| Photos (see all 14 | slideshow) | Videos |
| Richard Todd | ... | Wing Commander Guy Gibson, V.C., D.S.O., D.F.C. | |
| Michael Redgrave | ... | Doctor B. N. Wallis, C.B.E., F.R.S. | |
| Ursula Jeans | ... | Mrs. Wallis | |
| Charles Carson | ... | Doctor | |
| Stanley Van Beers | ... | Sir David Pye, C.B., F.R.S. | |
| Colin Tapley | ... | Doctor W.H. Glanville, C.B., C.B.E. | |
| Frederick Leister | ... | Committee Member | |
| Eric Messiter | ... | Committee Member | |
| Laidman Browne | ... | Committee Member | |
| Raymond Huntley | ... | Official, National Physical Laboratory | |
| Hugh Manning | ... | Official, Ministry of Aircraft Production | |
| Patrick Barr | ... | Captain Joseph 'Mutt' Summers, C.B.E. | |
| Edwin Styles | ... | Observer at trials | |
| Hugh Moxey | ... | Observer at trials | |
| Anthony Shaw | ... | R.A.F. Officer at trials | |
| Basil Sydney | ... | Air Chief Marshal Sir Arthur Harris G.C.B., O.B.E., A.F.C. | |
| Ernest Clark | ... | Air Vice-Marshal The Hon. Ralph Cochrane G.B.E., K.C.B., A.F.C. | |
| Derek Farr | ... | Group Captain J.N.H. Whitworth, D.S.O., D.F.C. | |
| Laurence Naismith | ... | Farmer | |
| Harold Siddons | ... | Group Signals Officer | |
| Frank Phillips | ... | B.B.C. Announcer | |
| Brewster Mason | ... | Flt / Lt. R.D. Trevor-Roper, D.F.C., D.F.M. | |
| Anthony Doonan | ... | Flt / Lt. R.E.G. Hutchison, D.F.C. | |
| Nigel Stock | ... | Flying / Off. F.M. Spafford, D.F.C., D.F.M. | |
| Brian Nissen | ... | Flt / Lt. A.T. Taerum, D.F.C. | |
| Robert Shaw | ... | Flt / Sgt. J. Pulford, D.F.M. | |
| Peter Assinder | ... | Plt / Off. G.A. Deering, D.F.C. | |
| Richard Leech | ... | Squadron Leader H.M. Young, D.F.C. | |
| Richard Thorp | ... | Squadron Leader H.E. Maudslay, D.F.C. | |
| John Fraser | ... | Flight Lieutenant J.V. Hopgood, D.F.C. | |
| David Morrell | ... | Flight Lieutenant W. Astell, D.F.C. | |
| Bill Kerr | ... | Flight Lieutenant H.B. Martin, D.S.O., D.F.C., A.F.C. | |
| George Baker | ... | Flight Lieutenant D.J.H. Maltby, D.S.O., D.F.C. | |
| Ronald Wilson | ... | Flight Lieutenant D.J. Shannon, D.S.O., D.F.C. | |
| Denys Graham | ... | Flying Officer L.G. Knight, D.S.O. | |
| Basil Appleby | ... | Flight Lieutenant R.C. Hay, D.F.C. | |
| Tim Turner | ... | Flight Lieutenant J.F. Leggo, D.F.C. | |
| Ewen Solon | ... | Flight Sergeant G.E. Powell | |
| Harold Goodwin | ... | Wing Comdr. Gibson's Batman | |
| rest of cast listed alphabetically: | |||
| John Breslin | ... | Crew member (uncredited) | |
| Edward Cast | ... | Crew Member (uncredited) | |
| Richard Coleman | ... | RAF Officer (uncredited) | |
| Peter Diamond | ... | Tail Gunner (uncredited) | |
| Gerald Harper | ... | RAF Officer (uncredited) | |
| Arthur Howard | ... | RAF Pay Clerk In NAAFI (uncredited) | |
| Lloyd Lamble | ... | Collins (uncredited) | |
| Philip Latham | ... | Flight Sergeant (uncredited) | |
| Patrick McGoohan | ... | Guard on Door (uncredited) | |
| Jack McNaughton | ... | Waiter (uncredited) | |
| Nina Parry | ... | Barnes Wallace's daughter (uncredited) | |
| Edwin Richfield | ... | RAF Officer (uncredited) | |
Directed by | |||
| Michael Anderson | |||
Writing credits(in alphabetical order) | ||
| Paul Brickhill | book | |
| Guy Gibson | book "Enemy Coast Ahead" (as Wing Comdr. Gibson) | |
| R.C. Sherriff | screenplay | |
Original Music by | |||
| Leighton Lucas | |||
Cinematography by | |||
| Erwin Hillier | (director of photography) | ||
Film Editing by | |||
| Richard Best | |||
Casting by | |||
| Robert Lennard | |||
| G.B. Walker | |||
Art Direction by | |||
| Robert Jones | |||
Makeup Department | |||
| Hilda Fox | .... | hairdresser (as Hilda Winifred Fox) | |
| Stuart Freeborn | .... | makeup artist | |
Production Management | |||
| Gordon Scott | .... | production manager | |
| W.A. Whittaker | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| John Street | .... | assistant director | |
| Frederic Goode | .... | assistant director: location (uncredited) | |
| Jeremy Summers | .... | second assistant director (uncredited) | |
Art Department | |||
| Bill Beavis | .... | scenic artist (uncredited) | |
| Peter Glazier | .... | assistant art director (uncredited) | |
| Wallis Smith | .... | draughtsman (uncredited) | |
Sound Department | |||
| Leslie Hammond | .... | sound recordist | |
| Harold V. King | .... | recording director (as H.V. King) | |
| Arthur Southgate | .... | dubbing editor | |
| Eric Bayman | .... | boom operator (uncredited) | |
| Len Shilton | .... | dubbing crew (uncredited) | |
| Hugh Strain | .... | assistant boom operator (uncredited) | |
