From Namibian western to animated revenge thriller, from Bosnian family saga to a lesbian vampire breakup story, 10 upscale scripted TV projects were spotlighted at the Berlinale Series Market’s Co-Pro Series on Tuesday morning, representing “unique and bold choices with regard to genre and perspective, on top of great storytelling,” Martina Bleis, Head of the Berlinale Co-Production Market, observed before the presentation..
“This should attract buyers and co-producers now, and will surely convince discerning audiences once they have been made,”
With Oscar winner Simon Beaufoy joining climate change satire “S.O.L.,” created by late Ruth McCance, or Cannes-awarded director Aida Begić now focusing on “Mirrors,” it was a high-profile affair.
“This female family chronicle serves as a bridge between two centuries, two eras and two societies, shedding light on the hidden lives of Balkan women. Female secrets touch on taboos such as sexuality, violence and mental health. What would...
“This should attract buyers and co-producers now, and will surely convince discerning audiences once they have been made,”
With Oscar winner Simon Beaufoy joining climate change satire “S.O.L.,” created by late Ruth McCance, or Cannes-awarded director Aida Begić now focusing on “Mirrors,” it was a high-profile affair.
“This female family chronicle serves as a bridge between two centuries, two eras and two societies, shedding light on the hidden lives of Balkan women. Female secrets touch on taboos such as sexuality, violence and mental health. What would...
- 2/21/2024
- by Marta Balaga
- Variety Film + TV
The Golden Leopard Winner
In case of emergency call the ambulance, for it might bring you a different type of medical aid in the time of need neatly packed in bags, even if it comes with side-effects. One of such ambulance cars is “tunneling” its way through the opening scene of Ali Ahmadzadeh’s shockingly daring adrenaline- & drug infused Locarno contender “Critical Zone”, one of this year’s strongest international competition titles. A good deal of the film’s narrative is happening in a moving car which is the formative model adopted from some of the finest works of Abbas Kiarostami or Jafar Panahi, but almost everything else in it, visually- and content-wise writes a new chapter in the Iranian cinema.
The making of this movie heavily loaded with taboo-breaking content, and likewise its way to the world premiere was made possible only through the meticulous planning: development of different...
In case of emergency call the ambulance, for it might bring you a different type of medical aid in the time of need neatly packed in bags, even if it comes with side-effects. One of such ambulance cars is “tunneling” its way through the opening scene of Ali Ahmadzadeh’s shockingly daring adrenaline- & drug infused Locarno contender “Critical Zone”, one of this year’s strongest international competition titles. A good deal of the film’s narrative is happening in a moving car which is the formative model adopted from some of the finest works of Abbas Kiarostami or Jafar Panahi, but almost everything else in it, visually- and content-wise writes a new chapter in the Iranian cinema.
The making of this movie heavily loaded with taboo-breaking content, and likewise its way to the world premiere was made possible only through the meticulous planning: development of different...
- 8/12/2023
- by Marina D. Richter
- AsianMoviePulse
The hype is real: Ali Ahmadzadeh’s “Critical Zone” (“Mantagheye bohrani”) has picked up the top Golden Leopard at Locarno.
It has been a bumpy ride for the film, set in Tehran over the course of one lonely night and described by the fest as “a hymn to freedom and resistance.”
As reported by Variety, Iranian authorities have been pressuring Ahmadzadeh to pull it from the Swiss festival – arguing it was shot without permission – and with the director himself banned from leaving the country.
“Instead of actors, I worked with real people. In most situations, we had to hide the camera or find complicated tricks to work around the limitations. Making this film was a big rebellion. Showing it means an even bigger victory for us,” said Ahmadzadeh in a statement, with Locarno’s artistic director Giona A. Nazzaro calling for his release.
“It means a lot. Not only for Ali,...
It has been a bumpy ride for the film, set in Tehran over the course of one lonely night and described by the fest as “a hymn to freedom and resistance.”
As reported by Variety, Iranian authorities have been pressuring Ahmadzadeh to pull it from the Swiss festival – arguing it was shot without permission – and with the director himself banned from leaving the country.
“Instead of actors, I worked with real people. In most situations, we had to hide the camera or find complicated tricks to work around the limitations. Making this film was a big rebellion. Showing it means an even bigger victory for us,” said Ahmadzadeh in a statement, with Locarno’s artistic director Giona A. Nazzaro calling for his release.
“It means a lot. Not only for Ali,...
