“Kingdom of the Blind,” “Little Trouble Girls” and “Wind, Talk To Me” were among the projects which won prizes at the milestone 15th edition of Les Arcs Film Festival‘s Industry Village.
The event, held in a popular French Alps resort, was attended by more than 700 professionals, including top sales agents, distributors and festival programmers, on top of high profile talent, such as two-time Palme d’Or winning Ruben Ostlund (“Triangle of Sadness”) who was the festival’s guest of honor.
The growing popularity of Les Arcs’s industry sidebar underscores “the resilience of the independent European film market and the continued interest in original stories along with feature debuts,” said Jeremy Zelnik, an indie producer (“Kubrick by Kubrick”) who heads the Industry Village and co-founded the festival with Pierre-Emmanuel Fleurantin, Guillaume Calop and Fabienne Silvestre.
This year, the Coproduction Village and Work in Progress section received a record 680 projects...
The event, held in a popular French Alps resort, was attended by more than 700 professionals, including top sales agents, distributors and festival programmers, on top of high profile talent, such as two-time Palme d’Or winning Ruben Ostlund (“Triangle of Sadness”) who was the festival’s guest of honor.
The growing popularity of Les Arcs’s industry sidebar underscores “the resilience of the independent European film market and the continued interest in original stories along with feature debuts,” said Jeremy Zelnik, an indie producer (“Kubrick by Kubrick”) who heads the Industry Village and co-founded the festival with Pierre-Emmanuel Fleurantin, Guillaume Calop and Fabienne Silvestre.
This year, the Coproduction Village and Work in Progress section received a record 680 projects...
- 12/21/2023
- by Elsa Keslassy
- Variety Film + TV
The Les Arcs Film Festival in the French Alps kicked off its 14th edition last weekend amid sub-zero temperatures and freshly laid snow, to run from December 10 to 17
Some 600 film professionals from across Europe headed to its four-day industry program, unfolding December 10 to 13, to check out project and work-in-progress showcases, participate in a variety of workshops, network and hit the slopes.
One of the major topics on the industry program’s agenda this year was how can film festivals and the cinema industry, in general, be more sustainable and play their part in helping to rein in climate change.
With temperatures hitting lows of -15 degrees centigrade (5 degrees Fahrenheit) on pristine white slopes at altitudes between 6,400 ft and 12,400 ft, growing fears that the world is in a climate emergency felt a long way away.
Founded in 2009 by locally raised film execs Guillaume Calop and Pierre-Emmanuel Fleurantin, the event...
Some 600 film professionals from across Europe headed to its four-day industry program, unfolding December 10 to 13, to check out project and work-in-progress showcases, participate in a variety of workshops, network and hit the slopes.
One of the major topics on the industry program’s agenda this year was how can film festivals and the cinema industry, in general, be more sustainable and play their part in helping to rein in climate change.
With temperatures hitting lows of -15 degrees centigrade (5 degrees Fahrenheit) on pristine white slopes at altitudes between 6,400 ft and 12,400 ft, growing fears that the world is in a climate emergency felt a long way away.
Founded in 2009 by locally raised film execs Guillaume Calop and Pierre-Emmanuel Fleurantin, the event...
- 12/15/2022
- by Melanie Goodfellow
- Deadline Film + TV
The Les Arcs Film Festival will launch a new sidebar showcasing this year’s European entries to the Best International Feature Film Oscar category at its 14th edition, running December 10 to 17 in its namesake French Alps skiing resort home of Les Arcs.
The dates of the European cinema-focused festival overlap with voting for the Oscar Shortlists, running December 12 to 15 ahead of the Shortlists announcement on December 21.
Eight submissions will screen in the new section entitled “Oscar Au Ski”: Cristèle Alves Meira’s Alma Viva (Portugal), Viesturs Kairišs’s January (Latvia), Guðmundur Arnar Guðmundsson’s BeautifuInt’l Critics Line: Iceland’s Oscar Entry Beautiful Beings (Iceland), Maryna Er Gorbach’s Klondike (Ukraine), Marie Kreutzer’s Corsage (Austria), Colm Bairéad’s The Quiet Girl (Ireland), Alli Haapasalo’s Girl Picture (Finland) and Carla Simón’s Alcarràs (Spain).
