Witness for the Prosecution (1957)

User Rating:

8.3/10   

Director:

Billy Wilder

Writers:

Agatha Christie (play)
Larry Marcus (adaptation)

Release Date:

6 February 1958 (USA)

Genre:

Crime | Drama | Mystery | Thriller

Tagline:

Once in 50 years suspense like this!

Plot:

Agatha Christie tale of a man on trial for murder: a trial featuring surprise after surprise.

Plot Keywords:

Widow | Murder | Alibi | Trial | Letter

Awards:

Nominated for 6 Oscars. Another 2 wins & 8 nominations

Cast

Tyrone Power	...	Leonard Vole
Marlene Dietrich	...	Christine Vole
Charles Laughton	...	Sir Wilfrid Robarts
Elsa Lanchester	...	Miss Plimsoll
John Williams	...	Brogan-Moore
Henry Daniell	...	Mayhew
Ian Wolfe	...	Carter
Torin Thatcher	...	Mr. Myers
Norma Varden	...	Emily Jane French
Una O'Connor	...	Janet McKenzie
Francis Compton	...	Judge
Philip Tonge	...	Inspector Hearne
Ruta Lee	...	Diana

Runtime:

116 min | Australia:111 min

Country:

USA

Language:

English

Color:

Black and White

Aspect Ratio:

1.66 : 1

Sound Mix:

Mono (Westrex Recording System)

Certification:

West Germany:12 | Spain:T | Argentina:16 | Australia:G | Finland:K-16 | Sweden:15 | USA:Approved (PCA #18704) | UK:U

Filming Locations:

MGM Studios - 10202 W. Washington Boulevard, Hollywood, Los Angeles, California, USA

Company:

Edward Small Productions

Trivia:

[June 2008] Ranked #6 on the American Film Institute's list of the 10 greatest films in the genre "Courtroom Drama".

Goofs:

Factual errors: The witness Janet McKenzie testified that October the 14 was a Friday. The film is set in 1952; if the year of the murder was 1952, October 14 was a Tuesday or if 1951, October the 14 was a Sunday. The last year October 14 was on a Friday before 1952 was 1949.

Quotes:

Sir Wilfrid: I am constantly surprised that women's hats do not provoke more murders.

Movie Connections:

Referenced in Portrait d'un homme 'à 60% parfait': Billy Wilder (1980)

Soundtrack:

I May Never Go Home Anymore

Another triumph for cinematic genius Billy Wilder!

Billy Wilder is a director with an understanding of cinema that is almost unmatched throughout the medium's entire history - that's why his films are always so good. Witness for the Prosecution is yet another highlight in the great director's history, and it proves that courtroom dramas can be both riveting and a great opportunity for some first rate comedy. Wilder's film features one of the most well paced plots I've ever seen in a film, and it's a plot that includes some very finely tuned twists. Towards the end, Wilder bombards us with twist after twist, each one both making sense and topping the one before it. In a time when people are impressed by films such as 'The Sixth Sense', Billy Wilder still shows us how to skilfully attribute a twist into a film's plot. The plot itself follows the story of Sir Wilfrid Robarts; an ace defence lawyer that has been told that his health won't allow him to tackle anything more than mundane cases, but is brought back into the fray when a case involving the murder of an elderly woman comes into his hands. Wilfrid must now juggle the case and his health as he attempts to keep the young man from being sent down.

Like all Wilder films, this one is a very pleasurable viewing. Wilder manages to find a middle ground between substance and entertainment, and so this is a film that will please fans of both aspects. The film is deliriously entertaining throughout, with some truly great lines of dialogue (most of which is very quotable) and every twist adds a new level to the story. The substance comes from a multitude of angles, and themes of love, health, sacrifice and most notably, justice, are all more than prevalent. The acting is certainly of note in Witness for the Prosecution. Charles Laughton is absolutely sublime as the undermining and stubborn Wilfrid Robarts; his performance is very strong, and makes up the backbone of the film. The main supporting performance comes from Marlene Dietrich. I'm not a big fan of hers; despite having a great pair of legs, she just doesn't do anything for me, but in this film she brings sufficient coldness to her character and really makes it her own. The final main performance comes from Tyrone Power; he isn't as great as the other two, but does enough with his character to ensure he's believable. Highly recommended viewing!