Judith Godrèche has been a regular on the Cannes red carpet for close to 30 years for her performances in films such as Patrice Leconte’s 1996 Palme d’Or contender Ridicule and Un Certain Regard cycling drama The Climb in 2019.
The popular French actress-turned-director touches down this edition with a work of her own: the short film Moi Aussi.
Shot under the radar in Paris in March and gathering 1,000 victims of sexual abuse, the work world premieres as part of the opening ceremony of Cannes Un Certain Regard on Wednesday.
Related: Cannes Film Festival 2024 In Photos: Opening Ceremony & ‘The Second Act’ World Premiere
There is no bigger disruptive force in French cinema right now than Godrèche, who has been at the forefront of triggering a new era of #MeToo in France, a country that has been notoriously slow to tackle sexism, sexual violence and harassment.
The short film follows in the...
The popular French actress-turned-director touches down this edition with a work of her own: the short film Moi Aussi.
Shot under the radar in Paris in March and gathering 1,000 victims of sexual abuse, the work world premieres as part of the opening ceremony of Cannes Un Certain Regard on Wednesday.
Related: Cannes Film Festival 2024 In Photos: Opening Ceremony & ‘The Second Act’ World Premiere
There is no bigger disruptive force in French cinema right now than Godrèche, who has been at the forefront of triggering a new era of #MeToo in France, a country that has been notoriously slow to tackle sexism, sexual violence and harassment.
The short film follows in the...
- 5/15/2024
- by Melanie Goodfellow
- Deadline Film + TV
The April 25 decision by the New York Court of Appeals to overturn Harvey Weinstein’s felony sex crime conviction looked like a major blow to the #MeToo movement in the U.S. and to the progress made within the U.S. film industry since 2017 (when the first allegations against Weinstein were made public).
In France, they are still waiting for that first wave of progress. The outrage triggered by #MeToo echoed across la grande nation — it even spawned a French counterpart, #Balancetonporc, or “Expose Your Pig” — but, until very recently, efforts to challenge the structure of the French entertainment industry came to very little.
That, it seems, is changing. U.S.-style measures, including the use of intimacy coordinators for sex scenes or chaperones to supervise the treatment of minors, are slowly becoming standard practice on French movie sets. #MeToo is “really at the center of our discussion now, in...
In France, they are still waiting for that first wave of progress. The outrage triggered by #MeToo echoed across la grande nation — it even spawned a French counterpart, #Balancetonporc, or “Expose Your Pig” — but, until very recently, efforts to challenge the structure of the French entertainment industry came to very little.
That, it seems, is changing. U.S.-style measures, including the use of intimacy coordinators for sex scenes or chaperones to supervise the treatment of minors, are slowly becoming standard practice on French movie sets. #MeToo is “really at the center of our discussion now, in...
- 5/7/2024
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Exclusive: Judith Godrèche is burning down the house. Her hope is that something better will emerge from the ashes.
In recent weeks, the French actress and director, a three-time César nominee known for starring in English and French-language hits including The Man In The Iron Mask, The Spanish Apartment and Potiche, has taken a match to a culture of silence and denial within France’s cinema world when it comes to sexual abuse. In her first trade interview, she talks to Deadline about her experiences, the motivation behind her campaign and what she hopes to achieve.
At the heart of Godrèche’s mission is the relationship she had with director Benoît Jacquot in the late 1980s, which began when she was only 14 years old, and he was 39. The minimum age of consent in France is 15.
Godrèche, now 51, lived with Jacquot for six years and appeared in his films The Beggars and The Disenchanted,...
In recent weeks, the French actress and director, a three-time César nominee known for starring in English and French-language hits including The Man In The Iron Mask, The Spanish Apartment and Potiche, has taken a match to a culture of silence and denial within France’s cinema world when it comes to sexual abuse. In her first trade interview, she talks to Deadline about her experiences, the motivation behind her campaign and what she hopes to achieve.
