*full disclosure: an online screener of this film was provided by Terror Films. This critic has worked on publicity, for this film, in the past. Directors/writers: Danny Draven, Paul Davis, Ómar Örn Hauksson, Dean Hewison, Joel Morgan, Johannes Persson, Nicholas Peterson, Erlingur Thoroddsen, Rasmus Wassberg, Sam Dickson, Richard Falkner, Paul Fischer, Jacey Heldrich, Barry Jay, Brian McAuley, David Steenhoek, Aidee Walker. Patient Seven is a horror anthology, from at fifteen writers and directors. Short films, from around the world, make up this recent outing. Comprised of seven short films and one wraparound, there is a little something here for every horror fan. This film fan enjoyed Ómar Örn Hauksson's take on 28 Days Later (2002), with "Undying Love." These two films are very comparable in costume and shooting style. As well, "The Body," which practically begins the anthology, is especially well written, by Paul Fischer and Paul Davis. The comedic twist is a welcomed surprise.
- 10/13/2016
- by noreply@blogger.com (Michael Allen)
- 28 Days Later Analysis
Dailies is a round-up of essential film writing, news bits, videos, and other highlights from across the Internet. If you’d like to submit a piece for consideration, get in touch with us in the comments below or on Twitter at @TheFilmStage.
The software used by Studio Ghibli will be free and open source starting on March 26th, Wired reports.
Explore the symmetry and camera movement in Amélie:
RogerEbert.com‘s Steve Erickson on the current state of foreign-language film distribution:
There’s no end to the essays by baby-boomers recalling the golden age of art cinema from the ‘50s to the ‘70s, many of them proclaiming the death of the movies in the present day. I was born in 1972, so I missed out on personally experiencing this arthouse heyday; my earliest exposure to world cinema came in the late ‘80s, when its Us distribution was at an unprecedented nadir.
The software used by Studio Ghibli will be free and open source starting on March 26th, Wired reports.
Explore the symmetry and camera movement in Amélie:
RogerEbert.com‘s Steve Erickson on the current state of foreign-language film distribution:
There’s no end to the essays by baby-boomers recalling the golden age of art cinema from the ‘50s to the ‘70s, many of them proclaiming the death of the movies in the present day. I was born in 1972, so I missed out on personally experiencing this arthouse heyday; my earliest exposure to world cinema came in the late ‘80s, when its Us distribution was at an unprecedented nadir.
- 3/21/2016
- by TFS Staff
- The Film Stage
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.