Per un pugno di dollari (1964)

Director:

Sergio Leone
(more)

Writers:

A. Bonzzoni (story) &
Víctor Andrés Catena (story) ...
(more)

Release Date:

18 January 1967 (USA)

Genre:

Action | Western

Tagline:

This short cigar belongs to a man with no name. This long gun belongs to a man with no name. This poncho belongs to a man with no name. He's going to trigger a whole new style in adventure.

Plot:

A wandering gunfighter plays two rival families against each other in a town torn apart by greed, pride, and revenge.

Plot Keywords:

Mexican | Animal Cruelty | Revolver | Good Versus Evil | Warrior

Awards:

1 win

Cast

Clint Eastwood	...	Joe
Marianne Koch	...	Marisol
Gian Maria Volonté	...	Ramón Rojo (as Johnny Wells)
Wolfgang Lukschy	...	John Baxter (as W. Lukschy)
Sieghardt Rupp	...	Esteban Rojo (as S. Rupp)
Joseph Egger	...	Piripero (as Joe Edger)
Antonio Prieto	...	Don Miguel Benito Rojo
José Calvo	...	Silvanito (as Jose Calvo)
Margarita Lozano	...	Consuelo Baxter (as Margherita Lozano)
Daniel Martín	...	Julián
Benito Stefanelli	...	Rubio (as Benny Reeves)
Mario Brega	...	Chico (as Richard Stuyvesant)
Bruno Carotenuto	...	Antonio Baxter (as Carol Brown)
Aldo Sambrell	...	Rojo gang member (as Aldo Sambreli)
rest of cast listed alphabetically:
Raf Baldassarre	...	Juan De Dios (uncredited)
Luis Barboo	...	Baxter Gunman 2 (uncredited)
Frank Braña	...	Baxter gang member (uncredited)
José Canalejas	...	Rojo gang member (uncredited)
Juan Cortés	...	(uncredited)
Nino Del Arco	...	Jesus (uncredited)
Jose Halufi	...	Rojo gang member (uncredited)
Frank Kalvow	...	(uncredited)
Joe Kamel	...	Baxter gang member (uncredited)
Lee Miller	...	Man at Bar (uncredited)
Antonio Molino Rojo	...	Baxter gang member (uncredited)
Antonio Moreno	...	(uncredited)
Nazzareno Natale	...	Rojo gang member (uncredited)
José Orjas	...	(uncredited)
Manuel Peña	...	(uncredited)
Julio Pérez Tabernero	...	Baxter Gunman 4 (uncredited)
Nosher Powell	...	Cowboy (uncredited)
José Riesgo	...	Mexican Cavalry Captain (uncredited)
Lorenzo Robledo	...	Baxter gunman #1 (uncredited)
Enrico Maria Salerno	...	Joe (uncredited) (voice: Italian version)
Fernando Sánchez Polack	...	Rojo gang member crushed by wine cask (uncredited)
Umberto Spadaro	...	Miguel, a Rojo Gunman (uncredited)
Harry Dean Stanton	...	Prison Warden in U.S. Tv footage (uncredited)
William R. Thompkins	...	Baxter gang member (uncredited)

Directed by
Sergio Leone
Monte Hellman		(new footage shot for American TV) (uncredited)

Writing credits
Ryûzô Kikushima		(screenplay "Yojimbo") uncredited &
Akira Kurosawa		(screenplay "Yojimbo") uncredited
A. Bonzzoni		(story) &
Víctor Andrés Catena		(story) &
Sergio Leone		(story)
Víctor Andrés Catena		(screenplay) &
Jaime Comas Gil		(screenplay) (as Jaime Comas) &
Sergio Leone		(screenplay)
Fernando Di Leo		uncredited
Clint Eastwood		uncredited
Mark Lowell		uncredited
Duccio Tessari		uncredited
Tonino Valerii		uncredited

Produced by
Arrigo Colombo	....	producer (as Harry Colombo)
Giorgio Papi	....	producer (as George Papi)
Piero Santini	....	assistant producer (as Peter Saint)

Original Music by
Ennio Morricone		(as Dan Savio)

Cinematography by
Massimo Dallamano		(as Jack Dalmas)
Federico G. Larraya

Film Editing by
Roberto Cinquini		(as Bob Quintle)
Alfonso Santacana

Art Direction by
Carlo Simi		(as Charles Simons)

Set Decoration by
Sigfrido Burmann
Francisco Rodríguez Asensio		(setting) (as Asensio)
Carlo Simi		(as Charles Simons)

Costume Design by
Carlo Simi		(as Charles Simons)

Makeup Department
Dolores Clavel	....	hair stylist
Alberto Gutiérrez	....	makeup artist
Sam Watkins	....	makeup artist
José Luis Pérez	....	assistant makeup artist (uncredited)
José María Sánchez	....	makeup department head (uncredited)