At the heart of Godrèche’s mission is the relationship she had with director Benoît Jacquot in the late 1980s, which began when she was only 14 years old, and he was 39. The minimum age of consent in France is 15.
Godrèche, now 51, lived with Jacquot for six years and appeared in his films The Beggars and The Disenchanted,...
- 3/1/2024
- by Melanie Goodfellow
- Deadline Film + TV
Anatomy Of A Fall was named best French film of the year at the 49th annual César awards, among six prizes for Justine Triet’s film during an evening dominated by female solidarity that saw actress Judith Godrèche set the tone with a #MeToo-motivated speech.
Scroll down for full list of winners
Anatomy Of A Fall also earned prizes for best director for Triet, best actress for Sandra Hüller, best original screenplay for Triet and Arthur Harari, best supporting actor for Swann Arlaud and best editing for Laurent Senechal.
Triet’s best director prize made her the first female filmmaker...
Scroll down for full list of winners
Anatomy Of A Fall also earned prizes for best director for Triet, best actress for Sandra Hüller, best original screenplay for Triet and Arthur Harari, best supporting actor for Swann Arlaud and best editing for Laurent Senechal.
Triet’s best director prize made her the first female filmmaker...
- 2/24/2024
- ScreenDaily
Actress and director Judith Godrèche made an appeal at the French César Awards on Friday for a new era of truth around the issue of sexual abuse and harassment in France’s cinema world after decades of silence and denial.
“For some time now, voices have been unleashed, the idealized image of our fathers has been shattered, power almost seems to be in a state of turmoil, could it be possible for us to look at the truth in the eye?,” she said in scheduled address.
“To take on our responsibilities? To be actors, actresses of a world that is questioning itself?, “ she asked. “For some time now, I’ve been talking and talking, but I can’t hear you, or only a little. Where are you? What are you saying? A whisper. Half a word.”
Her appearance at the César ceremony comes three weeks after the actress filed an...
“For some time now, voices have been unleashed, the idealized image of our fathers has been shattered, power almost seems to be in a state of turmoil, could it be possible for us to look at the truth in the eye?,” she said in scheduled address.
“To take on our responsibilities? To be actors, actresses of a world that is questioning itself?, “ she asked. “For some time now, I’ve been talking and talking, but I can’t hear you, or only a little. Where are you? What are you saying? A whisper. Half a word.”
Her appearance at the César ceremony comes three weeks after the actress filed an...
- 2/23/2024
- by Melanie Goodfellow
- Deadline Film + TV
Justine Triet became the second female filmmaker in the Cesar Award’s 49-year history to win the best director trophy for “Anatomy of a Fall,” which also won best film, original screenplay, actress for Sandra Huller, supporting actor for Swann Arlaud and editing at the French film industry’s big night. Thomas Cailley’s supernatural drama “The Animal Kingdom” also dominated the race, picking up a raft of prizes, including cinematography, costumes, visual effects and music. The ceremony unfolded at the Olympia Theater in Paris on Friday evening and aired lived on Canal+.
Triet’s movie, which is vying for five Oscars, stars Hüller as a novelist who is put on trial following the mysterious death of her husband at their remote chalet. The movie is produced by Marie-Ange Luciani at Les Films de Pierre and David Thion at Les Films Pelleas.
Triet dedicated her best film award to all women,...
Triet’s movie, which is vying for five Oscars, stars Hüller as a novelist who is put on trial following the mysterious death of her husband at their remote chalet. The movie is produced by Marie-Ange Luciani at Les Films de Pierre and David Thion at Les Films Pelleas.
Triet dedicated her best film award to all women,...
- 2/23/2024
- by Elsa Keslassy
- Variety Film + TV
New Wave of Accusations Ignites MeToo Reckoning in France: ‘Women Are Fed Up. The Anger Is Enormous’
France’s film industry is undergoing a new MeToo reckoning, dominating news cycles, policy debates and even the goodie bag of the Cesar Awards’ nominees dinner, which included a flyer headlined, “The cultural sector together against sexist and sexual violence.”
