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1-4 of 4
- Returning to civilian life after twenty-seven years in the army isn't as easy as David had hoped. It's hard to re-establish daily contact with his family, with the dimension of his home and, above all, with the new Israel, an ultra-competitive society obsessed with success. Thus, the opportunity to join a company which produces nutritional supplements seems like a possible escape to be seized without hesitation. But David doesn't know how much his country has changed.
- What are the rules that determine how attraction and desire are set free? Glances, unexpected smiles, confiding in unknown women. Long cherished fantasies, intimate friendships and unexpected meetings. In Volume 2 of the Sexual Tension diptych, Marco Berger and Marcelo Mónaco take us on a journey through the twists and turns of female seduction: two guests of a hostel become roommates (and more); a keen shop assistant helps a woman uncertain about what dress to buy; the outset of a great passion between two girls during a picnic, even though one of them has a boyfriend. In the film we also find a conversation about Woody Allen between a waitress and a woman, which goes too far; and two high-class escorts who discover that they are attracted to each other, when they are in bed with a client. The film finally shows what could happen, but never did happen, and will probably never happen, to two thirty-year-old women. Maybe it would be better not to have sex with people we love. Sex spoils everything. Eroticism is temptation.
- Mother is a hybrid of fiction and documentary. It is a portrait of the complicated, fragile, painful and realistic relationship between my mother and me. In the past, she once tried to commit suicide. Though the action was failed, she was disabled. Since the incident, my family has changed forever, and the film is my attempt to explore and understand her, myself and my family. To put it in a wider context, I analogically portrayed how Thai middle class family effect- ed by Asian financial crisis in 1997(Tom Yam Kung Crisis) and explored the representation of family in Thai culture through the process of making this film. Thai media always shows Thai family with one dimension : the good and the bad. To understand the society, we need to go to the smallest institution of it : family. What is Thai family? What is its complexities? What are the ways each member deal with the world outside and inside? How does the family go through the radical change both from Thai society and the destiny and they dances around the reality and the fantasy of the familial representation.
- In the cold northern light, the hours and the days of two friends, the mechanisms of daily life and the expectations of a decadent reality which reveals itself in the dawns and sunsets, in the nights spent drinking and the groggy mornings-after. The Finnish artist Matti Harju offers himself in this self-portrait of (his) life, perhaps involuntarily placid and sweet.