“The festival takes place in a period when the Oscar race is in full swing.
The dates of the European cinema-focused festival overlap with voting for the Oscar Shortlists, running December 12 to 15 ahead of the Shortlists announcement on December 21.
Eight submissions will screen in the new section entitled “Oscar Au Ski”: Cristèle Alves Meira’s Alma Viva (Portugal), Viesturs Kairišs’s January (Latvia), Guðmundur Arnar Guðmundsson’s BeautifuInt’l Critics Line: Iceland’s Oscar Entry Beautiful Beings (Iceland), Maryna Er Gorbach’s Klondike (Ukraine), Marie Kreutzer’s Corsage (Austria), Colm Bairéad’s The Quiet Girl (Ireland), Alli Haapasalo’s Girl Picture (Finland) and Carla Simón’s Alcarràs (Spain).
“The festival takes place in a period when the Oscar race is in full swing.
- 11/9/2022
- by Melanie Goodfellow
- Deadline Film + TV
Alpine event runs December 10-17.
The in-person 14th edition of Les Arcs Film Festival returns to the French Alps from December 10-17 to celebrate European Cinema and present eight films in Official Competition as well as the industry programme.
Official Competition selections vying for the Crystal Arrow award include David Wagner’s Eismayer from Austria (Loco Films handles sales), Macedonian director Teona Strugar Mitevska’s co-production The Happiest Man In The World (distributed by Pyramide Films), and Fulvio Risuleo’s Ghost Night from Italy (Vision Distribution), and Leonor Serraille’s French title Un Petit Frère (Diaphana Distribution).
Rounding out the...
The in-person 14th edition of Les Arcs Film Festival returns to the French Alps from December 10-17 to celebrate European Cinema and present eight films in Official Competition as well as the industry programme.
Official Competition selections vying for the Crystal Arrow award include David Wagner’s Eismayer from Austria (Loco Films handles sales), Macedonian director Teona Strugar Mitevska’s co-production The Happiest Man In The World (distributed by Pyramide Films), and Fulvio Risuleo’s Ghost Night from Italy (Vision Distribution), and Leonor Serraille’s French title Un Petit Frère (Diaphana Distribution).
Rounding out the...
- 11/9/2022
- by Rebecca Leffler
- ScreenDaily
Event running in French ski resort of Les Arcs will showcase more than 120 films.
France’s Les Arcs Film Festival (December 11-18) has announced the programme for its first physical edition in two years, after the Covid-19 pandemic forced its cancellation in 2020, while its industry events took place online.
Unfolding in the French Alps, the convivial, European cinema-focused festival was unable to take place after the government ordered ski resorts to remain closed due to a fresh wave of the virus.
It returns this year with a packed programme that will showcase more than 120 European works.
“We’re all eager...
France’s Les Arcs Film Festival (December 11-18) has announced the programme for its first physical edition in two years, after the Covid-19 pandemic forced its cancellation in 2020, while its industry events took place online.
Unfolding in the French Alps, the convivial, European cinema-focused festival was unable to take place after the government ordered ski resorts to remain closed due to a fresh wave of the virus.
It returns this year with a packed programme that will showcase more than 120 European works.
“We’re all eager...
- 11/10/2021
- by Melanie Goodfellow
- ScreenDaily
Les Arcs, Cph:Dox, Tallinn, Ghent, Dok Leipzig sign letter criticising move to network funding.
A group of 65 European film festivals have sounded the alarm over a unilateral decision by the European Union’s Media programme to abolish individual funding for their events in favour of network funding.
Under the move, festivals will be required to become a member of a consortium of festivals that will then apply for funding as a bloc and mete out what it secures between them.
Previously festivals made individual funding applications to Media, the film and audiovisual industries-focused strand of the EU’s Creative Europe programme.
A group of 65 European film festivals have sounded the alarm over a unilateral decision by the European Union’s Media programme to abolish individual funding for their events in favour of network funding.
Under the move, festivals will be required to become a member of a consortium of festivals that will then apply for funding as a bloc and mete out what it secures between them.
Previously festivals made individual funding applications to Media, the film and audiovisual industries-focused strand of the EU’s Creative Europe programme.
