A Man for All Seasons (1966)

Director:

Fred Zinnemann

Writers:

Robert Bolt (play)
Robert Bolt (screenplay)

Release Date:

1967 (Japan)

Genre:

Biography | Drama

Tagline:

...a motion picture for all times!

Plot:

The story of Thomas More, who stood up to King Henry VIII when the King rejected the Roman Catholic Church to obtain a divorce and remarriage.

Plot Keywords:

Thomas More | Divorce | Chancellor | Catholic | King Henry VIII

Awards:

Won 6 Oscars. Another 27 wins & 5 nominations

Cast

Paul Scofield	...	Thomas More
Wendy Hiller	...	Alice
Leo McKern	...	Cromwell
Robert Shaw	...	Henry VIII
Orson Welles	...	Cardinal Wolsey
Susannah York	...	Margaret
Nigel Davenport	...	Duke of Norfolk
John Hurt	...	Rich
Corin Redgrave	...	Roper
Colin Blakely	...	Matthew
Cyril Luckham	...	Archbishop Cranmer
Jack Gwillim	...	Chief Justice
Thomas Heathcote	...	Boatman
Yootha Joyce	...	Averil Machin
Anthony Nicholls	...	King's Representative

Runtime:

120 min

Country:

UK

Language:

English | Latin | Spanish | French

Color:

Color (Technicolor)

Aspect Ratio:

1.66 : 1

Sound Mix:

Mono (Westrex Recording System)

Certification:

Iceland:L | West Germany:12 (nf) | Brazil:Livre | Sweden:11 | Argentina:13 | Australia:G | Finland:K-12 | Singapore:PG | Spain:13 | UK:U | USA:Approved (original rating) | USA:G (re-rating) (1971)

Filming Locations:

Beaulieu River, Hampshire, England, UK

Company:

Highland Films

Trivia:

In the first (London) run of the play, Leo McKern played not Cromwell but the Common Man, a narrator-figure who addresses the audience and plays several characters in the story - More's servant Matthew, the man who rows him home, his jailer, etc. These characters also appear in the film, but are played by several actors. The original stage device of having them all played by the same actor was kept in the 1988 version. In the play, the lines stating what happened to the historical figures after More's death are spoken by the 'Common Man'; in the film, they are spoken in voice-over at the end by Colin Blakely, who plays Matthew.

Goofs:

Continuity: During the trial of More, the guards at the back of the room change the direction they're facing several times.

Quotes:

The Duke of Norfolk: Oh confound all this. I'm not a scholar, I don't know whether the marriage was lawful or not but dammit, Thomas, look at these names! Why can't you do as I did and come with us, for fellowship!
Sir Thomas More: And when we die, and you are sent to heaven for doing your conscience, and I am sent to hell for not doing mine, will you come with me, for fellowship?

Movie Connections:

Referenced in "The Facts of Life: Men for All Seasons (#7.5)" (1985)

powerful and misunderstood study of identity

This is one of my favorite films. It is of perfect length and pacing, and the script is one of the best ever written. The acting, direction, and design of this movie are uniformly excellent. The segue into Henry VIII's entrance is alone reason for seeing the movie. The production design is top-notch, both beautiful and--unlike many "costume dramas"--not so overwhelming as to lose the actors among outrageous sets and costumes. For an adaptation of a stage play, a remarkable proportion of the action taking place outdoors, with More's house at Chelsea being particularly lovely.

It's very easy to see this film superficially as a moral fable, and many people scoff at it as being a stagy morality play. But it's both more subtle and more vibrant that that. The subtlety of Robert Bolt's script lies in its exploration of identity. We're not meant to identify or admire More's religious ideas, which the movie actually tiptoes around. Instead it's what Bolt called More's "adamantine sense of his own self" that the movie really highlights.