Dracula (1958)

Director:

Terence Fisher

Writers:

Jimmy Sangster (screenplay)
Bram Stoker (novel)

Release Date:

8 May 1958 (USA)

Genre:

Horror | Thriller

Tagline:

Don't Dare See It...Alone!

Plot:

After Jonathan Harker attacks Dracula at his castle (apparently somewhere in Germany), the vampire travels to a nearby city...

Plot Keywords:

Dracula | Count | Vampire | Castle | Psychopath

Awards:

1 nomination

Cast

Peter Cushing	...	Doctor Van Helsing
Christopher Lee	...	Count Dracula
Michael Gough	...	Arthur
Melissa Stribling	...	Mina
Carol Marsh	...	Lucy
Olga Dickie	...	Gerda
John Van Eyssen	...	Jonathan
Valerie Gaunt	...	Vampire Woman
Janina Faye	...	Tania (as Janine Faye)
Barbara Archer	...	Inga
Charles Lloyd Pack	...	Doctor Seward
George Merritt	...	Policeman
George Woodbridge	...	Landlord
George Benson	...	Official
Miles Malleson	...	Undertaker

Also Known As:

Dracula 1958 (USA)
Horror of Dracula (USA)

Runtime:

82 min

Country:

UK

Language:

English

Color:

Color (Technicolor)

Aspect Ratio:

1.66 : 1

Sound Mix:

Mono (RCA Sound Recording)

Certification:

UK:12A (re-rating) (2007) | Norway:16 (1958) | Canada:13+ (Quebec) | USA:Approved (PCA #18981) | UK:15 (video rating) | UK:X (original rating) | Argentina:16 | Finland:(Banned) (1958) | West Germany:12 | Sweden:(Banned) (1958-1970)

Filming Locations:

Bray Studios, Down Place, Oakley Green, Berkshire, England, UK

Company:

Hammer Film Productions

Trivia:

On several occasions, Christopher Lee complained about the contact lenses he had to wear for the shock scenes. Not only they were quite painful, but he could not see a thing. While running towards the vampire woman for instance, he even ran too far past the camera on the first take.

Goofs:

Continuity: The scar burned into Mina's palm by the cross changes its appearance completely when it is seen for a second time.

Quotes:

Count Dracula: Sleep well, Mr. Harker.

Movie Connections:

Featured in Dracula: A Cinematic Scrapbook (1991)

The most influential British film

It's difficult to overestimate the significance of Dracula. Far more so than its predecessor, The Curse of Frankenstein, it set the tone for Hammer's movie output over the next two decades - the two decades (1956-1976) when British films, or at least British horror films, were among the best, most admired and most imitated in the world. A far cry from the terribly English whimsy of the Thirties and Forties, or the provincial, "arty" stuff that's predominated since the end of the Eady levy in the 1980s.

With this movie, Hammer not only created an international star out of Christopher Lee, but a worldwide phenomenon that persists, in series such as Buffy the Vampire Slayer and films like Sleepy Hollow, to the present day. Taking the Kensington gore quotient of The Curse of Frankenstein, and combining it with an unprecedented dose of eroticised violence, Dracula revolutionised horror, ultimately leading to the breasts and blood exploitation movies of the Seventies, as well as the heavy sexual overtones of films such as Alien and The Company of Wolves.

The movie benefits from two astonishing central performances. Christopher Lee's Dracula is a creation of passionate intensity, to whom Cushing's monomaniacal Van Helsing is the antithesis – fire and steel; hot-blooded animal instinct versus cool scientific rationalism. This has led some critics to identify Van Helsing as the real villain of the piece, a brutal fanatic who coldly pounds a stake through the vampirised Lucy. Either way, both actors give supremely effective performances. The final confrontation between the two remains the single most iconic scene in any Hammer film. Hardly surprising, given their on screen charisma, that Lee should reprise his role six times and Cushing four.

The most influential British movie of all time, Dracula's electric mix of sex and death fuelled a global revolution in genre film-making, and presented Hammer with a formula that they would return to again and again over the next two decades.