Intended as a part of a multi-part film in the style of Quartet (1948), it was shot at the KTTV Studio in Los Angeles at a cost of $41,000, had one set, used natural sounds instead of music, and was rather impressionistic in its cinematic style.
Produced by Huntington Hartford as a vehicle for his then-wife Marjorie Steele, the film was never released because Hartford was dissatisfied with it.