With a seemingly endless amount of streaming options — not only the titles at our disposal, but services themselves — we’ve taken it upon ourselves to highlight the titles that have recently hit platforms. Every week, one will be able to see the cream of the crop (or perhaps some simply interesting picks) of streaming titles (new and old) across platforms such as Netflix, iTunes, Amazon, and more (note: U.S. only). Check out our rundown for this week’s selections below.
20th Century Women (Mike Mills)
That emotional profundity most directors try to build to across an entire film? Mike Mills achieves it in every scene of 20th Century Women. There’s such a debilitating warmness to both the vibrant aesthetic and construction of its dynamic characters as Mills quickly soothes one into his story that you’re all the more caught off-guard as the flurry of emotional wallops are presented.
20th Century Women (Mike Mills)
That emotional profundity most directors try to build to across an entire film? Mike Mills achieves it in every scene of 20th Century Women. There’s such a debilitating warmness to both the vibrant aesthetic and construction of its dynamic characters as Mills quickly soothes one into his story that you’re all the more caught off-guard as the flurry of emotional wallops are presented.
- 7/14/2017
- by Jordan Raup
- The Film Stage
Each month, the fine folks at FilmStruck and the Criterion Collection spend countless hours crafting their channels to highlight the many different types of films that they have in their streaming library. This July will feature an exciting assortment of films, as noted below.
To sign up for a free two-week trial here.
Saturday, July 1 Changing Faces
What does a face tell us even when it’s disguised or disfigured? And what does it conceal? Guest curator Imogen Sara Smith, a critic and author of the book In Lonely Places: Film Noir Beyond the City, assembles a series of films that revolve around enigmatic faces transformed by masks, scars, and surgery, including Georges Franju’s Eyes Without a Face (1960) and Hiroshi Teshigahara’s The Face of Another (1966).
Tuesday, July 4 Tuesday’s Short + Feature: Premature* and Ten*
Come hitch a ride with Norwegian director Gunhild Enger and the late Iranian master...
To sign up for a free two-week trial here.
Saturday, July 1 Changing Faces
What does a face tell us even when it’s disguised or disfigured? And what does it conceal? Guest curator Imogen Sara Smith, a critic and author of the book In Lonely Places: Film Noir Beyond the City, assembles a series of films that revolve around enigmatic faces transformed by masks, scars, and surgery, including Georges Franju’s Eyes Without a Face (1960) and Hiroshi Teshigahara’s The Face of Another (1966).
Tuesday, July 4 Tuesday’s Short + Feature: Premature* and Ten*
Come hitch a ride with Norwegian director Gunhild Enger and the late Iranian master...
- 6/26/2017
- by Ryan Gallagher
- CriterionCast
Rushes collects news, articles, images, videos and more for a weekly roundup of essential items from the world of film.News Jan Němec, the Czech director of Diamonds of the Night (1964), has died. Keyframe has an overview of his work. Above: the Czech poster for Němec's 1966 film, A Report on the Party and the Guests, via Adrian Curry's blog Movie Poster of the Day.Speculation around the 2016 Cannes Film Festival selection is raging, but Variety is pretty sure it will include several new American films, including new movies directed by Sean Penn, Woody Allen and Jeff Nichols.The Criterion Collection has announced its next lineup of releases, which includes Stanley Kubrick's Dr. Strangelove: Or, How I Learned to Stop Worrying and Love the Bomb, Olivier Assayas's Clouds of Sils Maria, and Michelangelo Antonionio's Le amiche.New issues of Cinema Scope and Senses of Cinema are out. Yes,...
- 3/23/2016
- by Notebook
- MUBI
How nice it's been to anticipate another set of tales from modern Portugal in the form of Miguel Gomes's Arabian Nights! The film's three parts have been shown every other day here in Cannes, and I've finally caught the last and I must say I already miss the idea that Gomes and his Scheherazade will unspool even more for me two days hence. If she told the stories to her king to stave off her death, I feel Gomes is telling me stories, among many others reasons, in order to stave off the powerful aura of respectable averageness prevalent at Cannes 2015.Arabian Nights Volume 3: The Enchanted One had me smiling for a good forty-five minutes in a row. After a brief glimpse of Gomes's modern version of Scheherazade in Volume 1, we finally get to spend some time with her in "Baghdad," wandering the landscape encountering lovers and bandits,...
