“I’ve never been to Lebanon,” Lebanese-American high-schooler Marjoun (Veracity Butcher) tells us in voiceover. “Just here: Arkansas.” There’s the slightest uninflected irony in her delivery of that last word, suggesting that her story will archly observe the conundrum of many a second-generation immigrant: belonging to a place that often fails to recognize you as one of its own. But over the course of the thematically ambitious but dramatically uneven “Marjoun and the Flying Headscarf,” from director Susan Youssef (“Habibi”) that paradox emerges as only one of many — too many — contradictions and complexities that beset our (eventually) hijabi heroine.
In good and bad ways, “Marjoun” bears the hallmarks of its 15-year gestation and its expansion from Youssef’s short film of the same name. It is both over- and under-worked, bristling with ideas and issues and subplots that have but little connective tissue holding them together. It’s almost...
In good and bad ways, “Marjoun” bears the hallmarks of its 15-year gestation and its expansion from Youssef’s short film of the same name. It is both over- and under-worked, bristling with ideas and issues and subplots that have but little connective tissue holding them together. It’s almost...
- 7/17/2020
- by Jessica Kiang
- Variety Film + TV
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