Like Google, Netflix has evolved from a Silicon Valley venture to a legitimate verb in the cultural lexicon. Over a decade after expanding from DVD-by-mail to streaming service, and seven since debuting its first original series with House of Cards, Netflix still dominates the online TV landscape. While competitors like Warner Bros., Disney, and Apple certainly vie for our time with their own in-house programs, the sheer inundation of Netflix originals requires its very own examination.
The powerfully gripping Baby Reindeer, the stylishly alluring Ripley, and the gut-busting Beef are merely a few of the latest storytelling pleasures available to anyone with a WiFi connection and a (potentially borrowed) Netflix login. These 25 Netflix original shows, old and new, prove the marathon-watching juggernaut’s equal concern for both quantity and quality. Nathan Frontiero
Editor’s Note: This entry was originally published on February 20, 2019.
25. Squid Game
Netflix’s Squid Game has a...
The powerfully gripping Baby Reindeer, the stylishly alluring Ripley, and the gut-busting Beef are merely a few of the latest storytelling pleasures available to anyone with a WiFi connection and a (potentially borrowed) Netflix login. These 25 Netflix original shows, old and new, prove the marathon-watching juggernaut’s equal concern for both quantity and quality. Nathan Frontiero
Editor’s Note: This entry was originally published on February 20, 2019.
25. Squid Game
Netflix’s Squid Game has a...
- 5/9/2024
- by Slant Staff
- Slant Magazine
Most of Marvel Studios’s films are the cinematic equivalent of breadcrumbs, which have been dropped into theaters strategically so as to keep one looking for the next sequel or crossover, when the endless televisual exposition will eventually, theoretically yield an event of actual consequence. Occasionally, however, a Marvel film transcends this impersonality and justifies one’s patience. Weird, stylish, and surprisingly lyrical, Ant-Man, Iron Man 3, and Doctor Strange attest to the benefits of the old Hollywood-style studio system that Marvel has resurrected: Under the umbrella of structure and quota is security, which can bequeath qualified freedom. On the occasion of the release of Nia DaCosta’s The Marvels, here’s a ranking of every film in the Marvel Cinematic Universe (MCU) to date. Chuck Bowen
Editor’s Note: This article was originally published on April 25, 2018.
33. The Incredible Hulk (2008)
The aesthetic dexterity and psychological depth of Ang Lee’s...
Editor’s Note: This article was originally published on April 25, 2018.
33. The Incredible Hulk (2008)
The aesthetic dexterity and psychological depth of Ang Lee’s...
- 11/9/2023
- by Slant Staff
- Slant Magazine
Ever since audiences—at least according to myth—ran screaming from the premiere screening of Auguste and Louis Lumière’s 1895 short black-and-white silent documentary Arrival of a Train at La Ciotat, the histories of filmgoing and horror have been inextricably intertwined. Through the decades—and subsequent crazes for color and sound, stereoscopy and anamorphosis—since that train threatened to barrel into the front row, there’s never been a time when audiences didn’t clamor for the palpating fingers of fear. Horror films remain perennially popular, despite periodic (and always exaggerated) rumors of their demise, even in the face of steadily declining ticket sales and desperately shifting models of distribution.
Into the new millennium, horror films have retained their power to shock and outrage by continuing to plumb our deepest primordial terrors, to incarnate our sickest, most socially unpalatable fantasies. They are, in what amounts to a particularly delicious irony,...
Into the new millennium, horror films have retained their power to shock and outrage by continuing to plumb our deepest primordial terrors, to incarnate our sickest, most socially unpalatable fantasies. They are, in what amounts to a particularly delicious irony,...
- 10/17/2023
- by Slant Staff
- Slant Magazine
“The [sci-fi] film has never really been more than an offshoot of its literary precursor, which to date has provided all the ideas, themes and inventiveness. [Sci-fi] cinema has been notoriously prone to cycles of exploitation and neglect, unsatisfactory mergings with horror films, thrillers, environmental and disaster movies.” So wrote J.G. Ballard about George Lucas’s Star Wars in a 1977 piece for Time Out. If Ballard’s view of science-fiction cinema was highly uncharitable and, as demonstrated by some of the imaginative and mind-expanding films below, essentially off-base, he nevertheless touched on a significant point: that literary and cinematic sci-fi are two fundamentally different art forms.
Metropolis, Fritz Lang’s visionary depiction of a near-future dystopia, is almost impossible to imagine as a work of prose fiction. Strip away the Art Deco glory of its towering cityscapes and factories and the synchronized movements of those who move through those environments and what’s left?...
Metropolis, Fritz Lang’s visionary depiction of a near-future dystopia, is almost impossible to imagine as a work of prose fiction. Strip away the Art Deco glory of its towering cityscapes and factories and the synchronized movements of those who move through those environments and what’s left?...
- 8/6/2023
- by Slant Staff
- Slant Magazine
Ever since audiences ran screaming from the premiere of the Lumière brothers’ 1895 short Arrival of a Train at La Ciotat, the histories of filmgoing and horror have been inextricably intertwined. Through the decades—and subsequent crazes for color and sound, stereoscopy and anamorphosis—since that train threatened to barrel into the front row, there’s never been a time when audiences didn’t clamor for the palpating fingers of fear.
