| Videos (see all 2) |
Monja Danischewsky (screenplay)
Eric Ambler (novel)
17 September 1964 (USA) more
(where the jewels were!) more
Caper film about the theft of a jeweled dagger from an Istanbul museum. full summary | full synopsis
Won Oscar. Another 1 win & 4 nominations more
Spring Preview: A Repertory Calendar for the Coasts
(From IFC. 18 February 2009, 2:17 PM, PST)
Brosnan On ‘Thomas Crown Affair 2′: It’s Now Or Never
(From Screen Rant. 21 January 2009, 11:21 AM, PST)
Lots of fun and thrills in this colourful tongue in cheek heist adventure. more (57 total)
| Melina Mercouri | ... | Elizabeth Lipp | |
| Peter Ustinov | ... | Arthur Simon Simpson | |
| Maximilian Schell | ... | Walter Harper | |
| Robert Morley | ... | Cedric Page | |
| Jess Hahn | ... | Hans Fisher | |
| Gilles Ségal | ... | Giulio the Human Fly | |
| Akim Tamiroff | ... | Gerven the Cook | |
| Titos Vandis | ... | Harback (as Titos Wandis) | |
| Ege Ernart | ... | Maj. Ali Tufan | |
| Senih Orkan | ... | First Shadow | |
| Ahmet Danyal Topatan | ... | Second Shadow | |
| Joseph Dassin | ... | Josef | |
| Despo Diamantidou | ... | Voula | |
| rest of cast listed alphabetically: | |||
| Bedri Çavusoglu | ... | Police officer (uncredited) | |
| Amy Dalby | ... | Nanny (uncredited) | |
| Jules Dassin | ... | Turkish cop (uncredited) | |
Directed by | |||
| Jules Dassin | |||
Writing credits | ||
| Monja Danischewsky | (screenplay) | |
| Eric Ambler | (novel "The Light of Day") | |
Produced by | |||
| Jules Dassin | .... | producer | |
| Roger Dwyre | .... | associate producer | |
| Lee Katz | .... | associate producer (uncredited) | |
Original Music by | |||
| Manos Hatzidakis | (as Manos Hadjidakis) | ||
Cinematography by | |||
| Henri Alekan | (director of photography) | ||
Film Editing by | |||
| Roger Dwyre | |||
Makeup Department | |||
| Amato Garbini | .... | makeup artist | |
Production Management | |||
| André Cultet | .... | production manager (as Andre Cultet) | |
| Claude Hauser | .... | assistant production manager | |
Art Department | |||
| Jacques Douy | .... | assistant sets | |
| Max Douy | .... | sets | |
| André Labussière | .... | set dresser (as Andre Labussiere) | |
Sound Department | |||
| William Robert Sivel | .... | sound engineer (as William Sivel) | |
Visual Effects by | |||
| Jean Fouchet | .... | optical effects | |
Costume and Wardrobe Department | |||
| Theoni V. Aldredge | .... | costumes (as Denny Vachlioti) | |
Editorial Department | |||
| Patrick Clement-Bayard | .... | assistant editor | |
| Johnny Dwyre | .... | assistant editor | |
| Daniele Grimberg | .... | assistant editor (as Danielle Grimberg) | |
Other crew | |||
| Jean Fouchet | .... | title designer: main titles | |
| Lucie Lichtig | .... | script | |
119 min
Color (Technicolor)
1.66 : 1 more
Mono (Westrex Recording System)
Australia:G | Finland:S | Ireland:G | Sweden:11 | UK:U | USA:Unrated | West Germany:12 (nf)
Six weeks after the release of Topkapi, a similar, real-life heist took place at a New York City museum. Although 22 gems were stolen, they were recovered within 48 hours. more
Continuity: When the agent (in glasses) is marking a photograph with red texter, several extra lines appear on the photograph without him having drawn them. more
[first lines]
Elizabeth Lipp:
It can be done! That's the way it can be done! Aaah... oh, excuse me; I've just had a great idea - something I've been looking for a long time... a very long time.
more
Referenced in The Great Muppet Caper (1981) more
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Jules Dassin directed the classic hard-boiled 'Rififi' in the mid-50s. Ten years later he's at the heist genre again, but 'Topkapi' is a very different kind of movie. Gone is the realism and darkness of 'Rififi', which influenced many subsequent crime thrillers. Instead we have a good old fashioned adventure, which is quite tongue in cheek and very colourful and fun. The eclectic ensemble cast are all very good - Dassin's wife Melina Mercouri, Maximilian Schell, Robert Morley, and especially a knockout performance from Peter Ustinov, an actor I usually have little time for. The robbery sequence was "borrowed" thirty years later by Brian De Palma for 'Mission Impossible', but 'Topkapi' is the better of the two movies by far.