The French #MeToo movement also made its way into the Berlinale, where actor Nora Hamzawi said that director Jacques Doillon’s upcoming film “Third Grade” — in which Hamzawi stars — shouldn’t be released due to the sexual misconduct allegations recently filed against the filmmkaker.
France’s major producers guilds have also issued a statement demanding the National Film Board (Cnc) and the Minister of Culture to put specific guidelines in place. Those demands include the appointment of “experts specialized in the prevention and management of sexual violence to set up a safe environment at the start of every shoot;” additional resources for organizations fighting sexual misconduct; and setting up an...
The French #MeToo movement also made its way into the Berlinale, where actor Nora Hamzawi said that director Jacques Doillon’s upcoming film “Third Grade” — in which Hamzawi stars — shouldn’t be released due to the sexual misconduct allegations recently filed against the filmmkaker.
France’s major producers guilds have also issued a statement demanding the National Film Board (Cnc) and the Minister of Culture to put specific guidelines in place. Those demands include the appointment of “experts specialized in the prevention and management of sexual violence to set up a safe environment at the start of every shoot;” additional resources for organizations fighting sexual misconduct; and setting up an...
- 2/22/2024
- by Ben Croll and Elsa Keslassy
- Variety Film + TV
French actresss Judith Godrèche has filed an official police complaint against Jacques Doillon, accusing him of two counts of sexual assault in the 1980s when she was a minor.
News of the complaint came just one day after Godrèche revealed in an interview with Le Monde newspaper she had filed a complaint against director Benoît Jacquot for “rapes with violence of a minor less than 15-years-old”.
The Paris Prosecutor’s office has since confirmed to Deadline that a case has been opened.
Godrèche, who is now 51, lived with Jacquot for six years and appeared in his films The Beggars and The Disenchanted, before leaving him in her early 20s.
The actress says she was 14-years-old when the relationship began while the director was 40 and that she was “under his influence”. Jacquot has denied the accusations saying they were in a “loving” relationship.
The actress publicly made the accusations against Doillon...
News of the complaint came just one day after Godrèche revealed in an interview with Le Monde newspaper she had filed a complaint against director Benoît Jacquot for “rapes with violence of a minor less than 15-years-old”.
The Paris Prosecutor’s office has since confirmed to Deadline that a case has been opened.
Godrèche, who is now 51, lived with Jacquot for six years and appeared in his films The Beggars and The Disenchanted, before leaving him in her early 20s.
The actress says she was 14-years-old when the relationship began while the director was 40 and that she was “under his influence”. Jacquot has denied the accusations saying they were in a “loving” relationship.
The actress publicly made the accusations against Doillon...
- 2/8/2024
- by Melanie Goodfellow
- Deadline Film + TV
Judith Godrèche, the French actor-turned-filmmaker who recently delivered the semi-autobiographical series “Icon of French Cinema,” has filed a complaint against director Jacques Doillon alleging rape, Variety has confirmed.
Godrèche filed the complaint on Feb. 6, the same day that she filed one against director Benoit Jacquot.
Interviewed by the local radio station France Inter, Godrèche alleged that she was raped twice by Doillon when she was 15 in the late 1980s. She claimed the sexual assault happened at the home that Doillon shared with his then partner Jane Birkin, during the shoot of “La fille de 15 ans.” Godrèche, who was at the time in a relationship with Jacquot, had the lead role in Doillon’s film and starred alongside Melvil Poupaud and Doillon himself. The movie came out in 1989.
“It was hallucinating. He got rid of the actor and took his place and all of the sudden he decided that there...
Godrèche filed the complaint on Feb. 6, the same day that she filed one against director Benoit Jacquot.
