| Photos (see all 11 | slideshow) |
| John Mills | ... | Captain Anson | |
| Sylvia Syms | ... | Sister Diana Murdoch | |
| Anthony Quayle | ... | Captain van der Poel / Hauptman Otto Lutz | |
| Harry Andrews | ... | MSM Tom Pugh | |
| Diane Clare | ... | Sister Denise Norton | |
| Richard Leech | ... | Captain Crosbie | |
| Liam Redmond | ... | Brigadier (DDMS) | |
| Allan Cuthbertson | ... | Brigadier's Staff Officer | |
| David Lodge | ... | CMP Captain (tank trap) | |
| Michael Nightingale | ... | CMP Captain (checkpoint) | |
| Basil Hoskins | ... | CMP Lieutenant (Alexandria) | |
| Walter Gotell | ... | 1st German Officer | |
| Frederick Jaeger | ... | 2nd German Officer | |
| Richard Marner | ... | German Guard | |
| Peter Arne | ... | British Officer at Oasis | |
| Paul Stassino | ... | Barman |
Directed by | |||
| J. Lee Thompson | |||
Writing credits(in alphabetical order) | ||
| Christopher Landon | novel | |
| Christopher Landon | screenplay | |
| T.J. Morrison | writer | |
Produced by | |||
| W.A. Whittaker | .... | producer | |
Original Music by | |||
| Leighton Lucas | |||
Cinematography by | |||
| Gilbert Taylor | |||
Film Editing by | |||
| Richard Best | |||
Casting by | |||
| Robert Lennard | |||
Art Direction by | |||
| Robert Jones | |||
Makeup Department | |||
| Eric Aylott | .... | makeup artist | |
| A.G. Scott | .... | hair stylist (as A. Scott) | |
Production Management | |||
| Barry Delmaine | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Gus Agosti | .... | assistant director | |
Art Department | |||
| Bill Beavis | .... | scenic artist (uncredited) | |
Sound Department | |||
| Charles Crafford | .... | dubbing editor | |
| Leslie Hammond | .... | sound recordist | |
| A.W. Lumkin | .... | recording director | |
| Len Shilton | .... | sound recordist | |
Special Effects by | |||
| George Blackwell | .... | special effects | |
Camera and Electrical Department | |||
| Val Stewart | .... | camera operator | |
| Norman Warwick | .... | photography: second unit | |
| Steve Birtles | .... | electrician (uncredited) | |
| Kelvin Pike | .... | focus puller (uncredited) | |
Music Department | |||
| Leighton Lucas | .... | conductor | |
Transportation Department | |||
| Eddie Frewin | .... | unit driver (uncredited) | |
Other crew | |||
| Joan Kirk | .... | continuity | |
| Walter C. Mycroft | .... | script supervisor (as Walter Mycroft) | |
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Army ambulance Captain Anson is ordered out of Tobruk just before it is besieged in 1942. He is fatigued by battle, dependent on drink, and despised by his friend and fellow officer who wrongly suspects him of asking to be released from the siege.
With Sergeant Pugh, the squadron's senior mechanic he prepares to leave, but enemy action separates them from the rest of the column and presents two nurses as unwelcome passengers. They later encounter Van der Pol, an ebullient South African Officer who offers to share his large rucksack of gin if the ambulance crew will give him a lift. The five then set off eastwards, trying to reach Alexandria, and safety.
But nothing about the journey is straightforward and Anson must deal with the desert, enemy forces, his own alcoholism, and the growing realisation that one of their number is an enemy agent. An incident in which one of the nurses is killed forces Anson to face up to his drunkenness and he promises his next drink won't be until they reach 'Alex' and it will be a cold beer, giving the film its title.
As the journey progresses the identity of the agent becomes obvious, but in parallel the others find themselves becoming drawn to him because of his bravery and integrity. The setbacks and hazards in the desert asks tough questions of them all, but none more difficult than how to remain loyal both to their country and to an enemy soldier to whom they each owe their lives.
John Mills as Anson, and Anthony Quayle as Van der Pol head an excellent and well-directed cast. Sylvia Simms and Harry Andrews support, without taking the limelight and although the script occasionally dips below standard, nothing can really detract from one of the finest wartime stories ever told.