- 2/22/2021
- by Melanie Goodfellow
- ScreenDaily
Les Arcs, Cph:Dox, Tallinn, Ghent, Dok Leipzig sign letter criticising move to network funding.
A group of 65 European film festivals have sounded the alarm over a unilateral decision by the European Union’s Media programme to abolish individual funding for their events in favour of network funding.
Under the move, festivals will be required to become a member of a consortium of festivals that will then apply for funding as a bloc and mete out what it secures between them.
Previously festivals made individual funding applications to Media, the film and audiovisual industries-focused strand of the EU’s Creative Europe programme.
A group of 65 European film festivals have sounded the alarm over a unilateral decision by the European Union’s Media programme to abolish individual funding for their events in favour of network funding.
Under the move, festivals will be required to become a member of a consortium of festivals that will then apply for funding as a bloc and mete out what it secures between them.
Previously festivals made individual funding applications to Media, the film and audiovisual industries-focused strand of the EU’s Creative Europe programme.
- 2/22/2021
- by Melanie Goodfellow
- ScreenDaily
The team behind Les Arcs Film Festival is launching FestiCiné, an online software for festivals that are fully or partly switching to virtual, in partnership with Festival Scope, Shift72, as well as Cinando and Zoom.
The software, which was initially developed for the next edition of Les Arcs Film Festival, has already enrolled 50 clients, including Series Mania, Karlovy Vary, Cannes Cinéfondation and Angoulême festival. Amid the coronavirus crisis, a plethora of festivals have canceled their physical editions, while others have maintained them but are creating a virtual component for people who aren’t able to travel and attend.
FestiCiné aims at helping these festivals with programming, guests management, ticketing, market organisation, as well as screenings. Festivals will be able to upload the data about their films to the platform automatically. Festival Scope and Shift72 will then generate a mini-website where users will be able to watch these programmed films.
“We...
The software, which was initially developed for the next edition of Les Arcs Film Festival, has already enrolled 50 clients, including Series Mania, Karlovy Vary, Cannes Cinéfondation and Angoulême festival. Amid the coronavirus crisis, a plethora of festivals have canceled their physical editions, while others have maintained them but are creating a virtual component for people who aren’t able to travel and attend.
FestiCiné aims at helping these festivals with programming, guests management, ticketing, market organisation, as well as screenings. Festivals will be able to upload the data about their films to the platform automatically. Festival Scope and Shift72 will then generate a mini-website where users will be able to watch these programmed films.
“We...
- 5/20/2020
- by Elsa Keslassy
- Variety Film + TV
Les Arcs Film Festival launched its inaugural Green Lab this year looking at what the cinema world can do to help tackle climate change.
The high-altitude, snow-covered setting of the Les Arcs Film Festival in the French Alps does not immediately conjure up a sense of being in a “climate emergency”.
But its backdrop, one of the last wildernesses of Europe, is facing the same ecological challenges as the rest of the planet, with temperatures rising faster than the global average in the Alps.
Worried about the festival’s environmental impact, its founding chiefs Guillaume Calop and Pierre-Emmanuel Fleurentin, have...
The high-altitude, snow-covered setting of the Les Arcs Film Festival in the French Alps does not immediately conjure up a sense of being in a “climate emergency”.
But its backdrop, one of the last wildernesses of Europe, is facing the same ecological challenges as the rest of the planet, with temperatures rising faster than the global average in the Alps.
Worried about the festival’s environmental impact, its founding chiefs Guillaume Calop and Pierre-Emmanuel Fleurentin, have...
- 12/19/2019
- by 1100388¦Melanie Goodfellow¦0¦
- ScreenDaily
Les Arcs Film Festival celebrated British filmmaker Sarah Gavron with the Femmes de Cinema Award during a ceremony on Sunday.
The award, created by Les Arcs festival in partnership with Sisley, celebrates visionary female filmmakers from Europe and is aimed at boosting the representation of women in the film industry. Gavron last directed “Rocks” about a teenager, Shola, and her younger brother, who are abandoned by their mother. Afraid to be separated from her brother if social services find out they are living alone, Shola sets out to evade the authorities’ notice at all costs.
The drama, which played at Toronto and won two awards at San Sebastian, was set in East London and developed through workshops and improvisation with newcomers, many of whom are minorities.
Upon receiving the award, Gavron dedicated the film to all the women she’s worked with and thanked the festival and Sisley for “shining...