Production Management
Jaime Comas Gil	....	production manager
Ramón Crespo	....	production manager
Franco Palaggi	....	production manager (as Frank Palance)
Günter Raguse	....	production manager
Fernando Rossi	....	unit manager (as Fred Ross)
Anselmo Zabala	....	unit production manager

Second Unit Director or Assistant Director
Franco Giraldi	....	second unit director (as Frank Prestland)
Julio Sempere	....	assistant director
Tonino Valerii	....	assistant director (uncredited)

Art Department
Adolfo Cofiño	....	assistant set decorator
Luis Ocaña	....	property master
Rafael Pérez Murcia	....	assistant set decorator

Sound Department
Elio Pacella	....	sound (as Edy Simson)

Special Effects by
Manuel Baquero	....	special effects
Giovanni Corridori	....	special effects (as John Speed)

Stunts
Benito Stefanelli	....	stunt coordinator
Benito Stefanelli	....	stunts
Nosher Powell	....	stunts (uncredited)
William R. Thompkins	....	stunts (uncredited)

Camera and Electrical Department
Stelvio Massi	....	camera operator (as Steve Rock)
Eduardo Noé	....	second assistant camera
José Sánchez	....	camera operator
José María Sánchez	....	camera operator
Ramón Sempere	....	first assistant camera
Julio Wizuete	....	still photographer

Animation Department
Eugenio Lardani	....	animator: title animation (uncredited)

Costume and Wardrobe Department
María Casado	....	wardrobe

Editorial Department
Alicia Castillo	....	assistant editor

Music Department
Ennio Morricone	....	conductor
Alessandro Alessandroni	....	music arranger: choral (uncredited)
Michele Lacerenza	....	musician: trumpet (uncredited)

Other crew
Clint Eastwood	....	western advisor: Italian prints only
Jerónimo Montoro	....	production assistant
Marta Pons	....	production assistant
María Antonia Puerta	....	script supervisor
Piero Santini	....	production secretary (as Peter Saint)
William R. Thompkins	....	technical advisor (as W.R. Thompkins)
Marisol de Villanueva	....	direction secretary
Eugenio Villar	....	production assistant
Tilde Watson	....	script girl
Ferruccio Amendola	....	voice dubbing: Antonio Molino Rojo (uncredited)
Giorgio Capecchi	....	voice dubbing: Wolfgang Lukschy (uncredited)
Elena Dressler	....	interpreter (uncredited)
Lauro Gazzolo	....	voice dubbing: Josef Egger (uncredited)
Nando Gazzolo	....	voice dubbing: Gian Maria Volonté (uncredited)
Sergio Graziani	....	voice dubbing: Benito Stefanelli (uncredited)
Oreste Lionello	....	voice dubbing: Raf Baldassarre (uncredited)
Anna Miserocchi	....	voice dubbing: Margarita Lozano (uncredited)
Luigi Pavese	....	voice dubbing: José Calvo (uncredited)
Nino Pavese	....	voice dubbing: Daniel Martin (uncredited)
Bruno Persa	....	voice dubbing: Sieghardt Rupp (uncredited)
Mario Pisu	....	voice dubbing: Antonio Prieto (uncredited)
Enrico Maria Salerno	....	voice dubbing: Clint Eastwood (uncredited)
Rita Savagnone	....	voice dubbing: Marianne Koch (uncredited)
Renato Turi	....	voice dubbing: Mario Brega (uncredited)

Production Companies

• Constantin Film Produktion
• Jolly Film
• Ocean Films

Distributors

• Constantin Film (1965) (West Germany) (theatrical)
• Bison Film (1966) (Sweden) (theatrical)
• Suomi-Filmi (1967) (Finland) (theatrical)
• United Artists Corporation (1967) (UK) (theatrical) (dubbed)
• United Artists (1967) (USA) (theatrical) (dubbed)
• United Artists (1969) (USA) (theatrical) (reissue)
• American Broadcasting Company (ABC) (1975) (USA) (TV)
• Adams Filmi (1977) (Finland) (theatrical)
• MGM/UA Home Entertainment (1991) (USA) (video) (laserdisc)
• Astro Distribution (1994) (Germany) (video) (laserdisc)
• MGM/UA Home Entertainment (1996) (USA) (VHS)
• Chapel Distribution (1997) (Australia) (theatrical)
• MGM/UA Home Entertainment (1999) (USA) (DVD)
• MGM Home Entertainment (Europe) (2001) (UK) (DVD)
• A-Film Home Entertainment (2002) (Netherlands) (DVD)
• Atlantic Film (2002) (Sweden) (DVD)
• MGM Home Entertainment (Europe) (2005) (UK) (DVD)
• MGM Home Entertainment (2007) (USA) (DVD)
• Tobis Filmkunst (????) (Germany) (theatrical)
• Unidis (????) (Italy) (theatrical)
• Ízaro Films (????) (Spain) (theatrical)
• MGM Home Entertainment (Europe) (2000) (UK) (VHS)
• MGM Home Entertainment (2003) (France) (VHS)
• MGM Home Entertainment (2005) (France) (DVD)
• Paramount Home Entertainment (2007) (Germany) (DVD)
• Ripley's Home Video (2009) (Italy) (DVD)
• Video Film Express (????) (Netherlands) (VHS)
• marketing-film (????) (West Germany) (VHS)

