. Last year she was in attendance for a restored copy of Howard’s End in Cannes Classics. Now she has returned again to make her debut as a director at the age of 80 with Sea Sorrow, a documentary about the refugee crisis, directed by her son Carlo Nero. It features such star performers as Ralph Fiennes and Emma Thompson and a key agitator in Parliament for helping the plight of refugees, Lord Alf Dubs.
Q: What was the impetus for making Sea Sorrow at this particular time?
"It became obvious that it would be her film and she would have to direct it" - Carlo Nero Photo: Richard Mowe
Vanessa Redgrave: The refugees started having a hard time escaping a long time ago because the wars have been going for ages.
- 5/20/2017
- by Richard Mowe
- eyeforfilm.co.uk
Closer to the Gods: Cult Author Meets Cult Director in Wheatley’s Latest Dish
Destined to be overlooked as a visually impressive but significant creative failure, Ben Wheatley’s maddening High-Rise is a stylistic exercise of considerable merit, belonging to a dying tradition of complex, even confounding cinema forced to scrabble for appreciative audiences from future generations. Of course, those familiar with the source text from author J.G. Ballard, an author last significantly adapted by David Cronenberg with 1996’s infamous Crash, should already be expecting a certain elusive appeal.
Channeling a number of British auteurs who churned out experimental narratives in the golden age of the 70s, Wheatley’s film excitingly recalls works of Ken Russell, Nicolas Roeg, and John Boorman, directors who broke new ground with challenging titles, often dismissed upon release, reconstituted decades later by cultish devotees. In essence, a thinly veiled metaphor of class warfare and the...
Destined to be overlooked as a visually impressive but significant creative failure, Ben Wheatley’s maddening High-Rise is a stylistic exercise of considerable merit, belonging to a dying tradition of complex, even confounding cinema forced to scrabble for appreciative audiences from future generations. Of course, those familiar with the source text from author J.G. Ballard, an author last significantly adapted by David Cronenberg with 1996’s infamous Crash, should already be expecting a certain elusive appeal.
Channeling a number of British auteurs who churned out experimental narratives in the golden age of the 70s, Wheatley’s film excitingly recalls works of Ken Russell, Nicolas Roeg, and John Boorman, directors who broke new ground with challenging titles, often dismissed upon release, reconstituted decades later by cultish devotees. In essence, a thinly veiled metaphor of class warfare and the...
- 9/19/2015
- by Nicholas Bell
- IONCINEMA.com
Acre After Acre, Mile After Mile, London
If you've had the feeling in recent years that British cinema has become a story of steadily eroding national identity, then here's where you need to be looking. The season's subtitle – Tradition, Memory & Journey In British Folk Cinema – tells you what you need to know: that there's a solid, albeit underfunded, core of film-makers still out there looking for the soul of Britain, and many of them crop up here. Like Chris Petit, who this Thursday accompanies his seminal late-70s road trip Radio On. Or Andrew Kötting and Iain Sinclair, who'll be previewing their pedalo-powered journey to the Olympics later. Or, fresh to their ranks, Ben Rivers, here with his Scottish wilderness film Two Years At Sea. Look out too for more commercial fare such as The Long Good Friday and The Elephant Man.
Sugar House Studios, E15, Thu to 28 Jun
Jean Gabin,...
If you've had the feeling in recent years that British cinema has become a story of steadily eroding national identity, then here's where you need to be looking. The season's subtitle – Tradition, Memory & Journey In British Folk Cinema – tells you what you need to know: that there's a solid, albeit underfunded, core of film-makers still out there looking for the soul of Britain, and many of them crop up here. Like Chris Petit, who this Thursday accompanies his seminal late-70s road trip Radio On. Or Andrew Kötting and Iain Sinclair, who'll be previewing their pedalo-powered journey to the Olympics later. Or, fresh to their ranks, Ben Rivers, here with his Scottish wilderness film Two Years At Sea. Look out too for more commercial fare such as The Long Good Friday and The Elephant Man.