The award, created by Les Arcs festival in partnership with Sisley, celebrates visionary female filmmakers from Europe and is aimed at boosting the representation of women in the film industry. Gavron last directed “Rocks” about a teenager, Shola, and her younger brother, who are abandoned by their mother. Afraid to be separated from her brother if social services find out they are living alone, Shola sets out to evade the authorities’ notice at all costs.
The drama, which played at Toronto and won two awards at San Sebastian, was set in East London and developed through workshops and improvisation with newcomers, many of whom are minorities.
Upon receiving the award, Gavron dedicated the film to all the women she’s worked with and thanked the festival and Sisley for “shining...
- 12/16/2019
- by Elsa Keslassy
- Variety Film + TV
The festival, held in the French Alps, will have a timely ecological angle for the first time.
The Les Arcs Film Festival has unveiled the line-up for its 11th edition, which will unfold in the French Alps Dec 14-21, with a timely ecological angle for the first time.
Artistic director Frédéric Boyer has selected 120 films, which will play across six sections, including the Competition, Playtime, Hauteur and Avant-Premieres sidebars. Some 22,000 public and professional attendees are expected to attend in line with 2018.
Dutch actor-turned-director Halina Reijn’s psychological thriller Instinct, Fyzal Boulifa’s UK tragic female friendship tale Lynn + Lucy and...
The Les Arcs Film Festival has unveiled the line-up for its 11th edition, which will unfold in the French Alps Dec 14-21, with a timely ecological angle for the first time.
Artistic director Frédéric Boyer has selected 120 films, which will play across six sections, including the Competition, Playtime, Hauteur and Avant-Premieres sidebars. Some 22,000 public and professional attendees are expected to attend in line with 2018.
Dutch actor-turned-director Halina Reijn’s psychological thriller Instinct, Fyzal Boulifa’s UK tragic female friendship tale Lynn + Lucy and...
- 11/5/2019
- by 1100380¦Melanie Goodfellow¦0¦
- ScreenDaily
Radoslaw Smigulski (right), general director of the Polish Film Institute, hosted Friday’s Polish Party at Berlin’s Ewerk, where the guests included Agnieszka Holland (left), director of Berlin competition film “Mr. Jones,” and European Film Academy chairwoman.
Among the guests were filmmakers Sergei Loznitsa and Olga Chajdas, Antoine le Bos, founder of Groupe Ouest, Philip Ilienko, director of the Ukrainian State Film Agency, Mercedes Fernandez Alonso, the managing director of TorinoFilmLab, Rolandas Kvietkauskas, director of the Lithuanian Film Center, Marketa Šantrochová, head of the Czech Film Center, and Meinolf Zurhorst, head of the Arte film department at Zdf.
Other guests included Bernd Buder, artistic director of the Cottbus Film Festival, Marjorie Bendeck, director of Connecting Cottbus, Jeremy Zelnik, head of industry at Les Arcs Film Festival, Marge Liiske, managing director of Baltic Event, Nikolaj Nikitin, the Berlinale’s delegate for Central and Eastern Europe, and Guillaume Calop, general manager of Les Arcs Film Festival.
Among the guests were filmmakers Sergei Loznitsa and Olga Chajdas, Antoine le Bos, founder of Groupe Ouest, Philip Ilienko, director of the Ukrainian State Film Agency, Mercedes Fernandez Alonso, the managing director of TorinoFilmLab, Rolandas Kvietkauskas, director of the Lithuanian Film Center, Marketa Šantrochová, head of the Czech Film Center, and Meinolf Zurhorst, head of the Arte film department at Zdf.
Other guests included Bernd Buder, artistic director of the Cottbus Film Festival, Marjorie Bendeck, director of Connecting Cottbus, Jeremy Zelnik, head of industry at Les Arcs Film Festival, Marge Liiske, managing director of Baltic Event, Nikolaj Nikitin, the Berlinale’s delegate for Central and Eastern Europe, and Guillaume Calop, general manager of Les Arcs Film Festival.
- 2/11/2019
- by Leo Barraclough
- Variety Film + TV
The festival’s industry strand has hosted Girl, Rams, and Son Of Saul among other titles.
