Advanced search
- TITLES
- NAMES
- COLLABORATIONS
Search filters
Enter full date
to
or just enter yyyy, or yyyy-mm below
to
Only includes names with the selected topics
to
or just enter yyyy, or yyyy-mm below
to
1-17 of 17
- Born in St. Paul, Minnesota, Richard Simmons later moved to Minneapolis where he attended West High School and then the University of Minnesota. While at university he competed in fencing and swimming and also acted in a few theater productions. He left the Twin Cities in the 1930s and spent several years traveling the world, working on freighters and tankers.
Eventually he settled in Los Angeles where, according to one story, Louis B. Mayer saw him breaking in an Arabian horse and immediately offered him a screen test. Simmons played a number of minor parts in MGM movies but finally achieved a degree of fame in the mid-1950s when he starred in the half-hour syndicated TV series, Sergeant Preston of the Yukon (1955). With his horse Rex, and his husky King, Preston brought law-and-order into the 1890s Gold Rush as a member of the Northwest Mounted Police. Each episode ended with Preston hugging his dog and saying: "Well, King, it looks like this case is closed." - Director
- Writer
- Actor
Maurice Pialat was a French film director. Film critics have noted the naturalist style of his films, and their autobiographical elements.
Pialat obtained his first camera when only 16-years-old, but his early career involved creating documentary short films. His ambition was to become a painter and not a filmmaker. He made his feature film debut at the age of 43 with the drama film "Naked Childhood" (1968), concerning a child of the French foster care system who is moved through a series of foster families. The film also explored aspects of French working-class life in the 1960s, while being apolitical.
Pialat's second feature film was "We Won't Grow Old Together" (1972),concerning a loveless marriage. Lead actor Jean Yanne won the Best Actor Award at the Cannes Film Festival for his role in the film. Pialat's third feature film was the "The Mouth Agape" (1974), depicting in realistic fashion a woman struggling with a terminal illness. The film also dealt with the escapades of the woman's husband and son in their attempts to find new sexual partners. The film was noted for its lack of sentimentality, and incorporated experiences that Pialat had from the death of his own mother.
Pialat's fourth feature film was the teen drama "Graduate First" (1978). It dealt with teenagers from working class families dealing with the end of their school lives, with their limited prospects of passing their final exams and gaining a Baccalauréat academic qualification, and with the ominous specter of high unemployment in northern France in their immediate future.
Pialat's fifth film was "Loulou" (1980), concerning the self-destructive affair between a married woman and a lower-class criminal (the eponymous Loulou) who has just been released from prison. The film dealt with the issues of pregnancy and abortion in a realistic manner. The film was nominated for the Golden Palm award at the Cannes Film Festival.
Pialat's sixth film was "To Our Loves" (1983), and concerned the sexuality of a 15-year-old girl. The film's protagonist Suzanne (played by Sandrine Bonnaire) becomes increasingly promiscuous, as sex is the only pleasure in her life. But at the same time struggles with an inability to feel genuine love for any of her sexual partners, struggles with growing feelings of boredom and frustration about other aspects of her life, and even struggles with suicidal thoughts. The film won the César Award for Best Film, while film critics noted that the film's message was that happiness was rare and sorrow last forever.
Pialat's seventh film was the crime drama "Police" (1985). It concerned a jaded police detective investigating a drug smuggling ring, while being romantically attracted to the girlfriend of a drug smuggler. The film's lead actor Gérard Depardieu won the Best Actor of the Venice Film Festival for this role.
Pialat's eighth film was the romantic drama "Under the Sun of Satan" (1986), an adaptation of the 1926 novel by Georges Bernanos (1888-1948). The film dealt with a Catholic priest who falls in love with a female murderer. The film won the Palme d'Or award at the 1987 Cannes Film Festival, despite being seen as controversial due to its subject matter. It was the first time in 21 years that a French film won the Palme d'Or.
Pialat's ninth film was the biographical film "Van Gogh" (1991), concerning the last months in the life of painter Vincent van Gogh (1853-1890) and dealing with van Gogh's relationship with his few close associates. The film dealt primarily with van Gogh's "difficult personal relationships and declining mental state", and not with his paintings. Film critics commented that it successfully covered the artist's humanity, without being either melodramatic or sensationalist.
