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- Los Angeles in the year 2005: 19-year-old lads move through an apartment that has been equipped with webcams and looks like some sort of futuristic internet doll's house. Not-quite-so-young men fulfil their sexual dreams as protagonists in bareback productions. And, at private sex parties, almost every second guy has either taken part in a porn film or wants to. In 1997, I followed on camera the fortunes of a group of men who had chosen to wok - either artistically or commercially - with their bodies. This footage later become part of my 1998 documentary, SEX/LIFE IN L.A.. I'm still in touch with some of the men in that film, these include: lone battler Kevin Kramer, mature shooting star Cole Tucker, American boy-next-door Matt Bradshaw and friends of the occasional model John Garwood, who died of an overdose in 1998. Some of these men have successful careers behind them, others have left the sex industry altogether. Driven by a sense of adventure or by their narcissism, young men today are still keen to put their own stamp on porn cinema. But the days of a purely non-commercial fulfilment of one's sexual desires has long gone, and the interests of consumers, models and producers no longer coincide. Gay life - like the entire industry - has become something of a profession and is now thoroughly commercialized. Young models begin their sexual careers in internet containers; they enter the business fully aware of their self-exploitation and yet, at the same time, they are somehow unconscious of how they are being exploited. Meanwhile, bareback video producers scout the country in their motorhome on the lookout for new protagonists. But can there be winners in this game? Is there anything left of sex itself? And is there a life after porn?
- Was the AIDS virus created during an experiment gone awry at the Pentagon top security genetic laboratory? Stefan, an East German medical student whose father was a high-ranking AIDS scientist in the former GDR, is determined to find out.
- Today's hip image of Berlin is based on the city's vibrant and subversive subcultures, which originally emerged within the grey walls surrounding West Berlin. The queer scene played a major role in creating that subculture, with its sexual diversity and its wild and unconstrained party culture, ranging from the notorious clubs to CSD. Many of the scene's actors, such as the Gay Museum, the Teddy Award, AIDS help organizations, and the queer magazine Siegessäule originated before 1989. Yet gays in West Berlin suffered greatly under an incongruous provision in German law - the infamous 'Paragraph 175' - that made homosexual acts between men a crime up until its reform in 1969. Raids and arrests in bars were common, yet ultimately failed in suppressing gay life in West Berlin. Instead, the city turned into a gay capital. The late seventies in particular were a period of great sexual and political freedoms and more intense social intermingling between the gay-, hetero-, and transsexual worlds. Then AIDS struck, wrecking greater havoc in Berlin than in any other German city. After OUT IN EAST BERLIN (2013), MY WONDERFUL WEST BERLIN describes gay life in the western half of the city in the dynamic period between the end of WWII and the fall of the Berlin Wall, all the while referencing current social issues. The stories and experiences of political activists, party-goers, hedonists, club owners, musicians, fashion designers, a DJ, and a make-up artist paint a vivid picture of the gay scene in that period. The use of never before seen archival film footage completes the picture by allowing viewers to travel through time to a hitherto unknown West Berlin. MY WONDERFUL WEST BERLIN explores the historic roots of the fascinating city, that is a dream destination and a place of refuge for gay men form across the world to this day. The film is the second part of filmmaker Jochen Hick's Berlin trilogy, the final part of which will focus on the period after the fall of the Wall, up until today.
- Both in 2006 and 2007, the Gay Pride Parade attempts in Moscow are violently beaten down. For many observers, the attitude towards the sexual minorities seems to be the litmus test of the state of democracy in Russia. In January 2007, for the first time in Russian history, a Russian leader, president Vladimir Putin mentions the situation of the LGBT community: He won't criticize the politics of Moscow mayor Yuri Lushkov, who forbid the event, but he is concerned about the demographic future of the country. And Putins opinion seems to be repeated by the right wing contra demonstrators on the streets. The film shows both the organizers of the Pride events and also the survival strategies of the majority Russian lesbians and gays, to whom the fight for democracy on the streets doesn't seem to be an attractive alternative.
- With the advent of same sex marriage, homosexuals have achieved near-equality in much of Europe. Everything seems rosy, so why should the keep on fighting? RAINBOW'S END is a revealing and entertaining multinational journey from the center to the borders of Europe. It also shows exciting footage of the gay and lesbian manifestations in Warsaw and Cracow (Poland). Touching personal stories and social, religious and political insights. From street activism to the highest political scene at the United Nations in Geneva (Switzerland). A must see and a starting point for the most relevant discussions about the future of lesbian, gay and transgender people within Europe and throughout the world.