Since it was founded ten years ago, the industry wing of the Les Arcs Film Festival has established itself as an incubator of European film projects that, once completed, premiere at A-list festivals and win major awards.
Films that have graduated through one of Les Arcs’ two main industry strands – the Co-Production Village and the Works in Progress showcase, both housed under the Les Arcs Industry Village banner – include László Nemes’ holocaust drama Son Of Saul, which won the foreign language film Oscar in 2015, Lukas Dhont’s Girl,...
Since it was founded ten years ago, the industry wing of the Les Arcs Film Festival has established itself as an incubator of European film projects that, once completed, premiere at A-list festivals and win major awards.
Films that have graduated through one of Les Arcs’ two main industry strands – the Co-Production Village and the Works in Progress showcase, both housed under the Les Arcs Industry Village banner – include László Nemes’ holocaust drama Son Of Saul, which won the foreign language film Oscar in 2015, Lukas Dhont’s Girl,...
- 12/19/2018
- by Tom Grater
- ScreenDaily
Summer 1993 and My Happy Family also take home prizes from Ukrainian festival.
Peter Brosen and Jessica Woodworth’s fourth feature King Of The Belgians received the Golden Duke Grand Prix - based on voting by festival-goers - at the eighth Odesa International Film Festival (Oiff, July 14 - 22), which came to a close on Saturday evening.
The International Competition jury, headed up by German director Christian Petzold and including actress Sibel Kekilli and Romanian producer-director-festival organiser Tudor Giurgiu, awarded the prize for best international feature film to Catalan director Carla Simón’s autobiographical film Summer 1993.
Handled internationally by New Europe Film Sales, Simón’s film had its world premiere in the Berlinale’s Generation Kplus sidebar where it won the international jury’s grand prix and the Gwff best first feature award.
Meanwhile, My Happy Family by the directorial duo Nana & Simon continued its successful international festival career by picking up the jury’s awards for best director...
Peter Brosen and Jessica Woodworth’s fourth feature King Of The Belgians received the Golden Duke Grand Prix - based on voting by festival-goers - at the eighth Odesa International Film Festival (Oiff, July 14 - 22), which came to a close on Saturday evening.
The International Competition jury, headed up by German director Christian Petzold and including actress Sibel Kekilli and Romanian producer-director-festival organiser Tudor Giurgiu, awarded the prize for best international feature film to Catalan director Carla Simón’s autobiographical film Summer 1993.
Handled internationally by New Europe Film Sales, Simón’s film had its world premiere in the Berlinale’s Generation Kplus sidebar where it won the international jury’s grand prix and the Gwff best first feature award.
Meanwhile, My Happy Family by the directorial duo Nana & Simon continued its successful international festival career by picking up the jury’s awards for best director...
- 7/24/2017
- by screen.berlin@googlemail.com (Martin Blaney)
- ScreenDaily
June 20–22, 2017‘The heart of Paris beats for film industry’
Industry Week is the professional part of the Champs-Elysées Film Festival.
This label includes the Us in Progress and Paris Coproduction Village. Together they offer 24 film projects at different stages, from development to post production. More than 200 professionals from the industry, producers, international sellers, distributors, etc. are welcomed
Paris Coproduction Village Unveils Its Selection
Organized by Les Arcs European Film Festival within the frame of the Champs-Elysées Film Festival Industry Week, Paris Coproduction Village is made up of professional meetings and is also a financing platform for feature projects selected worldwide.
For its fourth edition, which will take place June 20–22, 2017 in Paris, the following projects have been selected:
“Amparo” by Simón Mesa Soto; 2016 — short film
“Madre” Official Competition Cannes, AFI Iff, Chicago Iff; 2014 — short film
“Leidi” Golden Palm Cannes, Best UK Short Award London Short Ff, Chicago Iff, Edinburgh Iff) produced...
Industry Week is the professional part of the Champs-Elysées Film Festival.
This label includes the Us in Progress and Paris Coproduction Village. Together they offer 24 film projects at different stages, from development to post production. More than 200 professionals from the industry, producers, international sellers, distributors, etc. are welcomed
Paris Coproduction Village Unveils Its Selection
Organized by Les Arcs European Film Festival within the frame of the Champs-Elysées Film Festival Industry Week, Paris Coproduction Village is made up of professional meetings and is also a financing platform for feature projects selected worldwide.