- 8/12/2023
- by Marta Balaga
- Variety Film + TV
Iranian filmmaker Ali Ahmadzadeh clinched the Golden Leopard in the main international competition of the 76th Locarno Film Festival with his latest feature Critical Zone (Mantagheye Bohrani).
Ahmadzadeh was not in attendance to receive the award as he is currently banned from leaving his native Iran. Last month, the country’s authorities summoned Ahmadzadeh to the Ministry of Security, where he was pressured to pull Critical Zone from Locarno’s official competition. The film’s international sales agent Luxbox Paris and the producer, Sina Ataeian Dena, also said they had received threatening emails and messages demanding the film be pulled from the fest.
The pic, described as “a hymn to freedom and resistance in Iran,” was shot without permission from authorities before recent protests started. The plot follows a man who drives through Tehran’s underworld with his dog, dealing drugs and healing troubled souls. Born in Tehran in 1986, Critical Zone...
Ahmadzadeh was not in attendance to receive the award as he is currently banned from leaving his native Iran. Last month, the country’s authorities summoned Ahmadzadeh to the Ministry of Security, where he was pressured to pull Critical Zone from Locarno’s official competition. The film’s international sales agent Luxbox Paris and the producer, Sina Ataeian Dena, also said they had received threatening emails and messages demanding the film be pulled from the fest.
The pic, described as “a hymn to freedom and resistance in Iran,” was shot without permission from authorities before recent protests started. The plot follows a man who drives through Tehran’s underworld with his dog, dealing drugs and healing troubled souls. Born in Tehran in 1986, Critical Zone...
- 8/12/2023
- by Zac Ntim
- Deadline Film + TV
Locarno’s artistic director calls for Iranian director to be able to travel to the festival with his film.
The Locarno Film Festival has expressed concern about the treatment by Iranian authorities of director Ali Ahmadzadeh, whose film Critical Zone plays in main competition at this year’s festival.
According to the film’s producer Sina Ataeian Dena and sales company Luxbox Films, Ahmadzadeh has faced pressure to pull the film from the festival, is being investigated by the security ministry and prevented from travelling to Locarno.
Luxbox Paris and Dena have also received threatening emails and messages demanding that...
The Locarno Film Festival has expressed concern about the treatment by Iranian authorities of director Ali Ahmadzadeh, whose film Critical Zone plays in main competition at this year’s festival.
According to the film’s producer Sina Ataeian Dena and sales company Luxbox Films, Ahmadzadeh has faced pressure to pull the film from the festival, is being investigated by the security ministry and prevented from travelling to Locarno.
Luxbox Paris and Dena have also received threatening emails and messages demanding that...
- 7/24/2023
- by Tim Dams
- ScreenDaily
Filmmaker Ali Ahmadzadeh is under pressure from Iranian authorities to pull his latest feature Critical Zone from Locarno’s Main Competition after he was summoned to the country’s Ministry of Security.
The pic, set to debut in Locarno, is described as “an artistic reflection on the anger and the rage of the young generation of Iranians” and was shot without the permission of authorities before recent protests started.
Ahmadzadeh was summoned to the Ministry following the announcement of Locarno’s Competition features on July 5. The film’s international sales agent Luxbox Paris and the producer, Sina Ataeian Dena, have also received threatening emails and messages demanding the film be pulled from the fest.
Dena said in a statement today that Ahmadzadeh is under frequent interrogation and harassment through text messages. He also said the director’s visa has been blocked and authorities have banned him from leaving the country...
The pic, set to debut in Locarno, is described as “an artistic reflection on the anger and the rage of the young generation of Iranians” and was shot without the permission of authorities before recent protests started.
Ahmadzadeh was summoned to the Ministry following the announcement of Locarno’s Competition features on July 5. The film’s international sales agent Luxbox Paris and the producer, Sina Ataeian Dena, have also received threatening emails and messages demanding the film be pulled from the fest.
Dena said in a statement today that Ahmadzadeh is under frequent interrogation and harassment through text messages. He also said the director’s visa has been blocked and authorities have banned him from leaving the country...
- 7/24/2023
- by Zac Ntim
- Deadline Film + TV
Ali Ahmadzadeh, director of Locarno competition title “Critical Zone,” is under threat from Iran’s ministry of security.
The film, shot without Iranian authorities’ permission before the “Woman, Life, Freedom” revolution in Iran, is billed as an artistic reflection on the anger and the rage of the young generation of Iranians.
