High Noon (1952)

Director:

Fred Zinnemann

Writers:

Carl Foreman (screenplay)
John W. Cunningham (magazine story "The Tin Star")

Release Date:

30 July 1952 (USA)

Genre:

Drama | Western

Tagline:

Simple. Powerful. Unforgettable.

Plot:

A marshall, personally compelled to face a returning deadly enemy, finds that his own town refuses to help him.

Plot Keywords:

Revenge | Wedding | Badge | Based On Magazine Article | Famous Song

Awards:

Won 4 Oscars. Another 11 wins & 8 nominations

US TV Schedule:

Tue. Dec. 29

7:00 AM

TCM

Cast

Gary Cooper	...	Marshal Will Kane
Thomas Mitchell	...	Mayor Jonas Henderson
Lloyd Bridges	...	Deputy Marshal Harvey Pell
Katy Jurado	...	Helen Ramírez
Grace Kelly	...	Amy Fowler Kane
Otto Kruger	...	Judge Percy Mettrick
Lon Chaney Jr.	...	Martin Howe (as Lon Chaney)
Harry Morgan	...	Sam Fuller (as Henry Morgan)
Ian MacDonald	...	Frank Miller
Eve McVeagh	...	Mildred Fuller
Morgan Farley	...	Dr. Mahin - Minister
Harry Shannon	...	Cooper
Lee Van Cleef	...	Jack Colby
Robert J. Wilke	...	Jim Pierce (as Robert Wilke)
Sheb Wooley	...	Ben Miller
rest of cast listed alphabetically:
Lee Aaker	...	Boy (uncredited)
Guy Beach	...	Fred - Coffinmaker (uncredited)
Jeanne Blackford	...	Mrs. Henderson (uncredited)
Larry J. Blake	...	Gillis - Saloon Owner (uncredited)
Roy Bucko	...	Barfly (uncredited)
Bob Carson	...	Barfly (uncredited)
Howland Chamberlain	...	Hotel Clerk (uncredited)
Virginia Christine	...	Mrs. Simpson (uncredited)
Cliff Clark	...	Ed Weaver (uncredited)
Ben Corbett	...	Townsman (uncredited)
John Doucette	...	Trumbull (uncredited)
Paul Dubov	...	Scott (uncredited)
Jack Elam	...	Charlie - Drunk in Jail (uncredited)
Dick Elliott	...	Kibbee (uncredited)
Virginia Farmer	...	Mrs. Fletcher (uncredited)
Tim Graham	...	Sawyer (uncredited)
Tom Greenway	...	Ezra (uncredited)
Harry Harvey	...	Coy (uncredited)
Chuck Hayward	...	Townsman (uncredited)
Chubby Johnson	...	First Old Timer on Hotel Porch (uncredited)
Nolan Leary	...	Lewis (uncredited)
Tom London	...	Sam (uncredited)
Merrill McCormick	...	Fletcher (uncredited)
James Millican	...	Deputy Sheriff Herb Baker (uncredited)
William Newell	...	Jimmy - Drunk with Eye Patch (uncredited)
William 'Bill' Phillips	...	Barber (uncredited)
Lucien Prival	...	Joe - Ramirez Saloon Bartender (uncredited)
Ralph Reed	...	Johnny - Town Boy (uncredited)
Syd Saylor	...	Second Old Timer on Hotel Porch (uncredited)
Ted Stanhope	...	Station Master (uncredited)

Directed by
Fred Zinnemann

Writing credits
Carl Foreman		(screenplay)
John W. Cunningham		(magazine story "The Tin Star")

Produced by
Carl Foreman	....	associate producer (uncredited)
Stanley Kramer	....	producer (uncredited)

Original Music by
Dimitri Tiomkin

Cinematography by
Floyd Crosby

Film Editing by
Elmo Williams

Casting by
Jack Murton		(uncredited)

Production Design by
Rudolph Sternad

Art Direction by
Ben Hayne

Set Decoration by
Murray Waite

Makeup Department
Louise Miehle	....	hair stylist
Gustaf Norin	....	makeup artist

Production Management
Clem Beauchamp	....	production supervisor
Percy Ikerd	....	unit manager

Second Unit Director or Assistant Director
Emmett Emerson	....	assistant director

Sound Department
Jean L. Speak	....	sound engineer (as Jean Speak)
John Speak	....	sound (uncredited)

Special Effects by
Willis Cook	....	special effects (uncredited)

Stunts
Regis Parton	....	stunts (uncredited)
Slim Talbot	....	stunt double (uncredited)
Don Turner	....	stunts (uncredited)
Jack N. Young	....	stunts (uncredited)

Camera and Electrical Department
Morris Rosen	....	head grip
Homer Plannette	....	gaffer (uncredited)

Costume and Wardrobe Department
Joe King	....	wardrobe: men
Ann Peck	....	wardrobe: women

Editorial Department
Harry W. Gerstad	....	editorial supervisor (as Harry Gerstad)

Music Department
George C. Emick	....	music editor (as George Emick)
Dimitri Tiomkin	....	musical director
Manuel Emanuel	....	orchestrator (uncredited)
Anthony Galla-Rini	....	musician: accordions (uncredited)
Paul Marquardt	....	orchestrator (uncredited)
Herbert Taylor	....	orchestrator (uncredited)

Other crew
Sam Freedle	....	script clerk
Sally Hamilton	....	executive secretary (uncredited)
Nina Moise	....	dialogue director (uncredited)
Fred Polangin	....	merchandising director (uncredited)
Len Simpson	....	publicity director (uncredited)
Calvin Spencer	....	double: Lloyd Bridges (uncredited)