For its fourth edition, which will take place June 20–22, 2017 in Paris, the following projects have been selected:
“Amparo” by Simón Mesa Soto; 2016 — short film
“Madre” Official Competition Cannes, AFI Iff, Chicago Iff; 2014 — short film
“Leidi” Golden Palm Cannes, Best UK Short Award London Short Ff, Chicago Iff, Edinburgh Iff) produced...
- 6/14/2017
- by Sydney Levine
- Sydney's Buzz
Houda Benyamina [pictured], Jessica Hausner and Rebecca Daly among directors due to attend the festival.
The Les Arcs European Film Festival will champion female filmmakers at its eighth edition unfolding in the heart of the French Alps Dec 10-17.
A sidebar titled The New Women of Cinema will screen features by 10 female directors including Houda Benyamina’s Caméra d’Or-winning Divines, Rebecca Daly’s Mammal and Rachel Lang’s Baden Baden.
Older titles such as Jessica Hausner’s Lourdes, Agnes Kocsis’ Fresh Air and Nanouk Leopold’s Brownian Movement are also included in the line-up
The initiative is an extension of the festival’s Femme de Cinema award introduced in 2013, the recipients of which have included Bosnian director Jamila Zbanic and Poland’s Małgorzata Szumowska.
Alongside the screenings, there will also be a presentation on a specially-commissioned study of emerging female directors, as well as round-tables and a master-class by one of the attending female directors.
The programme...
The Les Arcs European Film Festival will champion female filmmakers at its eighth edition unfolding in the heart of the French Alps Dec 10-17.
A sidebar titled The New Women of Cinema will screen features by 10 female directors including Houda Benyamina’s Caméra d’Or-winning Divines, Rebecca Daly’s Mammal and Rachel Lang’s Baden Baden.
Older titles such as Jessica Hausner’s Lourdes, Agnes Kocsis’ Fresh Air and Nanouk Leopold’s Brownian Movement are also included in the line-up
The initiative is an extension of the festival’s Femme de Cinema award introduced in 2013, the recipients of which have included Bosnian director Jamila Zbanic and Poland’s Małgorzata Szumowska.
Alongside the screenings, there will also be a presentation on a specially-commissioned study of emerging female directors, as well as round-tables and a master-class by one of the attending female directors.
The programme...
- 11/8/2016
- ScreenDaily
Houda Benyamina [pictured], Jessica Hausner and Rebecca Daly among directors due to attend the festival.
The Les Arcs European Film Festival will champion female filmmakers at its eighth edition unfolding in the heart of the French Alps Dec 10-17.
A sidebar titled The New Women of Cinema will screen features by 10 female directors including Houda Benyamina’s Caméra d’Or-winning Divines, Rebecca Daly’s Mammal and Rachel Lang’s Baden Baden.
Older titles such as Jessica Hausner’s Lourdes, Agnes Kocsis’ Fresh Air and Nanouk Leopold’s Brownian Movement are also included in the line-up
The initiative is an extension of the festival’s Femme de Cinema award introduced in 2013, the recipients of which have included Bosnian director Jamila Zbanic and Poland’s Małgorzata Szumowska.
Alongside the screenings, there will also be a presentation on a specially-commissioned study of emerging female directors, as well as round-tables and a master-class by one of the attending female directors.
The programme...
The Les Arcs European Film Festival will champion female filmmakers at its eighth edition unfolding in the heart of the French Alps Dec 10-17.
A sidebar titled The New Women of Cinema will screen features by 10 female directors including Houda Benyamina’s Caméra d’Or-winning Divines, Rebecca Daly’s Mammal and Rachel Lang’s Baden Baden.
Older titles such as Jessica Hausner’s Lourdes, Agnes Kocsis’ Fresh Air and Nanouk Leopold’s Brownian Movement are also included in the line-up
The initiative is an extension of the festival’s Femme de Cinema award introduced in 2013, the recipients of which have included Bosnian director Jamila Zbanic and Poland’s Małgorzata Szumowska.
Alongside the screenings, there will also be a presentation on a specially-commissioned study of emerging female directors, as well as round-tables and a master-class by one of the attending female directors.
The programme...
- 11/8/2016
- ScreenDaily
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