Let's Go Crazy (1951) Poster

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5/10
A Short Film with Enjoyable Characters
jonasskjoett21 September 2010
With this short film 'Let's Go Crazy' (Peter Sellers first time on screen, alongside with 'Penny Points to Paradise'), Sellers really showed from the start of his career, how funny he was when playing multiple characters, and off cause how masterminded his acting was at the same time, I'm not saying that this film is anywhere near perfect in its comedy, it just showed how capable Sellers was with creating smart and funny characters.

But if we just look away from Sellers for a moment, and look at what we else get out of this madcap of a film, and actually we get quite a lot out of 32 minutes of film. There is five songs, three orchestra numbers, one dancing number and then we get a very odd but entertaining performance by a very angry couple. To be honest I enjoyed some of the songs, just the old fifties feeling about the songs were very nostalgic, but I also think the whole film could have been much better, without all the disturbances by the orchestra and singing numbers, if we just had Sellers and Milligan playing alone, then we easily could have got an classic short film, but then again they only had three days to shoot it, so that is just me dreaming.

I just enjoyed the film for what it was, and smiled at the music performances as they came, but Peter Sellers is out of doubt the highlight of this character/music based short film, and the whole film is just a fun little pleasure to watch.

Recommended for fans of Peter Sellers!
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6/10
Variety performance
Igenlode Wordsmith30 July 2009
This film is actually mainly interesting as a record in its own right of the local (?Brighton?) variety acts who were featured to fill out the running time; they are notable in two respects, in that by modern standards none of them are particularly glamorous-looking, and in that they are actually all pretty talented -- these are run of the mill and nowadays apparently forgotten pier-end performers of the day, as it were, and they're still entertaining to listen to. (The only act I really didn't take to was that of Freddie Mirfield and his Garbage Men, with their knockabout orchestral gags.)

The Goon Show contribution consists of various improvised comedy dialogues chiefly featuring Peter Sellers in a selection of different characters: his Groucho Marx impersonation is rather good, others vary. Considering that the whole thing was made up and then shot by Sellers and Spike Milligan in the course of a left-over week of studio time (remaining after shooting on "Penny Points to Paradise" had been completed), it's quite tolerable, but of course by no means a classic.
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6/10
An early film outing for Peter Sellers doing what he did best
trimmerb123419 June 2016
This is an oddity - review and variety performers of variable quality interspersed with short sketches with Sellers playing various curious characters. Here he certainly shows potential and the relative restraint and lack of goony-ness allows him to demonstrate abilities which really reached their pinnacle in Dr Strangelove. Overall along with the better of the acts, quite entertaining.

One uncredited cast member (Mr Jollibottom)has a voice instantly recognisable to older British viewers. Wallace Eaton was the dismal barman in the long running radio comedy "Take it from Here", whose weekly role it was to serve a dismal pint of Mild and Bitter, and to listen, to the show's main star relate the goings on in the dreadful "Glum" household. Eaton was allowed dismal catch-phrases in the show such as "get yerself a trade". He had more of a career in the theatre than in film, appearing in "Fings ain't wot they used t'be"
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5/10
Let's!
boblipton5 January 2021
Peter Sellers' first movie-screen appearance was shot when Penny Points To Paradise came in with more than a week left on the studio rental. Sellers and Milligan improvised a few scene, including Sellers doing a Groucho imitation, his 'Crystal Jollibottom' character from radio. They added a few singers, dancers, and Freddy Mirfield's orchestra, had Milligan do a bit of Eccles, and edited the whole together for a bit over half an hour.

It's a variety short and little more, pitched midway between Olsen & Johnson and Ernie Kovacs. It's of some interest to fans of Sellers and Milligan - which I certainly am - but little more.
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6/10
Enjoyable.
carsonmwelker1 January 2021
Sellers Groucho impression and the comedy act finally were both great.
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2/10
Night Out In Brighton
slokes13 March 2013
Shot in just a week and looking more like it was shot out of a cannon, "Let's Go Crazy" works no better now than it did when it first came out. At least you get to sample the nightclub scene in Brighton circa 1951 and see Peter Sellers in his first starring role.

Cobbled together from some spare time left over from another movie Sellers was featured in, "Let's Go Crazy" is not a story but a revue. Set in an unnamed nightclub and restaurant, Sellers provides interstitial comedy bits in-between song-and-dance performers who worked the seaside English resort town of Brighton, where both this and that other movie, "Penny Points To Paradise," were shot.

Sellers fans do have reason to see this movie. He's only a featured player in "Penny Points" but gets more of the spotlight here. Pity the comedy is so weak. His first scene has him playing Giuseppe, the head waiter, trying to convince a patron to have the spaghetti.