“Guided by the voice of his Gps, Amir navigates the underworld districts of Tehran to comfort the troubled souls of the night,” reads the film’s description in the Locarno program.
“Instead of actors, I worked with real people. In most situations, we had to hide the camera or find complicated tricks to work around the limitations. Making this film was a big rebellion. Showing it means an even bigger victory for us,” Ahmadzadeh said in his director’s statement.
Ahmadzadeh has been under pressure from the security service to show them the film and pull it from Locarno,...
The film, shot without Iranian authorities’ permission before the “Woman, Life, Freedom” revolution in Iran, is billed as an artistic reflection on the anger and the rage of the young generation of Iranians.
“Guided by the voice of his Gps, Amir navigates the underworld districts of Tehran to comfort the troubled souls of the night,” reads the film’s description in the Locarno program.
“Instead of actors, I worked with real people. In most situations, we had to hide the camera or find complicated tricks to work around the limitations. Making this film was a big rebellion. Showing it means an even bigger victory for us,” Ahmadzadeh said in his director’s statement.
Ahmadzadeh has been under pressure from the security service to show them the film and pull it from Locarno,...
- 7/24/2023
- by Naman Ramachandran
- Variety Film + TV
Paris-based sales agent to launch film at Cannes market.
Paris-based Luxbox has boarded Ali Ahmadzadeh’s Iranian-German co-production Critical Zone, set in the underworld of Tehran, and will kick off sales at the upcoming Cannes market.
The Persian-language feature follows a man driving through Tehran’s underworld with his dog, dealing drugs and healing troubled souls.
Ahmadzadeh produces alongside Sina Ataeian Dena in co-production with Germany’s Counterintuitive film.
Ahmadzadeh made his feature debut in 2013 with Kami’s Party, followed by Atomic Heart that premiered in Berlin in 2014 and 2017’s Phenomenon (Padideh).
The filmmaker was arrested in Tehran last year...
Paris-based Luxbox has boarded Ali Ahmadzadeh’s Iranian-German co-production Critical Zone, set in the underworld of Tehran, and will kick off sales at the upcoming Cannes market.
The Persian-language feature follows a man driving through Tehran’s underworld with his dog, dealing drugs and healing troubled souls.
Ahmadzadeh produces alongside Sina Ataeian Dena in co-production with Germany’s Counterintuitive film.
Ahmadzadeh made his feature debut in 2013 with Kami’s Party, followed by Atomic Heart that premiered in Berlin in 2014 and 2017’s Phenomenon (Padideh).
The filmmaker was arrested in Tehran last year...
- 5/10/2023
- by Rebecca Leffler
- ScreenDaily
A lead up to the evening’s most perplexing event, was the switcheroo announcement crowning the top film of the festival first (Very Big Shot) and once that was out of the way, the big “move” from the jury was to make sure that everyone gets a trophy, and that no one wins second place (or it can be certainly read this way). During a time where the Paris events have still in public consciousness, the 15th edition will be looked back as one that unites. Unfortunately for me, there would be no after party and Todd Haynes’ Carol will have to wait as my battle with stomach demons continued. Here is the complete tally of the prizes. I wonder what airport security thought about the statute.
L’ÉTOILE D’Or – Le Grand Prix Du Festival
The Golden Star – Festival Grand Prize
Very Big Shot (Film kteer kbeer) de/by...
L’ÉTOILE D’Or – Le Grand Prix Du Festival
The Golden Star – Festival Grand Prize
Very Big Shot (Film kteer kbeer) de/by...
- 12/15/2015
- by Eric Lavallee
- IONCINEMA.com
Security people aside (I recognized one gentlemen who is part of my daily/yearly Cannes experience), part of the well-oiled machine of the fest is the entire PR personnel. The relaxed, non-rushed, non-competitive setting is a blessing for journalists — it means we’re fortunate to have dibs on all talent attending the fest. Among the folks that were part of the Canadian delegation, I was most interested in speaking to a pair of French Canadian talents who’ve reached far beyond the confines of Quebec.
The sit-downs took place in an epic lieu — the as far as the eye can see La Mamounia garden. I spoke with Oscar nominated War Witch (internationally known as Rebelle) helmer Kim Nguyen and C.R.A.Z.Y producer Pierre Even about their previous international successes and the immediate future. Prior to this, it was a stone’s throw away from my pad to...
