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7.0/10
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An ambitious young LA department store model gets her wish of marrying a millionaire but she eventually discovers that rich life isn't always a happy one.An ambitious young LA department store model gets her wish of marrying a millionaire but she eventually discovers that rich life isn't always a happy one.An ambitious young LA department store model gets her wish of marrying a millionaire but she eventually discovers that rich life isn't always a happy one.
Natalie Schafer
- Dorothy Dale
- (as Natalie Schaefer)
Leon Alton
- Cafe Customer
- (uncredited)
Frank Baker
- Man in Store
- (uncredited)
Phil Bloom
- Cafe Customer
- (uncredited)
Willie Bloom
- Cafe Customer
- (uncredited)
Ralph Brooks
- Businessman
- (uncredited)
Wheaton Chambers
- Servant
- (uncredited)
Dorothy Christy
- Wealthy Shopper
- (uncredited)
Sonia Darrin
- Miss Chambers
- (uncredited)
Charles Fogel
- Cafe Customer
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaFor his American film debut, Mason was initially cast in the hard-hearted role enacted by Robert Ryan. Mason wanted to change the villainous image he'd established in British films and and asked to play the other male role.
- Quotes
Leonora Eames: Look at me! Look at what you bought!
- ConnectionsFeatured in TCM Guest Programmer: TCM Employee Picks (2011)
Featured review
Bel Geddes finest hour in Ophul's melodrama about paranoia of unshackled capitalism
Of the many European emigres who helped shape American cinema, especially film noir, Max Ophuls brought one of the subtlest, most elusive sensibilities. Caught reflects this elusiveness: Part melodrama, part romance, part film noir, it's an unsettling film that burrows into complacent assumptions about freedom and success.
Department-store model Barbara Bel Geddes buys the notion that snagging a rich husband is the key to happiness. Once wed to disgustingly wealthy tycoon Smith Ohlrig (Robert Ryan), however, she finds herself a bird in a gilded cage whose owner is increasingly jealous, abusive and frightening. (The rumors are that Ohlrig was modelled on Howard Hughes, much as Charles Foster Kane was on William Randolph Hearst.) Finally she leaves him to work in the office of a poor pediatrician (James Mason), with whom she falls in love. But she and Ryan keep drifting back together, in a love-hate relationship that grows ever more doomed and desperate (there's a virtuoso scene in Mason's offices, at night, centering on her ominously empty desk)....
This is certainly Bel Geddes' most complex and fleshed-out screen performance, but the script suggests dimensions that she only hints at; though the part wouldn't work with a tigress like that other Barbara, Stanwyck, taking on Ryan in an equal grudge-match, an actress with a mite more edge might have shown how the caged wife came to draw courage and defiance precisely from her position as a powerful man's wife. (Bel Geddes is just too wholesome and likeable to bring off this ambiguity.) And the heavy paw of the studio descends as Caught comes to a close: The conclusion is too quick, loose ends flap in the breeze, and satisfaction remains incomplete. Ryan's dynamo performance -- he could really make the flesh crawl -- and Ophul's elegant direction compensate for a half-baked denouement imposed by a craven studio, lest anybody take personal or political offense.
Department-store model Barbara Bel Geddes buys the notion that snagging a rich husband is the key to happiness. Once wed to disgustingly wealthy tycoon Smith Ohlrig (Robert Ryan), however, she finds herself a bird in a gilded cage whose owner is increasingly jealous, abusive and frightening. (The rumors are that Ohlrig was modelled on Howard Hughes, much as Charles Foster Kane was on William Randolph Hearst.) Finally she leaves him to work in the office of a poor pediatrician (James Mason), with whom she falls in love. But she and Ryan keep drifting back together, in a love-hate relationship that grows ever more doomed and desperate (there's a virtuoso scene in Mason's offices, at night, centering on her ominously empty desk)....
This is certainly Bel Geddes' most complex and fleshed-out screen performance, but the script suggests dimensions that she only hints at; though the part wouldn't work with a tigress like that other Barbara, Stanwyck, taking on Ryan in an equal grudge-match, an actress with a mite more edge might have shown how the caged wife came to draw courage and defiance precisely from her position as a powerful man's wife. (Bel Geddes is just too wholesome and likeable to bring off this ambiguity.) And the heavy paw of the studio descends as Caught comes to a close: The conclusion is too quick, loose ends flap in the breeze, and satisfaction remains incomplete. Ryan's dynamo performance -- he could really make the flesh crawl -- and Ophul's elegant direction compensate for a half-baked denouement imposed by a craven studio, lest anybody take personal or political offense.
helpful•555
- bmacv
- Jan 14, 2002
- How long is Caught?Powered by Alexa
Details
Box office
- Budget
- $1,574,422 (estimated)
- Runtime1 hour 28 minutes
- Color
- Aspect ratio
- 1.37 : 1
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