Sugar House Studios, E15, Thu to 28 Jun
Jean Gabin,...
- 5/4/2012
- by Steve Rose
- The Guardian - Film News
Karel Reisz's 1966 film about a young man broken down by the new consumer culture is a bizarre, brilliant portrait of changing times. Jon Savage explains its influence
Morgan Delt is in court. In the preceding hour or so of screen time, he has ignored an injunction preventing him from contacting his ex-wife Leonie, broken into their once shared house, run a sequence of extremely loud animal noises to disturb Leonie and her new partner Charles Napier, exploded a thunderflash under his mother-in-law, and finally, kidnapped Leonie in an abortive attempt to live in the wilderness of deep Wales.
This rapidly escalating sequence of harassment has been undercut by Morgan's ineptitude, but there's no doubt he's in big trouble. So what does he do? He daydreams. A giraffe is being lassoed by a group of horsemen: then we see a number of these wild animals run free through the veldt.
Morgan Delt is in court. In the preceding hour or so of screen time, he has ignored an injunction preventing him from contacting his ex-wife Leonie, broken into their once shared house, run a sequence of extremely loud animal noises to disturb Leonie and her new partner Charles Napier, exploded a thunderflash under his mother-in-law, and finally, kidnapped Leonie in an abortive attempt to live in the wilderness of deep Wales.
This rapidly escalating sequence of harassment has been undercut by Morgan's ineptitude, but there's no doubt he's in big trouble. So what does he do? He daydreams. A giraffe is being lassoed by a group of horsemen: then we see a number of these wild animals run free through the veldt.
- 2/11/2011
- by Jon Savage
- The Guardian - Film News
Originally released in 1966, this Karel Reisz-directed cult-hit tells the tale of Morgan Delt (David Warner): a working-class Marxist and gorilla-obsessed -- no, not 'guerrilla' -- artist who, upon being divorced by his wife Leonie (Vanessa Redgrave), cooks up a series of increasingly deranged stunts to get her back.
The stunts themselves? A skeleton in her bed here; a bomb under the mattress there; some outright kidnapping with the aid of his giant wrestling friend...you know, the kind of stuff we've all done to win back the woman we love...
Just me then?
Suffice to say, Morgan ends up in jail for his efforts, before eventually losing it completely and being incarcerated in a lunatic asylum. All of which makes the film sound far darker than it is. There are several uncomfortable moments; borderline rape early on, for instance, which is only borderline because of the highly dubious...
The stunts themselves? A skeleton in her bed here; a bomb under the mattress there; some outright kidnapping with the aid of his giant wrestling friend...you know, the kind of stuff we've all done to win back the woman we love...
Just me then?
Suffice to say, Morgan ends up in jail for his efforts, before eventually losing it completely and being incarcerated in a lunatic asylum. All of which makes the film sound far darker than it is. There are several uncomfortable moments; borderline rape early on, for instance, which is only borderline because of the highly dubious...
- 1/10/2011
- Shadowlocked
Like many people, when I first heard about Lynn Redgrave's passing at age 67, I immediately thought about her older sister Vanessa, who has now lost her daughter (Natasha Richardson), brother (Corin Redgrave), and sister in the space of 14 months. I spoke to Vanessa, who appears in this month's romantic comedy Letters to Juliet, just last Tuesday evening, and it was clear she was in a melancholy mood, telling me from London, "At the moment I’m sitting on the stoop outside my daughter-in-law’s home and looking at a very misty full moon." I can only hope that her...
- 5/3/2010
- by Dave Karger
- EW.com - PopWatch
London -- British screen doyenne Vanessa Redgrave is to receive the British Academy of Film and Television Arts Fellowship, the organization said Thursday.
Redgrave is scheduled to pick up the plaudit during this year's Orange British Academy Film Awards, dished out by BAFTA on Feb. 21.
The annual Fellowship award is the highest accolade given to an individual in recognition of an outstanding and exceptional contribution to film.