The sit-downs took place in an epic lieu — the as far as the eye can see La Mamounia garden. I spoke with Oscar nominated War Witch (internationally known as Rebelle) helmer Kim Nguyen and C.R.A.Z.Y producer Pierre Even about their previous international successes and the immediate future. Prior to this, it was a stone’s throw away from my pad to...
- 12/15/2015
- by Eric Lavallee
- IONCINEMA.com
Francis Ford Coppola’s jury awards all other competition entries a jury prize.
The 15th Marrakech International Film Festival (Dec 04-12) saw jury president Francis Ford Coppola and his fellow jurors award all films in competition the event’s jury prize, apart from Lebanese-Qatari feature Very Big Shot, which won the Golden Star Festival Grand Prize.
Coppola announced the joint prize in a speech during the closing ceremony: “This year’s jury prize is for cinema itself,” said the director, adding that the decision was made by the “majority vote of the jury”.
In Jean Bou Chaaya’s Very Big Shot a small-time Lebanese drug-dealer slyly manipulates public opinion with the help of a filmmaker.
The best directing prize went to Gabriel Mascaro for his film Neon Bull.
Gunnar Jonsson snapped up the best actor prize for his performance in Virgin Mountain.
The best actress prize went to Galatea Bellugi for her performance in Guillaume Senez’s [link...
The 15th Marrakech International Film Festival (Dec 04-12) saw jury president Francis Ford Coppola and his fellow jurors award all films in competition the event’s jury prize, apart from Lebanese-Qatari feature Very Big Shot, which won the Golden Star Festival Grand Prize.
Coppola announced the joint prize in a speech during the closing ceremony: “This year’s jury prize is for cinema itself,” said the director, adding that the decision was made by the “majority vote of the jury”.
In Jean Bou Chaaya’s Very Big Shot a small-time Lebanese drug-dealer slyly manipulates public opinion with the help of a filmmaker.
The best directing prize went to Gabriel Mascaro for his film Neon Bull.
Gunnar Jonsson snapped up the best actor prize for his performance in Virgin Mountain.
The best actress prize went to Galatea Bellugi for her performance in Guillaume Senez’s [link...
- 12/14/2015
- ScreenDaily
Rarely do films highlight the nuances of a guarded society so efficiently that it, in turn, gives one a wholly new perspective on the culture of a country. Such is the case with Paradise, a fascinating and intimate examination of the Islamic lifestyle in Iran, specifically as seen in a school for young girls. The film tackles many controversial issues surrounding the religious obligations of women, who, according to the Quran, must follow strict rules about covering up their faces with a hijab in order to not be sexually desired in public places. This creates an atmosphere where women become subservient to their male counterparts while, in many circumstances, demeaning their social status as human beings. Paradise is not afraid to confront these religious archetypes head-on and provides a provocative insight into those who question their Islamic obligations.
In centering on Hanieh (Dorna Dibaj), a 25-year-old woman who recently lost...
In centering on Hanieh (Dorna Dibaj), a 25-year-old woman who recently lost...
- 12/9/2015
- by Raffi Asdourian
- The Film Stage
Screen reveals a slate of forthcoming projects from producers promoting movies at the Seville Film Festival
Iranian director Sina Ataeian Dena is to follow his successful drama Paradise, about a struggling teacher, with two more interconnected feature films about violence in Iranian society.
Dena is to collaborate with producers Yousef Panahi (brother of acclaimed director Jafar Panahi) and Amir Hamz at Bon Voyage Films on all three films.
The second, as yet untitled, film has already started shooting in Iran, although the team have had to do so discreetly.
“We are having to be very creative in our approach to avoid challenges when making these films, each of which will take a different artistic approach to violence in Iran,” explained Panahi. “There will be a crossover in certain scenes between the three movies.”
Dena, Panahi and Hamz also revealed plans to work on a feature length film project in Shanghai with a Chinese co-production partner.
“We would also...
Iranian director Sina Ataeian Dena is to follow his successful drama Paradise, about a struggling teacher, with two more interconnected feature films about violence in Iranian society.
Dena is to collaborate with producers Yousef Panahi (brother of acclaimed director Jafar Panahi) and Amir Hamz at Bon Voyage Films on all three films.
The second, as yet untitled, film has already started shooting in Iran, although the team have had to do so discreetly.
“We are having to be very creative in our approach to avoid challenges when making these films, each of which will take a different artistic approach to violence in Iran,” explained Panahi. “There will be a crossover in certain scenes between the three movies.”