Interviewed by the local radio station France Inter, Godrèche alleged that she was raped twice by Doillon when she was 15 in the late 1980s. She claimed the sexual assault happened at the home that Doillon shared with his then partner Jane Birkin, during the shoot of “La fille de 15 ans.” Godrèche, who was at the time in a relationship with Jacquot, had the lead role in Doillon’s film and starred alongside Melvil Poupaud and Doillon himself. The movie came out in 1989.
“It was hallucinating. He got rid of the actor and took his place and all of the sudden he decided that there...
- 2/8/2024
- by Elsa Keslassy
- Variety Film + TV
French actresss Judith Godrèche has filed an official police complaint against director Benoît Jacquot for “rapes with violence of a minor less than 15-years-old”, according to an investigative report by Le Monde on Wednesday.
The complaint comes just weeks after Godrèche publicly condemned the relationship she had with director Benoît Jacquot in the late 1980s, which she says began when she was only 14 years old and he was 40.
Godrèche, who is now 51, lived with Jacquot for six years and appeared in his films The Beggars and The Disenchanted, before leaving him in her early 20s. Deadline has contacted Jacquot’s representative for comment on the complaint.
According to Le Monde, Godrèche attended an interview with the Brigade for the Protection of Minors, a police service dealing with juvenile justice matters, in Paris on February 6, where she gave an account of her relationship with Jacquot, having previously consulted her lawyer Laure Heinich on the matter.
The complaint comes just weeks after Godrèche publicly condemned the relationship she had with director Benoît Jacquot in the late 1980s, which she says began when she was only 14 years old and he was 40.
Godrèche, who is now 51, lived with Jacquot for six years and appeared in his films The Beggars and The Disenchanted, before leaving him in her early 20s. Deadline has contacted Jacquot’s representative for comment on the complaint.
According to Le Monde, Godrèche attended an interview with the Brigade for the Protection of Minors, a police service dealing with juvenile justice matters, in Paris on February 6, where she gave an account of her relationship with Jacquot, having previously consulted her lawyer Laure Heinich on the matter.
- 2/7/2024
- by Melanie Goodfellow
- Deadline Film + TV
Good afternoon Insiders, Max Goldbart here in a week that has had a distinctly ‘back to school’ feel to it. We’ve certainly been busy. Read on for the biggest stories of the week and sign up here.
Has #MeToo Finally Arrived in France?
Watershed: The past week has felt like a watershed moment for the #MeToo movement in France. The country’s film industry has been at the forefront of efforts to foster gender parity thanks to pioneering activist group Le Collectif 50/50 and initiatives such as the festival charter, along with extra state funding for movies hiring women for key crew positions. However, a culture of silence around allegations of sexual abuse by big figures such as Roman Polanski and Gérard Depardieu has long been a source of debate and consternation in and outside of the country. There are signs that a major shift is underway following a bombshell...
Has #MeToo Finally Arrived in France?
Watershed: The past week has felt like a watershed moment for the #MeToo movement in France. The country’s film industry has been at the forefront of efforts to foster gender parity thanks to pioneering activist group Le Collectif 50/50 and initiatives such as the festival charter, along with extra state funding for movies hiring women for key crew positions. However, a culture of silence around allegations of sexual abuse by big figures such as Roman Polanski and Gérard Depardieu has long been a source of debate and consternation in and outside of the country. There are signs that a major shift is underway following a bombshell...
- 1/12/2024
- by Max Goldbart
- Deadline Film + TV
A decade ago, Gerard Depardieu played a character inspired by Dominique Strauss-Kahn — the disgraced former head of the International Monetary Fund who was accused of assaulting a hotel maid — in Abel Ferrara’s “Welcome to New York.” In an ironic twist, the iconic French actor has now become the poster boy for the country’s #MeToo movement, having been charged with rape and faced with over a dozen sexual assault allegations.