Pialat's tenth was "The Son Of..." (1995), concerning the family life of a 4-year-old boy. The titular boy's parents are divorced, and the boy is raised by a single father who has an unsteady love life. The film was poorly received compared to Pialat's previous works, and Pialat had plans to re-edit the film to achieve better results. Pialat's increasingly poor health aborted these plans, and Pialat retired from filmmaking in 1995, at the age of 70.
Pialat died in January, 2003, at the age of 77. His work is considered unique among the French directors, but he has had few imitators. Film critic Kent Jones has commented that Pialat always marched to the beat of a different drummer, and never cared whether anyone marched beside or behind him.- Producer
- Writer
- Production Manager
Anthony Havelock-Allan produced some of the best known and critically acclaimed films of British cinema, including In Which We Serve (1942), Brief Encounter (1945), Blithe Spirit (1945) and Great Expectations (1946). The films were commercial triumphs for Two Cities and Cineguild production companies, making Havelock-Allan one of the most influential producers in the British film industry. He is also remembered for two films he made starring his then-wife Valerie Hobson: the melodrama Blanche Fury (1948) and The Hideout (1948), which introduced Howard Keel to the screen.
Born at Blackwell Manor, Darlington, England, Havelock-Allan was educated at Charterhouse. Having turned down a career in the army he worked as a stockbroker and nightclub manager before becoming a casting director. In the early 1930s he spent two years producing "quota quickies", low-budget, quickly-made films--often in six days or less--made for Paramount-British in order to satisfy a British government requirement that a certain percentage of films shown in Britain had to be made in Britain. While these "quickies" were made for little money and varied greatly in quality, they did provide a valuable training ground for directors such as Michael Powell and such cameramen Ronald Neame (later to become a top director). Many of them also featured then unknown actors, such as Rex Harrison and Margaret Rutherford. In 1942 he produced one of the most famous of all flag-waving war films: Noël Coward's In Which We Serve (1942), co-directed by Coward with David Lean. The naval epic was a thinly disguised saga of the maritime exploits of Lord Louis Mountbatten and included definitive performances from Bernard Miles, Celia Johnson and John Mills. A year later he formed the creative partnership of Cineguild Productions with Noel Coward, David Lean and Ronald Neame, which made This Happy Breed (1944), Blithe Spirit (1945) and Brief Encounter (1945), an adaptation of Coward's play "Still Life". Cineguild broke up in 1949 and Havelock-Allan formed Constellation Films, an independent production company financed by the Rank Organisation. With that company he made Paul Gallico's Never Take No for an Answer (1951).
In 1960 Havelock-Allan and Lord Brabourne formed British Home Entertainment, which sought to introduce pay-TV into Britain. The company was sold in 1969 after the closure of a trial service. Havelock-Allan's later films included Franco Zeffirelli's Romeo and Juliet (1968) and David Lean's Ryan's Daughter (1970).- Dolores Brinkman was born on 30 June 1910 in St. Louis, Missouri, USA. She was an actress, known for The Mysterious Island (1929), Jake the Plumber (1927) and Whispering Whoopee (1930). She was married to Maytor H. McKinley, Jerry Fairbanks and Francis J. Bader. She died on 11 January 2003 in Los Angeles, California, USA.
- Additional Crew
- Actor
Clement J. Stadler was born on 26 October 1913. He was an actor, known for The Outsider (1961), Hell to Eternity (1960) and Ambush Bay (1966). He died on 11 January 2003.- Sound Department
- Cinematographer
- Director
Jaime Kibben was born on 29 December 1947 in Rapid City, South Dakota, USA. He was a cinematographer and director, known for Clay Farmers (1988), Independent Lens (1999) and The Thin Blue Line (1988). He was married to Jeri Lynn Cohen. He died on 11 January 2003 in Tel Aviv, Israel.- Animation Department
- Director
- Art Department
Lillian Evans was born on 2 July 1924. She was a director, known for The Lord of the Rings (1978), InHumanoids (1986) and He-Man and She-Ra: The Secret of the Sword (1985). She died on 11 January 2003 in Somis, California, USA.- Mickey Finn was born on 3 June 1947 in Thornton Heath, London, England, UK. He died on 11 January 2003 in Croydon, London, England, UK.