Other Companies

• Andrea Leone Films  thanks (Italian version only)
• Cornejo  wardrobe
• Vázquez Hermanos  props

Also Known As:

A Fistful of Dollars (UK) (USA)
Für eine Handvoll Dollar (West Germany)
Il magnifico straniero (Italy) (working title)
Nur einer bleibt zurück (West Germany) (working title)
Por un puñado de dólares (Spain)

Runtime:

99 min

Country:

Italy | Spain | West Germany

Language:

Italian

Color:

Color (Technicolor)

Aspect Ratio:

2.35 : 1

Sound Mix:

Mono (Western Electric Sound System)

Certification:

Iceland:16 | Canada:A (Nova Scotia) | Finland:K-16 (cut) (1967) | Finland:K-16 (re-rating) (cut) (1977) | Singapore:PG | Brazil:14 | South Korea:15 | New Zealand:M | UK:X (original rating) | Australia:MA (re-rating) (2004) | Australia:R (original rating) | Canada:G (Quebec) (re-rating) (2003) | Canada:PG (Manitoba/Ontario) | Ireland:15 | Netherlands:12 | Norway:16 | Spain:18 | Sweden:15 | UK:15 (video rating) (1986) | UK:AA (re-rating) (1981) | USA:M (original rating) | USA:R (re-rating) (1993) | Canada:13+ (Quebec) (original rating) | West Germany:16

Filming Locations:

Almería, Andalucía, Spain

Company:

Constantin Film Produktion

Trivia:

After considering Henry Fonda, director Sergio Leone offered the role of the Man With No Name to James Coburn, who proved too expensive. Charles Bronson then turned it down after describing it as the "worst script I have ever seen". Third choice Richard Harrison also declined the role but pointed Leone in the direction of "Rawhide" (1959). Leone then offered the part to "Rawhide" star Eric Fleming, who turned it down but suggested his co-star Clint Eastwood for the part. The rest, as they say, is history.

Goofs:

Continuity: In his first real gunfight of the film, The Man With No Name manages to kill four opponents with four bullets, while his weapon is aimed at a spot about ten feet to the right of three of them.

Quotes:

Don Miguel Rojo: That's the right idea? You didn't misunderstand?
Joe: I get the wrong idea only when it suits me.
Ramon Rojo: You are well informed, eh?
Joe: A man's life in these parts often depends on a mere scrap of information. Your brother's own words.
Ramon Rojo: Tell me. Why are you doing this for us?
Joe: [Holds out his hand with a response that is almost a question] Five hundred dollars.

Movie Connections:

Referenced in Something to Do with Death (2003) (V)

The Star Wars of westerns...

When Per un pungo di dollari, or A Fistful Of Dollars, was released in the mid-1960s, the term "Spaghetti Western" was coined as a putdown to these brazen new films that dared to recreate the Wild West in a place as far away as Italy. However, the last laugh was shared by the Italian directors, whose new style of portraying Colonial America in a realistic style rather than the romanticised way that was characteristic of John Wayne and his contemporaries will be remembered long after the films of the romanticised style are no more.

The plot is indescribably simple, as Clint Eastwood simply wanders into a town where gang warfare has stripped the economy to the point where only the local undertaker makes a profit and turns the two warring families against one another. Sergio Leone's best-known trademark, his dynamic use of widescreen ratios, comes to the fore here as Clint shares a film frame with no less than four of his enemies, all of whom have plenty to say to him and vice versa. This is one film where a pan and scan transfer is purely and simply vandalism. Some of the dialogue that is included here absolutely takes the cake for cleverness and wit, too. Asking four gunslingers to apologise to a horse, well, if it wasn't a man as famous for playing a gunslinger as Clint Eastwood, it'd be ridiculous.

Transplanting old Samurai legends into the Wild West works well, as you can see here. Simply having an old mercenary who travels the land in search of wrongs to right and battles to be fought makes the story a lot more compelling than the Westerns where we are told every iota of the characters' motivations in the hope that it will give them some depth. The element of the main hero not getting involved in every scuffle that the bad guys cause, our semi-nameless hero's ignoring a drunken thug shooting at a little boy being the most obvious example, was another master stroke, one that got Eastwood involved in doing the film to begin with. The confrontation at the end of the film works well, too, with pyrotechnics exploding all over the picture in a bright display that keeps the film powerful and yet focused at the same time.

All in all, Per un pungo di dollari gets nine out of ten from me. The lack of any interesting support characters does dull the story a little, but this mistake was quickly rectified in the two sequels. The addition of Lee Van Cleef also worked well, but in this effort, it's all Clint Eastwood, and while the rest of the cast are nowhere near as interesting, it's all a better watch than anything the Americans were lumping out at the time.