France’s heroic leader Charles de Gaulle might have lent his name to airports and famed metropolitan intersections as one of the previous century’s most pivotal political figures. But save for a TV film here and a documentary there, he surprisingly has never been granted a major biopic of his own before. In that regard, writer-director Gabriel Le Bomin’s epically scaled, mainstream wartime drama “De Gaulle” feels sorely overdue, which makes it all the more frustrating that it’s saddle with a lackluster script unworthy of its larger-than-life subject and cookie-cutter visual aesthetics.
Then again, perhaps no cinematic endeavor could really do justice to the significant legacy of de Gaulle, a leader who shepherded Free France Forces against the Nazi Germany as an army officer, helped rebuild democracy in his nation in the mid ’40s as the head of the Provisional Government of the French Republic and served...
Then again, perhaps no cinematic endeavor could really do justice to the significant legacy of de Gaulle, a leader who shepherded Free France Forces against the Nazi Germany as an army officer, helped rebuild democracy in his nation in the mid ’40s as the head of the Provisional Government of the French Republic and served...
- 10/20/2021
- by Tomris Laffly
- Variety Film + TV
As fizzy as a freshly poured glass of Perrier-Jouët, though considerably less complex, writer-director Alexis Michalik’s “Cyrano, My Love” . Part fancifully fictional account of the play’s conception, and part “Waiting for Guffman”-style depiction of the wild antics behind its first production, “Cyrano” was released in France earlier this year, and its undemanding immersion into flashy Belle Époque settings and farcical hijinks with the thinnest topcoat of literary credibility could well earn it an audience Stateside.
According to Michalik’s telling, twentysomething playwright Edmond Rostand (Thomas Solivérès) is a talented wordsmith who nonetheless couldn’t be more out of step with the theatrical tastes of 1890s Paris. Fastidiously mustachioed, stubbornly highbrow and eternally agitated, we’re introduced to him as his latest play has just folded, with a passer-by helpfully identifying him to a companion as “a young poet who writes flop plays.”
A few years later, Edmond...
According to Michalik’s telling, twentysomething playwright Edmond Rostand (Thomas Solivérès) is a talented wordsmith who nonetheless couldn’t be more out of step with the theatrical tastes of 1890s Paris. Fastidiously mustachioed, stubbornly highbrow and eternally agitated, we’re introduced to him as his latest play has just folded, with a passer-by helpfully identifying him to a companion as “a young poet who writes flop plays.”
A few years later, Edmond...
- 10/18/2019
- by Andrew Barker
- Variety Film + TV
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