"Cut off me legs and call my shorty!" Guiseppi whines when the guy insists on boiled beef and carrots.

The joke is when the patron finally agrees after a long song and dance, Giuseppe tells him the spaghetti is off, but they do have another dish: Boiled beef and carrots.

It gets little better. Asked if she has a reservation, another character Sellers plays in drag responds: "What do you think I am, a red Indian?" Doing a poor Groucho Marx impersonation, he asks a waiter played by Spike Milligan if he serves crabs. When Spike says yes, Groucho hands him a dead crab and says: "Then serve my friend, he hasn't eaten in three weeks!"

Sellers and Milligan were not yet Goons when this movie was first screened; it was released in May, 1951, the same month as "Penny Points" (probably on a double bill) and also the same month the Goon Show made its inauspicious debut as "Crazy People," which remained the troupe's name for its first two seasons. Perhaps that's the reason for this film's title, though it's missing the two other "Crazy People" cast members, Harry Secombe and Michael Bentine.

Instead of Secombe singing, you get a number of local performers who pad out most of the show. Bizarre is a kind way to describe them; their talent is either minimal or done poor justice by the flat style of director Alan Cullimore. Only a singer, Betty Ankers, ekes out a couple of engaging numbers; the rest are at best dull and at times, rather annoying.

Sellers plays five roles here. One, a milquetoast character named Cedric, is fun to watch for the two minutes you get with him, impressing a date with his bad French, but like the other parts he's an underwritten character. Clearly these were just improvised off-camera and then put on as soon as something vaguely amusing was developed.

Sellers was a comedy genius, but these were early days for him and his talent was never improvisatory. Goon fans seeking Milligan's crafty surrealism will be disappointed by the goofy faces and patter he puts on here in lieu of anything better. "Let's Go Crazy" is a milestone of sorts for Sellers fans, but a more honest title would be "Let's Go Splat."
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6/10
Felt Familiar...
chrisbabic26 January 2021
Like an episode of The Muppet Show, set exclusively in the Ballroom.
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3/10
Quite rough...but in some ways interesting and worth seeing.
planktonrules1 January 2021
According to IMDB, "Let's Go Crazy" was a hastily improvised movie that marks the first onscreen appearance by Peter Sellers. It seems that studio space was rented to make a movie and the movie was completed well ahead of schedule. So, in order to make the most of the space they paid for anyway, Peter Sellers and his friends quickly organized this short film. It consists of mostly of some comedy skits with Sellers playing various characters (including Groucho Marx) as well as quite a few local musical acts.

So is it any good? Well, considering how quickly it was tossed together, the movie is understandably rough. A few of the skits were very rough...such as the overly slapstick opening musical number which seemed more at place on a burlesque stage than on film. And, while I really enjoy much of Sellers' later work, his skits are VERY tough to love and come off as a bit amateurish. I did like the weird dance number with the older couple who mashed the snot out of each other...they were amazing and amusing acrobats. Overall, there's much more bad than good but the film IS well worth seeing for fans of Sellers, as it gives you insight into his early years where he was mostly an up and coming radio star...and occasional movie personality. Much more interesting as a curio than anything else.
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7/10
Peter Sellers provides many funny moments as various characters in Let's Go Crazy
tavm25 May 2020
After months of reading about this-Peter Sellers film debut, I think-I just finally watched this online. Sellers plays various characters as well as impersonates Groucho Marx. He delivery is consistently humorous if not always hilarious. Spike Milligan also provides some funny stuff with Sellers. Then there are various music and dance acts that are either serious or comical that are also pretty entertaining. Among them is a band that seemed inspired by the American Spike Jones. So on that note, I recommend Let's Go Crazy for Peter Sellers fans.
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8/10
Big pants on display the 'young lady' throws caution completely to the wind
christopher-underwood3 March 2020
'Crazy' is certainly the word. Short film, supposedly knocked together by Sellers and Milligan with set and persons left from daytime film shooting and is most entertaining. One of many extras on my Blu-ray of Mr Topaze, this short is quite amazing. Set in a small night club with diners and a band, various turns take their turn as it were and the cause of much amusement and wide eyed astonishment to this viewer. Much of the singing is seemingly unreal but pertains to that era of 40s radio that I just about recall from very early years. In between Sellers plays various individuals with greater or lesser success but mostly the former and his Groucho Marx is particularly effective. Milligan plays his straight man for most sketches, very effectively too. But the real astonishment comes first from the male of a mixed pair of singer/dancers who proceeds to spin her around above his head at great speed to be followed by a pair who literally trample and climb and jump upon and over each other. Big pants on display the 'young lady' throws caution completely to the wind and even stands upon the portly guys head at one stage. Sellers is a revelation but some of the support mind boggling.
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