Into the new millennium, horror films have retained their power to shock and outrage by continuing to plumb our deepest primordial terrors and incarnate our sickest, most socially unpalatable fantasies. They are, in what amounts to a particularly delicious irony, a “safe space” in which we can explore these otherwise unfathomable facets of our true selves, while yet consoling ourselves with the knowledge that “it’s only a movie.”
At the same time, the genre manages to find fresh and...
Into the new millennium, horror films have retained their power to shock and outrage by continuing to plumb our deepest primordial terrors and incarnate our sickest, most socially unpalatable fantasies. They are, in what amounts to a particularly delicious irony, a “safe space” in which we can explore these otherwise unfathomable facets of our true selves, while yet consoling ourselves with the knowledge that “it’s only a movie.”
At the same time, the genre manages to find fresh and...
- 8/6/2023
- by Slant Staff
- Slant Magazine
The hard drives are concealed in lipstick cases and the latex face masks are now molded with the help of a 3D printer, but the considerable and surprisingly consistent pleasures of the Mission: Impossible series rely on more vintage touches: ambiguous bombshells of a classical Hollywood beauty; Cold War-era villains; and Tom Cruise’s eternal commitment to scaling buildings, escaping shackles, and crashing through plates of glass.
Mirroring phases of the star’s career, the franchise has cast Ethan Hunt as a cocksure maverick (Brian De Palma’s original), devoted romantic (John Woo’s Mission: Impossible II), and a prospective husband (J.J. Abrams’s Mission: Impossible III). Since then, a series which has never shown much interest in character-building has become the perfect embodiment of Cruise’s illegible reputation. Brad Bird’s Ghost Protocol rendered Hunt an avatar, nearly silent in his service to the director’s kinetic set pieces,...
Mirroring phases of the star’s career, the franchise has cast Ethan Hunt as a cocksure maverick (Brian De Palma’s original), devoted romantic (John Woo’s Mission: Impossible II), and a prospective husband (J.J. Abrams’s Mission: Impossible III). Since then, a series which has never shown much interest in character-building has become the perfect embodiment of Cruise’s illegible reputation. Brad Bird’s Ghost Protocol rendered Hunt an avatar, nearly silent in his service to the director’s kinetic set pieces,...
- 7/12/2023
- by Slant Staff
- Slant Magazine
With Elemental, Pixar’s infrastructure drama is here at last. Yes, there’s a Romeo and Juliet-inspired love story, a tale as old as time of immigrants fighting to sustain their hard-won stability, and a parable about accepting and celebrating human—or rather, atomic—differences packed into the film. But Elemental’s plot is really driven by a buddy quest to follow the pipes and repair the leak responsible for causing increasingly frequent flooding in Fire Town, on the outskirts of Elemental City, a metropolis inhabited by the natural elements. But it’s not in Elemental’s best interests that its characters—and thus, its basic concept—are so difficult to describe, though in the end that’s the least of its problems. On the occasion of its release, here’s a ranking of every Pixar feature. Dan Rubins
Editor’s Note: This articale was originally published on June...
Editor’s Note: This articale was originally published on June...
- 6/16/2023
- by Slant Staff
- Slant Magazine
Body Horror Shocker Mosquito State – Available On Shudder Today! Check Out This Trailer and New Clip
Mosquito State Is Now Streamingexclusively On Shudder! Check out the trailer:
Mosquito State was the 2020 Venice Film Festival Winner: Bisato d’Oro for Best Cinematography and the 2020 Sitges Film Festival Winner: Best Visual Effects**
The critics love Mosquito State:
“Knapp gives a terrific performance… This highly original, visually torrid take onWall Street and last decade’s global financial crisis celebrates the truemasters of the universe: mosquitoes.”– Phil Hoad, The Guardian
“A haunting show of financial-crisis body horror… Knapp gives a stylizedperformance that recalls Nicolas Cage.”– Chuck Bowen, Slant Magazine
“Cronenberg meets Kafka… Knapp commits fully to the hideous spectacle of a man steadily beaten by merciless nature.”– David Rooney, The Hollywood Reporter
“You could probably call it the Citizen Kane of Wall Street insect movies. Then again, it’s the only Wall Street insect movie. Knapp, in a performance of unnerving calmand unblinkered insanity… manages to get under your skin.
Mosquito State was the 2020 Venice Film Festival Winner: Bisato d’Oro for Best Cinematography and the 2020 Sitges Film Festival Winner: Best Visual Effects**
The critics love Mosquito State:
“Knapp gives a terrific performance… This highly original, visually torrid take onWall Street and last decade’s global financial crisis celebrates the truemasters of the universe: mosquitoes.”– Phil Hoad, The Guardian
“A haunting show of financial-crisis body horror… Knapp gives a stylizedperformance that recalls Nicolas Cage.”– Chuck Bowen, Slant Magazine
“Cronenberg meets Kafka… Knapp commits fully to the hideous spectacle of a man steadily beaten by merciless nature.”– David Rooney, The Hollywood Reporter
“You could probably call it the Citizen Kane of Wall Street insect movies. Then again, it’s the only Wall Street insect movie. Knapp, in a performance of unnerving calmand unblinkered insanity… manages to get under your skin.
- 8/26/2021
- by Tom Stockman
- WeAreMovieGeeks.com
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