Previous Fellows include Charlie Chaplin, Alfred Hitchcock, Steven Spielberg, Sean Connery, Elizabeth Taylor, Julie Christie, John Barry, Stanley Kubrick, Anthony Hopkins and Judi Dench. Last year's recipient was Terry Gilliam.
BAFTA chairman David Parfitt said: "She [Redgrave] is a hugely talented and respected actress who has served as an inspiration to the British film industry."
Added Redgrave: "Looking through the list of past recipients shows what a wonderful accolade this is, and the fact that Alfred Hitchcock was the very first recipient makes it even more special,...
Redgrave is scheduled to pick up the plaudit during this year's Orange British Academy Film Awards, dished out by BAFTA on Feb. 21.
The annual Fellowship award is the highest accolade given to an individual in recognition of an outstanding and exceptional contribution to film.
Previous Fellows include Charlie Chaplin, Alfred Hitchcock, Steven Spielberg, Sean Connery, Elizabeth Taylor, Julie Christie, John Barry, Stanley Kubrick, Anthony Hopkins and Judi Dench. Last year's recipient was Terry Gilliam.
BAFTA chairman David Parfitt said: "She [Redgrave] is a hugely talented and respected actress who has served as an inspiration to the British film industry."
Added Redgrave: "Looking through the list of past recipients shows what a wonderful accolade this is, and the fact that Alfred Hitchcock was the very first recipient makes it even more special,...
- 2/11/2010
- by By Stuart Kemp
- The Hollywood Reporter - Movie News
When directors wanted their films to ooze cool, they called on Johnny Dankworth. Richard Williams on the man who made British cinema swing
There was a time when jazz and film formed a natural partnership. When a director wanted a hectic accompaniment to criminal activity, or a splintered melody to echo an on-screen psychodrama, or a cool, lush sound to accompany a cocktail-lounge seduction, jazz was the sound to use. And Johnny Dankworth was one of the men who could provide it, on time and to length.
Dankworth, who died at the weekend, was a fine musician, although not perhaps a great one. His playing and his composing did not alter the course of jazz, and he has no disciples. His real achievement, and his knighthood, came as a result of his ambition to make jazz acceptable on the concert platform and in the conservatory. He will also be remembered...
There was a time when jazz and film formed a natural partnership. When a director wanted a hectic accompaniment to criminal activity, or a splintered melody to echo an on-screen psychodrama, or a cool, lush sound to accompany a cocktail-lounge seduction, jazz was the sound to use. And Johnny Dankworth was one of the men who could provide it, on time and to length.
Dankworth, who died at the weekend, was a fine musician, although not perhaps a great one. His playing and his composing did not alter the course of jazz, and he has no disciples. His real achievement, and his knighthood, came as a result of his ambition to make jazz acceptable on the concert platform and in the conservatory. He will also be remembered...
- 2/9/2010
- by Richard Williams
- The Guardian - Film News
Czech-born The French Lieutenant's Woman director Karel Reisz has died in London at the age of 76. The acclaimed film-maker died on Monday, but the cause of his death has not yet been revealed. Reisz played a key role in championing the populist Free Cinema movement, along with Tony Richardson and Lindsay Anderson, starting with his 1960 debut working-class drama Saturday Night And Sunday Morning, which introduced audiences to Albert Finney. That was followed by a remake of thriller Night Must Fall, the dark comedy Morgan, which showcased David Warner and gave Vanessa Redgrave her first starring role, and the biopic Isadora, also with Redgrave. His first US film was 1974's The Gambler, starring James Caan, followed by others including The French Lieutenant's Woman, which brought Meryl Streep her first Best Actress Oscar nomination in 1981. Screenwriter James Toback says, "His films always had a look of both propriety and elegance. But it was as a superb director of actors - and a creator of stars - on which Karel's esteem rested." For the past decade, Reisz concentrated on directing plays in London, Dublin and Paris. He is survived by his wife, actress Betsy Blair, and three sons, Toby, Matthew and Barney.
- 11/29/2002
- WENN
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