But the French remain divided over him due to his profile as a mascot of the country’s cinematic history. He’s starred in over 150 films, including classics such as Jean-Paul Rappeneau’s “Cyrano de Bergerac,” François Truffaut’s “Le Dernier Metro” and Bertrand Blier’s “Going Places.” However, the tide is starting to shift — while French President Emmanuel Macron refused to revoke his Legion of Honor, the Paris wax museum went ahead and removed his statue on Dec.
But the French remain divided over him due to his profile as a mascot of the country’s cinematic history. He’s starred in over 150 films, including classics such as Jean-Paul Rappeneau’s “Cyrano de Bergerac,” François Truffaut’s “Le Dernier Metro” and Bertrand Blier’s “Going Places.” However, the tide is starting to shift — while French President Emmanuel Macron refused to revoke his Legion of Honor, the Paris wax museum went ahead and removed his statue on Dec.
- 1/11/2024
- by Elsa Keslassy
- Variety Film + TV
Fresh controversy is brewing in the French film industry just weeks after a bombshell documentary detailing sexual assault accusations against Gérard Depardieu divided its ranks.
In what promises to be another divisive affair, actress Judith Godrèche has publicly condemned the relationship she openly had with director Benoît Jacquot in the late 1980s, which she says began when she was only 14 years old and he was 40.
Godrèche said this week that she was “under his influence” and that the relationship was wrong.
Jacquot – whose films as director include 2015 drama Diary Of A Chambermaid, Farewell, My Queen and Casanova, Last Love – has always held that Godrèche was 15, the minimum age of consent in France.
Godrèche, who is now 51, lived with Jacquot for six years and appeared in his films The Beggars and The Disenchanted, before leaving him in her early 20s.
She went on to build a successful career as an actress...
In what promises to be another divisive affair, actress Judith Godrèche has publicly condemned the relationship she openly had with director Benoît Jacquot in the late 1980s, which she says began when she was only 14 years old and he was 40.
Godrèche said this week that she was “under his influence” and that the relationship was wrong.
Jacquot – whose films as director include 2015 drama Diary Of A Chambermaid, Farewell, My Queen and Casanova, Last Love – has always held that Godrèche was 15, the minimum age of consent in France.
Godrèche, who is now 51, lived with Jacquot for six years and appeared in his films The Beggars and The Disenchanted, before leaving him in her early 20s.
She went on to build a successful career as an actress...
- 1/11/2024
- by Melanie Goodfellow
- Deadline Film + TV
The Oldenburg Film Festival has picked two iconoclast filmmakers to honor for its 30th anniversary edition: French actor/director Isild Le Besco and Canadian producer Jen Gatien. Both women have carved out unique paths in independent cinema, defying conventions and expectations.
Le Besco has worked in front of the camera since she was eight, and by her early 20s was already a face of French auteur cinema, with two César nominations — for her performances in Benoît Jacquot’s Sade (2000) and Cédric Kahn’s Roberto Succo (2001) and a best actress honor in Venice for Jacquot’s L’Intouchable (2006).
Her directorial debut, 2004’s Demi-Tarif (Half-Price), the story of three young siblings, Romeo (Kolia Litscher), Launa (Lila Salet), and the youngest, Leo (Cindy David), left on their own in a rundown Paris apartment, was an unmediated look into the world of childhood and drew praise from the likes of Mia Hansen-Løve, whose review,...
Le Besco has worked in front of the camera since she was eight, and by her early 20s was already a face of French auteur cinema, with two César nominations — for her performances in Benoît Jacquot’s Sade (2000) and Cédric Kahn’s Roberto Succo (2001) and a best actress honor in Venice for Jacquot’s L’Intouchable (2006).
Her directorial debut, 2004’s Demi-Tarif (Half-Price), the story of three young siblings, Romeo (Kolia Litscher), Launa (Lila Salet), and the youngest, Leo (Cindy David), left on their own in a rundown Paris apartment, was an unmediated look into the world of childhood and drew praise from the likes of Mia Hansen-Løve, whose review,...
- 9/14/2023
- by Scott Roxborough
- The Hollywood Reporter - Movie News
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