Dena, Panahi and Hamz also revealed plans to work on a feature length film project in Shanghai with a Chinese co-production partner.
“We would also...
- 11/13/2015
- by chrisevans78@hotmail.co.uk (Chris Evans)
- ScreenDaily
The American Film Institute announced today the films that will screen in the World Cinema, Breakthrough, Midnight, Shorts and Cinema’s Legacy programs at AFI Fest 2015 presented by Audi.
AFI Fest will take place November 5 – 12, 2015, in the heart of Hollywood. Screenings, Galas and events will be held at the historic Tcl Chinese Theatre, the Tcl Chinese 6 Theatres, Dolby Theatre, the Lloyd E. Rigler Theatre at the Egyptian, the El Capitan Theatre and The Hollywood Roosevelt.
World Cinema showcases the most acclaimed international films of the year; Breakthrough highlights true discoveries of the programming process; Midnight selections will grip audiences with terror; and Cinema’s Legacy highlights classic movies and films about cinema. World Cinema and Breakthrough selections are among the films eligible for Audience Awards. Shorts selections are eligible for the Grand Jury Prize, which qualifies the winner for Academy Award®consideration. This year’s Shorts jury features filmmaker Janicza Bravo,...
AFI Fest will take place November 5 – 12, 2015, in the heart of Hollywood. Screenings, Galas and events will be held at the historic Tcl Chinese Theatre, the Tcl Chinese 6 Theatres, Dolby Theatre, the Lloyd E. Rigler Theatre at the Egyptian, the El Capitan Theatre and The Hollywood Roosevelt.
World Cinema showcases the most acclaimed international films of the year; Breakthrough highlights true discoveries of the programming process; Midnight selections will grip audiences with terror; and Cinema’s Legacy highlights classic movies and films about cinema. World Cinema and Breakthrough selections are among the films eligible for Audience Awards. Shorts selections are eligible for the Grand Jury Prize, which qualifies the winner for Academy Award®consideration. This year’s Shorts jury features filmmaker Janicza Bravo,...
- 10/22/2015
- by Melissa Thompson
- WeAreMovieGeeks.com
The festival will screen 146 films from 51 countries, and will honour Mohsen Makhmalbaf (pictured) with a five-film tribute.
Singapore International Film Festival (Nov 26 - Dec 6) has unveiled the full line-up for its 26th edition, comprising 146 films from 51 countries across 11 sections.
The festival will open with the international premiere of Cheng Yu-chieh and Lekal Sumi’s Panay and for the first time will do without a closing film.
The winner of the newly created audience choice award as well as the best film from the Silver Screen Awards will have repeat screenings on the last day of the festival instead.
‘We’re ending the festival in a different way, celebrating with two winning films,’ said Sgiff executive director Yuni Hadi, who splits the programming duties with festival director Zhang Wenjie.
A total of 10 Asian films will vye for the Silver Screen Awards. They are:
Black Hen, Min Bahadur BhamDirty Romance, Lee Sang-wooThe Fourth Direction, Gurvinder SinghHappy...
Singapore International Film Festival (Nov 26 - Dec 6) has unveiled the full line-up for its 26th edition, comprising 146 films from 51 countries across 11 sections.
The festival will open with the international premiere of Cheng Yu-chieh and Lekal Sumi’s Panay and for the first time will do without a closing film.
The winner of the newly created audience choice award as well as the best film from the Silver Screen Awards will have repeat screenings on the last day of the festival instead.
‘We’re ending the festival in a different way, celebrating with two winning films,’ said Sgiff executive director Yuni Hadi, who splits the programming duties with festival director Zhang Wenjie.
A total of 10 Asian films will vye for the Silver Screen Awards. They are:
Black Hen, Min Bahadur BhamDirty Romance, Lee Sang-wooThe Fourth Direction, Gurvinder SinghHappy...
- 10/20/2015
- ScreenDaily
Tom Sommerlatte’s debut Summers Downstairs (Im Sommer wohnt er unten) was picked by the audience at this year’s Oldenburg International Film Festival (Sep 16-20) for the German Independence Award.
The French-German co-production, handled internationally by Arri Worldsales, premiered in the Berlinale’s Perspektive Deutsches Kino sidebar in February, won Best Feature Film at the Achtung Berlin! festival in April, and was the opening film of Filmfest Schwerin in May.
There were double honours for Sommerlatte at the closing night gala on Sunday (Sep 20) when the nomination jury for the European Film Awards’ European Discovery - Prix Fipresci announced that Summers Downstairs had been chosen as one of five finalists.