Special Effects by | |||
| George Blackwell | .... | special effects | |
| Gilbert Taylor | .... | special effects photography | |
Visual Effects by | |||
| Ronnie Wass | .... | optical effects (uncredited) | |
Camera and Electrical Department | |||
| Erwin Hillier | .... | aerial photographer | |
| Norman Warwick | .... | camera operator | |
| Steve Birtles | .... | electrician (uncredited) | |
| Bob Penn | .... | still photographer (uncredited) | |
| Kelvin Pike | .... | clapper loader (uncredited) | |
| Kelvin Pike | .... | focus puller (uncredited) | |
| Ronnie Pilgrim | .... | still photographer (uncredited) | |
| Val Stewart | .... | camera operator: second unit (uncredited) | |
| Brian West | .... | clapper loader (uncredited) | |
| Tony White | .... | focus puller: second unit (uncredited) | |
Editorial Department | |||
| Philip Barnikel | .... | assistant editor (uncredited) | |
| Joan Warwick | .... | assembly cutter (uncredited) | |
Music Department | |||
| Louis Levy | .... | musical director | |
Transportation Department | |||
| Eddie Frewin | .... | unit driver (uncredited) | |
Other crew | |||
| Robert Clark | .... | director in charge of production | |
| Thelma Orr | .... | continuity | |
| Group Captain J.N.H. Whitworth DSO DFC | .... | technical advisor | |
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| Battle of Britain | Sink the Bismarck! | The Longest Day | The Great Escape | Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb |
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Now that everyone has taken their shots at this magnificent movie, just a couple of comments about it to help put it into context. A) No we didn't see Russian prisoners of war trying to flee for their lives and drowning. We didn't in fact see anybody drowning. But this is war and people die in wars, it's the nature of the beast. B) Seen in its current setting, especially in North America, the use of the name Nigger for the Black Labrador may seem upsetting and racist, explaining why that section of the movie is left out sometimes. But back in Britain in those days, it would not have been regarded as so nasty and derogatory as it now seems here. It was actually a fair common name for Black Labs at the time - though not any more of course. C) Nope, the movie isn't entirely accurate in all aspects - many years after I first saw it back in the UK, a bomber pilot from those days told me that they used not a Lancaster but I think a Halifax to plough into the ground. D) Maybe it did glorify Guy Gibson, but he earned that Victoria Cross, if I recall, for all his diversionary flights to draw off the flak from the other aircraft, who must have felt like sitting ducks the way they had to drop every bomb at precisely the same spot and height, very low over the water. If the movie gives him credit for thinking up the overlapping spotlights, we can take that as artistic licence. Finally, anything which slowed down the German war machine was crucial to Britain. This movie did its best with hardly-developed special effects and produced an exciting and fine picture, made still during the days of rationing in England. I know because I was there at the time. I was just six when this movie was made in 1954 but it's still a real favorite of mine, not least because we were living on the shores of Lake Windermere, England's largest lake, in the English Lake District at the time, and they flew right in over our house for about six weeks that summer to film some parts of it. Remember the scene where after one of the practice runs, they were picking bits of tree out of the undercarriage of one of the aircraft? My father always used to remind that they clipped one of our trees in the filming one day and he used to claim that those bits of branch and foliage actually came from our tree. I guess they probably didn't really and they faked it a bit for the movie, adding that bit of dialogue into the script after the incident because it showed how low they flew. Quite why they showed it in the landing gear I'm not sure, because of course they wouldn't have been flying with their landing gear down, but it is effective in showing how low they flew both in the raid and in the filming. I've always loved this movie though - it's a beaut, as they say - not least because I grew up with Black Labradors. I wept like a baby when Nigger died. Have just watched it for about the zillionth time - have literally lost count. It's still a fine and fitting tribute to the men who gave their lives in the raid all those years ago.