Production Companies

• Stanley Kramer Productions

Distributors

• United Artists (1952) (USA) (theatrical)
• United Artists (1953) (West Germany) (theatrical)
• United Artists (1956) (USA) (theatrical) (re-release)
• Constantin Film (1960) (West Germany) (theatrical) (re-release)
• Republic Pictures Home Video (1987) (USA) (VHS)
• Lions Gate Films Home Entertainment (1992) (USA) (VHS)
• Republic Pictures Home Video (1992) (USA) (VHS)
• Chapel Distribution (1997) (Australia) (theatrical) (16mm print)
• Republic Pictures Home Video (1997) (USA) (VHS)
• Republic Pictures Home Video (1998) (USA) (DVD)
• Republic Pictures Home Video (1998) (USA) (VHS)
• Kinowelt Home Entertainment (1999) (Germany) (DVD)
• Universal Pictures (2001) (UK) (DVD)
• Artisan Entertainment (2002) (USA) (DVD)
• VellaVisión (2002) (Spain) (DVD)
• Paramount Home Entertainment (2004) (Netherlands) (DVD)
• Maple Pictures (2006) (Canada) (DVD)
• Emerald (2007) (Argentina) (DVD)
• Kinowelt Home Entertainment (2008) (Germany) (DVD) (special edition)
• Criterion Collection, The (19??) (USA) (video) (laserdisc)
• Paramount Home Entertainment (2004) (Brazil) (DVD)
• Republic Pictures Home Video (19??) (Brazil) (VHS)

Other Companies

• Sound Services  magnetic recording
• Stanley Kramer Productions  current owner

Runtime:

85 min

Country:

USA

Language:

English | Spanish

Color:

Black and White

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono (Western Electric Recording)

Certification:

Canada:G (Nova Scotia/Quebec) | Canada:PG (Ontario) | Canada:G (Manitoba) | Iceland:L | South Korea:15 | West Germany:12 (f) | Germany:12 (DVD rating) | USA:Passed (National Board of Review) | Argentina:Atp | Australia:PG | Finland:K-16 | Norway:16 (original rating) | Spain:13 | Sweden:11 (re-release) | Sweden:15 | UK:U | USA:Approved (PCA #15653)

Filming Locations:

Burbank, California, USA

Company:

Stanley Kramer Productions

Trivia:

Frankie Laine had a million-selling record with the title song "High Noon (Do Not Forsake Me Oh My Darling)", though Tex Ritter's version of the song, heard on the soundtrack, has fared well over the years.

Goofs:

Anachronisms: Although the Trivia for this film states, "The film is set in Hadleyville, population 650, in the New Mexico Territory, on a hot summer Sunday. The 37-star flag the judge removes as he prepares to flee shows that the time frame is sometime between Nebraska's admission as the 37th state on March 1, 1867 and Colorado's admission as the 38th state on August 1, 1876," the date on the large boarding house at the end of the street as Amy and Helen are taking the buckboard out of town is "1888".

Quotes:

Amy: Don't try to be a hero! You don't have to be a hero, not for me!

Movie Connections:

Featured in "The Sopranos: The Test Dream (#5.11)" (2004)

Soundtrack:

Buffalo Gals (Won't You Come Out Tonight)

Remarkably well-organised western in which not one single second is wasted and the tension is built up admirably.

John Wayne was totally wrong to call this movie un-American. Courage and cowardice are universal emotions, and the attitudes of the characters in High Noon are, I think, incredibly truthful and telling. I know that if I lived in the Wild West, had a job and family, and was asked to stand up and fight against a gang of gun-toting psychos I would probably not be able to do it. That's why Gary Cooper's Will Kane is such a remarkable character in terms of self-respect, morality and inner strength. It's the way he MUST uphold the law even though it will perhaps cost him his wife and his life. It is the various townfolk with whom most of us will identify, even if it makes us feel shame or unworthiness to admit it. No matter how bravely we act, nor how much we want to think heroically of ourselves, 90% of us would cower in the shadows when the time came to do what Will Kane does in this movie.

On his wedding day, dependable lawman Will Kane (Gary Cooper) has just handed in his badge and is preparing to leave town with his bride Amy (Grace Kelly) when he receives devastating news. An old adversary, Frank Miller (Ian MacDonald), has been pardoned for crimes that he should have hanged for and is on his way to Kane's town of Hadleyville to get revenge. He is due on the noon train, leaving Kane one hour to either run for his life or make preparations to fight. Kane and Amy set off at full gallop, hoping to put some miles between themselves and danger, but Kane doesn't get far before he feels compelled to turn back. With the new sheriff not due for a day, he just can't let go of the extraordinary sense of duty and responsibility he feels towards his town. However when he gets back to town he gets quite a shock - for no-one has the guts (nor, in some instances, the inclination) to fight alongside him against the Miller gang. As time ticks unstoppably towards noon, Kane gradually realises that if he's going to stop Miller and his boys, he's going to have to do it alone!

Cooper's performance is extremely powerful and he received a thoroughly deserved Oscar for it. Kelly is good as his bride, although many viewers will find her character hard to like. Lloyd Bridges has a brilliant early role as Kane's deputy, while the very best of the supporting pack is Katy Jurado as a Latino woman whose "history" with most of the men in town puts her in an unenviable position when the shooting starts. Fred Zinnemann directs the film outstandingly, making each scene fit into the grander scheme of things with literate precision. Any aspiring young film-maker wanting to learn how to pace a film correctly should watch High Noon with a close eye, for it is unparallelled as the most perfectly paced film of all-time. The music by Dmitri Tomkin - plus that incredible ballad "Do Not Forsake Me Oh My Darling" by Tex Ritter - is just one more element that makes High Noon one of the great masterpieces. There's nothing else to say - if you haven't already, go out and see this film NOW!