The Seymour Cassel Award - in honour of one of Oldenburg’s aficianados - was shared this year for the first time between two actors: actress Sarah Silverman for her performance in I Smile Back and former European Shooting Star Nikola Rakočević for his role in...
The French-German co-production, handled internationally by Arri Worldsales, premiered in the Berlinale’s Perspektive Deutsches Kino sidebar in February, won Best Feature Film at the Achtung Berlin! festival in April, and was the opening film of Filmfest Schwerin in May.
There were double honours for Sommerlatte at the closing night gala on Sunday (Sep 20) when the nomination jury for the European Film Awards’ European Discovery - Prix Fipresci announced that Summers Downstairs had been chosen as one of five finalists.
The Seymour Cassel Award - in honour of one of Oldenburg’s aficianados - was shared this year for the first time between two actors: actress Sarah Silverman for her performance in I Smile Back and former European Shooting Star Nikola Rakočević for his role in...
- 9/21/2015
- by screen.berlin@googlemail.com (Martin Blaney)
- ScreenDaily
The Golden Leopard of Locarno Film Festival’s 68th edition went to Right Now, Wrong Then by South Korea’s Hong Sang-soo.Scroll down for full list of winners
The top award comes two years after Sang-soo picked up the Leopard for Best Direction for his previous feature, Our Sunhi.
A previous winner of Locarno’s top award from South Korea was Bae Yong-kyun for Why Has Bodhi-Dharma Left for the East? (Dalmaga dongjogeuro gan kkadalgeun) in 1989.
Right Now, Wrong Then – which is handled internaitonally by Fine Cut - also received the Best Actor Leopard for Jung Jae-Young and a Special Mention from the Ecumenical Jury.
The International Jury – which included German actor Udo Kier, Israeli filmmaker Nadiv Lapid and veteran Us director Jerry Schatzberg awarded its Special Jury Prize to Avishai Sivan for Tikkun, and the Leopard for Best Direction to the veteran Polish director Andrzej Zulawski for Cosmos, his first film...
The top award comes two years after Sang-soo picked up the Leopard for Best Direction for his previous feature, Our Sunhi.
A previous winner of Locarno’s top award from South Korea was Bae Yong-kyun for Why Has Bodhi-Dharma Left for the East? (Dalmaga dongjogeuro gan kkadalgeun) in 1989.
Right Now, Wrong Then – which is handled internaitonally by Fine Cut - also received the Best Actor Leopard for Jung Jae-Young and a Special Mention from the Ecumenical Jury.
The International Jury – which included German actor Udo Kier, Israeli filmmaker Nadiv Lapid and veteran Us director Jerry Schatzberg awarded its Special Jury Prize to Avishai Sivan for Tikkun, and the Leopard for Best Direction to the veteran Polish director Andrzej Zulawski for Cosmos, his first film...
- 8/15/2015
- by screen.berlin@googlemail.com (Martin Blaney)
- ScreenDaily
We're gathering reviews and dispatches from the 68th edition of the Locarno Film Festival and have notes on, for example, Josh Mond's James White, Sina Ataeian Dena's Paradise, Akiz's Der Nachtmahr, Igor Drljaca's The Waiting Room, Guillaume Senez's Keeper, Catherine Corsini's La Belle Saison, Barbet Schroeder’s Amnesia, Lionel Baier's La Vanité, Lars Kraume's Der Staat gegen Fritz Bauer, Alex van Warmerdam's Schneider vs. Bax, Pascal Magontier’s The Final Passage, films by Sam Peckinpah, Marlen Khutsiev and many more. » - David Hudson...
- 8/9/2015
- Fandor: Keyframe
We're gathering reviews and dispatches from the 68th edition of the Locarno Film Festival and have notes on, for example, Josh Mond's James White, Sina Ataeian Dena's Paradise, Akiz's Der Nachtmahr, Igor Drljaca's The Waiting Room, Guillaume Senez's Keeper, Catherine Corsini's La Belle Saison, Barbet Schroeder’s Amnesia, Lionel Baier's La Vanité, Lars Kraume's Der Staat gegen Fritz Bauer, Alex van Warmerdam's Schneider vs. Bax, Pascal Magontier’s The Final Passage, films by Sam Peckinpah, Marlen Khutsiev and many more. » - David Hudson...
- 8/9/2015
- Keyframe
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