[Editor's Note: Just Before Dawn celebrates its 40th anniversary on November 27th! We hope you enjoy this special edition of Let's Scare Bryan to Death that celebrates the film's 40th anniversary!]
Welcome back to Let’s Scare Bryan to Death! As you are aware from my interview with Gena Radcliffe a few months back, I’m a big fan of the Kill By Kill podcast, a show that started with a full run-through of the characters from the Friday the 13th franchise, but has since moved on to covering all sorts of well-known and deeper-cut horror movies with humor and panache. So, it was only a matter of time before I had to have a chat with Patrick Hamilton, the show’s co-host who has a knack for finding ’80s oddities that are just off the beaten path.
Of course his selection for this month, Just Before Dawn, is no exception. Ironically...
Welcome back to Let’s Scare Bryan to Death! As you are aware from my interview with Gena Radcliffe a few months back, I’m a big fan of the Kill By Kill podcast, a show that started with a full run-through of the characters from the Friday the 13th franchise, but has since moved on to covering all sorts of well-known and deeper-cut horror movies with humor and panache. So, it was only a matter of time before I had to have a chat with Patrick Hamilton, the show’s co-host who has a knack for finding ’80s oddities that are just off the beaten path.
Of course his selection for this month, Just Before Dawn, is no exception. Ironically...
- 11/24/2021
- by Bryan Christopher
- DailyDead
David Crow Aug 28, 2019
Alfred Hitchcock used the illusion of being shot in one take with Rope
Stop me if you’ve heard this one before: There once was an ambitious auteur who somehow convinced studios to gift-wrap him Hollywood money (and Hollywood stars) for what was ultimately an exercise in experimental filmmaking. Despite on the surface playing with genre tropes, his movie controversially used long shots and elaborate camera set-ups to create the illusion of one unbroken take and a deliberate pace.
… I am of course talking about the Alfred Hitchcock film Rope. Could it have been anything else?
Indeed, long before Alejandro G. Iñárritu’s majestic and strangely hypnotic Birdman or (The Unexpected Virtue of Ignorance), Hitchcock also famously attempted the magic trick of a seemingly uninterrupted moviegoing experience. Granted, there are also major differences. For starters, Birdman is the far bigger triumph that led to Iñárritu proudly taking...
Alfred Hitchcock used the illusion of being shot in one take with Rope
Stop me if you’ve heard this one before: There once was an ambitious auteur who somehow convinced studios to gift-wrap him Hollywood money (and Hollywood stars) for what was ultimately an exercise in experimental filmmaking. Despite on the surface playing with genre tropes, his movie controversially used long shots and elaborate camera set-ups to create the illusion of one unbroken take and a deliberate pace.
… I am of course talking about the Alfred Hitchcock film Rope. Could it have been anything else?
Indeed, long before Alejandro G. Iñárritu’s majestic and strangely hypnotic Birdman or (The Unexpected Virtue of Ignorance), Hitchcock also famously attempted the magic trick of a seemingly uninterrupted moviegoing experience. Granted, there are also major differences. For starters, Birdman is the far bigger triumph that led to Iñárritu proudly taking...
- 8/28/2016
- Den of Geek
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