- Composer
- Music Department
- Soundtrack
William Russo was born on 25 June 1928 in Chicago, Illinois, USA. He was a composer, known for Everybody Rides the Carousel (1976), WOW Women of the World (1975) and Whither Weather (1977). He was married to Shelby Jean Davis. He died on 11 January 2003 in Chicago, Illinois, USA.- Valter Luts was born on 30 March 1923 in Narva, Estonia. He was an actor, known for Perekond Männard (1960). He died on 11 January 2003 in Tallinn, Estonia.
- Soundtrack
Jean Campbell was born on 26 January 1926 in Glasgow, Scotland, UK. She died on 11 January 2003 in East Kilbride, Scotland, UK.- Durwood Merrill was born on 12 March 1938 in Cloud Chief, Oklahoma, USA. He was married to Carolyn Carter. He died on 11 January 2003 in Texarkana, Texas, USA.
- Additional Crew
- Actor
- Writer
H. Haile Chace was born on 8 April 1921 in Niagara Falls, New York, USA. He was an actor and writer, known for Paradisio (1962), V.D. (1961) and The Monster of Piedras Blancas (1959). He died on 11 January 2003 in Kapolei, Honolulu, Hawaii, USA.- Producer
- Production Manager
Micheline Pialat was born on 26 March 1925 in Paris, France. She was a producer and production manager, known for To Our Loves (1983), The Mouth Agape (1974) and Graduate First (1978). She died on 11 January 2003 in Paris, France.- Berry Thomas was born on 7 April 1913. He died on 11 January 2003 in Nashville, Tennessee, USA.
- Sawa was born in Sendai, Miyagi Prefecture, in 1903. In 1919 she joined the young girl's theater group of Takarazuka under the stage name of Izumi Ranko. After passing through Shochiku Kamata, Sawa joined Nikkatsu Mukojima in 1923. In 1924 she moved to Teikoku Cinema's Ashiya Studios, where she became a leading actress. She met with great success for her performance in Hoshi wa Midaretobu, before going on to feature in Renbo Jigoku (Love's Hell). In Kago no Tori (The Caged Bird), directed by Matsumoto Eiichi, Sawa was selected to play the heroine alongside Satomi Akira. Teikoku Cinema's version of the film became a surprise hit, giving Sawa an instant popularity second only to that of Utakawa Yaeko. Following this she appeared in films such as Koryu Yokotawaru and Ogon Yorimo Tsuyoshi as the partner of Matsumoto Taisuke.
In 1927 Sawa joined Nikkatsu, where she appeared in Ukiyo Guruma and Chuji Tabi Nikki - Goyohen, with the latter film coming to be regarded as one of her definitive works. Following this, Sawa appeared in films such as Shizumi Yu Ningyo and Aojiroki Bara.
Sawa left Nikkatsu in 1931 after the incident in which she disappeared with Minobe Susumu. She subsequently went to Shochiku Kamata, where she appeared in Ai no Tatakai. In Kanki no Hitoya she gave a fine performance as the city girl who seduced Oka Joji. After becoming a freelance actress, Sawa gave an impassioned performance as Okichi in Nikkatsu's Onna Goroshi Abura Jigoku (The Ladykiller).
Sawa continued performing for the likes of Teikoku Cinema, Nikkatsu and Shochiku until around 1950, specializing in the portrayal of the modern, tomboyish girl. Her love affair with the conductor Konoe Hidemaro was well known, and they had one daughter together before separating. - Jorge Laffond was born on 29 March 1952 in Rio de Janeiro, Rio de Janeiro, Brazil. He was an actor, known for Swingin' Betty (1984), Kananga do Japão (1989) and Rio Babilonia (1983). He died on 11 January 2003 in São Paulo, São Paulo, Brazil.