Duel in the Sun (1946)

Director:

King Vidor

Writers:

Niven Busch (novel)
Oliver H.P. Garrett (adaptation)

Release Date:

8 December 1948 (Sweden)

Genre:

Drama | Romance | Western

Tagline:

Emotions . . . As Violent As The Wind-Swept Prairie !

Plot:

Beautiful half-breed Pearl Chavez becomes the ward of her dead father's first love and finds herself torn between her sons, one good and the other bad.

Plot Keywords:

Half Breed | Lovers | Shooting | Texas | Medallion

Awards:

Nominated for 2 Oscars.

Cast

Jennifer Jones	...	Pearl Chavez
Joseph Cotten	...	Jesse McCanles
Gregory Peck	...	Lewton 'Lewt' McCanles
Lionel Barrymore	...	Sen. Jackson McCanles
Herbert Marshall	...	Scott Chavez
Lillian Gish	...	Laura Belle McCanles
Walter Huston	...	The Sinkiller
Charles Bickford	...	Sam Pierce
Harry Carey	...	Lem Smoot
Joan Tetzel	...	Helen Langford
Tilly Losch	...	Mrs. Chavez
Butterfly McQueen	...	Vashti
Scott McKay	...	Sid
Otto Kruger	...	Mr. Langford
Sidney Blackmer	...	The Lover

Also Known As:

King Vidor's Duel in the Sun (UK) (complete title) (USA) (complete title)

Runtime:

USA:144 min (roadshow version) | USA:129 min

Country:

USA

Language:

English

Color:

Color (Technicolor)

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono (Western Electric Recording)

Certification:

Australia:PG | Iceland:12 | USA:Approved (PCA #11649) | West Germany:16 (nf) | Finland:K-16 | Spain:13 | Sweden:15 | UK:PG (video rating) (1986) | UK:A (original rating)

Filming Locations:

Arizona, USA

Company:

Vanguard Films

Trivia:

David O. Selznick had originally intended this property as his artistic follow-up to Gone with the Wind (1939). He envisioned a lavish production with no expense spared, and ultimately, he got his wish. Constant production delays, many caused by Selznick's meddling and the hiring and firing of as many as seven directors (including Selznick himself), as well as an extended editing period to cut the film from it's original 26-hour running time, caused the budget to balloon to a then-horrifying sum of $6 million, plus an additional $2 million in marketing costs. Though the film eventually did turn a profit, it effectively marked the end of Sleznick's career.

Quotes:

Narrator: And this is what the legend says - a flower, known nowhere else, grows from out of the desperate crags where Pearl vanished. Pearl - who was herself a wild flower sprung from the hard clay, quick to blossom and early to die.

Movie Connections:

Referenced in Celebrity (1998)

Soundtrack:

I've Been Working on the Railroad

Hollywood epic filmed in the Southwest

This movie is like a painting by an old master that hangs in a museum--we may not be moved by it, but we can still appreciate the artistry. Its most notable feature is the director, King Vidor, master of silent film making. As you might expect, many of the important scenes have little or no dialog. In one scene between Lionel Barrymore and Lillian Gish, he rambles on about their life together, while she strains to get out of her sickbed and crosses slowly to him, the entire distance transfigured by the depth of her love for him. Gish was a great star of silent film, with a wonderful, expressive face, full of compassion and grace. In another scene that happens under quite different circumstances, Jennifer Jones crawls to Gregory Peck, the man she loves, also without words, evincing great sorrow and quiet dignity. In both cases, the women prove they are far more noble than the men who love them so badly. Jones also has a mobile face, together with a beautiful, resonant voice. No film that has these two ladies at its center should be missed. In addition, the film has two marvelous scenes that, at the time of its making, would have been just as impressive as some of today's special effects wonders: In the first, about 20 armed horsemen face a crowd of railway workers, including some chinese, clothed in authentic period dress, with a steam engine in the background. As the tensions mount, a troop of mounted cavalry, about 100 strong, ride onto the set, filmed on location (judging by the saguarros and ocatillos) in Arizona. This was a tour de force of filmmaking at a time when shooting on location was rare. In the second scene, a train under a full head of steam jumps the tracks and plows down an embankment. Filmed in early technicolor, this movie has lush exteriors and panoramas of rich desert color. Two more character actors should be mentioned, both of whom steal every scene they enter: Butterfly McQueen, the maid whose comments are both simple and profound, and Walter Huston, as the crusty sheriff who doubles as a preacher during a funeral.