- 5/24/2015
- by Daniel Kasman
- MUBI
The Film Society of Lincoln Center have unveiled their incredible lineup for the forthcoming "Art of the Real" series, which includes work from Corneliu Porumboiu, Robert Greene, Thom Andersen, James Benning, and more:
"The thin and often blurry line between fact and fiction will be prodded in the Film Society of Lincoln Center’s revamped Art of the Real, a two-week series (April 11-26) dedicated to an expansive definition of nonfiction filmmaking."
For The New York Times, Dave Kehr remembers Alain Resnais:
"Mr. Resnais had a full head of white hair that the French newspaper Le Monde said he had sported for so long that one could forget he was ever young. He exhibited a youthful energy well into his 80s and was working on drafts of his next project from his hospital bed when he died, the producer Jean-Louis Livi said.
Despite the serious nature of his films,...
"The thin and often blurry line between fact and fiction will be prodded in the Film Society of Lincoln Center’s revamped Art of the Real, a two-week series (April 11-26) dedicated to an expansive definition of nonfiction filmmaking."
For The New York Times, Dave Kehr remembers Alain Resnais:
"Mr. Resnais had a full head of white hair that the French newspaper Le Monde said he had sported for so long that one could forget he was ever young. He exhibited a youthful energy well into his 80s and was working on drafts of his next project from his hospital bed when he died, the producer Jean-Louis Livi said.
Despite the serious nature of his films,...
- 3/5/2014
- by Adam Cook
- MUBI
Criterion tried playing a fast one this week by releasing all the new films while we were recording our super two year anniversary special. Sneaky Criterion, how could you do such a thing? But lo and behold they gave us another 11 titles, which again just goes to show that Criterion/Janus have multiple tricks up their sleeves. Especially this week, they gave us a couple of catalog titles and the rest are new and exciting, especially one that is the original edit of a particular film that was put on the page last week. Once again, if you want to join what a million other people are enjoying right now, please sign up here. It will help the series of articles and you’ll get to experience the best bang for the buck.
First up is the original version of a film that was put up last week, which is...
First up is the original version of a film that was put up last week, which is...
- 7/12/2011
- by James McCormick
- CriterionCast
Collecting Masters of Cinema spine numbers 52 to 59 this new box set features eight films from the late period in Kenji Mizoguchi’s career, the years 1951-1956. Mizoguchi passed away in 1956 and this selection of films represent a wonderful selection of Mizoguchi’s most widely acclaimed work.
Each film is given its own disc and there are four highly detailed booklets offering information and essays on the films. Each film also has an introduction by the respected critic Tony Rayns and an accompanying trailer. The introductions are informative and offer a good introduction to the significance of each film but are perhaps best viewed after the film rather than before (if you have not already seen the film in question) as they tend to reveal a lot of details about the plots.
The transfers are mixed but all impressive considering the difficulty in acquiring pristine prints of some of these films.
Each film is given its own disc and there are four highly detailed booklets offering information and essays on the films. Each film also has an introduction by the respected critic Tony Rayns and an accompanying trailer. The introductions are informative and offer a good introduction to the significance of each film but are perhaps best viewed after the film rather than before (if you have not already seen the film in question) as they tend to reveal a lot of details about the plots.
The transfers are mixed but all impressive considering the difficulty in acquiring pristine prints of some of these films.
- 2/7/2011
- by Craig Skinner
- HeyUGuys.co.uk
Japanese cinema isn’t all Takeshi Miike, Battle Royale, Takeshi Kitano and Akira Kurosawa you know. Director Kenji Mizoguchi took a more poetic and no less masterful approach to his work which is being celebrated in an amazing boxset collection released by Eureka’s Masters of Cinema label from 23rd January focusing on the man’s 1950s classic-after-classic output.
We’ve been sent over a press release with details of what films feature and what extra features there are. FilmShaft’s Alex Wagner is a big Mizoguchi fan, so imagine he’s excited by this news! So if you’re a connoisseur of Japanese film or a film student wanting to look good in class by saying something like, “well Mizoguchi’s Street of Shame is largely considered by many critics to be one of the greatest films of the 20th century”, this boxset is definitely for you.
Eureka! have...
We’ve been sent over a press release with details of what films feature and what extra features there are. FilmShaft’s Alex Wagner is a big Mizoguchi fan, so imagine he’s excited by this news! So if you’re a connoisseur of Japanese film or a film student wanting to look good in class by saying something like, “well Mizoguchi’s Street of Shame is largely considered by many critics to be one of the greatest films of the 20th century”, this boxset is definitely for you.
Eureka! have...
- 1/5/2011
- by Martyn Conterio
- FilmShaft.com
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