A tense thriller of survival set against a desolate landscape of quiet austerity until the deafening sound of our heroes’ pursuer returns after a brief respite allowing these strangers the time to emotively talk about their lives—no, it’s not Gravity. Filmmaker Jonás Cuarón certainly has a type, though, since his sophomore effort in the director’s chair, Desierto, has a lot of formal similarities to his and father Alfonso Cuarón’s Oscar-winning ride. Thematically different since the whole exists in the wasteland battlegrounds of the Mexican border, is fought by the impoverished rather than elite, and includes a villain possessed by a conscious psychopathy in his treatment of other human beings, it’s still difficult to separate the two when the same screenwriter worked on both.
This isn’t inherently a bad thing since Cuarón appears to have a handle on the cinematic construction of just such a suspenseful tale.
This isn’t inherently a bad thing since Cuarón appears to have a handle on the cinematic construction of just such a suspenseful tale.
- 9/21/2015
- by Jared Mobarak
- The Film Stage
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